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Lydia Desdemona

PostPosted: Wed Apr 26, 2006 12:50 am


Why would it be a problem if, without a change in their sound, Gristle drew the adoration of all the little girlies running around listening to NIN right now? What is so awful about the idea of Slayer's whole fanbase seeing the beauty of early KMFDM? Why not embrace the mainstream rather than hoping your favorite artists never see it? They need to eat, you know.
PostPosted: Wed Apr 26, 2006 2:18 am


That's something that always got me. I don't understand people who stop listening to a band because they "sold out". I'm all for bands I love making it big.

While listening to VNV nation I will always wonder why more people don't like them. Why are they not huge, this is such great music.
I've play music at work sometimes and I got some really old into cruxshadows. I didn't have the heart to tell him that he was listening to goth music but whatever. I think the majority of it is that people don't hear it. So they don't know. Or it has a stigma of Industrial or Goth so they don't give it a chance.

coriander18


Plan-Galere

PostPosted: Thu Apr 27, 2006 7:41 pm


I have a very, very diverse taste in music. I'll listen to bands if they sell out, if I like the sound. I like Slayer! I like early KMFDM.
PostPosted: Fri Apr 28, 2006 3:43 pm


For me it's because once a band goes mainstream, true funs are then surrounded by a buch of blithering idiots screaming ZOMG!!!OGRE IZ SOOOO HAWT!!!!!11ONE11ONEELEVENTYONE11!1 When they don't know the first thing about the band and probably just pretend to like the band to "blend in". That's what I absolutly hate about bands going mainstream.

Soviet Reunion


Luminae

PostPosted: Sat Apr 29, 2006 6:50 am


Personally, I don't care if a band is mainstream or ( not, as long as their sound quality does not go down. (Which more often then not it does sad )

What I consider to be selling out is marketing music in a way that isn't what you actually care to produce, but is mass friendly, and will sell. Kinda like the whole grunge thing in the early nineties.

I don't mind the mindless fans who scream like crazy at the shows because they know the bands most popular single or something, I just think they're silly, and if they want to go blow money on the whole album, then good on them, it's supporting the group, y'know? I do get annoyed with the whole elitist attitude that some of the not so uber into the music fans will sport when they think they can drop names because they heard one song by the group on an online radio station, but hey, as long as they're supporting the group I guess it really doesn't matter.
PostPosted: Thu May 04, 2006 10:00 am


some random rivethead...
ZOMG!!!OGRE IZ SOOOO HAWT!!!!!11ONE11ONEELEVENTYONE11!1


I'd probably just respond to that with "wow....they have taste..."

BUT do they fantasize about him wearing jackboots and an SS uniform and fisting them while they're in a straightjacket and strapped to a rusty old hospital bed with electrical tape?


...*cough*....excuse me, I'll be in my room for several minutes...

La Veuve Zin

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Medical Machinery

PostPosted: Thu May 04, 2006 5:47 pm


I don't think I ever had this fear of the mainstream thing. I like Daft Punk and Bjork. When I comes to music, If I like it enough, I listen to it.
PostPosted: Sun May 07, 2006 6:31 am


Medical Machinery
I don't think I ever had this fear of the mainstream thing. I like Daft Punk and Bjork. When I comes to music, If I like it enough, I listen to it.

Exactly, that's what it's all about. I even still like The Prodigy, a bit.

Tommuel


Phantom_Utena_guitarist88

PostPosted: Mon May 29, 2006 8:57 pm


NIN [WITH TEETH] made me really upset. Imean there other stuff wasn't too impressing....but this album. I was mad.

And a couple weeks ago, a new friend of mine sadid they liked Industrial music too...i asked them who, they said Panic at the Disco. I heard one song of theirs, and oh my god....it's not good. Atleast not to me. And It doesn't sound like it's industrial. Atleast not to me. Same with Mindless Self indulgence. no offense to anyone here who likes it. But eh. Not my kind of music.

And about the mainstremity of music, it bugs me. Especially for the people who can't pay $50 to go see a concert, of their favorite band. When they become really popular, the true "true" fans get lost in the crowd, and end up losing their role models.

Hah. Known from experience...
PostPosted: Tue May 30, 2006 8:48 pm


Phantom_Utena_guitarist88
And about the mainstremity of music, it bugs me. Especially for the people who can't pay $50 to go see a concert, of their favorite band. When they become really popular, the true "true" fans get lost in the crowd, and end up losing their role models.

Hah. Known from experience...
I know it sucks being broke (I had to scramble for weeks to get 120 bucks together for me and my girlfriend to see NIN) but that's a pretty selfish way to look at the success of a so-called 'idol'.

I really dont get why people call MSI industrial. They're industrial influenced, for sure, but they wouldn't even call themselves straight industrial.

Lydia Desdemona


]Antagonistic[

PostPosted: Fri Jun 09, 2006 1:26 pm


when things get close to the mainstream they start going down hill. Bands change thier music to appease the larger crowds. That usually makes for shitty music. Also it really suck when there are a bazillion fan girls/boy to the band you like and they take thier fandom too far and ruin the band for you.
PostPosted: Wed Jun 14, 2006 1:44 pm


Queen of the North
when things get close to the mainstream they start going down hill. Bands change thier music to appease the larger crowds. That usually makes for shitty music. Also it really suck when there are a bazillion fan girls/boy to the band you like and they take thier fandom too far and ruin the band for you.
If some other fan can ruin a band for you, then you're not a fan of music, you're a fan of image.

Lydia Desdemona


Serial Number

PostPosted: Thu Jun 15, 2006 8:49 am


I myself did, in fact, find industrial by NIN(Which actually isn't all that huge itself in Finland), since I wanted to find out more about this mystical "industrial" music. Things rolled on and now I find myself listening to P-Orridge screaming "we hate you". Being mainstream isn't bad, but if the music changes radically into something worse(Notice that word), it's a bad thing.
PostPosted: Wed Sep 20, 2006 4:43 pm


I guess nobody has yet realized:
Signing to a mainstream record label means you no longer have control over what your albums are, what you sing about or where your shows are. It's a ******** nightmare.

Soviet Reunion

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The Industrial Guild

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