|
|
|
|
|
|
|
|
|
Posted: Sat Mar 10, 2007 9:04 pm
So... I'm posting my song lyrics. The reason I'm going out on a limb, is because let's face it- I've trashed so much s**t here, I've probably earned a few grudging enemies who'd love to smear my works with bad responses.
We'll start with my attempt at vulgar imagery, my most rhythmically-sound lyricism. Note cocaine reference and a House of 1000 Corpses reference.
Violated ------------- It was almost as if I wanted it gone Oh, a white powder sniff Castrated, no spawn
Shoved off the waistline Lost all the hair Take it from mine, take it from mine It’s your skin I’ll wear
Raped by a speculum Violated with a bonesaw
I’ll see if you’re in awe
By now there’s no structure Released from what’s ******** her It’s now, It’s now Mutilated beyond repair
Raped by a speculum Violated with a bonesaw
Thought I’d start a business Doing all the s**t that’s like this One dream, I get off to think To put out 2000 degrees in your pink --------------------------------------------
I may post one of my other well-structured songs, with appropriately-used Japanese in it, if I get good feedback and the aforementioned nemeses don't backlash.
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat Mar 10, 2007 9:28 pm
Its like a funk singer had a psychotic break down with satanic over tones.
NICE!
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sun Mar 11, 2007 1:45 pm
|
|
|
|
|
|
|
|
|
|
Posted: Sun Mar 11, 2007 5:53 pm
I'll second what Relik-san said, just because he captures it so well. And to say it in any other way would sully the concise but warm 'wow'. *Stunned*
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Mar 12, 2007 2:16 pm
|
|
|
|
|
|
|
|
|
|
Posted: Tue Mar 13, 2007 3:26 pm
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Tue Mar 13, 2007 4:53 pm
Indeed, the force is strong in this one.
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Tue Mar 13, 2007 6:44 pm
Then I'll post another song. This one's multilingual, my main concentration was syllable symmetry in the manner of 7-14-7 syllables in every verse, with the last lines of verses being in Japanese, syllables increasing in odd numbers (1, 3, 5, etc.).
No ------- this new language is all toss. i wouldn’t blame you children if you can’t understand it. this new language is all mess. iie.
lamentation is fetal thought. it’s always the insignificant feelings that we harbor. lactation is worth the obsession. seiyugi.
i want to feel good. i want to receive caress. i want to come hard.
the radius is too large. the figure that i’m lusting for is way too far back. the radius, perfect hips. seitekisho do.
tell me all your good feelings. your mind’s own pleasures are what enthralls me so -seiteki- tell me if you’re excited. ryoseiguyu, bodikon.
i want to feel good. i want to receive caress. i'm in a great mood and i'll wear a pretty dress i want to come hard. satisfied and scarred.
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Wed Mar 14, 2007 3:12 pm
Come on, comments?
Pretty pl0x?
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Wed Mar 14, 2007 7:55 pm
DEG influence screamingly obvious here, but an interesting social commentry, I imagine slow heavy chugging guitars and lyrics at a low mutter.
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Fri Mar 16, 2007 6:12 am
I like both of them. Particularly your use of the word speculum.
Also I now feel dirty for knowing what せいてきしょうどう meant.
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat Mar 17, 2007 7:50 pm
Ah, thank you, your comment definitely makes me happy. I now know my internet-translated Japanese makes sense. ^^
Another song. A lot less a**l about rhythm, too. Meant to be slow, bass-y, and have a sordid atmosphere to it. Basically, like if Tool covered Alice In Chains' "Love Hate Love"
felt again ----------- you're no macabre superstar sickened, syringe sex drive
i saw you... you were the one sitting on the wall smelling of vomit mouth agape staring at the flies you thought you saw
was i washed away and nothing thought so, thanks farewell
longed for the addict's hell you would i always knew it's the skin that fits you best pale, cold, clammy and ugly sweat-covered and bed-ridden tongue dry and swollen, fingers feeble
was i washed away and nothing thought so, thanks farewell you disgust me you disgust me you disgust me
i thought it was you (i thought and i knew) blonde, blue-eyed, pale and beautiful you could tell the boys didn't think you had a worm and it got you off at night
was i washed away and nothing thought so, thanks farewell was i washed away and nothing thought so, thanks farewell
you play a dangerous game, chap damsel in distress smeared on the floor deluded diluted deluded diluted
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sun Mar 18, 2007 6:42 pm
It was all good, until I got to the chap... then I just burst out laughing, and suddenly had a mental image of english bankers discussing this over tea whilst browsing the financial times.
But aside from that, again another great song, when are you touring?
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Mar 19, 2007 2:10 pm
Rellik San It was all good, until I got to the chap... then I just burst out laughing, and suddenly had a mental image of english bankers discussing this over tea whilst browsing the financial times. But aside from that, again another great song, when are you touring? I don't know when we're touring. We're working out a big practice date over the impending Spring Break, two weeks from now.
And hell, what's good metal without a few laughs on the side?
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Mar 19, 2007 3:54 pm
Isel Rellik San It was all good, until I got to the chap... then I just burst out laughing, and suddenly had a mental image of english bankers discussing this over tea whilst browsing the financial times. But aside from that, again another great song, when are you touring? I don't know when we're touring. We're working out a big practice date over the impending Spring Break, two weeks from now.
And hell, what's good metal without a few laughs on the side?Thats true, get mired in seriousness and you end up like Gerard and Mikey Way... and no one wants that.
|
 |
 |
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|