Mairose
What The Waves Delivered At Our Feet
Ok, I read your piece and may I just say it was a fun little read for sure.
I liked all of your sensory detali and imagery, however there is a time and place for everything. What I mean for this, is you can show the readers instead of tell. The beginning/opening lines were fantastic, however the effect started dimishing. Shortened sentences can easily say as much as long. For instance, you said:
"Steven and I stayed under our tent until we felt the shudder of the engines and the sickening feeling of disassociation with solid ground; the ferry was chugging along, bumping against the rubber-lined barriers that guided it from the dock"
The first half of this sentence is fine. However the second half could be modified to say something mroe along the lines of: "the ferry swayed as it was buffered along its path." It is short, simple, to the point, and allows the reader to interpret what this means as you have already stated the ferry was beginning to move, therefore it is only logical that it isn't in open waters yet. Understand?
Watch out for your Point of View - it was hard for me to follow. It seemed to me like you kept switching between third PoV and first, or maybe I just missed something completely.
Can I make one more suggestion? This story, though great visually, lacks emotional depth. You can have all of the most beautiful colors, scents, and sounds, but they mean nothing without just as much emotion behind them. The "One Year Ago" section was a lot better with it, but it was still all telling us and not showing (EX: instead of saying the young girl is afraid of clowns, say "her innocent eyes gleamed as she reached for her mtohers hand, the monster with the terrible smile looming over her). A story is just a story and a picture is just a picture without emotions - it takes extreme depth and layers upon layers to create a masterpiece.
You are so close, the battle is 80% completed. Good work.