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Posted: Thu Aug 19, 2010 3:29 pm
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Posted: Thu Aug 19, 2010 8:04 pm
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Posted: Sat Sep 18, 2010 10:29 am
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Posted: Sat Sep 18, 2010 3:17 pm
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Hmm... well, it being unlike the books is a valid argument, I suppose. But not if you look at Disney's overall history; they're always fiddling around with storylines. It's the story teller's way, haha.
According to my book, the animators and Walt Disney both found the story difficult to work with. "British critics assailed the liberties he (Disney) had taken and American audiences failed to respond." It goes on to describe how the animators and audiences described it as too mechanical to be up to Disney tastes... no development or real progression, or something like that. --Disney's Art of Animation, From Mickey Mouse to Beauty and the Beast; 1991
I guess those are valid arguments... I mean, the movie could be somewhat depressing at some points. Actually, at a lot of points, haha. But mechanical... I guess the storyline could be seen like that. I always thought the transitions between story archs were a little forced, but mechanical seems a little harsh, haha. ^_^;
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Posted: Sat Sep 18, 2010 7:59 pm
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Posted: Sun Sep 19, 2010 4:07 am
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Lady March Hare Hmm... well, it being unlike the books is a valid argument, I suppose. But not if you look at Disney's overall history; they're always fiddling around with storylines. It's the story teller's way, haha.
According to my book, the animators and Walt Disney both found the story difficult to work with. "British critics assailed the liberties he (Disney) had taken and American audiences failed to respond." It goes on to describe how the animators and audiences described it as too mechanical to be up to Disney tastes... no development or real progression, or something like that. --Disney's Art of Animation, From Mickey Mouse to Beauty and the Beast; 1991
I guess those are valid arguments... I mean, the movie could be somewhat depressing at some points. Actually, at a lot of points, haha. But mechanical... I guess the storyline could be seen like that. I always thought the transitions between story archs were a little forced, but mechanical seems a little harsh, haha. ^_^;
Ah, too true. The only time that overly bothered me was with the Little Mermaid... When you change a story like TLM so much that's it's no longer bringing tears to your eyes nor a slight smile to your face (slight smile because her ending was happy, just not in the conventional way), something's wrong.
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Posted: Sun Sep 19, 2010 3:50 pm
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Posted: Sun Sep 19, 2010 4:55 pm
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Posted: Sun Sep 19, 2010 6:30 pm
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Posted: Sun Sep 19, 2010 8:56 pm
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Posted: Sun Sep 19, 2010 9:52 pm
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Posted: Mon Sep 20, 2010 1:12 pm
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Posted: Mon Sep 20, 2010 5:48 pm
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Heeeey... you voting people! Get in here and talk with us! We're nice! Honest! O__< ... ^__^ *sets a trap and drags people in to talk*
: D
@ Azure: Yeah... pretty much. Lessons were kinda limited to writing and reciting... 'How Doth the Little Crocodile', for example, is a tongue-in-cheek rewrite of another well known rhyme that Victorian children were expected to learn. So it kinda makes me wonder if it was supposed to be a parody... I mean, it is, but was it written with that intention, or to please the little girls who's lessons were warped and rewritten to amuse them? I'm kinda inclined to believe the latter myself, just from what I've read. >_>
And you know, I've always wondered about that... by going to Wonderland, Alice is breaking away from Victorian society/her home, but during the entire story she is attempting to find her way back. And she almost always serves as the voice of reason during her adventures... say, for example, when she attends the Mad Tea party. So... is she running away or running towards that normalcy? I dunno... strikes me as a headache if I think about it too much!
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Posted: Wed Sep 29, 2010 12:32 pm
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Posted: Thu Sep 30, 2010 7:45 pm
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