|
|
|
|
|
|
|
Pyromaniacal Wave Captain
|
Posted: Thu Nov 02, 2006 12:43 pm
Word REFUSES to save... so...
• Any attempt to unify the arts is positive • It is possible to achieve a correspondence across the arts
Idea belongs to modern era, or modernism. Believes well determined whole – sum is greater than the parts.
We are no longer in the modern era. Not acknowledge the possibility of unity or claim that it is a positive way of looking at the world. Post-modern thinkers look back at modern with critical eye. Not possible to have unity of arts. - Little room to acknowledge difference (breaking what is seen as the norm), except in derogatory terms. - Questions why artistic works are or are not canonical - No longer an avant-garde - History no longer linear, pushed forward by avant-garde – moving forward by branching out in all directions – multiple voices at one time (think of play where people are talking at the same time.)
World War II American Abstract Expressionist Painting and Japanese Butoh Dance – Same set of social/cultural circumstances. Responses to the same event – Mount a critique of two cultures responses to a single event
|
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Thu Nov 02, 2006 12:53 pm
Expressionist Painting - Non-representational, but expressive - Jackson Polluck - working randomly but with control -Very grandly gestural - when applying paint to surface - painting on floor rather than on the wall or facing painting as is usually - Emotional, random-like - Reflects in post-war period
Butoh Dance - (Bu - Dance, To = Step/stomp, ??? "The Dance of Darkness") - Kazuo Ohno and Tatisumi Hijikata - Become the tree if you act as a tree - Aftermath of WWII - the country bomb was dropped on - response to physical and emotional suffering, to the power of the USA - Politcally engaged - mounting critiques against the status quo - Jap art and culture. - Dance of identity - Very melancholy, slow aesthetic -Darkness, unkown part of bodies. Pushed beyond limits - ancient Japanese dance - forbidden colours, 'Revolt of the Flesh' - western influence mocked, uncontrolled and savage performance. - Images into pure movement - Later abandoned for more simple expression - later became standard butoh vocabulary
Similarities through response to same event - Hiroshima bomb drop.
|
 |
 |
|
|
|
Pyromaniacal Wave Captain
|
|
|
|
|
|
|
|
|
|
Pyromaniacal Wave Captain
|
Posted: Thu Nov 02, 2006 1:24 pm
How is it different? - More about the individual in American, in Japanese it is based on the collective - Technique is less important in American Expressionist painting - means to an end, Butoh needs trained dancer, must be in complete control of your body - central to Butoh - Expressionist painting gestures wide and free, Butoh is slow and restrained, almost small movements - Pollock - very optimist, Butoh was very meloncholy, sorrow and pain, etc. - No real political statement in the work by Polluck, must be interpretted, Butoh is VERY political. Message is political message is inside the work. - Polluck rewarding victorious country, optimism, Butoh self-punishment, upset for losing the war - Freedom or none? in each
|
 |
 |
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|