I'm judging you while wearing your glasses!! AHAHAHAHA!!!!!!!
BlueBus: Curse you BlueBus. I have a weakness for repetition. I loved the constant use of Thursday night, and then the contrast of Friday morning. Eva Green... did you mean as from Kingdom of Heaven? Well, screw what you meant, this is how I'm interpreting it (there's a term for that, but I forget). I like bound and tight from the first stanza, imagery of being trapped, and then you introduce "cutting holes". Brilliant. Another mention of being trapped in the "uptight". You use the word "glide" for the male of the poem, which I don't like. Gunshots ripple? No. No rippling of gunshots. You were so brilliant, and then you ruin it with this. Later, you continue with the trapped imagery with "lights entwined". Fire imagery, because he's going to hell, a continuation of the allusion begun with a little fire in the girl's cigarette, the "hot iron" in his blood, and the "boiling" windows, suddenly erupting into a consuming fire. Fire began on the inside, then moved to tiny cigarette, then moved to the visible with windows, and finally consumed him in the end.
I'm sorry if my critiques seem disjointed and disorganized. They are.
LongTimeListener : For a moment I thought you had a repetition of colored blood in your poem, but it only turned up twice. Would have been more powerful if you had mentioned once or twice more. I hated how you broke up the lines, and the underlined words. Use other methods to bring attention to your words. Nice muddy gritty feel, brought on by the usage of water and dirt imagery. Then you used wilted for the attorneys, character in poem became water of life, interesting, but was it intentional? Ending: there was a feeling that there was a lot at stake, but no mention of what this wall is, or what it means. Martyr title annoys me now. Told from two different points of view, one clearly good, the other evil. Somewhat confusing despite that, what is the trial about? Continued mention of gold, important at the end when "cost" is mentioned.
Alrighty then. I'm sorry LTL, your poem didn't seem to have anything to it but words; it was purely surface. BlueBus had an undercurrent of building tension and erupting flames, which brought his end to a satisfying and explosive end. Your poem did not end in a manner that made me feel as if I had been part of the journey. You failed to impress upon me the importance of the proceedings, and I found myself growing bored with the vague references to the man's crime, which, as far as I can gather, had something to do with bribery. Plus, why couldn't the man just use a phone? But more importantly, what is this wall you speak of? What does it mean?
Winner: BlueBus
I'll send the winnings soon. By tomorrow night at the latest (my night, my time zone).