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For the mainstream Hindi moviegoer, whose exposure to southern cinema has historically been confined to films by Mani Ratnam and Shankar, the hyper-commercialism of Rajinikanth or the artwork-dwelling videos of Adoor Gopalakrishnan and Girish Kasaravalli, 2015 ushered in the refreshing new wave of contemporary South cinema.

http://www.youtube.com/watch?v=RC3Ervxxd7k

Arvind Pandit The progress would look to have been crafted by an viewers viewing these films in theatres as opposed to downloading them off torrents or shopping for pirated DVDs. Be it the massively accented North Madras positioning in Kaaka Muttai or the rural Malabar way of life span depicted in Ennu Ninte Moideen, the audiences have strengthened the universality of heading nearby.





Arvind Pandit If 2014 was the year of initiation for a lot of North Indians into South cinema, 2015 appears to have been the yr of consolidation, produced on the foundation of movies this kind of as Drishyam, Bangalore Instances, 1: Nenokkadine, Jigarthanda, Lucia, Madras and Eega