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Arcane Combat and the Dark Arts: An Essay on Magical Theory
*Concerning all views within this essay, none are absolute. This is merely a compilation of research and experience, put into the form of an essay. Therefore, this interpretation of magic is only one of many, and should not be considered a rule of law.
An Introduction to the Impossible
Magic, as we know it, is the use of fantastical elements to achieve the impossible. From bending the elements to one's will, to creating magical beings, magic holds much potential in literary context. Magic is used as an enabler, and allows for characters to achieve what is considered impossible and fantastical within real life. This power can be used as a driving force for the character within a plot, or can make a villain all the more insurmountable. However, was is little asked is how this magic is actually performed. This essay is to explore the mechanics of “magic” as is seen in the fantastical setting.
The Basic Principles of Magic
Beginning with the roots of magic, one must observe what the source of a sorcerer's (or sorceress') power is. Though this may differ throughout many novels or characters, they all share common aspects. It is most common to find that the energy upon which the user draws upon is one of three things, or perhaps even two or three.
The most rudimentary source is of course one's own stamina and energy contained within the user's body. In the case of the Dragonlance setting, we see this in the Wild Magic, Necromancy, and finally the Power of the Heart. Each of these magics relies upon the innate abilities of the user- this view interprets magic as a crucial part of one's existence; as a creation of the gods, beings, by nature, have magic within them. Of the three, this magic is perhaps the most limited as well as the most taxing- this most likely stems from the fact that the energy is drawn from one's body, draining stamina. An equal comparison might be burning calories in physical exertion- so we can also see here that Magic is “tangible” and can be measured to a degree. However, despite this being the most limited type of magic, it is also the most commonly used. This is not only because it is the most convenient, and least time consuming (other energies might require complex ways of drawing upon them), but also because it is the most easily understood.
The next source of energy is an outside resource, as a part of the natural world. The user draws upon the power of the world around them- a fire elementalist might be empowered by the heat and light from the sun, while a mage specializing in death and decay might draw their power from the dead spirits around them. This is the second most common type of energy source, and is often mixed with the first type of magic- we will refer to these types of magic as Innate Magic and Natural Magic respectively. This Natural Magic is often drawn upon to restore the reserves of Innate Magic within a practitioner of magic- this is because in many cases Natural Magics can be more limiting than Innate Magic, if not used properly. The most common types of Natural Magics is of course the very basic elemental magics, but here ends the understanding of many practitioners. What they do not understand is that these elements are a byproduct of two higher elements- the magic of the Void, or Space and that of Celestial Bodies, or Atsral. It is the combination of these two higher elements that not only govern the four elements, but many other subcategories of magic as well. These two elements are also the basics of life, and therefore Innate Magic is also a byproduct of these two. This will be further explained in the next section.
The last source of magic is extraplanar magic, and this is the least understood of all magics. It is supposed that the very gods use this source of magic- for the sheer magnitude of their prowess over magic could not be from anything else. The true skill of tapping into this magic is in tapping into alternate planes, or universes, and drawing magic from these planes, much as one would do with Natural Magic. Of course, this is difficult, and requires much more skill and knowledge of the occult. However, this provides an unlimited source of magic for the user, also explaining why there are so few that can draw upon this power. The large quantity of magic is too much to bear for most mortal, and even immortal (read as demons, angels and such other bodies), bodies to contain, resulting in the destruction of the practitioner. This also explains why only the truly powerful, the Gods, are thus far the only ones able to truly use this magic, though not master it. Evidence of this can be found, once again within the Dragonlance novels, specifically within the Legends series. In the last book of this chronicle, the Gods are shown to weaken within magical battles as time wears on. This is not due to them exhausting their sources of magic, but because drawing upon these planes is taxing for any being thus far seen.
The one rule that governs all three of these sources of magic is the law of conservation of energy- by no means can this be breached by any of these magics. Because Innate Magic draws upon the stamina of the user, we see that, naturally it follows this law. In much the same way, Natural Magic follows this law, converting one energy source into energy required to power a spell. Finally, we see extraplanar magic, which also follows this rule- it must take the energy from a plane in order to power a spell. We also see that the spells created by these sources of magic must also follow the law of conservation of mass- this explains why “creating” elements such as fire, water, earth, and wind is not only horribly taxing to a practitioner, but also cannot be sustained, resulting in the dispelling of the spell after some time. These “created” elements are not true creations, and are more akin to extremely powerful illusions that act the same way as their real counterparts, aside from the fact that they will eventually disappear.
This concludes the chapter on the basics of magic- all of these ideas will be further elaborated within the next few sections.
The Higher Elements and All Magics Concerning
This, perhaps, is the key point of this essay- showing that most magic, as we know it, is a combination of these higher elements in some fashion. The simplest way to describe the relationship between the Higher Elements and Natural Elements is through a diagram, as is shown below.

This diagram is key to understanding how Void and Celestial Magics effect magic as we know it. Here we see that Water is not necessarily a product of Void magic, but closest in behavior to Void magic. The same holds true for Fire and Celestial Magics. Finally, we see both Wind and Earth Magics as a product of Void and Celestial Magic meeting. Finally, we see Life, or Aether, magic as a combination of Wind, Water, Fire, and Earth Magic. All other types of magic, as we know it, should fall somewhere upon this diagram. Telekinetic, Telepathic Magic, Necromancy, and such magics would fall within Life magic, as they either are products of the mind of the magic practitioner, or involve bestowing life upon other objects.
To fully explain this diagram, each element should be explained in full. Beginning with the Higher Elements, and working our way down, we can explain the relationship between each. Beginning with Void, we must first examine what this magic is. This magic doesn't necessarily have to do with the absence of anything- rather, this is more concerning Space more than anything. This magic includes gravitational magic, magics concerning the absorption of energy, shadow magic, and the like. Celestial Magic is the opposite of this, and concerns raw energy, pure heat and light, and what might be considered “stars”. The easiest way to characterize this is by seeing Void Magic as being endothermic, absorbing energy, while Celestial Magic is exothermic, exuding energy. These two are diametrically opposed to each other, but are the basis of most magic. Water, for example, is kin to Void Magic. Water is naturally opposed to heat and light, products of Celestial and Fire magic both. Additionally, water can absorb a great deal of energy, and should be considered endothermic. We see that Fire magic has much the same relationship with Celestial Magic, dealing much with the exuding of heat and light.
However, Wind and Earth are a little different in comparison to Water and Fire magic. Wind and Earth are both products of Void and Celestial Magic, but are two very different products. Earth, on the one hand, is a creation of gravity from Void Magic, as well as astral dust, being compressed into the form of earth. Wind, on the other hand, is the result of clashing forces of hot and cold, products of Celestial and Void magic. Finally, Aether magic, or Life magic, is a combination of all four natural elements, and is thus a product of Void and Celestial magic.
*Concerning all views within this essay, none are absolute. This is merely a compilation of research and experience, put into the form of an essay. Therefore, this interpretation of magic is only one of many, and should not be considered a rule of law.
An Introduction to the Impossible
Magic, as we know it, is the use of fantastical elements to achieve the impossible. From bending the elements to one's will, to creating magical beings, magic holds much potential in literary context. Magic is used as an enabler, and allows for characters to achieve what is considered impossible and fantastical within real life. This power can be used as a driving force for the character within a plot, or can make a villain all the more insurmountable. However, was is little asked is how this magic is actually performed. This essay is to explore the mechanics of “magic” as is seen in the fantastical setting.
The Basic Principles of Magic
Beginning with the roots of magic, one must observe what the source of a sorcerer's (or sorceress') power is. Though this may differ throughout many novels or characters, they all share common aspects. It is most common to find that the energy upon which the user draws upon is one of three things, or perhaps even two or three.
The most rudimentary source is of course one's own stamina and energy contained within the user's body. In the case of the Dragonlance setting, we see this in the Wild Magic, Necromancy, and finally the Power of the Heart. Each of these magics relies upon the innate abilities of the user- this view interprets magic as a crucial part of one's existence; as a creation of the gods, beings, by nature, have magic within them. Of the three, this magic is perhaps the most limited as well as the most taxing- this most likely stems from the fact that the energy is drawn from one's body, draining stamina. An equal comparison might be burning calories in physical exertion- so we can also see here that Magic is “tangible” and can be measured to a degree. However, despite this being the most limited type of magic, it is also the most commonly used. This is not only because it is the most convenient, and least time consuming (other energies might require complex ways of drawing upon them), but also because it is the most easily understood.
The next source of energy is an outside resource, as a part of the natural world. The user draws upon the power of the world around them- a fire elementalist might be empowered by the heat and light from the sun, while a mage specializing in death and decay might draw their power from the dead spirits around them. This is the second most common type of energy source, and is often mixed with the first type of magic- we will refer to these types of magic as Innate Magic and Natural Magic respectively. This Natural Magic is often drawn upon to restore the reserves of Innate Magic within a practitioner of magic- this is because in many cases Natural Magics can be more limiting than Innate Magic, if not used properly. The most common types of Natural Magics is of course the very basic elemental magics, but here ends the understanding of many practitioners. What they do not understand is that these elements are a byproduct of two higher elements- the magic of the Void, or Space and that of Celestial Bodies, or Atsral. It is the combination of these two higher elements that not only govern the four elements, but many other subcategories of magic as well. These two elements are also the basics of life, and therefore Innate Magic is also a byproduct of these two. This will be further explained in the next section.
The last source of magic is extraplanar magic, and this is the least understood of all magics. It is supposed that the very gods use this source of magic- for the sheer magnitude of their prowess over magic could not be from anything else. The true skill of tapping into this magic is in tapping into alternate planes, or universes, and drawing magic from these planes, much as one would do with Natural Magic. Of course, this is difficult, and requires much more skill and knowledge of the occult. However, this provides an unlimited source of magic for the user, also explaining why there are so few that can draw upon this power. The large quantity of magic is too much to bear for most mortal, and even immortal (read as demons, angels and such other bodies), bodies to contain, resulting in the destruction of the practitioner. This also explains why only the truly powerful, the Gods, are thus far the only ones able to truly use this magic, though not master it. Evidence of this can be found, once again within the Dragonlance novels, specifically within the Legends series. In the last book of this chronicle, the Gods are shown to weaken within magical battles as time wears on. This is not due to them exhausting their sources of magic, but because drawing upon these planes is taxing for any being thus far seen.
The one rule that governs all three of these sources of magic is the law of conservation of energy- by no means can this be breached by any of these magics. Because Innate Magic draws upon the stamina of the user, we see that, naturally it follows this law. In much the same way, Natural Magic follows this law, converting one energy source into energy required to power a spell. Finally, we see extraplanar magic, which also follows this rule- it must take the energy from a plane in order to power a spell. We also see that the spells created by these sources of magic must also follow the law of conservation of mass- this explains why “creating” elements such as fire, water, earth, and wind is not only horribly taxing to a practitioner, but also cannot be sustained, resulting in the dispelling of the spell after some time. These “created” elements are not true creations, and are more akin to extremely powerful illusions that act the same way as their real counterparts, aside from the fact that they will eventually disappear.
This concludes the chapter on the basics of magic- all of these ideas will be further elaborated within the next few sections.
The Higher Elements and All Magics Concerning
This, perhaps, is the key point of this essay- showing that most magic, as we know it, is a combination of these higher elements in some fashion. The simplest way to describe the relationship between the Higher Elements and Natural Elements is through a diagram, as is shown below.

This diagram is key to understanding how Void and Celestial Magics effect magic as we know it. Here we see that Water is not necessarily a product of Void magic, but closest in behavior to Void magic. The same holds true for Fire and Celestial Magics. Finally, we see both Wind and Earth Magics as a product of Void and Celestial Magic meeting. Finally, we see Life, or Aether, magic as a combination of Wind, Water, Fire, and Earth Magic. All other types of magic, as we know it, should fall somewhere upon this diagram. Telekinetic, Telepathic Magic, Necromancy, and such magics would fall within Life magic, as they either are products of the mind of the magic practitioner, or involve bestowing life upon other objects.
To fully explain this diagram, each element should be explained in full. Beginning with the Higher Elements, and working our way down, we can explain the relationship between each. Beginning with Void, we must first examine what this magic is. This magic doesn't necessarily have to do with the absence of anything- rather, this is more concerning Space more than anything. This magic includes gravitational magic, magics concerning the absorption of energy, shadow magic, and the like. Celestial Magic is the opposite of this, and concerns raw energy, pure heat and light, and what might be considered “stars”. The easiest way to characterize this is by seeing Void Magic as being endothermic, absorbing energy, while Celestial Magic is exothermic, exuding energy. These two are diametrically opposed to each other, but are the basis of most magic. Water, for example, is kin to Void Magic. Water is naturally opposed to heat and light, products of Celestial and Fire magic both. Additionally, water can absorb a great deal of energy, and should be considered endothermic. We see that Fire magic has much the same relationship with Celestial Magic, dealing much with the exuding of heat and light.
However, Wind and Earth are a little different in comparison to Water and Fire magic. Wind and Earth are both products of Void and Celestial Magic, but are two very different products. Earth, on the one hand, is a creation of gravity from Void Magic, as well as astral dust, being compressed into the form of earth. Wind, on the other hand, is the result of clashing forces of hot and cold, products of Celestial and Void magic. Finally, Aether magic, or Life magic, is a combination of all four natural elements, and is thus a product of Void and Celestial magic.