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[City Person] ___ // Caveat

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PostPosted: Tue Mar 29, 2011 10:55 pm


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Name: Caveat
Nickname(s): Caveat, damnit
Age (Appearance Wise): Adult (40's)
Age (Actual): 82
PostPosted: Tue Mar 29, 2011 10:56 pm


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Personality:

[Summary] Caveat in general is a genial, polite fellow. While his frame is often rather tense, his script flows out of his mouth in a relaxed, measured manner. He enjoys keeping his contact with other people at an acquaintance level, happy to involve you in conversation about the critical reading of the poetry he's currently involved in. He can be very compassionate, and once you are within his attention he will often stretch out a considerate hand to help you. The problem is that he rarely leaves his level and his social circle, and willfully does not attempt to broaden his social connections. Even though he is compassionate toward others, he is also rather elitist, which tends to make him somewhat patronizing. That is if you come in contact with him at all - if you are of the middle or lower levels, he'll probably just ignore you after he's done with his brief business contact with you. After all, if he doesn't seen you hurting, he can't feel responsible for your pain.

Pros
Reserved: A reserved, polite individual (because he has to be). In his youth Caveat was more fiery, but age and sharp words from his mentor has tempered this savage beast. He also can be considered to be quite serious, for though he smiles a great deal he isn't given to flippancy or fancy. While he is open about his thoughts and feelings, they are always tempered by his composure.

Alert: One key factor in Caveat's success. His mind does not wander easily, and he watches the proceedings of things with purpose, determined not to miss a beat.

Sentimental, but...: Caveat is typically a kind man to those he meets. However, his sense of compassion is somewhat warped. He has great feeling for others, certainly - a true sad story will set him in a fit of melancholy for hours - but tends to not branch from his social circle (indeed, or even leave the library he tends very often), thereby making his honest compassion rather limited.

Devotion: Caveat would have gotten nowhere without his single-minded drive and dedication to succeed, as he has little to no luck to speak of. Though almost all other aspects of his personality have changed from his days at the press and at school, this remains relatively unaltered.

Cons:
Self-consciousness: In part because his identity has gone through so many changes in his lifetime, and in part because those changes were necessary for him to become what he perceived to be the perfect picture of a librarian (in order to win him the job), Caveat is very conscious (and self-conscious) of his current identity, which is the product of his struggles and experiences. He can be pressured by peers into silence, and is privately somewhat vain about his looks.

Elitist/Critical: Being an idealist (and somewhat arrogant) in his youth, this is a side effect of his long attempts to rise in academic ranks to the position he is in now. While he "understands" ignorance, he clearly feels that his educated position is superior. This can lead to a patronizing tone as he instructs those who have little knowledge of the genre he is speaking about, be it about literature or about the correct way to handle a book. He is also a natural critic, that being his talent and ability when it comes to writing, and if he is not in the presence of those living in the Upper Level he may tap into these abilities unjustly.

Guilt complex: An odd effect of his long and selfish life, Caveat has a bit of a guilt complete (in other words, an over-developed sense of responsibility for others and himself). Typically this was suppressed in his youth to make way for his success, but now that he has achieved his ultimate goal, his mind has entirely too much time to catch up with both the unhealthy habit of suppression as well as the complex itself. This is slowly becoming more prevalent in him as the years go by.

Self protective/Denial: This goes hand in hand with his reserved nature. Caveat will pull away (or attempt to pull away) emotionally and physically from all "threatening" situations. This form of mental self-defense is part of the reason that Caveat can afford a composed and reserved personality, as he refuses to acknowledge emotions that are not under his control. He does this because Caveat's identity is rather fragile. There are many exceptions to his views of himself, for example, that he ignores and pretends doesn't exist - like the fact that he thinks he's compassionate when really he can just come off as being a snob. With the long years of personal struggle (and emotional denial as he forces himself to conform), as well as this new underlying threat of plague, Caveat's ability to control himself will certainly be far more strained and breakable than normal.

Rambler: A minor aspect of his character, he developed a bit of a habit of rambling while teaching. Not that Caveat calls it /rambling/, per se - rather that he is in the habit of making sure his points are absolutely clear, without any misunderstanding. This occasionally ends up being long winded and detailed.

Thoughts

Thoughts on the Forest:
Something to be observed and contemplated, as the stars are in the sky. He's much too involved in the workings of the city (especially the upper level) to pay it more mind than that, so he thinks. In reality it's presence disturbs him in a morbid manner, and he's actually rather afraid of those leafless trees.

Thoughts of Book Children:
Youth, to be pitied and raised to their potential. He's curious about their origins. In general, unless he comes in explicit contact with any Book Child, he does not search them out for any reason. Neither does he ignore them. His own reasoning for this is primarily because he wishes to have his conversations with others that can understand his culturally immured sentiments, but that usually makes him guilty for not living up to his own expectations, hence why he prefers not to think about his own lack of desire to be more curious about them.

Thoughts on City People:
In general, he feels as though he quite enjoys people - no matter their job or level in society. However, to the contrary, he rarely leaves the upper level...

Lower level: Proclaims compassion, occasionally lectures or speaks poetry before them, but in general never interacts with lower level City Persons.
Middle level: Unless they are actively trying to become part of the upper level through schooling (in which case he is careful to watch them to snap up new geniuses), he typically passes most by.
Upper level: Especially scholars, he consider these his eloquent and elevated peers (even rivals). Having been an instructor for so long in his life, he considers those obvious younger or students "potentials".

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Tiny Fatcat

PostPosted: Tue Mar 29, 2011 10:58 pm


History

History:
"And Priests in black gowns were walking their rounds,

And binding with briars my joys & desires."


With these words, repeated by an poet on the middle level to a small crowd of watchers, Caveat came into existence. He's never quite forgotten that day. Confused and frightened by existence itself, the beautiful and regular script of the accomplished orator as he recited poem after poem calmed him. As the orator began to recite poems of his own creation as well, the newborn felt a thrill of inspiration that reverberated through the admiring crowd.

I want to do that, he had thought at the time. I need to do that.

But, try as he might to copy the poet in lonely latter days and weeks, he could get few persons to be interested. His halting lines were ridiculed for being weak and untutored by well dressed folks, and his recitations were cobbled from what he could remember and strange improvisation. When one pompous man suggested entirely in jest that he go to learn at Fin Magna at once, causing laughter amongst his companions that blotted out the lamplight, Caveat wanted to know more.

There was a place where he could learn - not only about what to write about, but to write better lines period? Lines that would move others as much as he had been moved - that could draw the kind of crowds he'd struggled and struggled to get?

He had to know more.

What he learned displeased him. Fin Magna was prestigious and a place of learning, as he desired. The school was also incredibly expensive. Without some kind of income or benefactor, he wouldn't be able to attend. He would never be able to learn the kinds of things that would make him an excellent poet and an accomplished intellect worthy of any praise. He needed money. In part because he'd grown bitter and critical of strangers as the weeks of hunger drew on, no one had ever taken Caveat in. A job was necessary.

When the plucky and serious Caveat showed up one day begging for an apprenticeship at the printing-house, the Printing Master got what he'd expected: a dedicated and quick learning worker with a near-desperate need to make a good deal of money. But certainly our good Master did not anticipate the youth's profound intellectual ambition. Caveat's sight was set on Fin Magna alone - no warning could dissuade him.

And so on his salary young Caveat paid his way into every poetic discussion and literary lecture he could afford. When the time constraints of studying proved too much to hold down his job at the Press, though, Caveat quietly and desperately pressed for writing jobs within his peer and mentor circles. Surprising himself, it wasn't creative writing that he proved to be most adept at during these first few years: it was his critical writing that drew critical acclaim from his professors and instructors. When money was scarcest, he managed to seize an on-and-off job of penning (and printing) pamphlets from various political sources in Laghminster.

After a good four years of attempting to distinguish himself from the masses, one instructor finally took a shine to the witty and thorough critic. This professor was a man of wit and jest, and had penned a number of poems that were generally enjoyed. Under him, Caveat took his hand to poetry in the arms of a gentle tutor. He began writing voraciously, using all the ability and skill he'd paid and struggled and sucked in for those many, many years.

The results?

Laughably bad, the instructor confided to his peers.

After a few months of solidly terrible poetry, the instructor broke the bad news on Caveat gently - he'd seen no potential in Caveat's poetic writings, and Caveat should continue in another discipline instead. (After all, no tutor wants to waste their assets on one that would never improve substantially).

It wouldn't be hyperbolic to say that Caveat was crushed, heart and soul. He did not know what to do or where to go. To lose such a kind instructor's interest was one thing, but to be judged as utterly incapable of doing the one thing that he'd set out to do?

Without finding any other obvious niche for his other abilities, Caveat continued to linger in the school for years off the proceeds from his pamphlet work. He spent his time tutoring his fellows and distinguishing himself at any possible opportunity to regain some shred of intellectual honor. As time went on, and the sting wore off, Caveat realized that he needed to distinguish himself in some other way. Somehow, he needed to be important to this upper level if he was going to stay here.

Politician? No, he wasn't liked enough. Teacher? Possibly, but it wasn't prestigious enough. Something that would gain him respect - honest respect, from everyone in all his circles, something to set him apart forever and show them all that he was truly intelligent, like a librarian or something.

... Librarian.
And thus the hole in Caveat's heart was filled.

Now he worked again with the kind of fervor and drive that had characterized his first years at school. His desperation to be of use to Fin Magna finally paid off when he was made an instructor (with pupils and favored students of his own), much to his own personal delight. (Finally, he was able to move from his shabby half-house in the Middle Level to a more respectable district!) Instructor - yes, that was exactly the stepping stone he needed. Not only could he influence the youth, but he was finally in a respectable position at last, and could finally be taken seriously! His goal seemed at first to be handily within his grasp again.

Years and years (and years) of studious effort in the teaching profession proved his expectations to be inflated. His desperation renewed, Caveat carefully gave some favorable criticisms of key figures works. Caveat had experience being politic when necessary, after all. It worked, and combined with his years of teaching Caveat managed to finally slide into the highly prestigious position of librarian. Caveat himself looked quite carefully the part as he smiled and took the position with great honor and happiness.

That was very recent in occurance. Caveat has settled into this new position with the ease of someone whose life - and personality - has undergone many changes to meet his goals. Certainly now, thinks he, in such a position he will have the kind of stability and respect he's been secretly longing for in all this stressful life. Certainly he thinks he's earned a reprieve to enjoy his success within practically sacrosanct and book-filled walls.

And then came the plague...


Miscellany!

Hobbies: Reading poetry! (He's a hilariously bad poet, and keeps his work to himself.) Rebinding books (very carefully). "Projects" - his current one being the careful reorganization of books pertaining to literary analysis in the field of romantic lyrical poetry.
Birthday: Late Spring. He doesn't celebrate it.
Favorite Things: Poetry (loves reading it especially). Flowers. (Secretly, his own appearance.) Light, fancy meals. Pears.
Hated Things: Criticism (of himself), messes (and things being out of order), not being taken seriously.

Font: User Image
Favorite Story: The Rime of the Ancient Mariner
Job: Librarian
Class: Upper Class
Fears: Fading, losing his position in society, social rejection

A note about his poetic ability: While Caveat understands the mechanics of a poem, his seem to have no heart, little impact, no artful flair. For example!

"Through lanterns, starlike, twinkle bright
To drive dark away, and with it fright
still darkness lives in forest-lands:
And there it festers and expands
to fill all my world, and leaves me blind
and wipes sweet memories from my mind."

The repetition of darkness, and his desperation to fit words to the rhyme, hamper any artistic flair. It's also very vague: Caveat would write this with a mind for panic, something many experience, but it reads more like he's just writing about his fear of the forest, which isn't quite as universal. There doesn't seem to be any real purpose in his topic, either - he's just writing a mediocre rhyme about his feelings.
PostPosted: Tue Mar 29, 2011 10:58 pm


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PostPosted: Tue Mar 29, 2011 10:59 pm


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PostPosted: Tue Mar 29, 2011 11:03 pm


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PostPosted: Tue Mar 29, 2011 11:08 pm


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PostPosted: Tue Mar 29, 2011 11:13 pm


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PostPosted: Tue Mar 29, 2011 11:19 pm


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PostPosted: Tue Mar 29, 2011 11:21 pm


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