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[Elysia Kavanagh] ~ Understanding :: Cat Naps with Caracals!

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Elekopter

PostPosted: Sun Apr 02, 2006 9:31 am


Questor Information
Username: Elysia Kavanagh
Mule SN's: Ilsa Ivanovna
IoDM Newbie?: Yep!
Serum: Caracal
CODE for your quest banner(s): None yet!
PostPosted: Sun Apr 02, 2006 9:33 am


Understanding


"We're taking you off the project."

The words hit her, stun her cold. She blinks, slowly. Her eyes lose focus. Her lips part, cracking slightly. The skin on her face pulls tight for a moment. She exhales. "I don't understand."

Her boss taps his cigar, lets the ashes fall on the high-tech, sleek glass table top. Somebody will clean it up later. "We're taking you off the project," he repeats slowly. "Look in a mirror, Ivanovna. Hell, look down at the table. You look like s**t." He sighs then, his tone and eyes softening. "You need sleep, Ilsa. Sleep, good food, and time to yourself. Away from work."

"I... don't understand," she breathes again, wringing her hands together in her lap, over her tailored, pressed tweed suit. "I'm fine. I'm fine."

"Look in a mirror," he repeats.

Ilsa looks down. In the glass, she sees herself reflected. It's a reflection that she's been trying to avoid for the past few weeks, and her eyes ghost over the hollow cheeks, the raccoon eyes, the pale, sallow skin.

"I'm fine," she repeats, desparately.

"Ilsa, it's all right. Nobody's holding this against you," one of her coworkers, a woman named Liz, says. She's trying to be comforting. It isn't working.

Ilsa sits at her desk, tapping her pencil against her desk. Stacatto rhythm. Heart-beat.

She eyes her phone. Makes a grab for it, dials Liz's number hurriedly. Ring. Ring. No answer.

Ilsa hangs up. Her eyes scan her desk. They land on her cell. This is the next victim of her anxious, nervous rush. Scroll through the address book, find Liz... find Liz... find...

"Hey, Liz talkin'. Who's there?"

"Liz." Her voice trembles. She grips her pencil tightly.

"Ilsa? What's the matter, baby doll?" They know each other by voice at this point. Business partners.

"Where are you?" she murmurs, hands trembling.

"At lunch. Tell me what's wrong, Ilsa. Somebody say something, do someth-"

"You had a deadline." Her pencil snaps.


Ilsa stares at Liz, head tilting to one side. Then she closes her eyes, leans back in her seat. Pressing the heels of her palms to her eyes, she sucks in a deep breath. Tries to steady herself.

When she opens her eyes again, her spine is straighter. She is composed. She's working.

Standing, she walks around the table, heels clicking on the marble floor. The floor-length windows surrounding the board room look out over the city, and she smiles. She's helped this company rise up, become one of the top companies in the country. No, in the world. And this last project, this new launch...

"This project is my child," Ilsa starts, voice controlled and mellow. "I've poured my heart and soul into it - all of you here today know that." She looks down the table at the familiar faces. She laughs, inside, at their concern. "It is normal for a woman - especially one with no family or real children of her own - to give her all to her work. Her passion. I may look tired, I may look thin... but this will pass. This will pass. And in its stead will be a finished product, launched, bringing in billions. It just takes a little sacrifice. That is all."

But the men and women at the table are use to her silken words, her twists and turns. It's why they hired her.

"People of the Greater Baltimore Area!" The loudspeakers are too loud. There's feedback in her earpiece. It hurts. "The time has come to cast aside the old, the worn out, the tired! No, instead I come to you bearing the future! The future! And the future is Epheres Cosmetics!"

Behind her, on the big screen that stretches for over a hundred feet, her face is projected to millions. Her skin is flawless, her eyes sparkle. Her lips are painted with a slight purple tint that brings out their shape. All of this is being digitally added by skilled technicians, airbrushing as they go. Nobody in the crowd is close enough to see Ilsa's haggard appearance. If they were, her words wouldn't have power - they would be a joke.

"Epheres Cosmetics is dedicated to bringing you the latest, the greatest, the newest innovations in cosmetics technology! We can help make that little black cocktail dress really bring out your best with a bit of blush. We can hide unsightly blemishes. We can do all this... and we can turn back time! Our newest product, as you can see behind me-" she turned, gesturing to the screen which now shows before and after pictures, artfully doctored - "can make a woman in the golden years of her life shine like when she was young and fresh! Now, see as..."

The words pass through her lips, but she doesn't hear them. This is a practiced speech, spoken many times in front of a mirror. It took time away from paperwork and networking, yes, but this is the part the public sees. This is her job. Her life. This is Ilsa.

The crowds cheer.


"Ilsa, believe me. We know how much this means to you - we see it in all that you do for us. And because of all that you've given us, we feel, as the Board of Directors, that we need to give back. We're going to give you the rest you deserve." He taps his cigar again. Her eyes are riveted on the falling ash so that she doesn't need to see anything else, think anything else.

"Sir, I know I'm not my bes-"

"Ilsa."

"Not my best, but the launch is in a few weeks, an-"

"Ilsa."

She looks up at him, lower lip quivering. "... Jonathan...?" she whispers in response.

"You're right, we're only a few weeks away from the launch. Everything is in motion now, set there by you. It doesn't need you any more."

"But the commercials, the public appearances-"

"Ilsa." Jonathan Breyer stands, hanging his head for a moment as he speaks. "Ilsa, the costs of editting and airbrushing your photos and films will cost us too much. You bring in a lot of income, yes, but Liz can take over for you. It will be fine, just this once. Go home. Get some rest."


Ilsa Ivanovna sits in her penthouse apartment, surrounded by the luxuries of life. The furnishings are made of chrome and glass. The walls are off-white, tinged blue. The couch she sits, back ramrod straight, in is soft white leather. It's cold.

She thought, for the first few days, that maybe Jonathan and the others were right. Maybe she did need a break. Maybe she needed to rest her eyes.

She doesn't think that anymore. Now she spends sleepless nights pacing, thinking, worrying. She tried going back to the office earlier in the day, but they dragged her out. Imagine that! Company security, dragging her out of her own office. Jonathan and Liz have stopped taking her calls.

Staring at the phone has become her favorite past time. She feels like she's been abandoned, left alone and unneeded in a cell. Waiting for the executioner. She wonders when the call will come. Sorry, Miss Ivanovna. The company is letting you go. Elizabeth Terlis is taking your spot.

Good day.


The call doesn't come, but she acts as if it has. She paces restlessly, ignoring hunger and fatigue. Once she wakes to find herself on the floor of the bathroom. It scares her a little, but she moves beyond it. She resumes pacing.

One day, two weeks after the board meeting, two days before the scheduled launch of the program, her program, there is a knock on her door. Ilsa freezes. She eyes the knob distrustfully, but finally manages to walk over, opening the door. She hasn't changed in over three days, is thin as a rail, and wavers on her feet from lack of sleep. Her eyes are bloodshot. Her ears ring.

It's Liz.

"Ilsa?" Her voice is soft, concerned. The woman reaches out a hand to steady Ilsa, to save her. Ilsa shrugs it off, staggers away.

"What are you doing here?" she whispers, voice hoarse. "Get out."

"God, you look awful," Liz gasps, taking a step in.

"I said get out!" Ilsa cries, pushing at Liz weakly. She crumbles to the ground from the effort. "You stole my baby," she hisses, over and over. "My baby, my baby..."

Rocking back and forth on the ground, Ilsa loses a firm sense of where she is. It isn't until much later that she hears sirens and realizes that they're coming from overhead. There's an IV in her arm, pumping her veins full of saline. She drifts between consciousness and a coma-like sleep.

Things go black.


When she wakes up, the first thing she sees is the blinding hospital light on the ceiling. She squints. Her body hurts all over.

Jonathan and Liz are sitting by her bed. "Ilsa?" Jonathan asks, reaching out thick fingers to touch her hand. "Ilsa, can you hear me?"

She glances at him. Eyes lose focus, jerk, roll.

"We're sending you to a private facility, out of the public eye," he murmurs, stroking the back of her thin hand. He can feel every bone, every sinew, every vein. Ilsa makes no response, lips moving, drawing in air. "When the doctors there are sure you're safe to come home, you can come right back to work. Nobody will know what's happened to you. This will be our little secret. When you come back, everything will be just like before. You'll have a new project, new work... a new outlook on life."

"... where?" she gasps after a moment, voice little more than a rasping breath.

"An island resort."

Elekopter


Elekopter

PostPosted: Sun Apr 02, 2006 9:37 am


"What about family?"

"I've cut all ties with my family. To make my life in the public eye easier. So people will see me as a figurehead instead of a person - a symbol."

"So... you're a political activist?"

"... hm? Oh, no. I work in cosmetics advertising."


Name :: Ilsa Ivanovna

Age :: 33

Birthplace :: Timonium, Maryland

Height :: 5'7"

Weight :: 98 lbs

General Appearance :: If only Ilsa didn't work so hard! Sometimes she worries that she's going gray already. It isn't true, through - her hair, in it stylish helmet-like bob, is still the dull blonde that it's always been. Her hair is rather brittle, though, from her constant malnutrition. Her eyes, eternally ringed by unflattering dark circles and pale, sallow skin, are somewhere in between gray, green, and blue.

Coworkers have commented, jokingly, on the fact that Ilsa doesn't wear the make-up she promotes. She simply doesn't have time, between press conferences and board meetings. To be honest, though, the company does force her to sit down and have something slapped onto her face before most public appearances. For appearances where she can avoid being close to the people, they've invested in new, state-of-the-art instant airbrushing software. While this makes her images look amazingly fake and plastic-y, it saves time on Ilsa's part. Reports show that some customers believe Ilsa is computer generated.

Ilsa always dresses in suits, or some variation on that theme. She tends to gravitate towards slightly-above-the-knee skirts moreso than slacks, pairing them with stockings, pumps with perhaps a one-inch-heel, a fitted jacket with a medium lapel, and some form of white undershirt. Most are the conventional button-up collared shirts, but every once in a while she breaks out a high-necked soft turtleneck or cravat-included-ruffed shirt. Pattern-wise, she tends to favor either solid, dull colors or small, faint pinstripes.

Whatever the clothing, Ilsa has a good understanding of how to dress her frame. You get that, working in a high-class business environment like the upper echelons of Epheres Cosmetics for years. Still, her body is quickly dwindling in size. She's getting dangerously thin, and her body is sore and tired all the time. Ilsa is used to slight fluctuations in her weight during new projects, but this time... things have gone a little too far.

Ilsa's in danger of dying.

Personality :: There are two sides to Ilsa, just like there is to any person in the glorious realm of advertising. Ilsa's on-screen demeanor is energetic, passionate, and rather forceful. She could easily be a motivational speaker.... or a political activist. Reviews have often commented, post-rally or press conference that she possesses an almost incendiary way of speaking. Many jokingly thank God that she's only working for a cosmetics company.

When not behind a podium, however, Ilsa becomes much more subdued. It isn't that the passion is an act, per se... only speaking with it is. Usually, that passion is quiet, subversive. It drives every single thing she does.

Working at a cosmetics company isn't something that usually inspires a person to the level Ilsa is at. But there's something about being needed, being the voice of a company, being the person who pulls the company up from the ground... it thrills Ilsa. It's what makes her spend long hours putting together prediction graphs and presentations, filling out paperwork, arranging meetings, and talking to product testers. She redoes others work, triple-checks everything, and generally ceases all bodily functions to do it.

Recently, Ilsa started a "Food and Sleep" journal to record what little amount of each she gets each day. It was at a co-worker's, Liz's, suggestion. Like anything work-related, she fills it out obediently.

On her latest project, Ilsa's obsession with work took a darker turn. She was getting almost no sleep each night and ate maybe a power bar and some coffee each day. If she was at a lunch meeting, she picked at her food, took a bite or two, or ignored it all together in favor of getting down to business. It wasn't just that the job was the hardest yet... it was also a fundamental deepening of Ilsa's existing pathos.

When taken off the job a short while ago, Ilsa went down-hill sharply. Her personality shifted, probably because of malnutrition and lack of sleep. She became paranoid. Very, very paranoid. And that's where we enter now.

History :: Ilsa was born into an Eastern European medley of a family. Her father, Ivan Prokovitch Ovstronsky, was Russian through and through, of serf ancestry, and was rather against immigrating to the United States. He may or may not have been of the Communist persuasion. Ilsa's mother was German, a very pretty lady named Adalia Eichel. The two met on the boat coming over, as so many young couples of those days did. Ivan was not much taken with Adalia, except for the fact that she was attractive. Adalia was much too self-willed in those days, and that just didn't sit right with a traditional Russian man. Eventually, though, he got over it and the two married (though mostly for the convenience of two salaries and tax cuts once they were full citizens).

Ilsa's name is German - Adalia insisted on it - but her patrynomic and surname are both proper Russian. She grew up in a strict household, but instead of turning to rock or drugs or sex to rebel, she instead turned her mind to work. Work soothed her spirit and gave her purpose. It was something she knew she could handle and pour herself into without fear of hurt.

Ilsa demanded that her parents send her to college, although they were more inclined to send her two brothers. She probably would never have gone if it weren't for the scholarships she received. She put herself out into the wide world of competition for money, and it paid off.

(It is important to note, somewhere, that Ilsa does not go by her father's last name now that she is out of the family house. She contemplated taking her mother's maiden name, but settled on her patrynomic.)

In college, Ilsa started out majoring in political science and minoring in business, as a fall-back. Part way into her second semester, she realized that perhaps politics wasn't for her. But as she wasn't one to shirk work or drop projects, Ilsa made a very insane decision: she would double-major in communications.

After a nice long college career, she was approached by a group of students she had met in her business classes. They were planning on starting a new company based in some of the girls' training in cosmetology. They were going to open Epheres Cosmetics.

At first, Ilsa couldn't care less about their plans. She had her own. But as she saw the small, fledgling company struggling along, the desire to assist, to raise the company up, to really work and not just sit at a desk and do mindless drudgery grew and grew. In the years following her decision to join the company, Epheres Cosmetics grew in leaps and bounds. Soon, it was one of the premier national cosmetics companies, poised to begin international business.

During this time, Ilsa fell for her boss, the jovial, kindly Jonathan Breyer. They shared a short, sweet, whirlwind romance that ended when Jonathan confided that he was seeing somebody else. She never asked who it was.

That was perhaps the catalyst for a new, startling habit. Ilsa had always thrown herself into her work, yes, but she had always kept in mind that she had to be in good shape for her work to be in good shape. After Jonathan's confession, however, this knowledge seemed to take the back seat to her overwhelming drive to work to the point of exhaustion.

At first, she worked long hours with little food or sleep to push Jonathan out of her mind. But within a month, she was over it. She was over the betrayal, over the pain, and over the awkwardness of working with him. Even so, her dangerous methods stayed with her. It was almost like she'd developed an addiction.

There weren't many complaints for the first year or so. When a product was near launch, Ilsa would go into overdrive. Her work would be top notch, always, and done in a timely manner. Perfect. But after that first year, things began to go downhill as the company moved closer and closer to it's international debut. She forced her body to stay up with caffeine far longer than it was meant to, and only ate salads and small, quick meals for weeks on end. Then she'd crash, barely be able to pull herself to work. But she'd do it. On the eve of the big launch, though, it got even worse. One or two hours of sleep a night at most, usually much less; a power bar for the day, maybe some vitamins, and tons of coffee.

When taken off the job by Jonathan and Liz and her other concerned, old friends, it only got worse. When Liz came to visit, Ilsa collapsed. Taken to one of the best local hospitals (NOT GBMC, from person experiene. blaugh ), Ilsa is deemed unlikely to survive due to malnourishment and severe sleep deprivation. Luckily (or maybe not so luckily), the hospital is in some way, shape, or form affiliated with Feral Labs, and Ilsa is informed she'll be sent to an island resort to recover, out of the public eye.

Once there, as time goes by, Jonathan and the other are informed of her "death" - and knowing Ilsa, they accept that she wanted to be cremated without ceremony. While they may not be happy, they can understand why there's no funeral...
PostPosted: Sun Apr 02, 2006 9:44 am


"Why do I feel so tired nowadays...? I can fight sleep, always have. But now... I just want to close my eyes. Perhaps a little cat nap..."



Animal :: Caracal

Details :: Caracals are the heaviest of all "small" cats, as well as the fastest. Two to three feet long (on average) plus a one foot long tail, they can run fast enough to take down anything from rodents and hares to gazelle, small antelope, or even a young ostrich. They are particularly well known for being able to catch birds on the wing.

Caracals are rather picky eaters. They never partake of the internal organs of their kills, and either pluck the fur off or sheer the skin to remove fur. Feathers are allowed, on occasion (if they're small), and rotten meat can be tolerated. In times when water is scarce, the caracal can survive for long periods of time solely on the bodily fluids of its kills.

Appearance wise, caracals look very similar to a lynx, though they are only distantly related. Caracals are generally leaner, with longer legs than lynxes. Their fur is generally a wine-red or sandy hue. On rare occasions, some caracals are completely black (melanistic). The only markings adult caracals possess are the black on the ears and above the eyes. The ears themselves are controlled by over twenty different muscles. The pupils, oddly enough in small cats, contracts to form a circle instead of the usual slit.

Caracals, in the wild, can be found through Africa and West Asia. They live alone or in pairs in the semi-desert areas, steppes, and savanna. Untouched by humans, they can live around 12 years, rarely seen. This is not so much because they are small in numbers, but because they are adept at hiding themselves.

Surprisingly easy to tame and quick to adapt to living with humans, caracals are often used as hunting cats or kept as pets. In captivity, they can live up to 17 years.

Reason :: There are a few reasons why I chose the caracal. The original reason was just that they look so cool! But as Ilsa developed more and more, a few reasons stood out:

Because Ilsa is on the island for "rehabilitation," a quaint solution to her problem can be found in transforming her into a caracal. Why? Well, first off, like all cat breeds, caracals sleep quite a bit (especially during the day, due to their habitat). That solves the sleep problem right there, though probably not in a very... pleasing way. I doubt Ilsa will take well to actually sleeping once more, when she should be working on getting back home!

Ilsa's eating issues are also nicely rectified. This isn't so much because she'll want to eat more, but more because she'll be able to survive longer on less... and especially on whatever natural liquid is found in her food.

There's also the "easily domesticated" bit. That gives me all sorts of evil ideas... twisted


Thank you to Wikipedia!

Elekopter


Elekopter

PostPosted: Sun Apr 02, 2006 9:45 am


-Ilsa-



User Image

((note - I like her hair better in this one. xd ))

User Image

User Image



-Caracal-





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User Image


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PostPosted: Sun Apr 02, 2006 9:46 am


Funds

Gold :: 30k, but it may need to be dipped into for other purposes...

Items :: ... still calculating... xd

Elekopter


Elekopter

PostPosted: Sun Apr 02, 2006 9:48 am


[Donators]
PostPosted: Sun Apr 02, 2006 9:50 am


[Links]

Elekopter


Elekopter

PostPosted: Thu Jun 01, 2006 6:31 pm


User Image - Blocked by "Display Image" Settings. Click to show.
PostPosted: Wed Jun 14, 2006 6:58 am


~colour me supportive!~ Go Cai'n'Ilsa'n'quests in general! heart
Fufufu. Pwnage. <3
And if I'm not allowed to post here, I'll delete. D:

Artificial Anonymity

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