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The Second Breath

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Yayoi
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Super Sex Symbol

PostPosted: Wed Aug 24, 2011 11:35 pm


The path to the Deathless is awareness; unawareness, the path of death.
-- The Dhammapada
PostPosted: Wed Aug 24, 2011 11:45 pm


The Lantern Show


All things have a purpose under Heaven.

All things.

The wise man. The nurse. The torturer. The demon. The maggot. The vampire.

All things have a purpose. Most are wise enough to know what that purpose is. Kuei-jin, however, must learn their place under Heaven before they can assume the true powers of their office. More to the point, they must understand what they are before they can come to terms with their undead state. By all measures, the Kuei-jin are unclean parasites, shut off from the sight of all good folk. They may be powerful, even immortal, but that power grows thin when compared to the endless hunger og eternal nights.

Face with this emptiness, the Grand Arhat Xue despaired. As the Wan Xian scattered, Xue wandered off on a long journey. He searched for 1,000 years, ad he asked secrets of the five elements as he searched. In time, he assembled a Fivefold Way, and founded, it is said, five Dharmas: diving philosophies to guide the footsteps of the Damned.

Creation may indeed be a shadowplay, but it a show with substance. Like the flickering images thrown by a lantern (which, as many mystics believe, have lives of their own), the illusions of the mortal world grant insight into the greater truths. By discovering his place in that shadowplay, a Kuei0jin finds purpose; by transcending that place and the world around it, he (theoretically) finds peace.

Despite their name -- a corruption melding Xue's term Di'hana with the Sanskrit term for destiny's law -- Dharmas are not Hindu, not Buddhist, not Confucian, Taoist, Shinto or even Christian. They are elemental paths, the trails of which were blazed long before the philosophers and prophets of the great religions were born. Not to say that Kuei-jin concepts haven't been influenced by the grand cultural sweeps of Buddhism and the other faiths; the modern name attests to that much. However, Cathayans who would see true enlightenment must, as always, go beyong the easy roads imposed by mortal vision and seek the traces of faint footprints and snapped twigs, the traces that reveal the path of the true visionary.

It's also vital to remember that Kuei-jin are monsters. Vampires. Eaters of life-force. Animated corpses. And they are very much aware of that fact. The Dharmas can be seen as avenues to transcendence, but many Cathayans regard them as roads to perfection instead. If one is a monster, then it stands to reason that perfection often means becoming more of a monster than one already is. Hence, Kuei-jin are not "Grasshopper" - spouting sages, peacefully picking lotus flowers in search of enlightenment; they are monsters seeking a purpose to their unlives.

A Dharma is not a path to power or a roadmap of enlightenment; consider it, instead, to be a series of auspicious stones, a trail of bent grass-blades markings the way of ones who went before. Each vampire must find her own path; a Dharma merely tells a vampire where to start looking, not where to find each and every step. The search is part of the larger journey.

Yayoi
Captain

Super Sex Symbol


Yayoi
Captain

Super Sex Symbol

PostPosted: Wed Aug 24, 2011 11:57 pm


A Place Under Heaven


The Western concept of sin and redepmtion, so vital to the Kindred's sense of Humanity, is fairly alien to most Kuei-jin. That's not to say th eEastern vampires don't see things as right or wrong; rather, the regard themselves as above those concepts. By virtue of what they are, vampires are fundamentally unclean. Still, they serve some purpose under Heaven. Unlike her Western counterpart, a Kuei-jin doesn't feel guilty about what she is. Instead, she takes a more Zen view of things, "I am an unclean thing. Yet I exist. Because I exist, there must be some place under Heaven for me." A Dharma helps guid her to that purpose.

Although it resembles the Kindred concept of generation, Dharma works more like the Humanity rating in reverse; rather than measuring a vampire's fall from grace, Dharma reflects her rise above her original state. When a Kuei-jin first returns from the spirit worlds, she's little better than a cannibal-corpse, soon (if she's lucky), she regains some sense of her former humanity and beings acting like a person with mighty powers. In time, this behavior wears thing; the vampire required a semblance of peace and destiny. Raw might is fun for a time, but, as the Kindred elders can attest, it feeds on itself until an immortal life goes hollow.

Wisdom -- and the hunger for it -- often comes with age. For the first few years of her unlife, the vampire finds herself enmeshed in mortal concerns. Resplendent in her newfound powers, she usually returns to her old home to settle a few scores and carve a new piece of turf. After a while, however, she understands that mortal games are like a thousand scattered grains of rise -- too small to collect and too tedious to pursue. A vampire who survives long enough to appreciate immortality eventually wants more than mere superhuman power. The quest down a Dharmis road takes a vampire many mortal lifetimes; the lanterns of that quest -- moments of insight called den -- goad her onward in the night.

Dharmas have practical benefits, too. Most Kuei-jin courts require at least a minimal familiarity with some Dharmis path; the living dead are too dangerous (to the living and the dead, and everything else in between) to be left in a shameful, undisciplined state. A renegade who refuses to learn anything about her place in creation does not exist for long; soon, an ancestor tires of having such a capricious creature in his domain, and he instructs her, enslaves her, exiles her or destroys her. A Kuei-jin with an advanced sense of purpose, on the other hand, earns respect for her enlightenment. That sense of attunement also helps the vampire to shift about Chil the more harmonious a vampire become to creation, the better she can use creation's lifeblood. Furthermore, her affinity helps her overcome the powers of lesser rivals; some soul-powers simply won't work when a youngster uses them against an enlightened ancestor. Even so, all the power in the world cannot ease a vampire's hung the way simple harmony can. By advancing her awareness, the Kuei-jin transcends her anguish.

Each beginning Kuei-jin character is assumed to belong to one of the five Dharmas listed. Dharmas are not power-based. Nor do they reflect the strength of a Kindred of the East character. Instead, they measure a vital; yet ephemeral, thing; the journey to find a place in creation. For a living dead thing, some sign of destiny may be all there is to hope for.
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Kindred of the East Info

 
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