|
|
|
|
|
|
Posted: Wed Jun 11, 2014 8:39 pm
Alois tapped the butt of the paintbrush to his lower lip thoughtfully. Koi. I want to paint koi. I've collected more than a few iridescent paints to emulate different saltwater fish, but I never encountered many customers interested in a taxidermy replica of their catches. But koi... Are not saltwater fish. Nor do I have access to polyurethane foam to mold the interior.
I'm bored.
Somewhere during his inner monologue, Alois began chewing on the painted wood tip of his paintbrush, successfully denting and breaking the lacquer. The wooded taste lodged in his mouth, stained as cigarettes had in the past, but he minded it little. Frowning slightly at the damage, he glanced about the room for proper weighted paper to take color, and only found Quenton's sketchbook sitting atop the shelf. Idly he considered using it regardless of its light weight, and likely drown any page beneath into a rumpled sea of blotchy renderings, but soon decided the embargo placed on sex afterward rendered it too costly.
Reclining in the chair until he partially slouched, Alois hummed thoughtfully. I could play with the harmonica instead. Look through one of Quenton's shitty philosophy books and make fun of it. Rearrange his belongings again and see if he realizes the switch. Or... I could send him out to the Sugar Shanty again for some cupcakes while I mirror the living area of this apartment entirely. I should think he'd find it quite shocking to walk home with all his shelving suddenly on the left while all the bookcases sat on the right. No, that sounds like a far too time-consuming task; he'll likely return home in the midst of it and then it'd be no fun at all. Damn everything.
Finally Alois roused himself from the chair entirely, paintbrush still perched on the webbing between index and middle, before crossing to the window. He peered out through unclouded glass toward the softly lit streets of the campus, where many a student of different backgrounds prowled between classes. Alois gaze slid over the throng with no particular interest until his attentions hovered on a peculiarly tattooed young woman.
And then the idea dawned on him.
"Quenton," he called, half-turning toward the interior of the apartment. "Lay on the bed for me; I want to try something. You might like it."
After a moment's consideration, he amended his statement: "You will like it."
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Thu Jun 12, 2014 12:49 am
Living wit the Frequently-Bored occasionally had drawbacks of the interruptive variety- sometime pleasant and sometime trying. How, in a world full of stimulus, things to learn, skills to practice, and masteries to develop Alois managed to be perpetually in a state listless Quenton was certain he would never fully comprehend. It was one of the darker man's delightfully frustrating quirks. Quenton looked up from a spread of bauble making equipment on the kitchenette table, all from a tidy toolbox on the floor. He paused his wire-wrapping of multiple mouse skulls. "The last time I followed that sort of request it involved jeweled sounding implements." He still wasn't sure if that had fallen under like or dislike. That's probably the point with that sort of thing...pleasure pain. Denial as excess. After another moment of looking Alois over with a look of hard consideration, Quenton put his work down and crossed to the bed. "As I am, or with some other directives?"
|
 |
 |
|
|
|
|
|
|
|
|
|
|
Posted: Thu Jun 12, 2014 4:42 pm
Alois grinned unabashedly at the mention of sounding implements. He chuckled lowly. Good times. Tapping the end of the paintbrush into his free palm, he rounded toward the sculptor with a look of amusement. "You sound reluctant, Quenton." Every time is different, isn't it? The only predictability is that something new will crop up. Why so glum about that?
"Do you want to bargain your cooperation with me, Quincy? We could do that. How much is you lying naked and face-down on the bed worth?" He asked, gesturing toward the bed with the end of his paintbrush. "It won't be anything quite so exotic this time, but it will be fun nonetheless. For one of us. In totall I will need..." He trailed off, considering the length of time taken to paint a fish to meticulous completion. Luckily anything rendered on Quenton's back required less consideration for three-dimensional accuracy, so it might shave a few hours off. "Three hours, give or take."
Alois started amassing his paints in the crook of his arm before approaching the shelving above the bed. It looked useful enough for stowing away the paints he hadn't yet used. "There's nothing wrong with a little bartering, you know. It might be fun. I'd like to know what you could persuade me to do, Quenton."
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Sun Jun 15, 2014 12:22 pm
You and your bargains. It was too painfully obvious both where his sudden internal growl was seated- The only person who calls me that is my cousin. And you know its a nickname. And nicknames are annoying. Of course you're going to use it. Telling himself to not react was a mantra of diminished value - Quenton couldn't keep the snarl from appearing garrish on his mouth with the scar, even if he managed not to give any sound to the gesture. The stakes laid out served as some distraction to sink thought to. Naked for three hours. And you need a paintbrush for this. "Aesthetics for Aesthetics- 3 hours for 3 hours. " How would you look actually done up to the nines? I don't have all the right clothes here. There's that Okamoto friend of Stroud's that is into H. Naoto and Black Peace Now. There's the bespoke pieces. Stroud is always going to catwalks and boutiques to buy or admire. Yes. I think so. He set to removing articles of clothing and setting them aside. Now was no more self conscious than the few times he did modelling for the figure drawing classes.
|
 |
 |
|
|
|
|
|
|
|
|
|
|
Posted: Mon Jun 16, 2014 1:31 pm
Alois grinned when Quenton's features finally acquiesced to a snarl. A half-lidded gaze drifted across the scar warped in displeasure, and the Saarlander's eyebrows raised slightly in approval. "I won that round, Quenton." And there's many more to win.
Watching blankly for a moment, Alois considered the hints behind Quenton's veiled acceptance. Is he intending to do the same to me, then? And what would he paint on my back that carried any symbolic purpose, I wonder? A headstone, perhaps? A raven, a skull, an empty basin? I doubt I'll barter this deal. Quenton has never been terribly predictable - not beyond the constancy of his countenance. It's gotten far too even since I started staying here... I'm certain that was the first actual show of emotion that I've seen in quite some time. Finally after weighing the merits of the deal, Alois nodded slowly to confirm his acceptance. "Three hours then. If I come out of this looking like a drag queen, though, it's only going to lead to your embarrassment." I'll drag you out in public with me if I have to.
Alois motioned silently toward the bed after Quenton finished undressing, but not until after his gaze lingered on his lover's body in a long moment of study. Every angle, dip, curve found marginally better memorization with every scrutiny spent on the blonde's body. After diverting his gaze, he crossed to the desk where his laptop sat unopened as it had for many weeks now. Powering it up, Alois rifled through a quick internet search before he settled on an image that he preferred above the rest - and afterward he took a glance toward his shelf to identify which colors he might mix to produce the desired result. With the idea in mind, Alois laid the laptop on the bed near Quenton's hip and perused his selection of paints. Afterward he straddled the tops of Quenton's thighs with palette in hand, just behind the swell of his a**.
"I am curious," he started as lightly tinted brush strokes found warm skin. "I know you've watched the news and seen some of these... phenomena firsthand. What do you think of this talk of terrorists and monsters, Quenton? I suspect you have an opinion markedly different from the rest." Slowly the form gained solidity in concept, and Alois frequently glanced at his laptop screen to confirm the design. Once certain, he began mixing colors on the pallet to mimic the colors on screen.
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Tue Jun 17, 2014 4:42 pm
While they played the game daily, he hadn't kept any track of a longer arcing tally- how many 'wins' or 'losses' either had for their weeks together. It was all winning - they were both challenged and intrigued most of their days. His conditioning was progressing and Alois had the strength to make it through whole days without lethargy. "I don't find drag queens embarrassing. With how they challenge the perception of social norms, I'm surprised you do." He hadn't considered making anything garish out of Alois in three hours, but it was an option. Making him look like a circus clown or prosthetic like a Muppet. Quenton let images and ideas of patterns in smoke, onyx and white pass through his mind's eye while settling, then enjoying the increased weight of his lover on his thighs. The eventual tickle of the brush drew his mind back from patterns and to surprising subject of inquiry. I suppose that would come up eventually. Who in this city does not talk about it with others at some point, whether behind closed doors or openly at cafes. Still a cautious topic that must be approached with aplomb. Casual, as much as I ever am. "There is more to it than the media allows. Yellow journalism and a cover up is rampant- so many attacks, widespread murder, destruction of public property and at public events, but no government or military involvement. Why has the mayor not asked the governor, or the governor themselves, not declared a state of emergency? Where is the national guard, or the state police? There haven't even been any arrests, not on the part of the 'freedom fighters' or the 'terrorists'. It is a single city under siege, but all the state does nothing." Because...why. I'm willing to bet it isn't just this city under siege. There is wider spread influence. It has everything to do with Buddingtonite's hints. A division who's purpose is to infiltrate, influence and control the public mechanism. Some corruption of the already heinous military industrial complex. Travel would no doubt reveal Youma or agents in other places. Other states. Other countries. "And you? "
|
 |
 |
|
|
|
|
|
|
|
|
|
|
Posted: Tue Jun 17, 2014 5:31 pm
"I don't. That's why it wouldn't embarrass me." Alois continued painting while he listened to Quenton's theories surrounding the war. He hesitated a moment in mention of military involvement, but otherwise continued with slow, steady strokes.
Alois pinned the paintbrush between teeth while he consulted the image onscreen, checking for accuracy before he continued. When Quenton solicited his answer to the same, all painting ceased momentarily. "I am of similar mind. It's blatantly obvious that no one intends to do anything about it from governmental standpoint." And I wonder how much of that is due to our influence. Is Destiny City expendable in the eyes of the law? "By brother, Erik, was a part of the German military for many years now. He never mentioned such things to me, whether confidential or not. I suspect it's a local problem." Alois resumed his painting, as it slowly assumed the shape of a bird. When his work progressed to incorporating details, he swapped to smaller brushes.
"Additionally... That documentary. The one with Tag Swagger. It's trash." The beak developed to a proper extent, complete with the painting style of the original image to decent fabrication. He found it passable, at least, for something that would likely wash off in a couple hours or erode by sweat alone. "It's fairly evident that both sides do damage. Whether through simple fighting or intention, the city will always foot the bill." Alois paused, drawing a sigh. "It both appeals to me and matters so little. All around, things are changing at an unbelievable pace, yet... Somehow this activity fades to white noise around me. Sometimes people talk of it like politics or sports games. Ultimately people become comfortable with it, and stagnation sets in... Until someone close to them is killed. In some ways I am not surprised at all."
Alois leaned in close to smell the paint, drawing a breath just over its wet texture. "It's a wonder there are no apocalypse cults touting it as a sign. No cops interested in hunting down the perpetrators... No real outcry within the city. I wonder what that means?" Finally Alois allowed himself a moment to lean forward and press lips to the nape of Quenton's neck, briefly, before sitting up again.
"That war is neither here nor there for us. Only a tool." Seizing a finer paintbrush, Alois started on the finer detailing denoting brilliant red tufts of feathers dotting the arch of the bird's wings.
"Do you care if I play some music?"
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Sat Jun 21, 2014 12:53 am
'Local problem' was just ominous. It brought to mind the vaguest recollections of months and months prior- Super Sailor Irene. She commented offhand wondering why Destiny City. What was so special that of all the places in the world so many powers were waking here especially. It is too much a coincidence to ignore. Not just of senshi, knights and Mauvians, but the Negaverse as well. Why is everything, with a whole planet and a whole cosmos full of worlds, focused in one metropolitan area that is probably less than a quark compared to the vastness of the rest. Are there powers of Chaos in space in the current era? The Silver Millennia seems probable, if not canonically so. I've not heard of it, but I've not had opportunity to talk to much of any other senshi about it. Or Zirconia. Someone must know, or have seen something on one of their worlds, or the Moon, or the Surrounding. That would be a nasty situation- no help to be called except if you'd already brought them by chance and luck. The 'until someone close to them' was the rub. It was an old, deep ripple since the start of his tenure as a senshi, one of the things that most disgusted Quenton with the other senshi, knights, mauvian and agents he came across. Everyone was out for number one, or just number one's friends. Sometimes they managed to care about other people out of a general sense of 'doing good', but they were never incensed or emotionally invested. But that can all boil. I will not give you two today. Let that fire stay to thought alone. Quenton took a deep breath, settling more and turned his face on the pillow of his forearms to look back at the other. "Tools have uses- hammer to pound, nail to fasten, scissor to shear. What would you call the use of this war...for yourself if not others?" "I never mind music. Play on, sir."
|
 |
 |
|
|
|
|
|
|
|
|
|
|
Posted: Tue Jun 24, 2014 4:20 pm
Alois returned the butt of the paintbrush to his mouth while he momentarily sifted through the audio files on his computer. Soon enough, an old favorite poured through the small speakers of his laptop to punctuate the silence. After dampening the volume to background music, Alois paused for a long moment before answering his companion.
"This war... It reminds me of old chemistry labs that introduced the presence and function of a catalyst in different reactions. I suspect that the war offers no specific use beyond that of a catalyst - for constant exposure to strife and bloodshed often provokes one to grow up at a faster pace than typical. We change more quickly when under duress, wouldn't you say?" Alois paused to lengthen the feathers of the bird to his liking before he continued. "Curiously, a war is only a positive affair when we consider it a negative occurrence. It's... maddeningly paradoxical." He chuckled softly.
"In considering it a boon, I wonder if I ruin its merits for myself. If... by citing it as an enriching aspect in my life, it amounts to nothing more than background noise - much like this song. If nothing else, it lends benefit in thinning out the populace as the careless and witless often die first. Living with you doesn't suddenly foster a warm appreciation for humankind in me; personally, I'd be rather interested to see one of those monsters devour a particularly irritating businessman." Or quite easily anyone else he ran across that spanned the tepid to seething hate spectrum of Alois' acquaintances.
"Going back to your earlier question, I would say this war amounts to a furnace for me. But what I'm changing for, or to... I'm uncertain." Abandoning the thought for a time, Alois delved into the careful craft of adding a second layer of paint to the few areas along Quenton's back where the initial coat dried. After mixing a darker hue, he embarked on adding details to the thin silhouette of feathers crossing muscles observed and named not long ago.
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Wed Jun 25, 2014 2:32 am
A positive affair. "I would argue differently, not that it is the careless and witless that are sifted out. They hide behind the walls and machines of war and direct the rest -those in love with the music and poetry of their homes. The brave are always the first to die." " It is a War, but no fine catalyst. Things grow older, but they do not grow greater. Every weapon forged in every war from the beginning was sweat that could have built homes or tended the sick. Ever hour spent in the dark, every wasting drop of blood on the grass was the blood and time of genius that could have brought true, new horizons of thought and awareness to science and art. This violence only multiplies hurts, it does not solve anything- what has gotten better by it? Nor does it or they seek to, treading water years on and just multiplying by their numbers of children involved. Of people maimed and blocks burned. You call it a furnace, well enough- good for reducing kindling to ashes. It does not refine, it is no crucible for taking out impurity. A furnace isn't precise, it just diminishes." " The terrorists feed into their own hates, all sides of them, and they hang us all in iron gallows. " All hang. And that paltry some happen to have the will to pull themselves hand over hand up the noose, and instead of bettering the world must look at desolation and try to find some way to heal it to live at all instead of advancing it. It was pleasant to hear the verb in active form on Alois' lips- " ' am changing.' There is no antidote for uncertainty, when speaking of change. That is change existing. The past hours are safe because of that- we vanquished them long ago. We know their tricks and wiles, and so romanticize about them as better. We can only predict and choose a goal. Stroud would say a 'want', but that is so...limited to personal experience. Goals can be beyond the personal. What was it weeks ago... too private a philosophy as we stood at the door of your studio. " Admitting to yourself or to others, or making a final decision maybe, of what it is that you act for. What matters so much that it impacts what choices you make and why. You practice safe goals- you set yourself tasks in music and complete them, ideas in sketches if what could be, should be, might be or may never. You can go whole days in thought and wakefulness, challenging mind and body at play. "I think it was...solipsism I inquired and you denied? "
|
 |
 |
|
|
|
|
|
|
|
|
|
|
Posted: Sun Jun 29, 2014 9:41 pm
"You mistake the careless and the witless for the clever and ambitious, Quenton. Those we find behind walls and war machines are not the dregs, but the devious. Those who survive are the ones who shape our culture afterward, are they not? The dead die, and that's that. Perhaps the brave are truly the careless and witless, Quenton, for they are first to give their lives as paving stones to the depths of hell." Those dead in this war are never valued for their contributions, not to the general public. They lack all recognition of deeds committed beyond work, schooling, small commitments of time offered as volunteers. And afterward? Victims of random attacks, the truth often reskinned and dispensed as something easy to swallow to either drum up politics or placate the public somehow. We are all a part of a chess game, every piece rendered in plaster - faceless. Strange magics intended as much.
"Each drop of blood might've equally stemmed from s**t and piss, Quenton. Not everyone a part of a war is of noble values. I am curious, though - tell me what renders building homes, tending sick, or advancing science and art as positives for you? What renders them valuable to you? I've always thought that sometimes the sick are better left to die, the dying resigned to their fates. Houses are sometimes built on the dirt of opulence, science advanced in similar veins as Mengele. And art... Well, you know my stance on art." He grinned crookedly at the irony of it - his practice, often considered technical, replicating an art piece in scaled display across Quenton's back.
How hypocritical.
Pausing, he straightened up and snorted slightly at Quenton's reiteration of his words. "Sometimes I can't tell if you're nineteen or four hundred. I'd bet money on the latter." Finally he resumed painting again, the brush strokes now shortened from great and sweeping to staccato and precise to mimic fluid motion of feathers. The wings knew layering, multi-tonal designs slowly unfurling throughout the bird. He found it rather accurate to the original image, with some anatomical adjustments due to an intimate understanding of avian structure. He sighed softly, breath reaching fresh paint.
"It was nihilism. I've always found it more... Realistic to think that, truly, our existences hold no meaning. No power, no influence, no merit. With every name remembered from our history books, how many thousands, millions, billions lived and died without so much as a footnote? And with those who found mention, who do they influence? Another mountain of nameless, faceless souls. Now zoom out. We are one planet among many, one solar system in a galaxy, one galaxy in a universe. We are nothing in the grand scheme of things - no, less than nothing. And I've found that importance or worth has an inversely proportional relationship with freedom: the less we are worth, the dirtier we become, the more freedom we have. If I am nothing, I can do anything. But if I am something, I am recognized, valued... I find myself chained to responsibility.
"However... That philosophy has its faults, just as any. Perhaps its keenest point is the understanding and acceptance that I am nothing, worthless. It always hurt."
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Wed Jul 02, 2014 3:01 am
It was a heady combination to have both declarative directs and his own name regularly repeated amid the attestations of difference of opinions. Of 'mistake.' A second smile wanted to alight for the crack about age, but stayed only in the sculptor's eyes. Is that supposed to be a compliment or derision? The answer is probably 'yes'. "Arguments on value are part of the arguments for and against Nihilism." "I like Nihilism, as far as it goes. It does base itself heavily in 'realistic' thinking as long as you wholesale accept some of its assumptions. Value being one of them. Nihilism hinges so much on measure of value being both binary and universal, and that it must be measured in effect. If something does not have wide-ranging effect it is intrinsically less valued. It doesn't allow for measures of intensity, longevity, resurgence, echo, mutation and growth of ideas as much living things on their own. Something is valuable and provably so, or it is not- yet we know that there are preferences and values intrinsic to life, differential prioritization as base as one person liking blue and another liking green that will change their perceptions. What is the value of blue to one human or to all humanity? To life? Alternately...does something have to have value to be justified? " There were other, more usual arguments that based wholly within other philosophies- ones that took the view that the vastness described by the taxidermist gave value to the individual pieces instead of taking it away, or that defined assumptions as life itself making intrinsic values. To have already chosen Nihilism as the most realistic, Alois would likely have read those already and disagreed with them. "Truth in logic figures different ways- from Boolean to Aristotelian, Occidental or Oriental. I can say 'All Unicorns are Blue', and some systems call it a fallacy because unicorns do not exist. Others say it is a Truth until someone can find a unicorn that isn't blue to disprove it." "Nihilism requires the acceptance that we've come to the end of all measures- that what we know now is all that can and should be applied to make judgement from. It assumes that there even IS an end for everything to be proven from. The infinity symbol at the end of the decimal should just round up to the next nearest integer. Where is the end of pi, that throws new numbers with each place that do mean little ripples of change? Or the very influential changes in understanding that may come to be that show the merit of single existences - Newton's Laws of motion and gravity affected all the future of human science and invention...but even more they took away the idea that there is an absolute position in space. A short two hundred fifty years later relativity ended the idea of absolute time. It gave birth to the entity of space-time. And more discoveries come with every generation, feeding into each other. The Final Theory of Everything, that supposedly could end the debate of the scientific meaning of how life came to be, if not what we should be doing with it, a meaning, was predicted by some minds back in 1988, and then a little later to be the end of the 21st century. String Theory and Brane Theory are both very realistic. To declare things worthless before having all the facts of them, to call Nihilism more than a theory at philosophy, before finding the end of things is premature. " "And that still assuming that there is an end. We are used to things having a beginning, a middle and an end in our finite and current understanding. Even that is an assumption of truth. "
|
 |
 |
|
|
|
|
|
|
|
|
|
|
Posted: Fri Jul 04, 2014 5:12 pm
'Value being both binary and universal'. Yes, as I've treated many things. Yes or no, here or there, fast or slow, truth or dare.
Love or hate.
"You know how to pose a good argument. I could say that, as people, our values and preferences are worthless - no matter how passionately we enjoy the color blue, it won't augment the path of the universe. It won't add matter into our reality. In turn, you would ask why such ends matter - and inevitably we together declare that all is worthless - even the whole of the universe laid bare at our fingertips. Nihilism is sobering enough to drive most men to drink." For the moment, Alois set his brush aside, atop the palette that now rest toward the edge of the bed.
"For example. I could kiss you right now, Quenton. If, of all the given choices I had right at this very instant, I valued that the most, then I could act on it as I please. Perhaps it's worth more to me than the discovery of the theory of everything, but ultimately my personal values are worth nothing because I am worth nothing, and that gives me the freedom to do it." Stooping, he pressed lips to the nape of Quenton's neck, drawing a slow breath from the fine hairs at the base of his skull. And while he held that breath, he felt the touch of a thousand fireflies restricted in his flesh.
Sitting up, he exhaled softly, feeling scant wisps of life flee his body. It deadened him, in a way. "That is what I find most troublesome - the requirement that we must already know all there is to know. I still find far too much to learn, concepts and subjects and theories I never even conceived of now lingering within my damnably narrow field of vision. All these new discoveries, new philosophies yet hidden from me... And in time, I expect, even nihilism will fall from favor. But that is such a personal scope, isn't it?
"As long as there is an end to us, an end to our minds and thoughts, then I consider that assumption valid. Even if some subjects stretch into infinity, we will find an end to our grasp of it - whether we simply cannot fathom past a certain point, or we die before analysis is complete, there will always be an end. My time with you will meet its end when I die, Quenton - be it fifty days or fifty years from now. We can only be certain that, inevitably, we will part company.
"Nihilism is not perfect, but it is a placeholder until I can find something better. And besides..." After tracing the hem of the sculptor's pants, Alois' fingers drifted lower in a firm press before soliciting a squeeze of Quenton's a**. Sporting a mischievous grin, Alois leaned forward just enough to drop his voice to lower tones while still carrying clarity. "I could show you a unicorn that isn't blue."
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Sun Jul 06, 2014 1:30 pm
"You claim its inevitability while ignoring the other options I just argued for. 'All that we are is the result of what we have thought. The mind is everything. What we think we become.' It as 'inevitably' means that every decision, value and preference becomes of paramount worth." The kiss sent a ripple of life along his spine, unexpected and gentle where teeth usually pierced. He lost the thread of Alois argument to the obliged bodily interruption, a pull of muscles along his stomach and the discomfit of the bed. Finite ...life and validity...brain. The exercise of will at least grew easier, and his attention swung back on the now molten passion pushed away behind iron gate. Back to Nihilism-..."That's another for you." "But no part or whole of you is a unicorn of any sort, blue in denial or not. But unless you're painting in white, you're losing time of your three hours to distraction."
|
 |
 |
|
|
|
|
|
|
|
|
|
|
Posted: Mon Jul 07, 2014 11:02 pm
"Oh, were you arguing that? Your german must be terrible," he teased. "Dichotomously, I can see it both ways. We can accept items, values, people are of great worth to us, everything from the color of a bluebell to the historical fall of the Berlin wall, yet ultimately we ourselves are worthless and extraneous and we are free to do what we please. Everything in layers."
A crooked grin struck him with Quenton's sly reference. "Says you, ever the literal..." Finally he returned to his work, what remained of it, without further physical teasing. "It is close to done. Afterward, the remainder should be spent drying. You may like it, and if not, I can think of a few activities to wash it off. Or rub it off." Depending on the where. Carpet, table, counter... Wall. Smirking again, he continued the detailing.
It demanded a solid span of an hour in heavy concentration, but Alois found the results appreciable. "You'll have to lie still a while longer for it to dry. It looks good, Quenton." An accurate reproduction. I've never scaled work like this before. It's not terrible. I doubt there's much pay in replicating paintings for a living... I've seen those art shops here and there. Four hundred dollar price tags on replica work of a Thomas Kinkade. Art is so pretentious. An image is an image, no matter the maker. Why not flat rate all art based on man hours? I'll never understand it.
"You know," he started, sinking his paintbrush into a glass of water to signal the end of the endeavor, "I did paint some of that in white. Missed opportunities." He feigned a dramatic sigh.
"What time do I have?"
|
 |
 |
|
|
|
|
|
|
 |
|
|
|
|
|