Locker #: 0000 Gaian Name: Kagetsukiko Guild Status: Member Written Permission: n/a Extra Note: The information in this locker pertains only to what my character(s) own(s), not to what she carries around with her.
[align=right][color=red][b][size=15]Hue?[/size][size=20] Hue?![/size] [size=24] HUEEEEEEEEEEE?![/size][/b][/color][size=11][color=#A2A2D0] Female | 15 years | 5’ 1” | 105 lbs.[/color][/size] [size=9][color=#A2A2D0][url=https://www.youtube.com/watch?v=NIGMUAMevH0&feature=kp]The Impression That I Get[/url] | [url=https://www.youtube.com/watch?v=acZz6xbYzhY&feature=kp]Run Around[/url][/color][/size] [/align][size=11][color=#A2A2D0]Konohagakure | Sannin | Sealing Master | Uzumaki[/color][color=white] | Kyuubi[/color][color=#A2A2D0] [url=http://www.gaiaonline.com/guilds/viewtopic.php?page=1&t=22362849#324038995]Mugen Ittama[/url] | [url=http://www.gaiaonline.com/guilds/viewtopic.php?page=1&t=22362849#324038995]Shodo[/url] | [url=http://www.gaiaonline.com/guilds/viewtopic.php?page=1&t=22362849#324038995]Nezumi no Gaito[/url][/color] [/size] [align=center][size=5][color=red]➒➒➒➒➒➒➒➒➒➒➒➒➒➒➒➒[/color][color=silver] [i]When in fear, When in fear, When in fear, When in fear, When in fear, When in fear, When in fear, When in fear, When in fear,[/i] [/color][color=red]➒➒➒➒➒➒➒➒➒➒➒➒➒➒➒➒ ➒➒➒➒➒➒➒➒➒➒➒[/color][color=silver] [i]When in doubt, When in doubt, When in doubt, When in doubt, When in doubt, When in doubt, When in doubt, When in doubt, When in doubt,[/i] [/color][color=red]➒➒➒➒➒➒➒➒➒➒➒ ➒ ➒ ➒[/color] [/size][/align][size=11]TEXT TEXT TEXT TEXT TEXT[/size][align=center][size=10][/size][size=5][color=red]➒ ➒ ➒ ➒➒➒➒➒➒➒➒➒➒➒➒➒➒ [/color][color=silver][i]Run in circles, Run in circles, Run in circles, Run in circles, Run in circles, Run in circles, Run in circles, Run in circles, Run in circles,[/i][/color][color=red] ➒➒➒➒➒➒➒➒➒➒➒➒➒➒ ➒ [/color][color=silver][i]Scream and shout. Scream and shout. Scream and shout. Scream and shout. Scream and shout. Scream and shout. Scream and shout. Scream and shout. Scream and shout.[/i][/color][color=red] ➒[/color][/size][/align] [color=#A2A2D0][size=11]Base Speed: 7[/size] [size=9]↬ no modifier[/size] [size=11]Base Strength: 6[/size] [size=9]↬ no modifier[/size] [size=11]Chakra: 250/250[/size] [size=9]↬ regenerate +10 chakra per post ↬ no modifier[/size] [size=11]Ghost Shadow: 40/40[/size] [size=9]↬ . . .[/size][/color]
[spoiler][color=#A2A2D0][size=11]Passives[/size] [size=9]↬ Regenerates very quickly, even when outside of the demon's stages. ↬ +1 Rank Bonus to Sealing ↬ Uzumaki are capable of sealing energy from the environment around them. Meant to prolong battles and slowly debilitate their foes as they draw down their chakra with sealing techniques, the Uzumaki are the best at lasting long and using over-enlarged amounts of chakra. By activating their tattoos, they will gain a number of chakra from the environment every post (8 at jounin). This connection to nature also gives them a sense of nature; they can feel disturbances in chakra, and can greatly perceive others' chakra, though only the shift in chakra (like with technique usage), not the ebb and flow. ↬ The Uzumaki are very accurate when it comes to throwing projectiles. ↬ Fuuinjutsu can be used without without handseals or speech at jounin rank and above. ↬ All Fuuinjutsu can be shaped in particular ways (for example, a barrier can be shaped into a shield). ↬ Seals, scrolls and barriers can travel through organic and synthetic material ↬ Slightly enhanced perception. [/size]
[size=11]Actives[/size] [size=9]↬ . . .[/size]
[size=11]Fully/Partially Visible Tattoos[/size] [size=9]↬ Tsuki has a set of tattoos that collectively take the design of multiple wings. At each of her shoulder bones, Uzumaki sealing tattoos etched in white, almost silvery ink extend from her shoulder bones onto her arms, wrapping their skinny shape all the way down to the back of Tsuki’s hands. In the same color is a second pair of wing tattoos that start in the middle of her back, one below the left should bone and the other below the right. These tattoos circle around her waist to the front of her body, where the wing shape that that they design take a steep dip to between the legs. The width of the wings narrow on the way down to the legs and continue to narrow as they spiral down the legs much as the first set of wings spiral down the arms. Once the pair of tattoos reach the knees of the legs they are spiraling down, the seals written into the tattoos are shaped into a ring right below the knees.[/size]
[size=11]Training[/size] [size=9]↬ Fuuinjutsu technique training is halved.[/size]
On a quaint island in the Water Country, Tsuki was born to a civilian family who had, through many generations, gained a respectable reputation as skilled flower arrangers. In this family, Tsuki was the fifth-born, the fifth in line, and highly unlikely to inherit the family business. She was not a neglected child for this, though. If anything, she lived happily and was raised well. Quiet and polite, her parents and siblings easily bore with her. Easily frightened, she was often considered quite cute for her many fears. She wasn’t the youngest, she had two even younger siblings, but Tsuki quite firmly held the position of adorable younger sister in the hearts of her older siblings. In the hearts of the younger ones, well, they never got to know Tsuki quite well enough.
Calamity struck the village when Tsuki was only four years old, and it struck in one of the most literal ways. Someone, somewhere had released the seal on the Kyuubi and now it rampaged through the part of the world Tsuki played and lived in. The first signs were unsettling oceans,violent waves tore the surface of the sea, the resulting ripples, if they can be considered that when they were the size of a full-grown man, of the Kyuubi’s actions on the other side of the sea. Day by day, the ocean grew rougher. Until, one day, a shudder of the earth coursed through the village. Shelves fell, older houses collapsed, and a few of the elderly busted their hips. The small earthquake startled all the residents, who were unaccustomed to such events. Little Tsuki, herself, had instinctively run all the way from the backyard, where she had been playing, to her bed so that she could hide beneath the covers. Of course, the rest of her family had a good laugh at Tsuki’s fright, and with the laugh, they quickly returned to ordinary life, as if the earth had never shuddered.
Too bad the world couldn’t simply laugh off its problems like Tsuki’s family could. A little less than half an hour after the quake, the tides surrounding the island’s western shore, the shore facing the continent, pulled back. Abnormally large stretches of what was usually ocean floor hidden by shallow waters were revealed as in the distance, an ominous bump of water approached the island. The wave grew bigger and bigger as it neared, and as it neared, those who saw it came to realize just what they saw. The cowardly, the brave, the young, the old, they all ran. Those who cared enough sounded an alarm, warning those who hadn’t seen the approaching wave of water of the swiftly approaching tsunami.
Tsuki’s family was one of the many families that benefited from the alarm, and they immediately moved to evacuate themselves, but it was too late. By the time the Mizutous all left the house, they could already see the towering wall of water looming over buildings at the outskirt of town. They all ran as fast as they could from the swallowing waves, the older ones clutching tightly to the little ones, Tsuki being one of those that were carried. However, there was no helping it, the waves caught up and, like many others before them, the Mizutous were engulfed in its embrace. Tsuki wouldn’t know exactly who lived and who died in the calamity. The only casualties she’s absolutely certain of were her younger sister’s and her second oldest brother’s. The second oldest had grabbed onto both Tsuki and the other sister, and he had held onto the two, protecting them, to the last. Sadly, his sacrifice could only protect Tsuki, and Tsuki gained another human cushion from the elements in the form of her younger sister’s cold, dead body.
The young, four year old Tsuki didn’t understand. She couldn’t understand. The protection of the dead had only barely kept her alive. While she breathed, she did so faintly. While she was intact, she still had a large gash in her forehead and a streak of pain would travel through her torso whenever she tried to move. She was hurt, unable to move, unable to think beyond the most basic thoughts, and bleeding to death. In the distance, Tsuki could vaguely hear roars, crashing, and crumbling. It was a cacophony of sounds that would have scared Tsuki individually all meshed into one, horrifying noise. If she could, she would have run. As it was, though, she could barely crawl. The extent her fear could move her body was a slight twitch of the fingers and jerk of the hand as it struggled to pull the body even a centimeter away from the frightening sounds. Tsuki passed out amidst this fear, a pathetic state befitting her pathetic courage.
↬ One week later
Tsuki sat in a medical tent, her bed accompanied by the beds of other survivors. She, like the others in the tent, had been found by the shinobi that had chased the Kyuubi to the island Tsuki called home, an island that had been thoroughly shattered and sunk by the Kyuubi’s violence. After the shinobi had subdued, contained, and resealed the Kyuubi, they had searched for and tended to whatever survivors they could find. There weren’t many. Those who had survived the initial tsunami were already few in number. Those who, after surviving the tsunami, had not died to any unfortunate accidents caused by simply being too near to the rampaging nine-tailed demon were even fewer. Somehow, Tsuki was one of the lucky few. Although, she hardly seemed grateful for it.
It wasn’t like she wanted to die or felt survivor’s guilt. No, she liked living and would very much prefer to continue living. However, she could hardly celebrate her continuing life when she was alone and frightened, the two negatives impacting and multiplying each other. Tsuki wanted her family back. She wanted someone familiar in this sea of scary and unfamiliar faces. She wanted someone to comfort her as she huddled into her bed whenever tales and stories of the nine tail’s frightening actions were passed around by the bored inhabitants of the tent. However, no one came. Tsuki did not know why, nor would she ever find out why.
By the end of the entire ordeal, Tsuki was registered as an orphan and it was decided she would be taken under the wing of Kumogakure, where she would earn her living as a shinobi of the village, after being properly educated of course. Frightened by the prospect of moving, Tsuki cried and wailed, but as was her nature, her wails quickly turned into whimpers as she obediently followed, or rather, was obediently carried. One of the Kumogakure shinobi she was to be traveling with took pity on the little four year old and decided to carry her in his arms rather than forcing her to walk somewhere she clearly didn’t want to go. For the majority of the trip, Tsuki hid her face inside the chest of this shinobi. He was still a frightening stranger, but he was at least less frightening than all the other oddities around Tsuki.
↬ Settling into Kumogakure
The moment Tsuki arrived in Kumogakure was the moment the preparation for her future as a shinobi began. Her formal education started a month after her arrival, but in the preceding month, she was settled into Kumogakure with all haste. She and several other orphans, it seemed like Kumogakure had brought in as many orphans as they could to train into shinobi, were placed into a living complex together. All ten of them shared just two guardians. As some of the orphans were already of decently mature age, the oldest being 15, they were able to help take care of each other so two guardians was plenty.
Just as they all inhabited the same place, all 10 of them attended the same classes. The reason they were kept together was because they would all feel comfortable together, particularly the older ones as it might be embarrassing to take classes with strangers who were years younger. The ten former citizens of Mizu no Kuni lived and studied together, and over the years, they grew bonds that would make them akin to siblings. Even the frightened Tsuki managed to warm up to everyone else within the first few weeks, earning herself the rather affectionate nickname Nezu in the process. Some of them had known each other before the Kyuubi’s attack had destroyed their home, others didn’t. Regardless, they all shared a common bond: they were all orphans, as far as each one knew, who had suffered from the nine-tailed bijuu. It was through this bond they could relate to each other and grow closer to each other.
It was during their education in Kumogakure that each of the orphans learned that they hadn’t been randomly picked. For instance, the oldest had been trained in the rudimentary basics. Tsuki, during her post-attack medical treatment was discovered by the medical shinobis present to have inherited faint traces of Uzumaki blood, something Tsuki unknowingly inherited from her great grandmother on her mother’s side of the family. In addition to the basic shinobi education, Tsuki’s talent for sealing was preciously cultivated and directed. Already, her path was decided. After the proper training, Tsuki would join Kumogakure’s impressive collection of sealers. She would, in particular, focus her efforts on controlling the Kyuubi, who was planned to be sealed within one of the orphans Tsuki considered her new family. Of course, Tsuki didn’t know about any of this. She was too young to understand, but she was meant to be told about her role once she was older. However, fate determined that was to never happen.
↬ Setsuna Watanuki
Setsuna was an odd one, flitting from one thing to the next, but she was also the oldest of the Kumogakure orphans, and despite her randomness, she was always the most responsible. The Kyuubi had destroyed her home when she was 15. With the help of a telescope, Setsuna saw her parents, who had been Kirigakure shinobi but had retired years ago in favor of a peaceful life, die miles away as they tried to hold the tailed beast off of their island. As neither of Setsuna’s parents expected or wanted her to become a kunoichi, and neither did Setsuna, she only knew the most rudimentary basics of being a ninja, taught to her only so she could use it for self-defense.
However, it was this slight head start and her standing as the oldest and most responsible of the group that led to her being the first attempt. Kumogakure, for playing the largest role in sealing the Kyuubi, had gained ownership of the Kyuubi and its village leaders were eager to place it into one of their own shinobi. It was this desire that had prompted them to collect the ten orphans, which included Setsuna and Tsuki. After all, who better to expect caution in the use of Kyuubi from than someone who’s life had been destroyed by it?
In Setsuna, the leaders saw someone they could teach a bit quicker than the rest and someone who had shown responsibility all while maintaining her status as a victim who didn’t look like she’d carelessly release Kyuubi. Certainly, she was a bit unstable, exhibiting mood changes at purely random intervals. Sometimes, she’d go weeks acting sane and then go loony all at once, and that was just the tip of the iceberg. They didn’t know if she had always been like that or if it was recent. Setsuna, for a fact, knew it was a direct cause of the Kyuubi’s attack. After all, she was the one that instigated her slightly crazy act. Following the attack and death of her parents, all Setsuna wanted was to curl up into a ball and cry. However, in no time, she found herself in the position of oldest and immediately she placed upon herself the responsibility of the oldest. To keep the others, particularly the younger ones that relied on her the most, from worrying over her, she had kept up a constant stream of randomness so that whenever she did really break down, they would simply assume she was just doing her random thing. It was a strange solution, and perhaps Setsuna’s choice to not only go along with this solution but also pull it off successfully was proof in of itself that she really might be crazy. Whatever insanity she may or may not have had, though, Setsuna had always placed her adopted family of Kumo orphans first, and no matter what mood she enacted, she never took the Kyuubi lightly. That was how she earned her standing as the most responsible and retained enough prudence for the village leaders to believe she would be careful as a jinchuuriki.
This decision, of course, wasn’t immediate. One year passed, Setsuna was 16, before she was taken to become the new Kyuubi host. The sealing was a success. Setsuna returned with nary a change besides the whisker-like black marks on each cheek and a circular seal on her belly button that she showed off to everybody and joked about to ease their worries. She played and kid, ran random laps around the kitchen table every now and then, spooked poor Nezu and then immediately cuddled and cooed her, and was her usual randomly random self. Nothing seemed to have changed. Setsuna hid it all. Just like she held in her grief and despair, she also locked up the voices and thoughts that the Kyuubi flooded her mind with.
The Kyuubi, not being one to take captivity peacefully, whispered into Setsuna’s mind constantly. ”You think you can contain me? What if, one day, you slip? It’s better for everyone if you just run far away,” it would coo. Sometimes, it would switch tactics, ”Hmph. I know we got off to a bad start, what with me destroying your village and this constant whispering, but really, I’m harmless. Our lives our now tied together. I just want to help you.” And of course, the Kyuubi would try to lure Setsuna with tantalizing offers of power, ”You saw my power with your own two eyes. You remember it. Have nightmares about it. It could be yours to harness if you’d just let me take over for just a little bit, just long enough to show you how to use my power. You could protect those you care for in the same way you wished to protect your island from me.” Setsuna couldn’t hide her mental insecurities from the Kyuubi like she could hide it from her fellow orphans. She couldn’t hide her mind from something that was in it. The Kyuubi sought to break the girl or convince her, whichever came first.
Setsuna had tried to confront the Kyuubi at first. She had stood boldly in front of his cage and demanded, “Why?!”. She demanded an answer from the Kyuubi for striking the peaceful island villages it had destroyed. It seemed like the right thing to do as the older sister of all the orphans. It was through this confrontation that the Kyuubi learned of his host’s insecurities. He ignored her at first, avoiding the question by returning to the topic of letting him take control for just a little bit, and she grew frustrated. A few days later, he gave cryptic replies, and she demanded straight ones. In time, however, the Kyuubi grew frustrated at his host’s iron will.
Eventually, the Kyuubi ended his trickery and snarled at his host, violently banging at the bars that sealed him within Setsuna. ”Silence!” it threatened in a growl that echoed throughout Setsuna’s mindscape, ”What is an ant like you thinking? Asking questions to the great me?! If you do not wish to accommodate me, then leave! But let me warn you. One day, when you are weak and tired, I will certainly break loose, and you will rue that day. Kumogakure will fall for daring to imprison me.”
That was that. No more the Kyuubi whispered. It locked itself and its powers away, but Setsuna cared nothing for the Kyuubi’s powers. She thought she was finally free. Confident in her abilities to not give in to weakness like the Kyuubi had forewarned, she ceased to worry about the Kyuubi’s threats within a few weeks.
However, the Kyuubi was as as wise as it was vicious. His threat held true. Two years since the Kyuubi was sealed into Setsuna, Setsuna was sent on a routine mission. This was supposed to be just another bandit hunt. It was, until the bandit was unmasked.
“Maro-san?!”, Setsuna immediately recognized the bandit. One of her squadmates, a fellow Mizu orphan who went by the name Midori, thought Setsuna was just doing her random thing and teased, “Right, so now that you’re done naming this one, let’s detain him, yeah?”. “No no!” she stopped Midori with an extended hand to show that she was serious, “This was a neighbor of mine on my island. Maro-san! That’s you, right? You recognize me? Setsuna! Watanuki Setsuna?”. Midori, still not certain how serious Setsuna was decided to give her some time, but didn’t withdraw his weapon. In the back, two other squadmates whispered among themselves. A team of four might have seemed like a lot for such a simple mission, but the extra personnel was a back-up in case the Kyuubi within Setsuna was released. “Get away from me!” Maro threatened Setsuna as she tried to get closer to him, “I don’t care who you are! You’re just one of those stinkin’ nins now! Get back!”. Stealing and thievery had become Maro’s only ways to earn his bread, and such illegal activities created a healthy dose of fear and disgust for the shinobi. Maro felt no need to answer to any ninja. Midori, who had been juggling his weapon stopped and took a step forwards. “Well, I guess that’s that,” he reasoned that Maro, even if Setsuna really did know him, was not someone who was going to come willingly. The two other shinobi took Midori’s cue and also began advancing.
The movements were all slow and steady, yet at the same time, Setsuna perceived everything to be moving too quickly. She lived so she could protect. Finally, after all these years, she found herself reunited with one of the people she failed to protect years ago, but now her mission was to hunt them. She had a duty to her village, to kill the bandit if he resisted. She had a duty to her morals, to not harm someone she knew, or rather wanted to believe, was only evil because of circumstances. Setsuna’s mind faltered, it grew weak. The Kyuubi practically purred as it sensed the weakness, but it did not yet strike. He didn’t want to waste this perfect opportunity and jump the gun too early.
The bandit Setsuna used to know charged one of the shinobi. The shinobi would have been perfectly safe, the bandit’s attack was easy to defend against, but Setsuna’s mind didn’t register that and, in a needlessly reckless and ill-fated action, Setsuna thrust herself between bandit and shinobi, earning herself a knife in the liver. As the knife was twisted and pulled out as Midori tackled the bandit away from Setsuna, it cut even more organs. Light quickly faded from Setsuna’s eyes. The bars and chains that held back the Kyuubi quickly faded. “Relax,” the demon spoke in its most I-told-you voice, ”Allow me. I have experience in destroying those you know. Just leave it all to me.” As, in Setsuna’s mind, the limber fox passed by Setsuna, he condescended to stroke her chin with a tail. Mind and body both weak, Setsuna let herself go and gave full control to the demon. A red aura surrounded Setsuna and very quickly, her body progressed through the various demon stages, too quick for any of her companions to stop it.
Setsuna’s whisker marks darkened. Her irises grew red as her pupils slitted. The red aura deepened in color and bubbled. One tail. The Kyuubi used Setsuna’s body to punch the lights out of the medic that was healing her. Two tails. The Kyuubi charged the bandit and tore him to shreds. Three tails. As the other nameless shinobi tried to revive the first nameless shinobi, Midori confronted the Kyuubi-controlled Setsuna. Four tails. Midori was somehow holding his own. Five tails. Now, Setsuna’s strength was just ridiculous, and the second nameless shinobi had to come and help. Six tails, a lucky hit broke Midori’s neck. If Setsuna hadn’t completely given up by that point, she certainly did now. Then suddenly eight tails. What used to be a fatal wound to the liver had been completely healed. In fact, Setsuna was healing so quickly, she was essentially dying. At this point, though, she was as good as dead. She had entered what was classified as the third stage. The medic that was just now recovering consciousness wasn’t a skilled enough sealer to stop the ninth tail from sprouting. With the freedom of the ninth tail, uncontrolled by a host, Kurama was finally free of his seals.
What happened next was a more contained repeat of three years ago, when the Kyuubi had rampaged through the Water Country. However, at least now, with the closer proximity of Kumogakure and, consequently, the sealers that had managed to seal the Kyuubi those three years ago, the damage was greatly lessened.
Setsuna, at age 18, lost control of the Kyuubi and lost her life in the process. Tsuki was only seven.
The next host
Turmoil filled the meeting room as the various leaders that worked together in helping the Raikage run Kumogakure argued back and forth. For whatever reason, the bulk of the responsibility for choosing the Kyuubi’s host was placed on them, with the Raikage telling them to simply come to him for final approval. Voices bickered back and forth. “Now? Pick out a new host now? It’s too soon!” “The sooner the better! It will give the new host more time to adjust. Besides, we already have a firm grasp on the personalities of the orphans.” “Yes, a ‘firm grasp.’ Isn’t that exactly what you said when we picked poor Setsuna? Didn’t you advocate that it was clear her spirit would not be broken by the Kyuubi?” “Why you. What is your problem, huh? Always. Always you go against me! Do you have something against me? Huh?” “Ladies. Ladies. Please, calm down. Let us focus on the matter at hand, hm?” “I’m not a lady!” “But you sure look like one, hm? Now, about this demon-choosing business. Well, what do you say?” “M-me?!” “Yes, I remember you didn’t say a word during the last discussion, so there’s certainly nothing that can be tossed at you for whatever opinion you express, right?” “Uh… yes. I think… I guess so? Urhm… I think we should pick the new host b-because, I mean, waiting won’t do anything, right?” “Exactly!” “A vote! I call for a vote!” Left to right. Back to forth. The respected men and women of Kumogakure’s leadership bickered like children until they finally decided to immediately make Tsuki the next host, and by immediately, they meant after they’d all had a good sleep, so the day after tomorrow. Tsuki’s role had drastically changed from one of the nine orphans that were meant to provide support, both moral and technical, for the Kyuubi host into becoming the host of the Kyuubi. Although, it wasn’t like she knew how much her life had twisted off the path the village leaders intended for her. Tsuki was still blissfully oblivious to any future obligation she might have had.
On the chosen day—or rather, the dead of night—Tsuki was taken just as Setsuna had been from the place they both had grown to call home. The seven year old was dressed in white, still mourning for the loss of both the quirky girl she considered her older sister and the confident boy she considered her older brother. From that night on, from the very moment when it was explained to her that she would have the Kyuubi sealed within her, Tsuki knew the fear of her relatively new fate.
↬ Living with the Kyuubi
Mutters and murmurs followed Tsuki wherever she walked. If she could, she would have avoided it all, being the coward she was, but she really had held off on buying groceries for too long. Tsuki’s fridge contained a solitary onion and a jug of water, nothing more. She needed to shop and to shop, she needed to actually interact with people who would point and whisper about the markings on her face.
Unconsciously, Tsuki moved the white scarf she wore over her face and buried her nose into the cloth in an attempt to hide her black, whisker-like markings. Despite all the secrecy that her sealing had been undertaken with, the moment people saw her whiskers the day after the sealing, they all knew she was the new host of the Kyuubi. There were some that shrugged and flippantly explained to anyone who would listen that there was nothing to fear. After all, Kumogakure had a record of success when it came to handling jinchuurikis that had lost control. Although, the fact that they talked about such things meant they were already assuming Tsuki would eventually lost control. Others gave Tsuki frightened looks, as if she was a ticking time bomb, and gave her lots of space. They couldn’t be blamed. Setsuna had acted normally up until the very day she released the Kyuubi. Still others would glance at her, but then try to act completely normal. They were trying to be nice, but Tsuki could still feel their gazes and hear their whispers when they least thought she could. Regardless, Tsuki always felt like everyone noticed her the moment she stepped out into any public space.
Although, as bad as public reactions were to her sealing, seeing the faces of her fellow orphans the day after the sealing was even worse. Tsuki still cringed as she remember the collection of looks on the six faces: the two oldest had died and one of the orphans had run away from the village a few years back, leaving only six others to stare at Tsuki. There was a mixture of pity, surprise, and anger but all the faces held fear for various reasons. There was the fear of another rampaging Kyuubi, since Setsuna’s release, they all could guess at how their first experience with the Kyuubi came to be. There was the fear for Tsuki’s life. There was the fear that if Tsuki failed, one of them would be the next. Add onto it all Tsuki’s own fear, which was tenfold of what anyone felt, and she was just completely crushed by it.
It was so bad, Tsuki immediately asked to be moved to her own place. Of course, being only seven, they couldn’t grant her request just yet, so she had to settle with her own room. As soon as she could, though, Tsuki moved out, and here she was, thirteen years old and living alone. Somehow, she had managed to live most of her life largely ignoring the demon inside of her, much like how she ran away from everything else frightening. The sealers had promised that Tsuki’s seal would be many times stronger than Setsuna’s. They had promised she would be safer. It seemed that they weren’t lying. It had been around six years and Tsuki had yet to hear the Kyuubi’s voice even once. Even during the grueling chuunin exams Tsuki had passed rather unspectacularly a little over a month ago, there wasn’t a single sign that reminded Tsuki that she was the Kyuubi’s jinchuuriki. All that was left to do was to live the rest of her life just like this, always ignoring and running away from the source of her scariest memories, which just so happened to be bottled up within her.
Mizu Soujuu (Water Manipulation) Description: Any Mist Shinobi that uses ninjutsu should likely have this technique. This involves learning basic manipulation of the properties of water. Boiling, freezing, and pressurization of water are included in these studies. Freezing is mostly limited to small amounts of water, and boiling includes the creation of steam by further putting chakra into the water. The user cannot perform these tasks on larger bodies of water with this basic study alone. Furthermore, by learning to draw water from the moisture in the air, the shinobi can use water techniques without requiring a source of water nearby (unless stated otherwise.) A Kage level jutsu always requires a water source, even if the Mist-nin in question creates it first.
[C-Rank]
Mizutamari no Jutsu (Water Puddle Technique) Description: By altering personal body shape, the user can melt into the water below the user. This allows the user to hide and set up an ambush, or lose inexperienced trackers.
Suiton: Abura Bushin no Jutsu (Water Release: Oil Clone Technique) Description: Oil Clone Technique is a variation of the Genjutsu; Mist Servant Technique. It creates a whole bunch of clones, which won't disappear like normal illusion clones when they're hit. The hit will only go right through them. The only known way to defeat them is to send a fire justu at them.
[B-Rank]
Mizutamari Yusuo no Jutsu (Water Puddle Transportation) Requirements: Mizutamari no Jutsu Description: The normal Mizutamari Technique must be learned before you can use this technique, since it requires Mizutamari to be used in conjunction with it. If a user uses the Mizutamari while standing on top of a lake or river or any other water source, he/she can materialize himself/herself back anywhere he/she wants within the area of the water source (maximum range, 1/2 a mile.) That way the user can surprise the enemy from behind or even from below.
Kirigakure: Shunshin no Jutsu (Hidden Mist: Instantaneous Body Skill) Description: An ability which allows the user to transport from one area to another in a spray of fine mist. The user has to have been to the area before and the distance is limited to about one mile. This jutsu can only be used to escape combat, and may not be used if the shinobi is attacking or has been attacked.
Suimenka no Kisoku ( Breathing underwater Technique) Description: The art of breathing underwater using chakra to remove oxygen from water has been a long handed down secret of the Mist. The length of time and the depth that the diver can go under depends on the ability of the user. This technique typically activates whenever the shinobi breathes in water and requires no handseals.
Kirigakure no Jutsu (Hidden Mist Technique) Description: A highly effective cover technique which blankets an area in a thick mist, confusing the senses of the enemy. Unless the user is trained to fight without the use of his vision, or has learned the technique to see through the mist, this doesn't not provide a significant combat advantage. The mist swirls about, confusing vision and distorting sound. Visibility is cut down to three feet. The mist lasts for 3 posts, plus an additional post for every 10 points in Reserves the user has. It is important to note that this mist is non-natural, and obstructs the view of even those using low level techniques (stage 3 or lower) to attempt to see through it.
[A-Rank]
Kiri Shikaku no Jutsu (Mist Vision Technique) Description: A technique usually used with Kirigakure no Jutsu, the Mist Vision technique allows the user to see through heavy mist, steam, or any other condition caused by water in the air. This does not give the ability to see through smoke. The technique is passive and activates when the user's vision would otherwise be obstructed by mist.
Mizuhada Bunshin no Jutsu (Water Body Clone Technique) Description: A powerful enhancement of the Water Reflection clone, this technique creates a number of full-powered water clones and does not require a body of water. These clones have the full Chakra and Mental abilities of the user, as well as Physical ability. A solid hit will destroy the clone.
Suiton: Suikoudan no Jutsu (Water Release: Water Shark Blast Technique) Description: A powerful attack that requires its target to be on or near the water, this technique creates a large shark comprised of water that can be used to attack in one of two ways. Primarily, the shark is sent towards the opponent at a charge, attempting to strike the opponent with extreme bashing force as well as trying to rend him with its teeth. The second, more devious use involves the shark attempting to swallow the opponent. In this case, the shark is hidden under the water until it attacks. If it manages to swallow an opponent, he is trapped within a sphere of water as the shark itself dissolves. After an attack, successful or not, the sphere vanishes.
Suiton: Suijinheki (Water Release: Water Barrier) Description: An ultimate defense of the Mist Shinobi, Suiton Suijinheki requires a great deal of water to work, or mastery of the appropriate level of Mizu Soujuu. Upon completing the technique, a large, swirling barrier of water surrounds the user and any nearby allies. This protects against any fire technique, as well as any ninjutsu that are projectiles by nature. Attempting to breach the barrier with taijutsu is self-defeating, the opponent who attempts to do so will find himself being whirled around the barrier and slammed into the ground several times throughout the duration of the technique as he is caught in its strong current.
[S-Rank]
Suiton: Daibakufu no Jutsu (Water Release: Great Waterfall Technique) Description: A Jutsu which creates a huge cyclone turned on its side, which is sent toward the opponent or group of opponents. This Jutsu can only be done when in or near a body of water (or with the mastery of Mizu Soujuu,) and is devastatingly powerful, both in the force with which it strikes and with its tendency to catch people and objects and slam them into other object. It can easily rip large trees and masses of rock from the Earth.
Suiton: Suishouha (Water Release: Rising Blast) Description: Using large amounts of chakra, the user creates water from thin air and forms so much that it creates a mini-tidal wave. The water then does not dissipate for the duration of the battle, thus creating an arena where the user has a large advantage. If the climate is exceptionally arid, such as a desert, the water only lasts for a short while before draining into the sand. The depth of the water once the wave has settled is anywhere between 8 to 10 feet.
Suiton: Suiryuudan no Jutsu (Water Release: Water Dragon Blast Technique) Description: A powerful attack that creates a huge current of water in the shape of a dragon, which is then sent towards the opponent. Essentially a devastating single target attack, few are the shinobi who can suffer a hit from this technique and continue to fight.
Tsunami no Jutsu (Tsunami Technique) Description: An even better and more devastating water technique than the Suishouha Technique, this Technique can drown a large village but requires enormous amounts of chakra and stamina. Usually an 'all or nothing' technique, as it is not used under normal circumstances due to the widespread and indiscriminant destruction that it wreaks.
Suiton: Shindo Futan (Water Release: Depth Charge) Description: A lethal move when used correctly, the opponent must be underwater. After the opponent is fully submersed, the user channels a large amount of chakra into their hands, and using this chakra, creates a large burst of energy, compressing the water momentarily beneath themselves. Due to the non-compressive nature of water, this compression will disperse throughout the body, crushing anything unlucky enough to be near the source. This force can entirely crush even the strongest of opponents, and must be used carefully around wildlife, or it can destroy entire ecosystems. For this reason, it is rarely used except in life or death situations.
[16] [Earth Release]
[D-Rank]
Doton: Tsuchi Gunjikoudou no Jutsu (Earth Release: Earth Military Movement Technique) Description: This jutsu allows the user to enter the ground and "swim" in it for a limited time.
[C-Rank]
Doton: Shinjuu Zanshu no Jutsu (Earth Release: Inner Decapitation Skill) Description: This earth jutsu allows the user to “dive” into the ground and move around in it as if it was water, or even thin air. This ability allows the user to get near an opponent without notice and when below him, pull down the opponent to ground, burying his body and leaving only the head above the ground. This particular jutsu isn’t an attack by itself, but it easily creates and opening for more deadly attacks.
Doton: Jihibiki Kansei no Jutsu (Earth Release: Earth Tremor Sense Technique) Description: By touching the ground, the user can sense tremors or vibrations in the ground. These tremors indicate movement, which the user can sense, although he doesn't know who exactly it is. The range is half a mile.
[B-Rank]
Doton: Doryuudan no Jutsu (Earth Release: Earth Dragon Blast) Description: In this jutsu, a large mudstone structure appears from the ground in the shape of a dragon’s face. The dragon then shoots many earthmud “cannon balls” which hit the enemy with great speed.
[A-Rank]
Doton: Shindoryuudan no Jutsu (Earth Release: Earth Dragon God Blast) Description: In this more advanced jutsu, the user slaps their open palm into the ground and it begins to shake. A large, bronze dragon head peaks out of the ground and roars to reveal its lengthy stone body. Then it dives back under, traveling to the opponent through the ground. When it finally reaches the opponent it shoots up in full dragon form and smashes into them with an enormous force, exploding on contact. The explosion causes the dragon's bronze body to move outward with immense force.
Doton: Kazangan Doryuudan no Jutsu (Earth Release: Volcanic Dragon Blast) Description: Creating the same bronze dragon head from the ground, but a lot larger than before, this jutsu however summons up lava from within the planet's centre, and blasts it towards the target.
Yougan Eisha no Jutsu (Lava Swimmer Technique) Description: The Shinobi is able to swim through lava unharmed, though they can not do so for extended periods of time.
Sekkai Keibou (Stone Guard Creation) Description: This technique creates a phalanx of semi animate stone figures with large shields, tiger heads, and giant pikes. The phalanx of monsters are as fast as a genin, but may only fight as a single unit. They can not stray more than 3 feet from one another. The performer of this technique must remain at the center of this phalanx or the phalanx will become immobile.
Yougan no Tate (Lava Shield) Description: The user of this jutsu summons lava from the center of the earth and creates a shield from it, surrounding him in a diameter of up to 2 meters. This jutsu defends against most fire, water and grass based attacks, though it consumes a great deal of chakra.
Doton: Iwa Guntai Tate (Earth Release: Rock Army Shield) Description: A flat defensive slab of earth shoots out of the ground and forms walls that guards each member of your team. The maximum number of people that can be protected are four. The user of the technique decides which side of his/her allies the wall will be formed on. For every rank, the user can create shields in a 40 foot diameter.
[S-Rank]
Yougan Tsunami no Jutsu (Lava Tsunami Technique) Description: The user calls upon a substantially large amount of lava from the center of the earth. Due to the obvious distance, it takes quite some time for the lava to reach the face of the earth, but once it gets there, it becomes a furious tidal wave that burns and singes everything on its path. An extremely powerful and dangerous jutsu that should not be attempted unless the user is sure his/her allies will not be hurt by it. The tidal wave's size is about that of Suiton Daibakufu no jutsu and is fully controlled by the user.
Doton Tsuchi Tsunami no Jutsu (Earth Release: Earth Giant Wave Technique) Description: After a long series of seals, the user puts his hand on the ground and molds a massive amount of chakra into it. A large, tsunami size wave of earth and rock rises up in front of the user and crashes forward, doing immense damage to the landscape. It is the same size as the Yougan Tsunami no Jutsu.
Yama Souken (Mountain Creation) Description: A technique that literally changes a landscape incredibly, the user creates a small mountain, about 750 ft high. The mountain is made entirely of rock, dirt, and earth. When the mountain is created, it can totally destroy the area around it, ripping out trees and buildings from underneath. This may only be used once in a while and only when the jounin is at full strength, without having used any other jutsu. Afterward, the jounin cannot use any other jutsu due to sheer exhaustion.
Sekkai Suke (Stone Shell) Description: Protects an ally or allies with a three sided stone shell, up to 3 can be created at once. This is basically the Army Shield technique only with a wider scope of defense. The user has a diameter of 100 feet.
Kongou no Jutsu (Diamond Skill) Description: Basically you perform the hand seals and diamond will cover the object you desire out of thin air. The downside is it restricts the movement of the object to a very low degree. (This may not be used on an enemy or hostile object unless you can make physical contact with them)
Earth Release: Ultralight-Weight Rock Technique Description: The user drastically decreases the weight of any object in direct physical contact, but to a much greater extent than that of the original ability. The user can use this technique to lift enormous objects that they normally wouldn't be able to such as a meteorite or an entire island. This can also apply the opposite effect, and make an object extremely weighted, turning any random thing into something much, much, much heavier. This ability pushes stats up to two beyond your regular cap, but takes away as many points from the opposite stat as given to the boosted.
[8] [Universal Techniques]
[D-Rank]
Henge No Jutsu (Transformation Technique) Description: A user of this skill will have the ability to transform their outer appearance to that of another form, which can often be a person or object. However, due to the physical restrictions on the body, the user cannot transform into anything extremely smaller or larger than what they already are. Therefore one could not transform into a shuriken or a small animal. Neither can the user transform into an enlarged or distorted form of anything ( No such thing as a small human-sized adult elephant, or a human-sized ant). Therefore the user must always be within the same proportions as the original form of the object. Also, the user does not gain any extra physical ability through Henge. (i.e. transforming into a cheetah will not give you a cheetah's speed) Henge will be dispelled when the user would be touched in an offensive matter. Thus after the user hits the target in their transformed state they revert.
Kawarimi No Jutsu (Body Switch Technique) Description: A common jutsu - used to quickly replace a body with a close by object. This creates a confusion among the opponent(s) while creating a chance to escape, or return with a larger strike. Kawarimi is useful for avoiding attacks, and hiding from potential enemies.
[C-Rank]
Aerial dodge Description: This is a very basic in air maneuver. After focusing chakra into their feet in mid-air, the user will suddenly release it and spin-off to one side 5 ft (10 for genin, 15 for Chuunin, 20 for Jounin), which allows them to dodge an attack in mid-air. this technique is extremely useful when up against straight-forward techniques such as the Great Fire Ball and Water Dragon jutsu.
Kinobori no Jutsu (Tree Walking Technique)/Kabenobori no Jutsu (Wall Walking Technique) Description: By focusing chakra into the feet and keeping it balanced, the user can walk up against vertical objects and cling to its surface.
[B-Rank]
Suimen Hokou no Gyou (The Art of Water Walking) Prerequisites: Kinobori no Jutsu Description: A technique that enables the user to walk on the surface of water by concentrating chakra into the feet. It is also used for training; it allows an individual to learn how to control the release of chakra.
[A-Rank]
Kage Bunshin No Jutsu (Shadow Clone Technique) Description: A forbidden jutsu that creates clones - which are not just plain illusions (like the normal Bunshin no Jutsu). Each clone is an exact replica of the user, capable of attacking. A direct hit causes the clone to disappear. Chakra is divided evenly between every clone and the original, so creating three clones would leave the user with one-fourth of his remaining chakra. These kage bunshin are also capable of using any jutsu the original shinobi knows (except Kuchiyose and bunshin jutsu), and each kage bunshin may use one jutsu. Once the clone has dispersed, the info that the clone has gathered will go to the original caster.
Tenkuu Hokou no Gyou (The Art of Walking on Air) Description: The art of walking on water and trees has long been known to many shinobi. However, although many have aspired to walk on the last frontier, the air itself, all but a handful of ninja have failed at doing such a thing. The first recorded instance of Tenkuu Hokou no Gyou was recorded long ago, in the Country of Wind, ironically. There, a famous ninja had discovered that by focusing his chakra into his feet and propelling it outward with utmost control, he could perform a sort of double-jump while airborne. This enabled him to jump almost twice as high as he normally could and in addition, it gave him utmost control of his body while airborne, making him a superb fighter. The technique was passed down through that fighter's family for years. The secret was well-kept and guarded carefully. However, the family's devotion with which they protected this secret ultimately led to their downfall. They were captured by a rival country and tortured endlessly in order to attain the secret technique. Nobody spoke and they were killed; their assailants figured that if they couldn't have the secret technique, nobody could. For awhile, the art of Tenkuu Hokou no Gyou was lost. Just recently, a resurgence of this forgotten art has been seen. A few grandmaster shinobi, having remembered stories of the ancient art, have learned to perform the art on their own. In addition, two scrolls containing information on the art have been dug up and been in circulation on the black market for several months, although most who have read the scrolls have been unable to learn the art. As of now, there are very few who know anything about the art and even fewer who can use it effectively. While airborne, the user can focus his chakra into his feet in order to make a sort of invisible stepping stone in which the user can walk on.
[S-Rank]
Shukuchi (Reduced Earth) Description: Originally implemented by samurai, shinobi have learned to use chakra to perform this technique as well. By forcing chakra into the legs, the user is able to go from standstill to his highest speed instantaneously and crush the distance separating him from his opponent so quickly, all that can be seen is little craters left on the ground by his footsteps.
[39/70] Fuuinjutsu
[D-Rank]
Higashinishi Minamikita (東西 南北 East,west,south,north) This sign when put on a seal will make the seals fly into the battle array square that is needed, These force the seals to go east west north and south. the only thing a user needs to write on the seal from here is the perimeter length of the square they want created. Rank: D
[C-Rank]
Atsui( 暑い Hot) Pretty simple seal anything that this seal is placed on will heat up and keep heating up until the seal is removed which is sometimes harder than it sounds. Rank: C
Samui (寒い Cold) Pretty simple seal anything that this seal is placed on will get colder and keep getting colder until the seal is removed which is sometimes harder than it sounds. Rank: C
Explosion Creation Simply enough the user is able to make exploding tags with their blood so that only they can explode these seals. They come in handy in all occasions and are a highly personalized form of regular exploding tags which are what are commonly used. These seals are often used by Sealing Masters. Rank: C
[B-Rank]
Otomasen (音ません Soundless) Using the battle seal array a person can add the ability to make a barrier in which sound cannot travel through. Making yes, the room or outside of the barrier soundproof, thus private conversations can be kept private. Rank: B
Ban (番 To keep watch) This seal lets the user place it wherever they so please and once making the correct handseals and focusing on their chakra see out the seal. In essence it becomes an extra set of eyes and is very useful in times of need. Rank: B
Sai (塞, Restrain) — Locks a target's arms in place behind their back. The seal must be be slapped onto the opponent in order for it to work.of course the user of the seal has to be the same rank or higher or their opponent in which they wish to restrain. Rank: B
Seki (斥, Repulse) -- Creates a round shield that seems to temporarily paralyze and repel whatever strikes it. this is a basic seal which is actually quite small in size it can only cover certain items, such as weapons actual shields, and walls to make them very tough to break. Rank:B
Kyakko (曲光, Curving Light) - Hides the target from sight, presumably by bending light. Another protection seal, much like the false place genjutsu however it simply hides a user from the target by making the seal and slapping it to a surface or having 4 in a square formation which will make a whole area invisible because of the bending of light. Rank: B
Hiku (引くto pull) The seal is simple it literally pulls certain items to it. If one would put the fire symbol next to it, fire would be attracted towards it. Same with any other element or combination of elements. Rank: B
Fuukoku Houin - Dark Sealing Method Fuukoku Houin is a Fuuinjutsu technique utilized by the Sound Four. This seal is used in conjunction with the Shikokumujin. After the Sound Four seal the individual in the container, they further add this seal as another layer of protection. To create the seal, the Sound member will write the incantation in blood on the sealing paper and then attach it to the container. Finally the Sound member will form the needed hand seal and activate it. Rank: B
Shikoku Mujin - Four Dark Mist Array Shikoku Mujin is a Fuuinjutsu technique utilized by the Sound Four. This special barrier jutsu is used in conjunction with the Seishingan drug. Normally the drug causes death, but the barrier softens the effect to a temporary coma. This forceably allows the body to be able to handle a level two cursed seal. Rank: B
Kyōmon (鏡門, Mirror Door) — Using this to seal creates a glass-like barrier which is difficult to break from the outside, but quite simple to break from the inside. Because of this flaw of easy break-ability from the inside it is not recommended for use in trapping, but rather protecting. Rank:B-S
[A-Rank]
Tozansho (と残暑,Lingering summer heat) - Creates a pyramid-shaped barrier around the caster. This pyramid takes a little time to set up and is quite strong, it is made up of the users pure chakra and takes a very strong jutsu (S Rank) to break through. This technique requires placing seals around you. Rank: A
Kuramasu (暗ます hide, slip away) This seal takes 2 slips of paper minimum, the more seals the more intricate it becomes. The basic purpose of this jutsu is to act as a delay to opponents or enemies. connecting the chakra from seal to seal it creates a sort of web which will capture an enemy and restrict their chakra use. When a shape is made say a square, the whole shape is filled with an intricate and complex web which is tough to get by. the only way to dispel this is by destroying the seals. Rank: A
Owaru (終わる to come to an end) This seal makes a barrier in the 4 seal formation, which can really trick people inside, on the outside of this barrier is usually easy to break but the inside incredibly tough. For the people inside have no idea where the formation ends or starts. When one on the inside touches a wall of the formation barrier they are turned around without knowing it, thus giving the effect that they are walking forever looking for the end of the wall. Even jutsus targetted at the wall will be intertwined with the barrier and appear to those inside that it just went on forever, when in reality it just added to the overall strength of the barrier. Rank: A
Fuuin Teppeki - Sealed Iron Wall Fuuin Teppeki is a Fuuinjutsu technique used to Fire Temple monk Chiriku. This seal has been placed on the statues flanking the door to form a barrier. The monk's Senzoku no Sai allows them to remove the barrier as needed. A powerful direct strike to the iron gates can also remove the barrier. Rank: A
Fuuja Houin - Evil Sealing Method Fuuja Houin is a Fuuinjutsu technique used to counter-act the effects of a cursed seal. The ninja writes the needed seal characters on the ground and body of the person cursed with the seal. The ninja then forms the needed hand seals and places his hand over the cursed seal and then activates the written seal. The seal characters will then retreat to surround the cursed seal in a circular seal. Though the Fuuja Houin can work well against lesser seals, it will not be able to fully stop a cursed seal placed by a powerful, skilled ninja. Rank: A
Gofuu Kekkai - Five Seal Barrier Gofuu Kekkai is a Fuuinjutsu technique utilized by Akatsuki. The five "kin" (prohibition) seals act together to form a barrier to the entrance of their cave. The cave door itself is marked with one tag, and four other tags are located within a few hundred meters of each other. To remove the barrier, all five tags must be removed at the same moment. Knowing that the barrier has this weakness, Akatsuki added a further protection, in Kyoumen Shuuja no Jutsu, which is added to this jutsu automatically. When the four surrounding tags are removed, a doppelganger of the person who removed it will emerge from the ground and battle them. The doppelganger can utilize all the same moves as the original, even bloodline techniques. Clones may be used, but the chakra needed to sustain the clone will be absorbed by the seal to make the doppelganger. Rank: A
Shikoku Fuuin - Finger Engraving Seal Shikoku Fuuin is a Fuuinjutsu technique used by the Leaf Sannin Jiraiya. By forming the needed sealing chakra on his finger, Jiraiya can engrave a message into an object. Rank: A
Fuuinka (Fire Sealing) Description: Yet another form of fire mastery, this particular technique was originally developed and mastered by the Sannin Jiraiya. Sometimes seen as the jutsu within a jutsu, this one has properties that only the most talented of shinobi will ever master. Unleashing a scroll usually readied in advance, the user tosses it in front of them and then performs the necessary seals. At once the scroll absorbs almost any incoming Katon and stores it within the scroll for later use or even study. However, much unlike Jiraiya, no other ninja within the Leaf or anywhere else was ever able to bring this technique to his level. Because of that, it has particular limitations that the Sannin himself was not obliged to adhere to. Rank: A
Fuuinsui (Water Sealing) Description: Yet another form of water mastery. Sometimes seen as the jutsu within a jutsu, this one has properties that only the most talented of shinobi will ever master. Unleashing a scroll usually readied in advance, the user tosses it in front of them and then performs the necessary seals. At once the scroll absorbs almost any incoming Suiton and stores it within the scroll for later use or even study. Rank: A
Fuuindo (Earth Sealing) Description: Yet another form of earth mastery. Sometimes seen as the jutsu within a jutsu, this one has properties that only the most talented of shinobi will ever master. Unleashing a scroll usually readied in advance, the user tosses it in front of them and then performs the necessary seals. At once the scroll absorbs almost any incoming doton and stores it within the scroll for later use or even study. Rank: A
Fuuinrai (Lightning Sealing) Description: Yet another form of lightning mastery. Sometimes seen as the jutsu within a jutsu, this one has properties that only the most talented of shinobi will ever master. Unleashing a scroll usually readied in advance, the user tosses it in front of them and then performs the necessary seals. At once the scroll absorbs almost any incoming Raiton and stores it within the scroll for later use or even study. Rank: A
Fuuinkaze (Wind Sealing) Description: Yet another form of wind mastery. Sometimes seen as the jutsu within a jutsu, this one has properties that only the most talented of shinobi will ever master. Unleashing a scroll usually readied in advance, the user tosses it in front of them and then performs the necessary seals. At once the scroll absorbs almost any incoming Fuuton and stores it within the scroll for later use or even study. Rank: A
Kakushitsuijaku (摑趾追雀, Summoning of the Tracking Sparrows) — Tracks and locates any spiritual force the user focuses on. To activate it, the user must draw a circle on the ground, or on a predetermined scroll, the scroll of course has to be rather big. it is cut into four parts with a specific character in each. The required handseals and percise chakra control animates the circle, causing various numbers to appear within until the specific set is found. The number set seems to be a variation on longitude and latitude. once made the users can switch the circle from track to trap and cause the circle to envelop whatever mysterious spiritual force it finds. It even has the power to seal a demon away. Rank:A-S
Hou (包, wrap or envelop) The basic Kanji written on a paper seal, along with many distinct marking which look like a physical barrier that is created thereafter. This kanji is usually written along side another. mostly those of the elements to give the barrier an elemental affinity, others have known to put their last names on the paper slip so only their family can open the barrier. It is tough to break from both the inside and out. It takes a jutsu of the superior elemental affinity and of either equal or stronger rank. Of course elements can be mixed to make other elements such as water+earth= wood. and so on. The user must have this elemental affinity in order to use the element. Rank: A - S examples: 包火-hou+hi= a fire barrier(plasma like) 包水-hou+sui=a water barrier(takes form of solid water) 包風-hou+kaze=a wind barrier(plasma like) 包土-hou+do=an earth barrier (takes form of solid earth) 包雷-hou+rai=a lightning barrier (plasma like)
Kekkai Houjin - Barrier Method Battle Array Kekkai Houjin is a method in which 4 seals are used to seal a certain area, the most basic removes an opponents use of their chakra. Other add on's to this sealing method can be implemented but are much more complicated. The original barrier method is only A rank but if any their are any add on's it turns the rank to S. Rank: A and S
[S-Rank]
Sumiyakaji (速やか時 to speed time) This is a very complicated seal, which was created by Susumu she has yet to teach anybody this technique as it is extremely powerful. The jutsu in it's essence speeds time up incredibly fast inside the barrier created. its takes 4 seals put into a square to make the barrier. Inside the barrier time moves much much faster than on the outside. As 1 day passes on the outside, a year has gone by on the inside of this barrier.(1 post = 1 Year) Rank: S
Genryuu Kyuu Fuujin - Complete Nine Mystical Dragon Seal Genryuu Kyuu Fuujin is a Fuuinjutsu technique utilized by Akatsuki. To further their goals, they seek to capture all the "jinchuuriki," literally "the power of human sacrifice" a.k.a. demon possessors such as Uzumaki Naruto and Gaara. Akatsuki seeks to use the bijuu (tailed demon beasts) for their unique abilites. Once they capture one of the jinchuuriki, they will bring them to a hidden location. All nine members need not be physically present, they can use their astral projection technique to transport a spectral form of themselves into the cave. The members will first summon the huge "king of hell" statue. This statue has its mouth bound and eyes covered. Once they begin the technique, the mouth binding will fall away and nine spectral dragons will emerge from its mouth to strike the jinchuuriki. This will then begin the extraction process. With the absence of Orochimaru, the process will take three straight day and nights. During this period the members will release the same exact amount of power as that of the bijuu, this synchronization will thus allow its removal. As the extraction continues, the statues eyes will open to reveal the current status of previous jinchuriki captures, with irises appearing in the eyes to apparently represent a capture. Rank: S
Gogyou Fuuin - Five Elements Seal Gogyou Fuuin is a Fuuinjutsu technique used by the Sannin Orochimaru. Orochimaru forms an elemental seal on each of his fingers, one for each of the following five "elements": water, lightning, earth, fire and air. By striking the target in their stomach, the user is able to seal off the user's ability to use more than one jutsu per post. The only jutsu they may use are Jounin and lower. Rank: S
Shiki Fuujin - Corpse Spirit Sealing Method Shiki Fuujin is a Fuuinjutsu technique developed by the Fourth Hokage. A variation of this technique was used to seal the Kyuubi within Naruto. The technique was taught to the Third Hokage who later used it in battle. After calling forth the Shinigami (Death God) with the proper handseals, the user will hand over their soul in exchange for the Death God removing the soul from his target. The ultimate sacrificial jutsu, this technique can be used by a Kage Bunshin, but the Death God will still remove the original caster's soul. With the jutsu activated, a spectral form of the caster will appear in front of the Death God. The Death God will push his arm through this spectral body, and the arm will extend from the chest of the real caster. This forces the caster to be close or grasping his target. The arm will reach out into the body of the target, and draw their soul from their body. If the Death God is unable to remove the whole soul because of the near death of the caster, it can remove it's knife and merely slice off a portion of the spectral form's soul to consume. This will render the targets corresponding body part dead and useless. The soul portion removed will then be sealed within the chest of the caster. Both the soul of the target and the caster will never pass into the afterlife. They will be condemned to suffer in the Death God's stomach for all eternity, locked in a hated combat, never to escape. Rank: S
Shishou Fuuin - Four Image Seal Shishou Fuuin was a Fuuinjutsu technique used by the Fourth Hokage. The Shishou Fuuin was used in conjunction with the Shiki Fuujin technique to seal the Kyuubi demon within the stomach of Naruto. The Hakke no Fuuin Shiki was used to make the two Shishou Fuuin allow the escape of the Kyuubi's chakra back into Naruto's own chakra. This allows Naruto to draw on the chakra of the Kyuubi and still keep the Kyuubi itself imprisoned. Naruto can access this chakra whenever he experiences heightened emotions or when his own chakra is drained. Rank: S
Fuuinka Koui (Highest Ranking Fire Sealing) Description: A technique which was once known to be unique solely to Jiraiya, it has been passed down to only the most celebrated of shinobi in Konoha. A marker of their might and cunning, this seal retains almost all the effects of the lesser Fuuinka, but with all limitations removed. It is the strongest form of Fire Sealing, and no technique yet has been able to overcome it. Rank: S
Infuuin: Kai (Secret Mark Seal: Release) Description: Infuuin: Kai is a Fuuinjutsu technique developed by Tsunade that allows her to use the Souzou Saisei technique. Over a period of time, Tsunade will focus and build up chakra in the seal mark on her forehead. The release command will disperse the seal and allow the stored chakra to pump back into her body. Rank: S
[Unranked]
Bijuu (Tailed Beast) Attachment (Chiyo Version - Unnamed) Description: This unnamed Fuuinjutsu technique attached the Shukaku Ichibi to Gaara's unborn body. Shukaku was attached to two Sand ninja previously by Chiyo, presumably using this same technique. To attach the demon, the technique must bring the two beings into synch, both bijuu and human. As a consequence of the attachment, Gaara's mother Karura lost her life. Akatsuki has termed the attachment of demons to an individual and the resulting loss of life a "Jinchuuriki," literally "the power of human sacrifice." Such a technique will grant the human portions of the demons power. Kazekage hoped this would create an ultimate ninja, who would have near unlimited chakra from the demon. As a result of Shukaku's attachment, the demon protects Gaara with nearby sand.
Chikamatsu Puppet Sealing Technique (Unnamed) Description: This unnamed Fuuinjutsu technique is created by one of the ten Chikamatsu puppets. This seal prevents the one sealed from manipulating chakra. There are two methods for this seal. In the first, the puppet will expel a hazy orb from its mouth which can be thrown. While flying through the air, the orb will lose it's haze and grow in size to a huge gaping beast-like head. The large teeth can grab ahold of the person it hits and pin them to a wall. Once the it impacts the wall, it will immediately release the seal onto the surface. In the second form, the main puppet will expel the seal from its mouth onto a surface it is touching.
Fuuka Houin (Fire Sealing Method) Description: Fuuka Houin is a Fuuinjutsu technique that allows the ninja to seal away a nearby fire. After unrolling a scroll to hold the fire, the ninja writes the needed sealing incantation onto the scroll. Then by forming the needed handseals, a vapor will emanate from the scroll to encompass the fire and take it back to the scroll for sealing.
Demonic/ Angelic Chakra Sealing Method Description: A simple, yet effective seal on a slip of paper is able to suppress the chakra of a demon or angel if it. Can be attached to a kunai and the effects will be the same.
Custom Jutsus Name of Jutsu: Big Bomb Rank of Jutsu: B-SS Jutsu's Element:n/a Jutsu Type: Fuuinjutsu Do you want you Jutsu added to the Guild List: No Description: Improving on the standard explosion seal, this seal not only hits harder but can be adjusted over a wide range of power levels. Putting more chakra into the seal creates a bigger and stronger explosion, following the standard scale of ranked techniques. At S- and SS-rank, one of these seals alone can destroy a village.
Name of Jutsu: The Disappearance of the Clowns Rank of Jutsu: S-SS Jutsu's Element:n/a Jutsu Type: Fuuinjutsu Do you want you Jutsu added to the Guild List: No Description: Using a seal, the user generates a black hole that sends everything within a foot of the seal into an alternate dimension. If there's anything only partially in the area of effect, only the part that is within range will be ripped off of the whole and sent into the alternate dimension, creating a neat indicator of where exactly the effects of the jutsu were felt. The SS-rank variety functions exactly like The Death of the Clowns, except instead of seeing the target and being within five feet, the user must place a seal on the target and may activate it at any range.
Posted: Mon Nov 21, 2011 5:14 pm
Weapons
Name of weapon:Mugen Ittama (Infinite One Sphere) Who owns the weapon: Tsuki Mizutou Where it was found/Who made it: The Mugen Ittama are a collection of tama metaru (the signature metal spheres of Kumogakure’s magnet release) that have been customized by Tsuki, inscribed with various seals. Both collectively and individually, Tsuki has named these spheres Mugen Ittama. Users Class: Sealing Master The Range of the weapon: The range of Tsuki’s magnetic control. Weakness: Whatever is strong against metal balls controlled by magnetism. Description: A large number of metal balls, each with a radius of approximately 2 in. and inscribed with multiple seals. Tsuki has found a way to increase the inscribing space on the balls by creating spheres with multiple layers, as many layers as she could to maximize seal space, and in the process has also found a much more reliable way of writing seals on metal besides engraving. Rather than carving her seals into the metal and thus running the risk of a scratch ruining the seal, Tsuki traces her seals into the metal with chakra, creating chakra-based seals that cannot be destroyed unless the sphere they are inscribed onto is also completely destroyed. This method of chakra inscription causes the seal to constantly emanate decent amounts of Tsuki’s chakra, enough for chakra sensors to confuse them for her and to also allow the spheres to be counted as Tsuki’s body for anything that has restrictions based on her body. Additionally, being filled with her own chakra, they’re much easier for Tsuki to manipulate with her magnetic subelement than normal Metaru Tama. Executing high-precision movements with multiple Mugen Ittama is like second nature to Tsuki. All spheres have a Higashinishi Minamikita seal, Explosion Creation seal, Seki seal, and Kyakko seal in addition to one other seal. If Tsuki knows a seal, then it’s definitely inscribed on multiple spheres in her possession. Spheres inscribed with weapon storage seals can release weapons and also store them if the weapons have been released. These storage seals can release generic ninja tools—10 shuriken, 10 senbon, 10 makibishi, 5 kunai, 3 katanas, or 3 fuuma shuriken—for 10 chakra points at speeds and accuracies up to Tsuki’s personal skill with projectiles. The spheres are organized by the one seal that differentiates them and are stored in yet more seals, these seals being storage seals inscribed either into Tsuki’s own skin as several of many finely detailed Uzumaki sealing tattoos or onto various scrolls Tsuki carries on her body. In her cowardly opinion, no one can ever be too prepared. Summoning each sphere one at a time takes 3 chakra. However, each sphere she summons in one post reduces the cost of the next sphere by one chakra, going down to 1 chakra at lowest. Summoned spheres can appear anywhere within one meter of the summoning scroll’s location. Upon summoning, spheres can either be shot in any direction the user pleases once they’ve been summoned, basing their speed, max distance, power, and accuracy off of the sealer’s own skill with projectiles or simply allowed to remain stationary. Through various fancy chakra tricks done upon their creation, the spheres can passively float in place at any height up to eight feet off the ground. This is mainly a cosmetic effect, one that Tsuki only keeps because it costs no chakra to have it, as the levitation doesn’t make the spheres any easier to move. They can be moved vertically without any effort, but not at any speeds that are useful. Tsuki often carries up to two of these balls on her person, usually in her projectile pouch, and has either remarkably good intuition or luck when it comes to picking out which two she wants to carry. Tsuki is allowed to start each fight with up to two Mugen Ittama of her choice that she does not need to summon.
Name of weapon:Shodo (Calligraphy) Who owns the weapon: Tsuki Mizutou Where it was found/Who made it: A graduation gift for Tsuki from her “siblings,” fellow orphans from Mizu no Kuni that she’d learned and lived besides. It was made by them together, each person contributing something, whether it was out of their own personal skills or paying for the handiwork of a stranger. Users Class: Sealing Master The Range of the weapon: The gloves can affect water that is controlled by Tsuki, within Tsuki’s range of vision, or within 40 ft. of Tsuki. The only exception is water that is currently being used in someone else’s jutsu unless the other suiton user allows her to. The gloves must be in contact with the water to affect it. Weakness: Physically, the gloves are just like normal, leather gloves. While a small scuff won’t keep them from working, even the slightest tear, so long as its visible with the naked eye, will render the gloves unusable. Description: Shodo is a pair of fingerless leather gloves dyed white. The gloves are a tad bit too big for Tsuki’s hands because they were created with the correct assumption that she still had quite a bit more to grow. However, two straps help keep the gloves from slipping off Tsuki’s hand. One strap is at the back of Tsuki’s wrists to fit the gloves to her wrist. The other strap is in the middle of the back of her hand to fit the gloves to her palm. The strap in the middle of the hand lies over a thin strip of steel, about the width of two fingers, that can serve as a minor defense. While a fine example of leatherwork, courtesy of the tanner that made the glove, the true value of the gloves don’t lie solely in their physical craftsmanship. The gloves were worked on by several people besides a tanner. The combined medley of talents made a rather intricate ability possible for a rather small object. If Tsuki channels her chakra into water through the gloves, the gloves can concentrate and refine the chakra into something capable of spreading through water to create seals. There are restriction on how far Tsuki’s chakra can create seals, but within those restrictions, Tsuki is capable of creating seals and then activating them instantaneously. She is even capable of sending those seals to travel through any organic or artificial material they come into contact with and activating them while they travel through the other material. Due to the fluid nature of water, the seal must be activated the moment it is created and only up to five seals may be created each post. A recent upgrade to match her acquisition of a new element now allows Tsuki to channel her chakra into dirt, stone, sand, lava, or any other form of earth to create and activate seals instantaneously within the range limitations. Like with water, she can also send the seals through any organic or artificial material they come into contact with and activating them while they travel through the other material. Thanks to earths stable nature, the seals can last for an entire day before dispersing, their pure chakra construct limiting them from remaining forever. However, the rigidness of earth retains the five seal per post limit.
Name of weapon:Nezumi no Gaito (Mouse's Cloak) Your Rank: Sannin Who owns the weapon: Tsuki Mizutou Where it was found/Who made it: Self-made Users Class: Sealing Master The Range of the weapon: Self Weakness: Cannot use chakra while the cloak is activated. Trying to deactivate the cloak while in hiding gives away the wearer's position. Description: This light gray cloak with a white underside allows the wearer to seal his/her own chakra. Beneficially, this hides the wearer's chakra, and any other chakra dwelling within the body, from sensors of all ranks and powers. In exchange, the user cannot use his/her own chakra while the chakra is suppressed. Hiding and reveaing chakra can both be accomplished instantly, but revealing chakra is always accompanied by a short but uninformative chakra burst that can be sensed by even the most densest fool. As part of its suppression method, while Nezumi no Gaito is being used to hide chakra, it collects chakra much like the Uzumaki's Ghost Shadow technique, storing one point of chakra per post up to 40 chakra points. The wearer is free to access this chakra so long as his/her chakra is not being hidden by the cloak. In regards to the cloak's durability. Nezumi no Gaito is made from durable but ultimately normal cloth. However, numerous seals have been embroidered into it with light gray thread, giving it a number of defenses that can be activated by a competent sealer by paying the appropriate chakra cost.
