Kugutsu (Puppetry)

[Orchid Moon]

Kugutsu (Puppet Techniques)
Control, Power, Performance

Stage 1 (genin)

.The ability to Summon and Control non living creatures and use them to fight for you under your control using the puppet as if it were you yourself.
Every Puppet Master Needs to master Stage one Before Continuing on any path with Puppets.

Puppet Summoning.
Rank E
Description: The First technique that can be used by any puppet user. This technique allows the ability to summon there Puppet. This Technique has to be mastered Before Learning Any other Puppet techniques.

Chakra strings.(( maximum One Puppet ))
Rank E
Description: The Second and most important technique that any puppet master need's. this technique allows basic control over a puppet using a string from each finger tip.

Stage 2 (( Chuunin ))


Puppet Summoning.
Rank C
Description: The First technique that can be used by any puppet user. This technique allows the ability to summon there Puppet. This Technique has to be mastered Before Learning Any other Puppet techniques.

Chakra strings.(( maximum Three Puppet's ))
Rank C
Description: The Second and most important technique that any puppet master need's. this technique allows basic control over a puppet using a string from each finger tip.

Stage 3 (( jounin/ Anbu/ Hunter ))


Puppet Summoning.(( includes Human puppets ))
Rank B
Description: The First technique that can be used by any puppet user. This technique allows the ability to summon there Puppet. This Technique has to be mastered Before Learning Any other Puppet techniques.

Chakra strings.(( maximum 10 Puppets ))
Rank B
Description: The Second and most important technique that any puppet master need's. this technique allows basic control over a puppet using a string from each finger tip.

Human Puppet Creation.
Rank A
Description: Create The Ultimate Puppet a Puppet From a Dead Ninja (( only if you killed Them)) these Puppets Retain Bloodlines And Six Ninjutsus Taijutsus And Or Genjutsus.

Jikki Chikamatsu no Shuu - White Secret Technique
Rank S
Description: Summon The Army Of White (( probally better than the !00.))


Stage 4 (( Kage/ Sannin / S- Rank))


Puppet Summoning.
Rank S
Description: The First technique that can be used by any puppet user. This technique allows the ability to summon there Puppet. This Technique has to be mastered Before Learning Any other Puppet techniques.

Chakra strings.(( maximum 100 Puppet ))
Rank S
Description: The Second and most important technique that any puppet master need's. this technique allows basic control over a puppet using a string from each finger tip.

Hyakki no Souen - Red Secret Technique
Rank S
Description: Summon The Red Army. (( Rp Sensabley Though.))

 

[Orchid Moon]

The Puppets.

Karasu - The Crow

This Puppet Has many Skill's That can be used When attacking and Defending although it seems to mainly be An attack puppet. Each Limb of this Puppet is loaded with a different Weapon Base And this Allows For the Puppet to be effective during Battle its Other Skill's include.

Detachable limbs
- These Limbs include Head Arms legs And All once Detached due to the nature of Puppetry of Course that part can still be Controlled.

Extendable poisoned blades from limbs
- Once The limbs are Detached then it is possible to Release a set of Poisoned blades.

Firing poison gas
- Firing Poison Gas Can be used For Cover And Also To poison an Enemy.

Razor blade ribs
-Simple Rib Attack With Blades

Mouth kunai launcher
- Fire A kunai From the Head of the Crow.

Doku Kiri Jigoku • Baribari Hyaku Renpatsu - Poison Mist Hell • Hundred Continous Tears
Rank B
This technique involves Kankurou using both Karasu and Kuroari. Kankurou will maneuver the two puppets around his target. He will then use Karasu to launch poison mist bombs at his target, enveloping them in the gas. Karasu and Kuroari will then launch a multitude of needles at the target.

Owner's
1 Kuza ( Orchid Moon )
2 Senkei Akuma ( Akura Bashirou )
3
4
5

Kuroari - Black Ant

The Black Ant Contains Many Secrets only known To puppet user's themselfs. This Puppets Main Focus is defense and it dose it well but also has some Claws for attack. This puppet was originally built to capture the opponent. Together with Karasu it makes a set, with Karasu leading the attacks to lead the enemy into the trap that is Kuroari. Once trapped inside Kuroari, Karasu will disassemble to extend poison blades. These blades will then by sunk into Kuroari's holes, sending a poison death strike into the enemy trapped within.

Saw blades on arms
- Geting Punched By this Puppet could mean more than a bruised eye as its saw's cut through alot. Wood, And Rock.

Large expanding chest cavity for capture
- The Cavaity on its Chest Can be used To Imprison Enemys. or When used as a set to destroy them with ease.

Kairai Engeki • Kuro Higi Kiki Ippatsu - Puppet Theater • Black Secret Technique Dual Mechanism One Shot
Rank B
Kairai Engeki • Kuro Higi Kiki Ippatsu is a Ninjutsu technique utilized by the Sand ninja Kankurou. Kankurou will use this technique while doing his Kugutsu no Jutsu. This technique involves Kankurou's second puppet Kuroari acting in conjunction with Karasu. Kuroari acts as a defensive puppet, capturing Kankurou's opponents. Kankurou will use Karasu to manuever his target unknowingly into Kuroari's opened chest. Once inside it will immediately close to prevent their escape. Acting quickly, Kankurou will break apart the limbs of Karasu, with each limb popping out a deadly poisoned knife point. These limbs will then jab into the slots of Kuroari, puncturing and killing the opponent trapped inside.

Kuro Higi Kiki Ni Hatsu - Black Secret Technique Crisis of Two Début
Rank A
Kuro Higi Kiki Ni Hatsu is a Ninjutsu technique utilized by the Sand ninja Kankurou. Using his Kuroari puppet, Kankurou will distract his opponent in some way, either by another ninja or possibly using Karasu. With the opponent distracted, Kuroari will move into position behind them. Kankurou will open the chest cavity and emit wire to ensnare his target. They will then be pulled into the chest cavity. Blades will then run through the chest cavity carving the unfortunate soul inside to pieces.

Owner's
1 Kuza ( Orchid Moon )
2 Senkei Akuma ( Akura Bashirou )
3
4
5

Mokujin

Ninpou: Mokujin Soujutsu. Their vast army of wooden training men move independently through the usage of charms placed on their heads. Because these men are "dumb" and only attack randomly, a target can easily defeat them with time. By using Mokujin Soujutsu, they can control specific puppets. This allows the puppets to better attack and defend themselves against their targets.

Ability to strike
spin and attach multiple sections together
Mokujin Hitsugi - Wooden Men Coffin
Rank B
Ninpou: Mokujin Hitsugi is a Ninjutsu technique used by the Ryuudouin clan. Using their vast army of wooden training men, the three brothers will place charms on the heads of the dummies to attack their target. When the target is sufficiently surrounded, the clan members will break the wooden men down into their base parts and then combine them into long rows. These rows will stack and combine to surround their target and isolate them from the outside world. The wooden parts will be imbued with the clan member's chakra and be greatly strengthened as a result. If enough power is placed against the structure however, it can come crashing apart.



Owner's
1
2
3
4
5

Akagahara

In the exam area Akagahara, one of the traps surrounding the statue above the red four-leaf clover, was an army of puppets. These puppets were left over from their days as obstacles in the exam area. Basic in type and severly aged, these puppets seemed to move under some hidden means, as there was no puppet master around.

Bladed arms

Mouth kunai shooter

Owner's
1
2
3
4
5

Sanshouuo

A Huge Lizard Puppet (( i have Given it the weapons that hiruko has )) used as a great Defensive Gate that is almost impossible to break.

Large poisoning "tongue" tail
- Poisonous tongue.

Fireable needle launching arm
- Fire Repeated Needles

Mouth needle launcher
- Fire Repeated needles.

Gaint Sheild
- To use defensively this shield is incredibly durable.



 

[Orchid Moon]

Jikki Chikamatsu no Shuu -

These puppets were made by the first Kugutsu no Jutsu user, Chikamatsu Monzaemon. The puppets were passed on to the hands of Hidden Sand user Chiyo. She uses the puppets as her ultimate technique, her "White Secret Technique". The puppets are stored in a summoning scroll, when summoned each individual puppet is manipulated by one finger on each of her hands.

Below are the ten puppets and their revealed abilities. It is unknown if they possess other weapons and attacks.


This puppet does not appear to have any hidden weapons, instead relying on its brute strength and power to knock away attackers.


This puppet does not appear to have any hidden weapons, instead it used its body in defensive maneuvers.


This puppet holds a chakra sealing orb in its mouth. The mouth will open, releasing the fist-size orb. When thrown the orb increased in size to reveal that it is actually a gaping maw. This large head can bite and pin opponents to a wall, sealing their ability to use chakra.


This puppet bears the mark of "Buddha" in its mouth. It forms the top portion of the Sanbou Kyuukai technique. It works along side puppet six ("Acts") and eight ("Priest").


This puppet utilizes some form of chakra-like blade. The top portion of its head will lift, to reveal a round sub-face. This face will extend four blades, which will begin to spin. This puppet works in conjunction with puppet nine.


This puppet bears the mark of "Acts" in its mouth. It forms the lower left portion of the Sanbou Kyuukai technique. It works along side puppet four ("Buddha") and eight ("Priest").


This puppet wields large head-cleaving swords, which it can use to split enemies in twain.


This puppet bears the mark of "Priest" in its mouth. It forms the lower right portion of the Sanbou Kyuukai technique. It works along side puppet four
("Buddha") and six ("Acts").


This puppet works in conjunction with puppet five. It can extend its right hand on a chain, to interlock with puppet fives left hand. It can then hurls puppet five and its spinning sub-face at its opponents.


This puppet holds extending cords in its skull. It can extend these piercing wires into its opponents.



Sanbou Kyuukai - Three Buddhist Treasures Vacuum Destruction
Rank A
Sanbou Kyuukai is a Ninjutsu technique used by three of puppet master Chiyo's Chikamatsu puppets. The puppets come together to form a pyramid. After forming a hand seal, a great suction will draw in all the surrounding targets to the area between their bodies. Once the sucked in materials reach this area they are broken down into nothingness in the swirling vortex.




 

[Orchid Moon]

Akahigi • Hyakki no Souen - Red Secret Technique • Performance of the Hundred Puppets

Akahigi • Hyakki no Souen is a Ninjutsu technique used by puppet master Sasori that is said to have brought down a whole country. The skill of a puppet master is said to be proportional to the number of puppets they can manipulate at one time. In his puppet form, Sasori has been able to greatly increase the number of chakra strings he can emit from his body at one time. A normal puppet master like Chiyo limits herself to ten strings and puppets, focusing on quality over quantity. For Sasori, this technique goes for the brute force approach, seeking to overwhelm his opponent.

To start the technique, Sasori will remove the summoning scroll from his back. Opening his right chest compartment, he will emit approximately a hundred chakra strings to reach into the scroll and control the puppets. These puppets are former opponents of Sasori's who he has made into hitokugutsu puppets. This allows the puppets to retain the skills and abilities they used in life. For that reason many of the puppets will retain the weapons they once used.

*Hint* the owner's of this may Create 2 Custom Jutsus Just For the 100 puppets once created

 

[Orchid Moon]

Puppeteer Taijutsu Style


Stage 1
Genin

Grin of the Dummy [Dankai Ichi Dami-Warai]

The most basic level of the Puppetry Technique, the user controls a single puppet through the use of chakra strings that extend from the user's figures. It takes one post at this stage to connect the strings, though the puppet can still be used to defend against an attack in that post, and these strings are invisible to all but those who can see chakra. Controlling the puppet requires both hands. The puppeteer can affect the puppet with the replacement and transformation techniques, assuming he knows those jutsu himself. The puppeteer can also speak through the puppet with his own voice by placing a chakra string leading from his mouth to the puppet. Because chakra dissipates after a while, the strings only remain strong enough to control a puppet at a distance of about 10 yards.

- Trip-Wire Technique [Tabi-Waiya no Jutsu]
A puppeteer can set up chakra strings as a rudimentary sort of trip wire, though this requires a free hand to set up and maintain the strings, so puppet use is impossible while using this jutsu until the chuunin rank. Unmentioned chakra strings fade immediately.

Stage 2
Genin

Rickety Effigy [Dankai Ni Nainkyuusha Hina]

At this stage, chakra strings can be attached to the puppet almost instantly, allowing the puppeteer to attack and defend in right after attaching the strings. The puppet's movements are swifter and more precise, as the user has acclimated himself to the technique and is now familiar with the hand movements that control the puppet. The user's control allows the strings to remain strong over a distance of about fifteen yards. |

Stage 3
Chuunin

The Still Face of the Porcelain Figurine [Dankai San Naomen no Yakimono Katachi]

At this level, the first major breakthrough is accomplished, as the character can now control two puppets simultaneously. One hand is used for each puppet, but the puppeteer is back to basic functional movements until he gets the hang of the new control scheme; though he can control one puppet with masterful speed and grace. Also at this level, the puppeteer gains the ability to hear sounds that are made within five yards of the puppet, though this sound is muted and will not transmit the effects of Sound techniques. The strings now maintain their strength at a distance of twenty yards.

Stage 4
Chuunin

The Swift Dance of the Marionette [Dankai Si Hayai Hitosashi no Marionetto]

As the puppeteer masters his art, he brings a few new benefits while further refining the old abilities. The puppeteer is beginning to understand the mechanics behind the technique, and can use a combination of mental commands and hand movements to enhance his control of both puppets. The strings now maintain their strength at a distance of twenty-five yards.

- Puppet Sensory System [Sacchi Keiretsu no Kugutsu]
The puppeteer can now close his eyes to see through the eyes of one of his puppets, allowing the puppeteer to battle at extreme range without having to physically see the fight itself. The Puppeteer can also choose to make himself deaf, that he might hear the sound in an area around one of his puppets. A failsafe in the technique (causing the strings to momentarily snap in the case of a chakra-laced sound) prevents sound jutsu from affecting the user through his puppet


Stage 5
Jounin

The Silent Song of the Mannequin [Dankai Go Mokumoku Kyuuei no Manukan]

This stage of the puppetry technique carries with it a new breakthrough; the ability to control 3 puppets at once. A greater understanding of the technique allows strings to not only be controlled through mundane pulling, but also through mental commands that manipulate the strings. This advanced control allows the puppeteer to control all three puppets with two hands (roughly three strings per puppet). The distance between the puppeteer and the puppets is now increased to thirty yards

Stage 6
Kage/Saanin

March of the Death Machine [Dankai Roku Sousoukoushinkyoku Zetsumei Kikai]

This level is considered by most to be the mastery of the Puppetry Technique. At this level, the user can control two puppets with a single hand, allowing a total of four puppets to be controlled. Additionally, puppets can now be controlled at a distance of thirty-five yards.