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 Posted: Wed May 09, 2012 9:32 pm
Character Announcements/Updates
Table of Contents
Table of Contents
Basic Information
Name
(All relevant names, including titles and nicknames.)
Age
(Actual age, appearance age, and birthday.)
Appearance
(Body type, size, weight, wardrobe, markings, and accessories.)
Personality
(Sexual orientation, goals, fears, mannerisms, habits, and hobbies.)
Relationships
(Relatives, friends, rivals, and miscellaneous relationships.)
Position
(Affiliation, squad, and rank.)
Zanpakutou Information
Sealed
(Name, appearance, spirit, inner world.)
Shikai
(Name, appearance, abilities, attacks.)
Bankai
(Name, appearance, abilities, attacks.)
Combat Information
Reiryoku
(A brief overview and detailed explanation of her power seal.)
Zankensoki
(Hohō, Hakuda, Zanjutsu, Kidō.)
Unique/Personal Abilities
(Strength, balance, sight.)
Shinigami-Specific Abilities
(Longevity, Durability, Konsō, Hollow Cleansing.)
Combative Spells List
(Hadō, Bakudō, Seals.)
Biography
Miscellaneous Information
Post Format
(Appearance and coding.)
Character Art
(N/A)
Important Links
(Training threads, battles, frequented threads, and current thread.)
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Posted: Wed May 09, 2012 9:33 pm
Basic Information
Names
Full Name: Sazagishi Kuroyanagi(黒柳, Black Willow)
Common Name:
Saza(-chan by very close friends, everyone else gets assaulted if they try it.)
Sacchan(by her zanpakutō)
Famous Name: Ken(拳, The Fist) - there is no magical, beautiful ring to this name. It is short and functional and represents her core feelings; that everything can be solved with a fist. She is the foremost user of Hakuda and wears it proudly.
Aging
Age: 893
Appears: 27-30
Birthday: April 19th, ????(I don't know what year it is, IC.)
Physical
Gender: Female
Ethnicity: Asian
Height: 4'10" /
Weight: 99 lbs /
Appearance: Saza is teeny tiny. No one ever expects much from her, because she seems so small. She has proportionally small limbs but operates under the mis-perception that she has an unnaturally large head. In truth, Saza's head is very normal. Her hands are petite, exactly the opposite of what one might expect for a fighter of her specialization. Saza's limbs, while being small, doll-like, are also, in proportion to her body, long. No one ever expects it, but this added length gives her a surprising combat boost, allowing her to close seemingly large gaps to connect with her opponent. The reason this reach is so surprising is that Saza carries her arms close to her on a normal basis; she does not swing them about. As an additional trait, because she is usually so much smaller than others, very few ever see her legs at full length, for they are so far below their gaze.
Saza has large eyes that she customarily narrows into a squint. When opened properly, they draw into points at the corners and flare outward about the edges. The outer corners draw upward while the inner corners curve ever-so-slightly downward, like a lynx. They are an intensely orange color, like fire-brilliant spheres and have a tendency to glow to others' perception. Unexpectedly, her pupils are also unnaturally formed. They are ovaline and horizontal, along their length. The formation is very similar to a frog or squid and other similar life forms.
Saza's hair is a livid black which is so dark it is incapable of shining. A short, wiry cap falls haphazardly about the region of her chin, creating bangs which flop over her forehead primarily on the left side of her face. From under this bristling cap of hair, two thick cloth-wrapped hanks snake out and fall over her shoulders and chest. They are easily the circumference of a quarter and wrapped in a vivid orange cloth to match her eyes.
While her eyes are large, so is her mouth. Saza is always baring her teeth in the wild machismo she calls a grin. It is fierce, it is the expression of one with the idea to take the whole world out. Saza's first greeting is almost always the jauntily forward expressions produced by her big mouth, one that she is intensely proud of. She has white, perfect teeth, thanks to the ministrations of the Jūnibantai, and takes a lot of time to care for them. Her lips are thin, but not unnattractively or to an extreme degree. When closed, her mouth creates a somewhat thin line to split her face in seeming distaste.
Unlike her mouth and eyes, the woman's nose is small, petite. It has a short bridge to fit her square face and ends in a rounded bulb which is slightly upturned. The tip of her nose pops from her face, as if to say "here I am, love me!" It serves a reference point in her expressions and keeps her mouth from looking too thin or wide. Saza seems to have a remarkably acute level of control over her nose and all of her facial muscles in general.
As an aside, the woman's skin is a very exotic tan, deep and rich.
Markings: Saza has tattoos out the wazoo. Or maybe it's just one big tattoo. Irregardless, there is a pattern of spots which covers her entire body. It stems from scalp to toenail, and everything in between. The most notable parts of this body tattoo are about her temples and cheeks and along her arms. Along the side of her face, these dark spots fan in lazy order. The farther inward they go, the smaller and lighter they become, while the farther outward they go, or, as they grow in proximity to the edge of her face, the darker and larger they become. The same is true along her back, arms and legs with a clear stripe running along her spine and notably thick-set clusters running upon the back of her arms. The pattern is also apparent upon the outside of Saza's legs. Interesting enough, the spots ring thickly about her wrists and ankles and on both her hands, the pattern runs in notable lines along the back over her fingers and the palm bones that connect to them. the same holds for her feet, creating five lines on each of her extremities. The dots never exceed the width of a common graphite pencil's eraser.
Sara has other tattoos and a few scars. The other tattoos are mainly words written on her finger knuckles. On the first set of knuckles, on the right hand is the phrase 虎牙第一. On the second set of knuckles on the same hand is the word 虎牙第三. On the left hand the first set of knuckles say 虎牙第二, while the second set say 虎牙第四.
Extending vertically through both lids of her left eye is a thin, straight scar from a dangerously close call that occurred many years prior. It has begun to fade and, with the help of Saza's tan skin, it is considerably less easy to make out.
Wardrobe: As can be expected of one so flamboyant, the shihakushō customarily worn by shinigami was unacceptable. Rather than wear that depressing thing, Saza proudly took to wearing a revised outfit consisting of a red hakama with a low, wide crotch seated far closer to the ground than her own, and gathered about the ankles, creating a tented, shapeless garment. Loosely secured about her torso is a black, sleeveless kosode trimmed in orange and tucked into her hakama. Her obi is thin and long, no more than a glorified scarf and colored black about the middle and white about the ends. Along its length, the color of the cloth is amorphous, sweeping from black to red to orange to yellow to white in smooth form.
While she dislikes the shihakushō, she wears an altered Captain's haori. It is sleeveless to match her kosode, and trimmed in orange. It is worn over her other clothes belt and so is loosely secured with a small reinforced gold chain which is embedded in the cloth at about the bottom of her rib cage. Due to the cut and style of the robe, the chain hangs loosely and is secured with a light clasp mechanism specifically designed to be easy for Saza to throw when she really needs to shrug off excess weight. When viewed from behind, one can note that the coat is split into twin tails in a vaguely western style.
She typically opts out of using shoes, as they do nothing for her thick rough feet. Immediately following her admittance into the Academy, Saza wore shoes everywhere, viewing it as a sign of her status. After about twenty years, though, the novelty wore off. See accessories for her current form of footwear.
Accessories:
Sandals: Because Saza is occasionally required to show the grace of a guest and because not all ground can be smooth enough for her bare feet to handle, she keeps a pair of light wooden wedge sandals tied with a length of thin cloth bandage to her belt. That way at a moment's notice, she may untie them, or snap the bandage if she's in a hurry.
Bandages: Saza keeps a thick roll of bandages slid onto her belt on the right side, hidden by her haori. She uses this roll when administering emergency medical aid on the field, whenever she needs to re-wrap her fists and feet, and whenever she needs to tie something to her belt. The third event is typically most common and prevails in existence and necessity because Saza doesn't have pockets.
Piercings: Where to start? There are three gold studs on the upper curve of her left earlobe and two on the left. On the outer edge of the left ear is a wide lube-like piercing which punches a slat through the cartilaginous flesh. The soft silver is embossed with a raised word in kanji: タコ("tako," meaning octopus).
Jug: Saza has a pewter jug with a cork stopper that she often carries around with her while not on active duty. The jug has a wide, round, barrel-like body which conically tapers into its thin neck. On one side of the jug is a circular ring which arguably passes for a handle and a place to tie it to her belt. On the face of the jug are four thick bold capital X's painted in black ink. The whole thing is reminiscent to the jugs formerly used by pirates for their booze. Saza uses it for her specially brewed, super-strong sake.
(For a general idea of it's shape, click here.)
Cigarettes/Tin/Lighter: Because alcohol isn't her only addiction, Saza keeps at least one simple flip-top lighter and at least one box of cigarettes tucked in the folds of her kosode. She chain-smokes often, and is usually only seen without a cigarette pinched in the corner of her mouth while drinking simply because alcohol is highly flammable. Saza loses her lighter fairly often because her clothes are so loose, so she's taken to stockpiling them and keeping a few boxes on her. You won't want to see her without smokes.
Knuckle Gloves: Saza wears a fair of functional, knuckle-less, finger-less gloves. They are mainly flat black with orange stitch work and were designed for her two-hundredth birthday by a friend over in the Gijutsukaihatsu Kyoku(技術開発局, Shinigami Research and Development Institute). They are specifically designed for her reiryoku meaning Saza alone can use them to their full capacity. The primary function and original intended purpose of the gloves was to create a safe way for Saza to use her custom Kidō, Gomu-dan. To do so, the gloves promote a healthy flow of energy, directing that energy to pressure points, and wrapping it protectively around the flesh. By doing so, one can cushion the effects of catching the Kidō and essentially control it.
When properly activated, each glove has a secondary ability. The right glove is embossed with a Konsō(魂葬, Soul Burial) seal which only functions because a great deal of her power is tied into her hands, even her zanpakutō's power is connected. This became a necessary development because both ends of Saza's zanpakutō sport elaborately detailed copper end caps. The left hand glove sports a skull symbol used to force a soul from a body. Thus her gloves become incredibly useful on her frequent trips to the Living World.
Sunglasses: Saza hides her eyes a great deal behind these specially reinforced sunglasses which are created from a highly durable micro-constructed fiberglass rod reinforced with a titanium alloy. These rods are joined together and form a pair of sunglasses that are many times stronger than the titanium that reinforces them, thus making them nearly impossible to break. The sunglasses themselves are large, with bright red frames and yellow-gold reflective lenses that shy a little towards reds and oranges depending on the light. They are wraparounds with one lens which rests on the nose and is thus slightly cleaved.
Psychological
Sexuality: Heterosexual
Overview: Three things are true about Saza; one, she is exceedingly difficult not to notice. Two, she seems to have no definitive understanding of peculiarity, particularly her own. And, three, she is the type of amicably volatile person whom manages to make everything hurt. Literally.
She has a gung-ho pro-violence attitude and the type of abandon that allows her to mimic and mock others, belittle them, or beat the ever-livin' crap out of them without remorse. This is true primarily because, irregardless of the circumstance, Saza is always out to have fun and never seriously tries to harm or upset anyone. In fact, her teasing is typically carried out in the manner of a drunken elder sister, and partially aimed at herself, as well. When people do put up a fuss, Saza typically tells them to lighten up and pats them enthusiastically on the back with her monstrous strength.
She is often spotted with a very large pewter jug which she often drunkenly refers to as her best friend and true love. Saza abuses alcohol as a matter of course, though never while actively on the job. She has a sixth sense for impending danger and uses it when decided when to open her alcohol closet. Yes, closet. It's not entirely certain why she drinks so heavily, and Saza doesn't actively try to understand it.
Just like her jug, Saza has another fast friend in her cigarettes. She chain-smokes to such an alarming degree that she often keeps multiple boxes of cigarettes and lighters on her person to be sure she never runs out. Like most long-time smokers, Saza entertains the habit to relieve building stress. She is almost always seen with a lit cigarette, implying she is constantly feeling stress, or constantly mellowed out. When she hasn't smoked for more than one waking hour, Saza's entire mentality changes and she becomes abrasive and destructive, often viewing others as inferior or at counter-efforts to her own. Friends become her enemies in this state and she becomes scary to be around.
Many consider the woman to be very simple-minded. She is constantly jovial and chipper, even when sloppy drunk or in pain. She maintains a positive and unswervingly reliant attitude. Outwardly, Saza is intensely zen; at peace with herself and surroundings. It is only the core of despair, at the edge of her life, that she admits to insecurity and fallibility.
She typically rarely shows openly hostile or antagonistic qualities of anyone, but these people exist on all sides of the political spectrum and she characteristically dubs them "ugly." The traits of these people are typically ugly, such as greed, or lust, and typically they play the direct inverse of herself in some way or another. Saza cannot stand people who seem to intrinsically disagree with her very open-minded views. Thus why she refers to them as being ugly.
Values: Saza loves a good brawl. By her reckoning, life's too short not to fight at least once a day and any and all physical encounters count towards this quota. She seems to put emphasis and value on strength but not always her own. Anyone whom shows an impressive quantity of strength, whether physical, emotional, or psychological will earn her appreciation and often her respect.
As if in direct counter-point to the former, Saza is also unphased by defeat. It is her mind's working that to have the courage to live to the next day to train a little harder is a form of strength and grace. She counts her blessings as they are handed to her but does not let minor frailties run her life. The only measurable reaction she will have to a defeat is to get on her feet, walk to the training ground, and go through a slightly more vigorous exercise regimen.
Likewise, Saza views retreat as an exercise of emotional strength. Being able to understand one's weakness and further being able to curb one's desire to fight your last in favor of living on to keep fighting, is honorable. Retreat, for the sake of fear, however, is disgraceful.
Saza's own code of chivalry is very simple and marks the core of her ideals. She believes in her god-given power, she is proud and self-confident and thoroughly knows her limits. She knows unequivocally that she was given the power and opportunity to hone it to further serve others. She views herself as the mighty sword and shield of the people and holds great stock in this. Her focus, as a shinigami, is to directly support this view. And so, Saza loves her job, she loves the people this job introduces her to, and she loves the people this jobs bids her defend.
Interestingly, Saza also holds a lot of value in the traditional order of chivalry in which men are courteous, respectful and eager to help women. When a man is addressing her with respect or aiding her in her job, she will often tease him to the effect of speculating that it is because he is chivalrous and she a lady.
Intellect: Surprisingly, Saza is highly intelligent. She has unorthodox knowledge, but what she knows often surprises others. For example, she has a masterful understanding of the brewing of spirits as she has successfully brewed her own for several hundred years. She also has a secondary life-long goal to find her ideal perfect sake.
Saza also has a working understanding of both entry-level physics, intermediate-level anatomy, and a highly functional grasp of tactical maneuvers and war methods. She has used this deadly combination time and again to create highly powerful abilities and branches of hakuda.
What people typically don't understand until she uses her zanpakutou seriously, is that Saza also has an extensive knowledge base of the animal phyla Cephalopoda and the mechanics of water and various poisons.
Habits: The deadliest of the shrimpy woman's habits are binge-drinking and chain-smoking. She seems to have a strong enemy in addiction and self-control. As a nervous tic, she bites her nails and paces, especially when agitated such as when she is feeling withdrawals.
Fighting: The Captain-class fighter is arguably the foremost practitioner of hakuda with little contest. Her style of fighting relies primarily on hakuda and advanced Hohō techniques to pull off. Saza has a high-maintenance and energetic fighting style that sends her rip-roaring all over the place in a battle. She has the capacity to maintain complex close-range combat at elevated speeds for long periods of time and gives no quarter. Her style is best described as the manic dance of a monkey on crack and she does nothing to discourage this.
Saza will typically prolong the use of her zanpakutō as anything more than a normal blade. She dislikes using her zanpakutō because "Hachi Senshi is my best friend. It's a part of me, and I it. Would you send your best friend out for a beating?" Surprisingly, she is a very capable swordswoman but is a poor practitioner of the effective use of Kidō.
Preferences: Her favorite animals are the Cuttlefish and the Mantis Shrimp due to their capability to cloak themselves in iridescent displays as well as to masterfully camouflage themselves, their knack for survival, and their incredibly fast weapons. The Cuttlefish has a pair of extra-long tentacle-like limbs which it hides until the moment is right to slam them out and stun its prey. Meanwhile, the Mantis Shrimp has a set of specialized forelimbs which have a hammer with which to stun their prey, and a pin with which to stick it. The Mantis Shrimp has the fastest strike in the animal kingdom.
Her favorite drinks are, in order of preference, sake, rum, tequila, vodka, orange juice, Dr. Pepper, and green tea. Almost any cocktail mix of those listed is heartily met with approval. Her favorite foods are salmon, preferably raw, although she is impartial, takoyaki, salami, and peaches. Actually, scratch that. Saza has a hunger for fish of all kinds that cannot be ignored.
Insecurities: Saza very rarely shows signs of insecurity or instability. She is on most occasions very confident. In the rare moments where she breaks down, it's possible to come to understand her even more.
She seems to be afraid of her own power on a very deep sublevel of her consciousness. It's not a fear best put into words because even she doesn't fully understand it or even know of it, not consciously. While she loves her zanpakutō emphatically, she doesn't seem to be able to come to full terms with her power, and actively tries to avoid unleashing it.
Another insecurity she has is a fear of repeating past mistakes. This is a general fear and mantra of hers. It's a life-code she lives by. All sorts of things set it off; being a heavy drinker like her father who died for belligerence, misleading her squad as she had been misled many years ago. The list goes on, but the core issues are all relevant.
The final insecurity she has is her own appearance. She is painfully shy when it comes to showing her eyes in general as she knows it has severely adverse affects on other humans. She hides this characteristic defect zealously behind sunglasses and squints or half-lids her eyes when she can't find them.
Theme(s):
Relationships:
Family: Saza never talks about her family. When asked, she usually makes up a handful of minor noncommittal lies that no one will remember and points the question elsewhere.
Unknown(Father) - Plus - [Deceased]: Before Saza was born, he went out drinking and got into a fight. Being the ever-belligerent drunk that her mother said he had always been, he opened his fat mouth and only managed to make it worse. In the end that idiocy killed him. He chose her name while enthusiastically anticipating a son; he couldn't know her gender prematurely in such a poor district.
Saza has little in the way to think or feel regarding her father. She never knew him, and resents him for her ridiculous name.
Unknown(Mother) - Plus - [Deceased]: Saza's mother died when she was physically just a child, during a riot in the district. She always told her daughter that she had very special places to go, and encouraged her to enroll in the academy. The woman wasn't a fool, she knew her daughter had power. Growing up, Saza spent much of her time helping her mother make money doing odd jobs and chores. This money helped feed the unexpectedly hungry daughter, and a small percentage would go into a single batch of cookies made by Saza's mother on Saza's birthday. She has fond memories of this traditional way of celebrating.
On occasion, Saza will reflect on events or her own actions and ponder the projected advice of her mother. She seems to care greatly about doing well by her mother's memory.
Anko Tsugetsa(Daughter) - Shinigami(?) - [Active]: Saza loves her daughter, to the point of excess. She is intensely proud of her and seemingly at ease with the notion of having a living relative. Whenever she can sneak some time with her daughter, she makes a point to, often shirking her responsibilities in the process. Anko was born just prior to her mother's promotion to a Captaincy, and it's partially due to her birth that Saza waited so long to take the spot. Between the two of them, there are very profound secrets, which in the wrong ears could spell disaster for both. Saza is very fond of engaging in sparring matches with her daughter and prefers to fight alongside her whenever their work brings them together. One thing Saza also seems to enjoy is teasing her daughter, particularly about her childhood, as she often finds the resulting outbursts endearing.
Saza and Anko have one steadfast tradition that Saza has invested some effort in maintaining-it's possibly the only thing she has ever been outright strict about-every year, on the anniversary of Anko's grandmother's death, Saza and her daughter will make the cookies her mother would save up to make on her own birthday. They usually proceed to eat most and give soem away, but they each leave a cookie at the grave site.
Friends:
Chiyo Amaya - Water Elemental - [Active]: Chiyo is the hybrid water elemental born from a sealing ceremony performed by humans, and is thus half human herself. Saza happened across her while visiting the living world under top-secret orders, during a full-scale attack. Saza defended the girl and then gradually over the next decade she proceeded to teach the elemental more about control. Through training and other "play dates" the two became fast friends. After hearing her young friend's desire to unite her kind, Saza entertains the secret design to ally the Gotei 13 and the elementals through Chiyo. Aside from political reasons, the two share a common interest in aquatics and Saza serves to cheer up the sometimes reserved Chiyo.
Leere Seshiro - Fullbringer - [Active]: Leere and Saza have a peculiar relationship. The latter often visits the former on days off and passes information along about the political structures of the world. It seems that Saza has found a kindred spirit in Leere and that the former shinigami has an understanding of her peculiar viewpoints. They both have a tendency to wear obstructive eyewear and wax soporific on the most obscure things, but their mutual positivism makes for a great basis to their friendship.
Raine Shiba - Shinigami - [Active]: Saza has a long-standing friendship with Raine. She finds the man charming and is typically a bit beside herself when interracting with him. Nevermind the fact that he is barely older than her own daughter, he is a friend she has shared a number of experiences with, and, for whatever reason, she views him as an equal. Saza seems to find a great deal of fun in teasing him and will on occasion ask him to teach her how to play a game or perform some of the more artistic acts he does. She has purportedly helped him in the past to take care of his infant son, Tsukiya, and seems to have a pleasant relationship with both Kuukaku and Ganju.
[Open, only need to ask.]
Rivals:
High Clark - Arrancar - [Active]: High Clark is quite possibly Saza's greatest foe. She blames him, in part, for a great number of things, stemming directly from the moment he killed the father of her child. Saza's greatest goal is to run High through with her own zanpakutou in a killing blow, as she believes the effort will allow Domon to pass on.
Zephiel Villareal - Arrancar - [Active]: [INC.]
[Open, only need to ask.]
Misc.:
Domon Tsugetsa - Arrancar - [Deceased]: Domon and Saza were and still are a lot of things to one another; lovers, rivals, and even friends in a tentative way. They met more than three centuries prior to the current story line and duty called them both to oppose one another. At the time, neither really considered a relationship that wasn't purely antagonistic. But through repeated encounters and ridiculous circumstances, they somehow ended up as an unexpected couple. Of course, this change didn't come without some dangers, such as discovery, and possible betrayal by one another, but it was not the Gotei 13, or even the actions of the participants that broke the tryst apart. It was the actions of a power-hungry arrancar, whom challenged and then killed Domon, that ended things.
The relationship was an unexpected, or imbalanced one. They had a constant contest to see who could derail each other the most with insults and blatantly inappropriate comments. They were often seen arguing or even outright attacking one another, and they knew each other biblically, as made apparent by the extensive damage wrought to whatever location they were both in, without prying eyes. Not only that, but a daughter came from the relationship. Despite the doubtless angry sex, next to nothing is known about the dynamic of the relationship. There may have been more normal touches, where they weren't trying to kill one another, or where actual affection was apparent, but no one can say for sure. If there was, it was all kept excruciatingly quiet.
[Alternate Universe] Domon Tsugetsa - Shinigami - [Active]: [INC.]
Position
Affiliation:
Soul Society(尸魂界 (ソウル・ソサエティ), Spirit World)
Sereitei(瀞霊廷, Court of Pure Souls)
Gotei 13(護廷十三隊, Goteijūsantai; 13 Division Imperial Guards, 13 Court Guard Squads)
Nanabantai(七番隊, Seventh Division, Squad Seven)
Occupation:
Shinigami(死神, Soul Reaper, Death God)
Division:
Rank:
Taichō(隊長, Captain, Unit Commander)
Former Positions:
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Posted: Wed May 09, 2012 9:35 pm
Zanpakutō Information
Sealed
Zanpakutō Name: Hachi Senshi(八戦士, Eight Warriors)
Zanpakutō Sealed Description: Hachi Senshi has a full length of 40.6 in. (103 cm.), 28.7 in. (73 cm.) of which belong to the blade alone, and 10.6 in. (27 cm.) belong to the tsuka(handle). The blade is forged in traditional fashion of high-grade AISI 1095 carbon steel, and the ha(edge) is tempered with hard clay. The blade has an irregular waving pattern along the ha, and two blood grooves, one on either flat. The tsuka is constructed of fine hardwood, wrapped in genuine treated ray skin, carefully wrapped with refined high-grade silk, and tipped with an elegantly crafted octopus-embossed copper fuchi-kashira(end cap). The blade is easily taken apart for maintainence and show placement. The tsuba(guard) of the blade is made of oxidized copper and begins with a copper blade collar, ending in a copper fitting showing leaves in relief. The main piece of the tsuba is exquisitely hand-crafted and depicts two octopi with their limbs splayed and intertwined in a rough approximation of a circle. The saya(scabbard) is crafted of fine hardwood which is lacquered using a colorized finishing product. In certain lights, it is mottled all colors and hues of the rainbow. To finish off the saya is a black silk sage-o(wrapped cord ornament) to match the wrapping of the tsuka.
Zanpakutō Spirit: The spirit of Hachi Senshi is an exquisite creature; an octopus! He is a member of a deep ocean-dwelling species which sports a lovely coloring of neon flashes of blue all over its body. His primary colors are a gradient blend of rose and brilliant gold with black bands ringing about and down each arm. Similarly dark splotches pattern his body while additional colors in glowing neon provide a unique pseudo-structure for his color scheme. Hachi Senshi seems to be capable of altering his size at whim while in Saza's inner world. He has three general sizes; the size of a baseball, the size of a golden retriever, and well over three basketball courts in size. He has the same kind of eyes as Saza but instead of being orange, they are yellow. Because of this, he is the only person willingly opens her eyes fully for.
Saza and Hachi Senshi have an immensely close relationship. They are best friends and love eachother very much. They completely understand that they are one and the same, and embrace it. They are so close that they often think and act as one, and Saza visits her zanpakutō every night to sit, relax, and chat all night. This is done in her dreams and has become a reflex action which she cannot help. Since this habit developed, Saza has rarely had nightmares. The reason is Hachi Senshi whom shields her from her own agonizing subconscious.
When they visit, they catch up with one another and often Hachi Senshi will switch to his full size for her to lay on or against. Oddly enough, they only seem to need eachother's company. Its the only time where Saza doesn't simply need a smoke or drink. They can both sit for hours musing about anything and everything, or simply spend the time I silence. Back when she was training for Bankai, they even used to fight one another.
They are truly the ultimate team; Saza calls Hachi Senshi "Hacchan" and Hachi Senshi calls Saza "Sacchan."
Inner World: Her inner world is meant to be a place of euphoria, but the sort that sets your teeth on edge with eldritch improbability. It is too wonderful. It is eerie and slowly grows on the nerves, pressuring one towards panic. It seems that Saza has formed an indifference to this effect, though visitors tend to experience it strongly.
Physically, it is dark, it is warm, and it is fragrant, oddly enough. The environment exists under an ambient atmosphere, like a warm summer night. The Inner World appears to be an endless field of the softest grass-like a pet's fur. There are no landmarks or additional features to this field, bar one.
A tall, proud oak stands firm in the empty field, always towering over Hachi Senshi, regardless of his size. It possesses curving and swooping branches that form an arching canopy. From within this canopy, sunlight streams down, while around the edges and from the side you can clearly see it is night. This sunlight is not vivid, nor does it slash through the dark and sear the retina; it is soft, it is scattered and broken and dances in a nonexistent breeze. The trunk of the tree is twisted and bent and sheathed in black bark which possesses a faint sheen. Midway up the trunk is a hollow which, no matter what she tries, whether her normal size or by standing on Hachi Senshi at his greatest size, Saza can only barely get to. It is dark and ominous and Hachi Senshi always stopped her from sticking her hand in, until one day she caught a whisper from within. Turning her ear and holding it close, she discovered a faint flurry of whispers. As they became more understandable, the color drained from her face and she balked, falling right off Hachi Senshi. He caught her, of course, but she has never tried to approach it again.
The sky itself is a myriad of tiny pinpoints of light, more stars than Saza has ever seen in one night sky. It possesses both the northern and southern hemisphere's star systems. There is no moon.
According to Hachi Senshi, Saza's inner world goes through a day and night cycle, just as she does in the real world, however the night begins when she falls asleep and the day begins when she wakes up. Saza has never seen her inner world during it's daytime cycle, but according to her zanpakutō spirit, the sky acquires a thick layer of grey clouds and it rains thickly all day. Oddly, the water never floods the field, but soaks in and dries in the muggy nighttime air. Hachi Senshi spends the days flying in the sky.
Shikai
Shikai Name: Hachi Senshi no Yattsu no Sokumen(八戦士の八つの側面, Eight Aspects of the Eight Warriors)
Shikai Release Phrase: Han'ei suru(繁栄する, Flourish) - It has an intended double entente referring to surviving, and to an elaborate motion.
Shikai Description: Saza takes her katana by the tsuka, irregardless of whether it is in its saya or not, and drops it tip-first. Just before it reaches a level with the bottoms of her feet, the blade melts, starting at the tip and spreads outward in a disk-like circle around her. The base appearance of the shikai is a luminescent circle inscribed upon the ground around Saza. It follows her as she moves, always aligned with the lowest point of her body which is commonly her feet. The center of the circle is hollow while the body of the circle exists between two circles, one smaller than the other. Within the shared walls of these circles are elaborate strings of symbols and flowing streams and curls of light. Interspersed around the dual circles are eight much smaller circles which join to their much larger brethren from opposite sides of their body. The radius of the inner edge of the dual circle is three feet. The radius of the outer edge is four feet. The entire construct glows hollowly in all the colors of the rainbow and, for point of reference, looks somewhat like an alchemy circle.
Shikai Attacks/Abilities: The main function of Hachi Senshi no Yattsu no Sokumen is to emulate the greater specialized capabilities of eight members of the phyla cephalopoda. This is done from the eight smaller circles referred to as "ports." The full circle may rotate freely under Saza's command, thus allowing for a 360° defense reliant partially on her reaction times.
[1.] Yattsu no Sokumen(八つの側面, The Eight Aspects): [Activated Ability]
This is the main ability of Hachi Senshi no Yattsu no Sokumen. By choosing one of the ports, Saza can indefinitely take on a limited number of traits or abilities of eight different species of cephalopod. She cannot use them in rapid succession and must properly transition between each. She is not required to do so in any order.
[Draw; only one form per post.]
Cuttlefish Form: [Inexhaustible Form]
The cuttlefish form has a focus on the cuttlefish's strike aspect. By momentarily lengthening her strike range, Saza may lash out and close distances with particularly skittish opponents. The full range of this form is fifty feet from the main body of the wielder. This form can also be represented by a fifty-foot-long cuttlefish limb snaking out from the appropriate port. The primary use of this form is lightning offense, but it can be used to defend Saza.
Squid Form: [Exhaustible Form]
The squid form focuses on the siphoning of water, creating currents, and thus using it to move. By summoning a limited amount of water from the appropriate port, Saza may use and form this water into various small missiles. Or she can use it all at once and create eight octopus tentacles which form a ring over her shikai and thrash and writhe, operating under her mental command. It is one of the few exhaustible forms and requires a period to " refuel."
Nautilus Form: [Damageable Form]
The function of the nautilus form is increased physical protection in the form of reinforced calcium plating. The downside of this form is a decrease in mobility. The playing is stored and repaired after every use and so is only exhaustible if it gets a huge amount of damage.
Pseudomorph Form: [Inexhaustible Form]
This form doesn't have a definite species of cephalopod to emulate, but focuses on a characteristic of a number of cephalopods; pseudomorphs. A pseudomorph is a thick congealed mucus which is distributed in the water to resemble the cephalopod as it makes its timely escape. The form focuses on speed and the use of after-images. Typically prolonged use leaves Saza gasping.
Octopus Form: [Inexhaustible Form]
The octopus form focuses on stealth, more than anything, and uses her peculiar speckle body tattoo to help maintain the technique. From the appropriate port, Saza summons a thin membrane which wraps around her body without himdering it. It is imbued with a complex system of melanin deposits, which, when worn, are able to change color and saturation to match its surroundings. The spirit of her Zanpakutō controls it through her, as she is incapable of understanding it in order to use it fully. By controlling the ability for her, Saza and her zanpakutō must fully agree with one another in order to make tandem split-second decisions. Miscommunications or disagreements are usually the pitfall of this ability, and often cause it to fall apart. The camouflage is not perfect; Saza leaves a watery outline because the dimensions of her body and the ability don't fully align.
Hooknail Form: [Damageable Form]
Most cephalopods have specialized suckers all along their limbs that they use to grab onto things. Within these suckers is a little hooked tooth which they dig into their prey and use to drag it, securely, to their beak. Saza has a revised gauntlet version of this which lines her entire hand in sharp, hooked spines. If severely damaged, Saza must retire the gauntlets or risk loosing the ability forever. Over time they are mended.
Ink Form: [Exhaustible Form]
From the appropriate port, Saza can summon a limited quantity of ink. She can shoot it in missiles or disperse the ink as a smoky airborne substance. The larger the smoke cloud, the more ink is used. The huge benefit in such a seemingly pointless ability is that the ink can be congealed and can limit a target's movements.
Neurotoxin Form: [Exhaustible Form]
Arguably the most dangerous form of Yattsu no Sokumen, this form focuses on numbing an opponent in areas where Saza's skin touches their body through osmoregulation of a toxic substance that targets the nerves in muscles. The neurotoxin has three stages; numbing, distrophe, and forced unconsciousness. The numbing portion works within a relatively compact radius about the impact zone and in three posts the victim begins to spastically lose control of the muscles in the area. Eventually, as toxins accumulate, the brain becomes overworked due to confusion and chemical build-up and shuts down. The antidote is actually the ink she uses. When administered in equal doses it cancels the affects.
[2.] Tamashī no Setsuzoku(魂の接続, Soul Connection): [Constant Ability]
Hachi Senshi and Saza are intimately connected and share such a powerful bond that they can effectively fight together, with Hachi Senshi playing the role of a second set of senses. Through this connection, Hachi is not affected by what affects Saza and so can remain calm unless directly attacked.
[3.] (Can't think of anything.)
Bankai
Bankai Name: Hogo no Hachibuki(保護の八武器, Eight Arms of Protection)
Bankai Release Phrase: "Bankai!"
Bankai Description: In a nutshell, Saza's Bankai is her zanpakutō's spirit in his full size, fully tangible and realized. He is modified, somewhat, to use the traits exploited in all eight forms of Yattsu no Sokumen at least to a minor degree, and incorporates these traits with his own body to create a wicked and dangerous opponent. Hogo no Hachibuki is massive and usually sits with its arms clustered closely about itself. The central webbing about the beak which connects its arms and spreads like a net, is easily the size of a basketball court, from one end to another. Each arm has a length of twice that, and are comparably massive.
Bankai Attacks/Abilities: The tops of each arm are formed of a highly flexible reinforced calcium which rolls well and adds extra protection. In the mass coil of limbs, no one misses two of them, the front two, which he bunches under the webbed flap of skin, in preparation to strike out at his opponents. The two arms are rolled on themselves to create a thick, well protected attack. He can blend any part of his body into his surroundings and specializes in doing so for the tips of his arms so as to catch opponents by surprise. He carries the neurotoxin in his beak, and is able to disperse a far larger amount of ink as smoke from the opening in his mantle. He is surprisingly fast, as well as agile, thus allowing him to perform some limited movement techniques, and by slamming his arms into the ground and pumping air through his mantle, he can leap into the air. He can even "fly" for up to an hour at best, fifty minutes at worst. When summoned, water flows across the ground, seemingly brought along with him but it actually drips from his undercarriage, especially from pores ranged around the mouth.
[1.] Nantai(軟体, Soft Body): [Constant Ability]
Nantai is an ability that refers to the behavior of most of Hogo no Hachibuki's flesh; its incredibly squishy, soft consistency. This trait allows it to take exceedingly powerful blows and remain unscathed due to the nature of his flesh to cave in when feeling extreme pressure. In order to best attack him, an opponent must used refined attacks that are exceedingly sharp or powerful.
Nantai; Ningen no Bājon(人間のバージョン, Human Version): This is a one-time ability that only lasts about 15 seconds(two posts or so) but Hachi Senshi can force himself and Saza to change body composition, thus forcing her body to take on the attributes of Nantai while Hogo no Hachibuki becomes bony, like a human. This ability is exclusive to Hachi Senshi and is only ever used when he feels he has no choice, such as when it may save her life.
[2.] Minakami Ningyō(水上人形, Water Puppet): [Activated Ability]
The water which Hogo no Hachibuki leaks is indeed water and can be manipulated by Saza to a small extent. She can create any number of vaguely humanoid forms and send them against her opponents. She can also "wear" such a form to cushion her fists and add more power to her blows. She also has the capacity to make a simple sword with which to fight and at the worst of her needs, she can create a simple barrier of upwards-flowing water.
[3.] Kyūjijikan(給餌時間, Feeding Time): [Activated Ability]
Hogo no Hachibuki has developed a skill that allows it to literally swallow Saza and anything or one she indicates and hold her, them, or it in it's gullet, deep inside it's head. It does this for virtue of protection, a type of self-sacrifice, and for ease of transportation. It is able to do this up until it breaks apart from damage, or until Saza reseals it.
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Posted: Wed May 09, 2012 9:37 pm
Combat Information
Spiritual Energy
Saza has Immense spiritual energy which is far too much for a normal Captain. She primarily keeps it sealed up so she can't harm herself or others because she knows that not only is the power itself highly unstable, but so is she. Saza rarely fully releases her power, often refusing to go beyond three-fifths of her final power level, even if it means defeat or that her life will be placed in danger. For her, lashing out isn't worth the victory, not if she can't achieve it on the pride and power of a Captain. Saza also characteristically refuses to use her power to damage the field or discourage attackers. It has one purpose and that is to power her fighting style. Anything else would be a waste.
Saza has speculated over the long long years and reached the conclusion that she has an unnaturally high amount of power because her zanpakutō is so complex and demanding to wield.
Tora no Kiba Yon(虎の牙四, Four Fangs of the Tiger): The four fangs are altogether a four-tier seal of Saza's over all spiritual power. By sealing this power, all of her abilities function at extremely low levels equally. When the seal is fully active, Saza maintains 20% of her final power, giving her a third of the average peace-time standing power of a Captain. In other words, she appears markedly weaker than her colleagues. The seal was placed on her immediately after entering the academy when the impressive might of her latent power was tracked and examined. After deeming her potentially dangerous, the staff of the academy laid the seal to protect her from herself and even the Central 46 whom, in their fear, had been considering locking her away or killing her on the spot. When asked where she wanted the seal tattoos, Saza beamingly stated her knuckles, "because all badasses tattoo their knuckles."
When the seal or part of it is released, the ink of the tattoo fades, creating a faint watery outline very similar to the quality of a tattoo after about fourty years without being renewed. Saza trained very hard to be able to release the seal herself, as at first she was incapable of doing so.
Tora no Kiba Yon; Torakiba Daiichi(虎牙第一, Tiger Fang First): The very first layer of the seal is located on the first set of knuckles of her right hand as a set of four kanji. The kanji read as the name of the layer and fade when the seal is released. They never truly go away, however, and the seal is automatically reset once she loses consciousness. Once the seal is released, Saza is able to freely use two-fifths of her full power which roughly transfers over to two-thirds the average power of a Captain. Because she uses her power to supplement nearly all aspects of her fighting style, this release marks a notable increase in her physical strength and speed. It is important to note that, even while in Bankai, her powers are still limited to two-fifths their full potential. Releasing her zanpakutō will not alter the ratio.
Tora no Kiba Yon; Torakiba Daini(虎牙第二, Tiger Fang Second): The second layer of the seal is located on the first set of knuckles of her left hand as a set of four kanji. The kanji read as the name of the layer and fade when the seal is released. They never truly go away, however, and the seal is automatically reset once she loses consciousness. Once the seal is released, Saza is able to freely use three-fifths of her full power which roughly transfers over to the average power of a Captain. Because she uses her power to supplement nearly all aspects of her fighting style, this release marks a notable increase in her physical strength and speed. It is important to note that, even while in Bankai, her powers are still limited to three-fifths their full potential. Releasing her zanpakutō will not alter the ratio.
Tora no Kiba Yon; Torakiba Daisan(虎牙第三, Tiger Fang Third): The third layer of the seal is located on the second set of knuckles of her right hand as a set of four kanji. The kanji read as the name of the layer and fade when the seal is released. They never truly go away, however, and the seal is automatically reset once she loses consciousness. Once the seal is released, Saza is able to freely use four-fifths of her full power which roughly transfers over to a third again the average power of a Captain. Because she uses her power to supplement nearly all aspects of her fighting style, this release marks a notable increase in her physical strength and speed. It is important to note that, even while in Bankai, her powers are still limited to four-fifths their full potential. Releasing her zanpakutō will not alter the ratio.
Tora no Kiba Yon; Torakiba Daishi(虎牙第四, Tiger Fang Fourth): The very last layer of the seal is located on the second set of knuckles of her left hand as a set of four kanji. The kanji read as the name of the layer and fade when the seal is released. They never truly go away, however, and the seal is automatically reset once she loses consciousness. Once the seal is released, Saza is able to freely use all of her full power which roughly transfers over to two-thirds again the average power of a Captain. Because she uses her power to supplement nearly all aspects of her fighting style, this release marks a notable increase in her physical strength and speed.
Zankensoki
Hohō: Saza is a masterful user of all forms of flash movement, easily capable of using advanced techniques. Her fighting style is liberally patterned with movement techs and she half-relies on them when in combat. Saza is not the fastest user of Hohō, but she remains one of the top practitioners of it.
Shunpo(瞬歩, Flash Steps): Saza has an advanced capacity for this technique and shows it by being unilaterally one of the fastest users of it. In other words, Saza can get from point a to point b with a certain amount of steps and of those to try it, she will be one of the first to succeed. Her shunpo steps are exceedingly long and are well-controlled. She is capable of altering direction on a dime and even her rate of shunpo is elevated. This level of mastery is typically reserved for captains and those whom have studied the technique a great amount of time.
Shunji-te(瞬時手, Flash Hand): Saza relies heavily on Shunji-te when seriously fighting. She is not a master of this specific technique but can use it on an intermediate level to supplement her attacks.
A Short Explanation It's a low-range ability to cope with the limited field of movement one's arm will have and it focuses on moving one's arms and hands from the starting point to the end point of whatever maneuver they intend to do as fast as possible.
So while shunpo focuses on getting from point a to point b in as few steps as possible, Shunji-te focuses on hand movements.
It is not an all-new movement but a proper definition of elevated hand motions. A proper example of that would be most quickly delivered attacks or movements are loosely attributed to Shunpo, but the literal name and kanji of Shunpo indicate it is exclusively focused on the movement of the feet in order to move from your starting location to your ending location as quickly and easily as possible. Shunji-te focuses on the movement of arms and hands and has been shown to a limited degree by most of the characters from the original series, both in hakuda and zanjutsu.
If you look at the technique Raiōken(雷王拳, Thunder King Fist) on the hakuda page of the wiki, you notice Yoruichi Shihōin delivers a series of extremely fast-paced punches from a single location. Rather than defining this as Shunpo, this is defined as the use of Shunji-te to a degree.
Hakuda: Saza is the foremost master of hakuda and has put a stern focus on the art which is required of members of her squad. Traditionally her focus is in her hands, thus sparking her famous name of Ken. However, Saza is highly capable at using her feet as a weapon and knows several forms of hand-to-hand combat alongside the amalgam that is hakuda. She has mastered it to a point where she may use high degrees of power and speed in her movements and may follow and counteract attacks with her body seemingly on instinct. Her mastery also allows her to invent forms and styles of hand-to-hand combat as she sees fit.
Oni Dekopin(鬼デコピン, Oni Headpoke): A technique where a simple finger flick has enough physical force to send an opponent flying a considerable distance away, even with enough power to crash through multiple physical constructs.
Raiōken(雷王拳, Thunder King Fist): A technique involving a series of ultra-high-speed punches delivered using both arms.
Gatoringu Jidanda(ガトリング(地団駄), Gatling Mad-Stomping): A technique where the user does multiple foot stomps on an opponent's face. The technique is powerful enough to send powerful opponents flying and shatter powerful armor.
Kazaguruma(風車, Windmill): A technique where one throws their body up into the air, making a shearing movement with the legs to get one leg in front of the other without holding on to the ground. The move can either be done backwards or sideways. When the move is done with one leg high over the head to deliver a devastating kick to an opponent sending them flying away with tremendous force.
Maddohattā Zutsuki(マッドハッターずつき, Mad Hatter Headbutt): A self-designed technique where the user headbutts an opponent, using their own energy to exacerbate the speed and power of the attack. It is dubbed as thus because Saza uses this primarily on her pupils when they annoy her and whom she has commented tend to resemble the Mad Hatter afterwards.
Tesshō(鉄掌, Iron Palm): An open palm strike that can effortlessly shatter a Hollows head to pieces with single strike.
Nakkurunaifu no Hōhō(ナックルナイフの方法, Way of the Knuckle Knife): Another form of combat Saza developed which focuses on the mechanics of a punch and alters it in such a way as to move the focal point of the blow to midway between the first and second knuckle of each finger, thus creating a pressure wedge with cutting power. It usually does not harm flesh and muscle but it can and has been tweaked to do so.
Nakkurunaifu no Hōhō; Nagusame no 7-ton(慰めの7トン, Seven Tons of Solace): This is an attack consisting of four stomach jabs, each inflicting horrific sums of pain and destruction to the target's innards. It easily has the capability to rupture organs but does nothing to hard the target's muscles or skin.
Nakkurunaifu no Hōhō; Hone Hakai(骨破壊, Bone Breaking): This is an attack which focuses on the major bones in appendages. It is specially reinforced to cut cleanly through. This attack is also delivered at elevated speeds using Shunji-te, thus making it difficult to see. Victims usually realize what has happened after the fact.
Nakkurunaifu no Hōhō; Hifu no Kuchiku-kan(皮膚の駆逐艦, Skin Destroyer): this attack merely lacerates flesh, punching gashes into a person with ease.
Kidō: Saza is a miserable Kidō practitioner and is only able to use levels 1-10 with combat readiness. Through a few accidents of fate she has also been able to use a few higher-level spells, including releasing part or all of the seal on herself and then resealing it and using the one spell she created.
Zanjutsu: Saza is a master in zanjutsu and is able to best all of her subordinates. By that virtue, she is the foremost practitioner in her squad, as is to be expected of a Captain. She mainly uses her blade when it seems too dangerous to use her unguarded fists.
Unique/Personal Abilities
Immense Strength: Even outside that which is granted by the influence of her reiryoku, Saza has a sizable amount of raw strength on which to draw. This power allows her to lift and throw very heavy objects and opponents, as well as dealing devastating and deadly blows. This strength is very heavily refined and she has full control over it.
Advanced Balance: Saza has trained her body and mind to achieve perfect balance as was required in order to master hand-to-hand combat to the degree she has.
Heightened Sight: Having been marked as Hachi Senshi's wielder(her eyes and body tattoo) made her exceptionally perceptive to certain things. Saza is sensitive to light and is able to see farther and with greater precision in the light and the dark. She is able to see a large number of colors normal humans cannot, as well. Her eyes are also attuned to recognizing and following incredibly fast movements and objects.
Shinigami-Specific Abilities
Longevity: All plus, including shinigami, have a tendency to live for long periods of time, often appearing quite young while having lived for centuries. Saza is no exception. She's going on nine hundred years and she barely looks to be in her late twenties.
Enhanced Durability: All shinigami have a naturally high durability, being ably to take considerably more damage and pain that the average human, without collapsing. Shinigami can die, though it is difficult to guarantee. Decapitation is the best means to kill them. Saza also has a knack for shrugging of bone-breaking hits like they're nothing.
Konsō (魂葬, Soul Burial): This allows Saza to send a plus to the soul society, effectively putting them at rest. She mainly uses her custom-made gloves to do so, but can also use the butt of her zanpakutō.
Hollow Cleansing: Shinigami have the ability to cleanse the sins a hollow committed after losing its heart. At which point, they move on to either the soul society or hell, or ever the living world, depending on the lives they lead as living humans, prior to dying. This ability is expressed by cutting a hollow with a zanpakutō.
Combative Spells List
Hadō:
#1. Shō(衝, Thrust): Pushes the target away from the caster.
#4. Byakurai(白雷, Pale Lightning): The user fires a concentrated, powerful lightning bolt from their finger.
#67. Gomu-dan(ゴム弾, Rubber Bullet): It is a highly compact rubber ball of energy that is thrown from the hand and is highly destructive.
Bakudō:
#1. Sai(塞, Restrain): Locks a target's arms in place behind their back.
#4. Hainawa(這縄, Crawling Rope): An energy rope entangles the target's arms.
#8. Seki(斥, Repulse): Creates a round shield that seems to temporarily paralyze and repel whatever strikes it.
#9. Geki(撃, Strike): Engulfs the target in red light, completely paralyzing them.
#9. Hōrin(Disintegrating Circle): Causes an orange hued tendril with spiraling yellow patterns to erupt from the users hand and attempt to trap a target. the end of it remains in the hands of the user allowing them to control the path of the tendril before and after capture. The Kidō is able to connect with another one of itself if both have captured a target and bind them together.
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Posted: Wed May 09, 2012 9:39 pm
Biography
(This is will be a very brief regaling. I still need to write the real deal.)
Sazagishi Kuroyanagi never knew her father. She was born to her mother almost nine centuries hence
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Posted: Wed May 09, 2012 9:40 pm
Miscellaneous Information
Post Format Post Format 匕 • Sazagishi Kuroyanagi • 匕
Taichō • "Ken" Strange face, with your eyes
So pale and sincere
Underneath, you know well
You have nothing to fear[Text.]But while the earth
Sinks to its grave
You sail to the sky
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[align=center][color=#1E90FF][b][size=17]([/size][/b][/color][color=orangered][size=9][i][/i][/size][/color][color=#1E90FF][b][size=17])[/size][/b][/color][/align]
Important Links Important Links
The following includes training threads where my character was the student, important clashes she participated in, threads my character frequents, and the thread my character is currently in. All links go to the first post made as my character in that thread. Training Threads:Master:
Student:
Battles:Frequented Threads: Currently In:
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Posted: Thu May 10, 2012 12:42 am
After waiting eagerly, I gladly accept this profile. ^^
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