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 Posted: Sun Jan 30, 2011 7:47 pm
done. Iremoved Sosho altogether.
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Posted: Sun Jan 30, 2011 7:54 pm
1 CP per sword? When Veil and Saw techniques use 5 and 7/9* cp?
*I just noticed another thing, Special Jounin (B Rank) and Jounin(A Rank) have different chakra costs, so if you have a stage that is for both, you have to state what are the ranks of each technique, if they are B or A.
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Posted: Sun Jan 30, 2011 7:59 pm
I dont really know what to do with Outrageous at this point then...
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Posted: Sun Jan 30, 2011 8:13 pm
Review it, think things over. Do you really need every sword to have effects of Veil and Saw as they are thrown? Veil is a defensive jutsu isn't it? And Saw is used just to make the sword spin isn't it?
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Posted: Mon Jan 31, 2011 6:00 am
Beatriz-chan Hikaro_rin I really hate having to have that in there in the first place. I can do that, though if you can think of a way I can take that out without making the style go super OP I would really love to hear it. I think I'll add in a bit that makes it available to non Mokuton users, but they can't master it or learn any of the different Mokuton Jutsu. Just state that if the user isn't at normal conditions, such as slowed down, paralized, etc, by some jutsu, the ability to block the attacks will depend on the ability of the user and of how much his/her movements were affected. It would be ridiculous to say one would be able to block an an attack without being able to move both arms for example just because the 10 sided die said so. You'd just have to make that clear in the explanation of the blocking chance. Beatriz-chan If the taijutsu is able to be learned by non mokuton users or not, it won't change if it is accepted or not. But It was a major change to the original application so I wanted you to know it was added.
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Posted: Mon Jan 31, 2011 12:55 pm
So how aobut if only three of the twenty swords that flew to the ground from the techinque had a saw effect, and even then the tech would cost twenty-three points to use.
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Posted: Mon Jan 31, 2011 4:03 pm
@Hikaro: Approved!
@Six: Three is fine with me, but there is still the B/A Ranked stage that needs a better description of the rank of each jutsu.
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Posted: Mon Jan 31, 2011 4:28 pm
Beatriz-chan Azure, Harky gave you a reply already. Do not repost your style unless it was asked, it is a bother as the posts of taijutsu/weapon styles are long and flood the page if constantly reposted. I edited it since then. I didn't repost it after i edited it, because it was on the same page and said, "Edited", instead of the note it had originally. I just not though it would be a good idea to repost it since, it was about to get buried.
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Posted: Tue Feb 01, 2011 12:28 am
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Posted: Tue Feb 01, 2011 1:30 pm
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Posted: Tue Feb 01, 2011 7:11 pm
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Posted: Tue Feb 01, 2011 7:57 pm
It still says Jounin/Special Jounin
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Posted: Thu Feb 03, 2011 2:23 pm
UNDER CONSTRUCTION Eastern Broad Strike:
Style History:
Style Basis: Unarmed, Close-Quarters combat.
Training Methods:
Movement: Initially the practioners movements are very deliberate and explosive but as they train, they exhibit an uncanny level of control over their bodies. Later stages begin to incorporate acrobatic themes and increase the practioners physical abilities. They commonly use palm strikes and direct punches but although they build strength and endurance in the earlier stages the style has heavy emphasis of precision, control and internal damage.
Stage 1: Hoodlum
Academy
Description: This stage of the training is filled with preliminary training and condition consisting of extremely long jogs weighed down by heavy objects. The student Hoodlum is also taught to swim and is expected to be able to spring long distances without faltering. There is alot of emphasis on strength and endurance at the stage but by end of this training it is obvious to see they have become noticeably stronger.
Training:
The Hoodlum must first post twice in every thread in the village, jogging through the streets with heavy weights around their arms and legs. Afterwards the Hoodlum must post five times swimming through a sizeably body of water while wearing similar weights.
Result:
The Hoodlum now possesses enough endurance and physical strength to begin formal training. As a result of their training they are able go longer periods of time without feeling fatigue.
Stage 2: Brawler
Genin
Description: The Brawler is exspected to countinue his endurance training while also building physical strength. They are forced to carry heavy and cumbersome objects up large hills or mountains for several miles. They build strength through hours of striking wooden posts, culminating in the ability to break wooden structures of average size with lessened effort. The object of this training is to condition the body to exert less energy but produce more force.
Training: The Brawler must find a large hill or mountain and carry 80lbs of weight on their back for three posts. Afterwards they must spend five additional posts of striking wooden post in order to build physical strength and also toughen the skin on their hands and legs. During this time they must focus on properly delivering force directly into the object.
Results: The Brawler doesnt get tired as easily and is able to endure more damage than usual. Their physical strength has increased to the point where they can naturally destroy a wooden object with a well-placed blow from their arms or legs. Their strikes can cause more damage than other shinobi, mostly because they focus on building natural strength as opposed to chakra enhancement.
Manuevers:
Strong Fist: A single crushing blow where the Brawler pours the full weight of their body into a direct attack. If the blow connects the force transmitted is enough to stun the victim for a single post unless they are above Chuuni in rank. The force of the blow cold shatter a sizeable block of wood and can even fracture bones. It is often used to set up an enemy for a brief combo.
Stage 3: Student
Genin
Description: The Student countinues to develop their strength and endurance but at this stage they begin to focus on stance and control. Their training is actually a little easier than before, focusing on footwork and appropriate stances to take in battle. This also marks the introduction to the fundamental techique that is considered the styles trademark technique.
Training: The Student is begins by manuvering through a maze of specifically organized wooden posts while moving at top speeds. At the same time the wooden posts are also being manipulated to act as obstacles that the user must quickly react to. During this training they must strike any post they cannot avoid, in most cases breaking it. This is done to increase reaction time and emphasize on the usefullness of footwork. This takes seven posts of training.
Results: The Students ability to think on their feet allows them to quickly react to sudden obstacles. Their feet can move surprisingly fast and allow them to suddenly change direction without warning. Their strikes have also become stronger, easily able to shatter woden posts now.
Techniques:
Uraate (Backing or Reverse-Striking):This is fulcrum-based transference skill; an example of force transmission that teaches one to shift the point and force of impact by striking the dead center of an object. In terms of force this allows the user to deliver the maximum level of strength without throwing all their weight, allowing them to really injure an enemy. At expert-levels, a practitioner can transmit the force of impact wherever they please, as long as a medium exists to transmit their power through. For example the user could strike a series of dominoes and direct the force to only knock down a specific dominoe down the line.
Stage 4: Fighter
Genin
Description: The Fighter definetly has more training than the average Genin, considering he has gone through several stages of training as a Genin. They are extremely dedicated to perfecting their control and transition into multiple stances. Uraate has become almost second nature for them and with their growing strength they are able to create tangible gusts of force with each strike.
Training: Literally the Fighter is dedicating most of his time to learning the true trademark technique of the Style. Using the fundamentals learned in Uraate and their increasing strength, the Fighter is learning to direct terrifying levels of force into a single direct strike. Eight posts training using Uraate in a Dojo or Training Ground.
Manuevers:
Techniques:
Ryukei Qigong Tashinkō : It is a technique which uses the fulcrum-based transference skill of Uraate to transmit the user's power through the air. This is achieved by collecting the rotational force of one's motion until it forms into a needle, forged by their own strength. At that point, that collected atmospheric force would then be directed from the circular motion into a straight line (via punch), where it is sent barreling into the target. To onlookers it would look like a strong gust of wind erupted from the users fist, crackling with strandss of electricity. At this stage consecutive uses of this technique is limited, requiring a two post cooldown. It has a maximum range of 5 meters and transfers the force directly into the victims internal organs. As the user increases in rank the damage dealt by this technique increases, to the point where a single blow could rupture multiple organs and shatter bones.
Stage 5: Martial Artists
Chunin
Description: The Martial Artist has developed amazing strength and stance and is able to quickly use Uraate consecutively for great effect. In addition their battle awareness is greatly improved, allowing them to react swiftly to unxspected attacks. At this stage the Martial Artist begins to develop an arsenal of fearsome close ranged attacks along with display an uncanny level of control over their body.
Training: The Martial Artists seeks to build battle experience so is told to partake in three spars and either tie or win two of them. They must countinue to spar until they win two thirds of their matches.
Manuevers:
Techniques:
Shin'irikugō Taihōtenshi Tsūhaiken (心意六合 • 大鵬展翅通背拳 "Heart & Mind, Six Harmonies: Giant Phoenix Spreading Wings Over Back Fist" )
This technique is fundamentally similar to the "Ryukei Qigong Tashinkō", but the martial artist transmits their force through a solid medium (such as a tree, a concrete construct or even a living being) rather than air. In this case the damage is increased to incredibly levels, able to seriously dent solid steel. Living victims will definetly sufer from several broken bones and serious bruising. The force transmitte is easily enough to send objects flying away at high speeds and can even kill if used properly.
Stage 6: Two Realm Harmonist
Chunin
Description:
Training:
Manuevers:
Techniques:
Stage 7: Four Realm Harmonist
Special Jounin
Description:
Training:
Manuevers:
Techniques:
Stage 8: Six Realm Harmonist
Jonin
Description:
Training:
Manuevers:
Techniques:
Stage 9: Pheonix Harmonist
Jonin
Description:
Training:
Manuevers:
Techniques:
Stage 10: Ten Realm Harmonist
Sannin/Kage
Description:
Training:
Manuevers:
Techniques:
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Posted: Thu Feb 03, 2011 4:15 pm
I'm done lol I edited the wrong version.
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Reply
