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Posted: Tue Dec 18, 2012 7:12 pm
A few nights have passed since Jacob was kicked out of the Swan for getting too handsy with the girls -- which meant that for every night since then, he has collected Veer and gone to the Cockerel to bemoan his trouble, get drunk, and brood. Thankfully, the Cockerel is, more or less, a safe place; they know him here, he knows how to act when he's had a few drinks in him, and he has Veer to haul him bodily out of the place if he gets too rowdy -- though it's questionable whether Veer could do so, given that Jacob is almost half a foot taller and about fifty pounds heavier than he is.
A few rings glitter on Jacob's hand as he looks sideways at his friend over the rim of his half-raised glass of wine. And then he scowls. It's a familiar expression, and he has a whole library of them, each with different subtexts: this one is the 'you need to help me enact revenge' scowl. "What do you think we should do?"
They have been discussing doing something about the Swan, but to little avail.
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Posted: Wed Dec 19, 2012 6:46 pm
Veer is sober by comparison -- but only by comparison. There is enough alcohol in his system that his cravat is loosened, that he leans his chain back on its back legs and his eyes wander every time someone wearing a skirt goes by. Jacob has been speaking, on and off, he's sure, for quite a while, but he has only picked up on this last sentence. It is with some effort that he drags his attention back onto his friend, all four legs of his chair finally clicking back down against the floor.
"Uhhh." It's not an ingenious response: it's fuzzy, working through cobwebs, with another glass of something still in his hand. "Uh. I don't know, mate, she still lets me in just fine..."
It's joking, irreverent, and unconcerned. Jacob will, perhaps, be angry at the blasé attitude. In turn, Veer will ignore his anger. It's just the way they work.
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Posted: Wed Dec 19, 2012 6:56 pm
Jacob snorts. "I bet she does," he says, looking at his friend sideways. The joke is a bit off-color, nothing he'd ever say on the street or in polite company, but this is the Cockerel, and anyone who's here to see a Sharpe say such a thing is still sitting in a burlesque house themselves.
"That skinny little idiot from the Colony is a bouncer there." His mouth pulls off to one side. This is still a sore spot for Jacob. He had a black eye for awhile after being thrown out of the Swan, and played it as an unfortunate fall from his horse. But Ursa wasn't grown then -- and in Jacob's mind, the now-adult Guardian could theoretically be capable of doing some damage. "I don't know why someplace like the Swan would hire such a --"
He shakes his head, tips back the rest of his rum, and then calls for a round of something strong. Whatever they have that strong.
If he can't get through to Veer he may as well join him. He mutters the rest. "Maybe we could break some windows."
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Posted: Wed Dec 19, 2012 7:11 pm
"Breaking win..." Actually, the idea appeals to Veer -- not because he has any grudge against the Swan, no, but because he really likes breaking things. Destruction for the sake of destruction is great, and made even better if you could thumb your nose at the city watch before bolting out from under their grasp. Maybe bouncers would be just as good. Except for one problem --
"As good an idea as that sounds, I have to say, I think you're remembering him as skinner than he is." It's amused, still, looking Jacob over. Compared to his friend, the bouncer isn't a giant -- but neither is he, exactly, small. Veer shakes his head.
"I'd put odds on you getting your arse kicked."
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Posted: Thu Dec 20, 2012 7:34 am
Jacob is unable to control his expression at that -- and though he's mid-swallow, a look crosses his face that is equal parts surprise, indignation and consternation. He almost chokes.
Instead, he puts the glass down carefully and then takes a moment to regroup, ignoring half of what Veer's said. "Then we do it while he's not there."
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Posted: Thu Dec 20, 2012 9:52 am
Veer watches Jacob in a lazy, distracted sort of way -- and maybe he's had a bit more than alcohol tonight, maybe there's something else in his system that slows his movements a bit. Something that leaves him relaxed enough that he doesn't think, doesn't worry.
"You've been tracking his movements?" There is more laughter in it, only partially obscured by a shift in the music. Veer sets his empty glass down. "Know when it'll be nice and quiet? Oh, and what about that blond shrew..."
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Posted: Thu Dec 20, 2012 3:24 pm
Jacob shrugs, an idle motion of one broad shoulder. And then sighs -- watching the girls on stage change out, as another routine is about to begin. "What blonde? There are a few of them there." The grin he gives suggests he knows them very well. "It's usually quiet around the small hours of the morning."
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Posted: Thu Dec 20, 2012 7:53 pm
Veer shakes his head, his own attention drawn raptly onto the girls -- or, well, more like one on the end, one with curly dark hair and very red lips. He leans forward just a little and loses track of their conversation for the moment, his eyes bright and thoughtful.
But he recovers eventually, thinking about his friend and smashed windows instead of how, exactly, to get that girl's attention. And her company. "...five or six, do you mean? Or three or four? Are you speaking of early or late?"
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Posted: Sat Dec 22, 2012 8:46 pm
These rapidfire questions are too much for Jacob to parse in such a state, and he bad-temperedly puts his glass down a little too carefully. Not even the alcohol is helping things along at this point. Running a hand through hair kept artfully tousled and loose -- Jacob having been in a mood to fish for the ladies tonight, perhaps -- he then pinches the bridge of his nose. "I mean early. Early in the morning. Three or four. You ought to bring Janah."
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Posted: Sat Dec 22, 2012 8:50 pm
"Janah does as she likes." It's distracted still, though, amused; Veer reaches up to swipe at the mess of his hair and drags his eyes back onto Jacob instead, both eyebrows raised at him.
"She's not a trained dog, mate. But she likes a spot of trouble too." Except he hesitates, thinking about Janah there as they smash windows, thinking of the carnage -- and more importantly, the fact that smashed windows means open windows. "We'll just have to make sure she doesn't creep into the building to start exploring."
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Posted: Sat Dec 22, 2012 9:00 pm
"Eh, Ursa'll keep her in line." Ursa keeps everyone in line. The doe is bigger than most bucks he's seen; she's like a draft horse is to a pony. He shrugs, ponders getting up to leave and go home, to catch a quick catnap before their activities. "Shall we do it tonight? Tomorrow? Will you lose your nerve?"
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Posted: Mon Dec 24, 2012 8:48 pm
"I have no nerve." It is a joke of a line, a brain-twister, a double-sided comment that cuts both ways. Does he have no nerve because he is nerveless, or does it only mean he has none to lose? Tipsy as he is, Veer looks delighted with his own wit, teeth white against the darkness of his face and both eyebrows raised -- but he is sober enough that he doesn't expect an answering amusement out of Jacob.
"We have a luncheon tomorrow but I can manage on an hour or two if required." A twist of his glass against the table, and his eyes return to the pretty girl retreating off stage. "But what do we do until then?"
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Posted: Thu Jan 03, 2013 3:30 pm
The answer is simple, punctuated by a curl of Jacob's mouth that means nothing good will happen for the next few hours or so: "Get drunk and find a woman, I'd say."
And of course he will, because he's Jacob; all it takes is a flash of his green eyes and maybe a careful shrug of his broad shoulders -- and for him to drop his last name in conversation, allude to his barony -- and Jacob will set himself up with a petite blonde thing. Veer is left largely to his own devices, but Jacob will at least make sure he isn't alone for the night, that he has someone on his arm by the time he retreats upstairs.
Which means that any plans for having gone to the Swan any point in the near future are probably forgotten, at least for a little while.
--
It means that it's about a week later before Jacob shows up at Veer's gate, on horseback, with Ursa pacing sedately behind him. The rumors of the awakened Guardians have not yet reached the Sharpe estate, or else Jacob just hasn't heard them (out of some combination of willful distracted ignorance and bad luck) -- so he does not, perhaps, give Ursa the distinction she deserves. He has noticed people looking cautiously at her, but Ursa is so large that this is commonplace.
When Veer emerges Jacob will twitch back the hood of his cloak and grin at him. It is snowing, and flakes settle and then melt in Jacob's long hair. "Are you ready?"
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Posted: Sun Jan 06, 2013 5:24 pm
Janah isn't a fan of the attention, of the way people cluster close when she's out with her chosen, and how much people want to touch her -- and, as a result, she has all but turned into a ghost, hiding until its dark enough that her pelt blends into the night. The result frays at Veer's nerves, and means that Jacob probably shouldn't have come prancing in on his horse and treating his friend [as usual] as a tag-along. It means that instead of a cheerful, joking eye-roll, Veer shoots him a frown.
He, after all, has been waiting ten minutes, and the melted snow has left his jacket damp. "This is stupid."
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Posted: Sun Jan 06, 2013 11:20 pm
Jacob digs a spur into the horse's side as it dances away from Veer, presumably picking up on the other man's annoyance. It irritates him, too, and the bright flash of green eyes dims to mild annoyance as well. "Are you with me or not?" And then, "--where is Janah?" Ursa, behind him, snorts -- and then stomps one of her hooves as someone approaches her, one hand outstretched. In it is held a cluster of slightly wilted flowers. Ursa is not the type to accept strangers walking up to her on a good day. This -- this sudden flux of attention -- makes her not nervous, like Janah, but angry. Which of course makes her Chosen equally tetchy. "Nevermind. If you don't want to come, you don't have to -- but there's something else going on."
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