Kiyomaru Harue Kafk
Chimamire no Sakura
[General Information]
Character Name: Kiyomaru Harue Kafk
Pronunciation:
Nicknames: Kiyo, Chi
Age: Unknown
Birthday: Unknown
Birthplace:
Zodiac:
Gender: Male
Blood Type:
Occupation: Freelance Shinobi
Location: Kumogakure no Sato
Rank: D-Ranked Genin
Organisation: Non-Applicable
[Personal Information]
Clan:
- -Kaguya
Kekkei Genkai:
- -Shikotsumyaku [Macabre Bone Pulse]
Skills:
- -Lying
-Pretentiousness
-Spontaneousness
-Theatrics
Sexuality: Flirtatious/Perverse Bisexual
Likes:
- -Blood [Fetish]
-Combat
-Company
-Games
-Perversion
-Men
-Women
-Sound
-Taunting
Dislikes:
- -Ignorance
-Boredom
-Quiet
-Loneliness
Dreams/Goals:
- -Non-Applicable
Fears:
- -Non-Applicable
Secrets:
- -Often goes to far extents to satiate his obsession of blood
Favourite Food/Drink:
- -Blood
-Coffee
Least Favourite Food/Drink:
- -Tea
-Water
Personality:
- Kiyomaru has a very identifiable and stark personality. Not knowing him well, he displays himself as very outstanding and outlying in comparison to most. In most, if not all, scenarios, Kiyomaru speaks without thinking, leaving his speech often skewed, sporadic, and spontaneous. Due to this, the majority of his emotions are not things that he hides. His flirtatious and perverse mindset is one of his most noticeable traits, simply because of the amount of which is openly present. In many cases when Kiyomaru is not perversely interested in a person- and occasionally when he is- he is cruel to most. Kiyomaru is very sadistic, which does have an underlying presence during events as casual as "normal" conversation. In more public and open conversation, he is very loud and speaks with rough language. Despite this, he enjoys playing with peoples' minds, and this is the case for any taunting or anything or like, more often than not. Alongside these more playful traits, Kiyomaru is also masochistic, and has a fetish for blood. These show a much darker side to himself, however, even in scenarios where these traits are openly shown, it is uncommon that he would lose his stark and foolish nature. Upon closer perception and the formation of a relationship, Kiyomaru evidently poses as possessing a far more "tsundere" personality in comparison to his evidently outstanding external appearance.
Voice:
Nindo:
- "The smell of your blood is that of rust and pride, and those eyes of yours- the eyes of a killer that can make me go numb."
Tattoos/Scars/Piercings:
- Kiyomaru possesses two markings surrounding his left eye. In shape, they appear reminiscent to two lances pierced through his optics. It is assumed to be a standardized Kumogakure tattoo, however, in actuality, it is a Curse Mark of unknown origin; self titled the Oto no Juin [Cursed Seal of Sound] by Kiyomaru. During the transformations of the seal, very little appears to undergo much change. Upon the first infective level of the mark, the hair of the one who is infected takes on a black tone, and the eyes darken into a deep shade of blue. Save for this, the only other change is that the seal seems to become identical, and takes form on both sides of the face, also mimicking the dark hue seen in the hair. The caster seems to appear more feminine while in this level. There does not seem to be any effect on the wielder in the first stage of transformation. During the second infective level of the seal, externally, it appears as if no alterations have taken place. Despite this, the bones of the one who is infected become much more dense, and, alongside this, also become hollow, allowing for vibrations to be cast within them. This level also provides the user to move much faster, due to a change in body weight. Besides this, like all Curse Marks, the Oto no Juin also provides increased chakra levels, physical capabilities, and Ninjutsu skills become more effective while the seal is active.
Attire:
Physique:
- Kiyomaru is neither tall nor short, making him a more "average" height. Alongside this, he has a very feminine appearance, and is most often mistaken as being of such a gender. This is supported by the fact that his muscles are noticeably undefined, accompanied by his naturally slim body structure and physique. Alongside these details, Kiyomaru's skin possesses a natural smoothness, quite differing from the average texture of male skin, and far more similar to that of someone of the female gender.
Skin Tone/Ethnicity:
Hairstyle:
Eye Colour:
Height: Five feet, seven inches
Weight: One hundred pounds
Philosophical/Social Viewpoints: Hedonistic
Religious Viewpoints: Agnostic
Romantic Viewpoints: Hedonistic
Biography:
- Emptiness and loneliness are what may allow a person to see and come to sensible terms with their true self. One may never know others until they have come to know themselves, and one is incapable of knowing themselves without facing the hardship that such demands. We, as a species, so commonly forget what it is that makes us unique, and in turn, we, still as a species, become indifferent, same, and lose our variation, despite our own apparently false claims.
Entirely abandoned by his family upon birth, Kiyomaru inevitably could call no location his home. As a child being nothing more than the result of an unwanted pregnancy, it rang true that his parents' happiness was evidently far more important than their son's suffering. This left the boy without a home, lacking a family, and simply alone. Although it was not this way for a decent amount of the time that consisted within his life, Kiyomaru believes that the emptiness retained and only continued throughout the entirety of his early years, despite being unsure of what truths actually existed and what potentialities were left unsung. The only reality of his conceptions was that he'd claimed to have no designated home. Never was he assigned a home, but when the majority of others came to raise compassion to make an offer to the orphan, he flatly denied them and only asked for sustenance enough to keep himself alive. Stubbornness existed indefinitely within the child.
Despite refusing countless offers and suggestions, it was a fact that those who undertook management of the Ninja Academy of the village permitted Kiyomaru to call the building his home, as well as his school. Although he once again refused, the sheer prospect of the thought made great impact unto him. It was a compromise, however, that if he were to take into the offer of addressing the academy as his home, he would be required to attend as a Genin. Throughout much time of contemplation, the offer was swiftly taken into the boy's hands, where he would only regret his choices as time continued to pass him by. The school became the place where he ate, slept, and spent the majority of his time, but there was far more to his life than the average life that was expected.
For the majority of Kiyomaru's life in the academy, he was put only to shame by not himself, but seemingly everyone else that may have known nothing more of him than his name. It was a troublesome approach. These occurrences first began taking place due to his more than evident lack of ability to utilize any form of elemental chakra- something that was very rare to see of anyone who might have attended a shinobi academy, seeing that this often meant that Ninjutsu was impossible to be attained. After having taken the elemental chakra identification test procedures, it came to light that he had a complete inability to utilize elemental nature in any form, which only further ignited the fire in the taunting beliefs of others. This blatant proof made it seem as if Kiyomaru was lesser and worse than everyone surrounding himself in the academy at, simply put, being a shinobi. A failure became the only title that he was granted by not only his peers, but also those higher-ups who knew not what to make of the situation. He was considered the weakest, the largest failure, and the most incapable at the ninja arts amongst his class simply because he lacked an elemental nature. Despite what other abilities he may have been able to excel in mattered not- he was simply a terrible excuse as a ninja by the criteria that others seemed to place upon him.
As time passed, however, and Kiyomaru grew older and his body matured, as well as his classmates' and those others who partook in the same activities as he, he soon began being put under further shame. The levels of immaturity that surrounded himself were not the first things that he paid his attention to- it was the fact that so many people could come to terms to attack one person for every reason that made sense in the slightest that hit him first and foremost. This newly arisen fault was that his body structure and physique was evidently far more feminine than masculine, and, as the immaturity and nature of adolescents called for, he was simply put down and ridiculed for the fact. This should only have been expected, and although it was, the reason was not such. The term "antagonising" soon evolved into "bullying"- as the members of the class grew older, they also became more capable in their actions. This torture only continued to took place, and now alongside simply being incapable, he was only falsely claimed to be weaker as a result of not appearing to possess the same levels of masculinity as every other male amongst his peers. Despite all of the pressure and torture that Kiyomaru was forced to stand against and be put under, however, he always managed to retain a positive attitude, and simply allowed himself to ignore the taunts and comments that were so commonly sent his way. Withstanding the bullying became something that seemed only to be second nature as time passed and he grew more capable of defending himself against it. Even so, it all reached him at some level, much as it would to anyone. His defiance, though, only continued to spark the imagination of his opposition as well as increase the ignition that pertained to their beliefs.
Upon becoming a Genin and graduating from the Academy, Kiyomaru was now placed into a squad, just as everyone else from his graduating class had been. He believed that the fact that he managed to graduate- and with exceptional skill, at that- would begin to cease the constant fire that was burning him down. Being in a group of three, as was assumed, would also prove to make the amount of torture dulled by massive extents, as it was clearly much more miniscule than the accumulation of an entire class' efforts. Despite the positives that he was hoping for, Kiyomaru was horribly wrong. Although his mentor was more than constantly being supportive of him, his two squad members continued to shun him just as they always had, and, in the majority of scenarios, forced him into public shame and potential humility. At this time, however, it was more so that his appearance was being the point of contact opposed to his large incapabilities in Ninjutsu and anything likened to it.
Although there was far more action and time could potentially seem to move much faster than its normal pace, it seemed to only slow, as everything remained to be the same, or additionally, worse. Only to the fear of himself and others did it become true that, once again, as these people would continue to age, as would their actions. Still during his time as a mere Genin, the ridicule that Kiyomaru was forced to endure began evolving and drastically changing. Initially, bullying was the outcome of increased antagonism, but the upcoming events were far separate from something so minor; this was something that the boy hadn't guessed was going to happen, nor did many of even those who tortured him, and especially none of the Jounin who led the squads. In its due time, he was raped by the two other Genin that existed in his squad, all the while being made fun of for his majorly "failing" traits that led up to this event happening. It was made falsely present that it was simply fate that these things would happen, and that they couldn't be changed, reversed, or undone. This occurrence surfaced a massive crack in Kiyomaru's existence, and as a depressive result, it hadn't once come to his mind that such abuse had the possibility of continuing and further worsening to an even larger extent. This was where his life began falling apart and truly shattering. After this even took place, he lost the happy-go-lucky nature that he had once possessed on a daily basis, and could hardly bare the prospect of something similar to reviving it. It simply seemed to be far too painful and worthless, at this point in time. Besides the fact, it seemed that people left him alone more than usual, now that Kiyomaru was depressed and gave into their selfishness. It was easy to believe that the goal of and major purpose of his being suppressed and defeated was only to dampen his ability to live life happily. In a more private environment, he had resorted to cutting- something that retained in his life as a major factor for the entirety of the time that he had done so. It became a habit that he had difficulty living without- not because of the fact that he needed a release, but rather because he grew to become masochistic and found an addiction in the taste of blood.
Although it was more than often that Kiyomaru had come to allow himself to believe that the majority of the bullying had ended, it had truly only just begun. As the vocal word taunts and such continued as they always had, others seemed to arise only to begin going entirely out of their way to physically, mentally, or emotionally hurt him. Each person knew well that their prey couldn't fight back with Ninjutsu as a result of him having never learned any, and as had still proved to be true, he was still incapable of learning anything of the sort that was elementally natured. People were picking out his weak points and targetting them with massive onslaughts of offense. Every aspect of evil that existed within the confines of the village seemed to be placed unto him, and in time as the trend continued, actions repeated themselves. Once again, he was raped in a larger manner of people forcefully abusing their manners unto him. This occurrence, however, was under the circumstance of a different group of people, though the similarity remained true that they were amongst his classmates. At this point, he was simply only used for "the pleasure of others" in every meaning that it could perform. The line of focus was slipping to varying effects in Kiyomaru's mind, but he didn't care at this point. He was simply letting others do as they pleased, despite whatever pain that he might have felt or have to endure. He knew just as well as others did that he hadn't the strength nor the capability to fight back, so he refrained from doing so. Just the same, he knew perfectly clearly that others wouldn't refrain from the same system that was in play for years upon several years. That was simply the hierarchy, at such a point in time. Everyone knew who was at located at the bottom of the system, and if they didn't, it wasn't complicated to decipher.
Kiyomaru only continued to progress in breaking entirely, albeit slowly. However, one final occurrence took place before everything behind him was set free and completely erased from his mind. He was now enduring verbal, emotional, physical, and mental abuse from nearly everyone that surrounded him. Although the Jounin did their efforts in keeping the Genin well suited and living a decent life, all attempts majorly failed. Daily suffering consisted entirely of nearly every form of standard torture imaginable: ridicule, beating, rape, bullying, and so on and so forth. It was one more beating given to him by, so fluently in line with the pattern, fellow students of his that led up to Kiyomaru's abrupt limit. It was common for him to be able to easily endure any physical punishment, but this specific turn was different. As his consciousness began fading due to the sheer strain that was placed on his body, those who witnessed took note of the fact, and, following the trend, used him for their own disgraceful pleasure. He had forgotten why it was that he allowed himself to call the village his home.
After some time that consisted of several days of being in a state of comatose, Kiyomaru came to his senses and found himself on a rocky terrain, which, what he didn't know, was Kumogakure no Sato; this place was very distant from where it was that he once lived. It was uncertain to anyone how it was that this transportation occurred, but it was likely that the only people of whom it bothered were those who abused the Genin. Upon this transition, it came clear that there were two noteable differences about himself, neither of which he would detect. Surrounding his left eye was what appeared to be nothing more than a traditional tattoo, as, most villages possessed them. Unbeknown to its purpose or existence, it symbolised his personal duality in both nature and lifestyle in the form of a Cursed Seal. Alongside this, his memory seemed to be completely wiped, save for very few details, leaving his mind frayed as to what could have happened, or how it was that he'd found himself in such an area. Despite this, as a result of his constant ignorance, these things were never questioned. Due to the fact that, with this change, he'd never had a reason for his outstanding nature to leave, he'd still possessed it. Although this was true, there were still few alterations that took place due to remaining reminiscence of the painful experiences in which he'd encountered before his amnesia. Kiyomaru had grown to find sadism and masochism as new aspects in his personality.
Unknowingly, the boy had figured that this place that he'd found himself in was his home, and, despite the fact that it truly wasn't, he ended up making it as such. It seemed, almost as if, he was practically living life again, from the beginning.
[Combat Information]
Intelligence: Average
Strengths:
- -Persistence
-Close combat
-Masochism
-Mind games
-Sadism
-Spontaneousness
-Taunting
Weaknesses:
- -Masochism
-Ranged combat
-Sadism
-Unstable mindset
-Ignorance
Fighting Style:
Classes:
- Primary Class ~ Kekkei Genkai
Secondary Class ~ Juinjutsu
Tertiary Class ~ Taijutsu
Chakra Colour: Orange
Elements:
- Non-Applicable
Jutsu Points: ??/??
E = 0
D = 2
C = 3
B = 4
A = 5
S = 6
SS = 8
Kekkei Genkai – Bloodline Techniques: [0 - 0 = 0]
- • Yanagi no Mai [Dance of the Willow] ~ C Rank
The first of the five dances. To perform this dance, the user grows several long bone blades from his body for use as weapons. There isn't any set form for the Willow Dance. Just like a willow that is shaken by the wind, the opponents attacks are simply parried and countered. Uncharacteristic of a willow, the hardened bones puncture and damage the opponents body. Though he primarily uses two blades grown from the palms of his hands, he also uses several secondary bones grown from his elbows, knees, and shoulders. This dance form is incredibly acrobatic, using spins, charges, and long sweeping slashes to make the strikes more effective and to evade opponents' counter strikes. The user can also extend his bones to attack his opponents without having to adjust his own movement.
• Tsubaki no Mai [Dance of the Camellia] ~ C Rank
The second of the five dances, which the user performs by modifying one of their upper arm bones to create a short, bone-hilted bone sword. They then stab chaotically and continuously which causes the opponents eyes to lag behind. The speed resembles afterimages; the hand with the sword is again and again visibly projected. And yet the movement is irregular which makes it difficult to predict. With each thrust the sword's track is very capable of changing. The attack comes from unexpected angles, causing a person's delicate defence reaction to come off guard. Though one can have great reflexes and moving ability, it is next to impossible to keep dodging the fierce attack until it stops. Thus if one showed an opening, a finishing blow will be dealt by one stab in an instant.
• Karamatsu no Mai [Dance of the Larch] ~ C Rank
The third of the five dances. From the body, several bones pop out all at once. The stronger the opponent's physical attack, the more powerful the counter attack is, dealing severe damage. The sudden defence, combined with the needle-like bones' high killing ability, makes way for a technique whose potential is high for battle. The bones can be used to block or trap an opponent's strikes. In addition to being an unwelcome surprise for opponents, it makes him basically untouchable at close range. If an opponent would start to get close to the user, they could start to spin rapidly, slashing the foe in multiple areas of their body.
• Tessenka no Mai: Tsuru [Dance of the Clematis: Vine] ~ C Rank
The first half of the fourth of the five dances. The user modifies and pulls out their own spinal column, and regrows a new spine to replace it. Between the bones in the gaps there is cartilage that allows flexibility, which makes it possible to bend it as if it were a whip. With average estimation skills along with the impossible range it stretches, dodging is difficult. The protrusions on the vertebrae are modified to make them stronger and sharper.
• Tessenka no Mai: Hana [Dance of the Clematis: Flower] ~ B Rank
The second half of the fourth of the five dances. To obtain the strongest-absolute hardest weapon, a considerable amount of chakra is needed. Enhanced to the highest degree-maximum solidity due to the dense compression, the bone weapon is exceedingly large. Since its destructive power has no meaning if the blow does not connect with the opponent, the user most often immobilizes the target before striking.
• Karushiumu no Kixyūshū [Calcium Absorption] ~ C Rank [Custom]
To use this technique, the user must come into direct contact with some form of bone or cartilage of their opponent. The contact must be deep enough to make contact with the opponent's skeleton, or else the jutsu cannot work.Once it reaches this point of connection, the user will use the connection of their bones to begin to pullout and absorb calcium from the opponent's skeletal system, making the bones become weaker and brittle, as well as increasing the durability and strength of those of the user.
-Haejigoku no Mai [Dance of the Flytrap] ~ C Rank [Custom]
This is a sub-element of Kiyomaru's dances, and is very versatile, because of this. It can be added into any scenario as is found fitting. In this sub-element, Kiyomaru extremely extends the bones of his ribcage, seemingly forming a massive maw out of the cartilage. Although it may only seem to be used for aesthetics- or for the purpose of a dance, in itself- they are triggered manually to initiate the sub-element. Upon the desired moment, the two series of gaping jaws close unto themselves forcing the desired target to become trapped in its grip.
Ninjutsu: [0 - 0 = 0]
- • Oiroke no Jutsu [Sexy Technique] ~ E Rank
A variant of the Henge no Jutsu, the Oiroku no Jutsu transforms the user into a naked woman, or in a bikini, typically with seductive posture. Typically, the more perverted the victim, the greater their reaction will be.
• Oiroke no Jutsu: Atarashii [Sexy Technique: New] ~ E Rank
An improved version of the Oiroke no Jutsu, the user transforms into a beautiful woman wearing a revealing outfit while posing seductively. Presenting the woman wearing this outfit is more effective than presenting the woman fully nude. This is because the outfit is cut and shaped to make the victim obsess over wanting to see more of the woman's body.
• Oiroke no Jutsu: Pōrudansu ando Naisu Bodī [Sexy Technique: Pole Dance and Nice Body] ~ E Rank
Yet another variation of the Oiroke no Jutsu, the user and a staff of sorts are transformed into a woman with an especially attractive body (hence the "Nice Body" title) in a bikini on a pole. The user will often wink, blow kisses and speak seductively to the victim to add to the effectiveness of this technique.
• Oiroke no Jutsu: Onna no Ko Doushi ando Otoko no Ko Doushi [Sexy Technique: Girl Companions and Guy Companions] ~ D Rank
It is consecutively using the Kage Bunshin no Jutsu and Henge no Jutsu, but by having the user themselves and the Kage Bunshin change into different people on the moment of transformation. Because several different seducing females or males appear, the chances of meeting the preferences of the target are upped significantly.
Taijutsu – Hand to Hand Combat Techniques: [0 - 0 = 0]
- • Suiken [Drunken Fist] ~ C Rank
Drunken Fist is a unique style of combat where "the more you drink, the drunker you get, and the stronger you become". It can not be learned, taught, nor refined through training and practice. Drunken Fist fighters are not simply drunk: they become human powerhouses who'll strike unpredictably with an explosive fury and without any second thoughts about their actions. Once drunk, the user will lose their ability to know friend from foe and attack whomever is in their vicinity. The Drunken Fist is not a reliable option because the 'drunken frenzy' that alcohol induces does not hold for prolonged periods of time.
Genjutsu – Illusion Techniques:
- None as of current.
Fuuinjutsu – Sealing/Unsealing Techniques:
- None as of current.
Juinjutsu – Cursed Sealing/Unsealing Techniques: [0 - 0 = 0]
- • Oto no Juin: Ongaku [Cursed Seal of Sound: Music] ~ E Rank [Custom]
By forming holes in his bones, Kiyomaru is able to play music as an effect of releasing the vibratory waves trapped inside of the cartilage.
• Oto no Juin: Biburāto [Cursed Seal of Sound: Vibrato] ~ D Rank [Custom]
With the Curse Seal of Sound active, Kiyomaru is able to generate vibration in his bones, increasing their vibrancy frequency, henceforth, enhancing the cutting and piercing power.
• Oto no Juin: Hacidori no Mai [Cursed Seal of Sound: Dance of the Hummingbird] ~ C Rank [Custom]
The first of Kiyomaru's five dances. By generating vibration in every bone of his body, his speed increases a great deal to put itself back in sync and coordination. This vibration also causes a loud humming sound. After this has been achieved, Kiyomaru grows many long bones from his body. The primary of these that are used consist of one protruding from the palm of each hand, however the others consist of slightly longer blades extending from the shoulders, elbows, and knees. This dance majorly has no set form. It consists entirely of dodging, however, if necessary, Kiyomaru will also utilize blocking and parrying, using his enhanced speed to effectively accomplish this. The movements are extremely sporadic and swift- imitating the nature of a hummingbird- making it difficult to predict. In this sense, Kiyomaru only attacks when there is a visible opening, utilizing the ability to extend his bones to allow for a near perfect range, wielding his bones as if they are the beak of the bird, and the target, the nectar.
• Oto no Juin: Mokkinbādo no Mai [Cursed Seal of Sound: Dance of the Mockingbird] ~ C Rank [Custom]
The second of Kiyomaru's five dances. He first creates two blades- one erupting from each palm- by lengthening and sharpening the ulna bone. After having accomplished this, by forming holes in his bones, allowing for vibrations to openly create sound, he produces an extremely harsh and ear-piercing tone, which can potentially cause bleeding of the inner-ear through enough strength or long enough duration. As this sound continues, Kiyomaru wields the two blades swiftly and with much force to launch a series of quick attacks at the opponent. If the sound does not affect the target, the series of attacks may instantaneously take on different approaches to make up for the fact.
• Oto no Juin: Fukurō no Mai [Cursed Seal of Sound: Dance of the Owl] ~ C Rank [Custom]
The third of Kiyomaru's five dances. Through alterations in the joint structure, he allows his limbs to take on full 360 degree rotation, making his range of attack even larger. After having made these changes, Kiyomaru extends several bones from the body all at the same time. The bones can be used to block or trap an opponent's strikes. In addition to this, it also makes him basically untouchable at close range. If an opponent would start to get at an unwanted close range to the user, he could wield the rotisserie action that his joints are now capable of to slash the foe in multiple areas of their body. Through vibration, these cuts and slashes become much more lethal.
• Oto no Juin: Kitsutsuki no [Cursed Seal of Sound: Dance of the Woodpecker] ~ B Rank [Custom]
The fourth of Kiyomaru's five dances. In this dance, he mimics the strongest-absolute hardest weapon utilized in Tessenka no Mai, however this version is much smaller in size, making it more lean and versatile, as well as utilizing two of them- one on each arm. This dance is entirely offensive, focusing on penetrating the opponent. The two weapons rotate on each arm, as well vibrate, increasing their piercing and cutting power immensely. Alongside this, the two large drills also have various holes inside of them, imitating the sound of a woodpecker's call whilst in rotation. If an object comes into contact with either of the weapons' blunt sides, it will either be deflected, or heavily burnt due to the spinning properties.
• Oto no Juin: Hayabusa no Mai [Cursed Seal of Sound: Dance of the Falcon] ~ A Rank [Custom]
The fifth of Kiyomaru's five dances. In this dance, Kiyomaru sprouts two large wings erecting themselves from the core of his spinal cord. After having accomplish this, he extends his two arms above his head, forming one massive version of the strongest-absolute hardest weapon found in Tessenka no Mai: Hana. Once this has been accomplished, Kiyomaru utilizes his artificial wings to make extremely fast dives to attack the enemy, mimicking those of a falcon. Despite not appearing very versatile, if need be, he can form two individual weapons on each arm, opposed to the one sole, however they are smaller in size.
Doujutsu – Eye Techniques:
- None as of current.
Kugutsu – Puppeteer Techniques:
- None as of current.
Iryo Ninjutsu – Medical Ninjutsu:
- None as of current.
Bukijutsu/Kenjutsu – Weapon Techniques:
- None as of current.
Kuchiyose no Jutsu – Summoning Techniques:
- None as of current.
Stats:
- Strength: 2/5
Speed: 4/5
Endurance: 4/5
Agility: 4/5
Stamina: 5/5
Handsign Speed: 1/5
Weapon Usage: 5/5
Accuracy: 4/5
Dexterity: 4/5
Perception: 2/5
[Equipment Information]
Headband Location/Style: White Forehead Protector; Belt
Items: Non-Applicable
Special Weapons:
- Non-Applicable
Normal Weapons:
- -Kusarigama x2
Equipment:
- Bells x25
[Relationship Information]
Romantic Relationship:
- None as of current.
Friends:
- None as of current.
Enemies:
- None as of current.
[Miscellaneous Information]
Sources: Narutopedia
Theme Song:
Casual: Cipher Admin Encounter Remix - Pokemon XD: Gale of Darkness - lala19357
