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Sanguina Cruenta
Captain

Eloquent Bloodsucker

PostPosted: Sat Nov 28, 2009 1:57 am


Intro

Hello. I am San, and this is my "pathways" thread. I am going to outline my beliefs and practices, and am doing so not really so much to share them with you, the reader, but to sort of iron them out for me myself. Hopefully in the process of writing this (and it may take a long time to hash out my major posts) and with the questions people might ask, I will get a more thorough understanding of this particular branch of my faith.

I am a Hedgewitch. My religious witchcraft is the primary base of my general religious and spiritual self. I am also a Heathen, but that is... not so much secondary, but sort of "additional". And I honour other deities on occasion, and have other interests, but again, those are additional.

In general terms when I use the word "witch", I do so to mean any practitioner of witchcraft. My religion I am describing here I can only explain as "witchcraft", specifically religious and spiritual witchcraft, and as a practitioner the only word I have is "witch". Please note that at no point am I trying to say that all witches do/believe this, that all witches should do this, or even that ANY witches save myself do this.

This thread is mostly finished and thus open officially for Q&A. Keep in mind the thread is still in something of a state of flux, may be closed/locked at any time, and that posts may be edited.
PostPosted: Sat Nov 28, 2009 1:57 am


Contents

1] Intro - The Purpose of this Thread
2] Contents - You Are Here
3] What is Hedgewitchery?
4] Overview - The core bases of my faith and practice
5] Deities - The God and Goddess I honour as a part of this path
6] Cosmology - The Worlds
7] Hedge-walking - What makes a Hedgewitch a Hedgewitch
8] Magic and spellwork
9] Rituals - Formal Celebration
10] Sabbats - The Eight Holidays
11] Minor Celebrations - New Moons, Full Moons
12] Prayer - Daily Devotions and Speaking with the Gods
13] The Afterlife - Where do I go from here?
14] Links and Recommended Reading - What Inspires me and helps me Develop my Path
15] Q&A
16] Reserved

Sanguina Cruenta
Captain

Eloquent Bloodsucker


Sanguina Cruenta
Captain

Eloquent Bloodsucker

PostPosted: Sat Nov 28, 2009 2:00 am


What is Hedgewitchery?

...or "Hedgecraft", if the word "witchery" annoys you.

Hedgecraft is, essententially, witchcraft wherein the witch travels from her body to other worlds. Often under the influence of salves and such. However, for those of us who identify as Hedgewitches, it's a spiritual path in and of itself.

It's been said before, and better, so I'm going to quote from a blog called Walking the Hedge.

Quote:
Hedgewitchery, or Hedgecraft, is a kind of combination of Witchcraft and Shamanism. This Path is based on the Traditional Witchcraft and Cunning Folk traditions of Europe from ancient to modern times. It is an something of an “eclectic” tradition, but just how much so depends on each individual practitioner.

The shamanic aspect being the most important, in fact to call oneself a Hedgewitch is to call oneself a shaman, with out having to steal a word from another culture (should you be a white-skin not from Siberia like me). With herbalism, healing, and a deep love for, and understanding of Nature added to the mix.

Hedgecraft is loosely based on the old wise women (and men), cunning folk, herbalists, faith healers and actual witches throughout history.
If you think “Hedgewitch” and picture the strange old lady who sold herbs and magickal charms, acted as midwife and healer in the ancient times, you are not far off. Nor are you far off if you picture the wise sage who would cast bones to divine the future or journey in the Otherworld to heal members of his community.

Throughout history “medicine man” or “wise woman” type traditions have risen and fallen all over the world. These kinds of traditions never truly died out, and in recent years, more and more modern people in the Western world are turning to them and adapting them to modern times. Modern Hedgecraft is the study, adaptation and practice of these ancient nature-based, spiritual and healing traditions in our modern lives.

Most Hedgewitches look to their own heritage to find inspiration, lore and knowledge. Hedgewitches can come from any background, but the majority of Hedgewitches seem to come from a European ancestry. Meaning that most Hedgewitches will practice based on the folklore and traditions of the ancient Celts, Vikings, Roman, Greeks and such.
While most study the traditions of their own ancestry, some may be drawn to the traditions of other cultures. Or they may seek to learn from other cultures to gain a better understanding of their own heritage, as well as a greater respect for others.
Hedgewitches are not opposed to the study of modern tradition as well, for they strive to bridge the gap between old and new. To blend old traditions with a modern lifestyle in a workable and practical manner is a hallmark of Hedgecraft.

The word “hedgewitch” is, as far as we can tell, a fairly modern term. Though its true origin may never be known, it likely comes from Great Britain and may have started to be used in its English form only within the last 100 to 50 years. It is, as far as we can tell a “modern Anglo-Saxon” word.
“Hedgewitch” most likely comes from the Saxon word haegtessa, which translates to “hedge-rider”. The Old Norse lay Havamal refers to “hedge-riders, witching aloft”.
Although Hedgewitch is a modern word, that does not make it illegitimate, just a modern word, for a word does not have to be old to be legitimate. English is still a young language; it is changing and growing all the time. Our ancestors had their own names, in their own languages, for such traditions. Hedgewitch is for our culture, in our language.

The basic modern definition of Hedgewitch would be comparable to another ancient culture’s definition of wisewoman, cunning man, medicine man, shaman, herb or faith healer etc.
There is a fair bit of variation in spelling, such as “hedgewytch”. A few other names often used for this Craft: Hedge-Rider, Night Travelers, Myrk-Riders, Gandreidh (wand-rider), Cunning Folk, and Walkers on the Wind.

For the Hedgewitch, “the Hedge” is a metaphor for the line drawn between this world and the next; between reality and dream, between the Upper, Middle, and Lower Worlds. In short, the Hedge is what many Pagans refer to as the Veil.
It is also simply the boundary between civilization and the wild.

This concept of a boundary hedge in a spiritual and magickal sense is from the European (especially British) tradition of hedgelaying. Going back even to the Iron Age, the European landscape has been crisscrossed by hedgerows. Hedgerows are carefully grown and landscaped intricate layers of plant-life. These often-large rows of shrub, bush and tree were boundaries for farmsteads, pastures, villages, ditches and such. Often times, at the very edge of a human settlement was a sturdy hedgerow keeping the wilderness and wildlife out of field, pasture and garden.
Crossing a hedge often meant crossing a boundary of some sort, such as walking into the wild, going from wheat field to cow pasture, or entering another person’s property. A hedgerow is not just a boundary but is also a protective home and shelter to all kinds of wildlife, such as rabbits and birds, as well as providing shade and acting as a windbreak. Hedgerows were also very important in keeping the herds in and the predators out, as well as marking the territorial boundaries of human settlements. Often berry and fruit bearing trees and shrubs are grown in hedgerows, making them a source of edible and healing plants for both animal and human alike.
The more one learns of the tradition of laying hedgerows and the tradition of Hedgecraft, the more the use of “hedge” for this Craft becomes clearly appropriate.

Throughout history and in many cultures the “Hedgewitch” (wisewoman, cunning man, shaman etc) lived at the edge of the community, often amongst the outlying hedgerows. They scratched out a living through herbalism, understanding nature, prophecy and divination as well as magick and healing. They served the community in many ways including but not only; midwifery, healing, protection spells, house blessings, crop and livestock blessings, through the selling of magickal charms and even curses.
A “Hedgewitch” might sell one member of her community a small curse or ill-wish one day, and then charge its victim a fee to break the curse the next. Therefore, people who followed such traditions were respected, and likely a little feared, because of these abilities, and because they had such a close relationship with nature and the spiritual world.

In modern times, a Hedgewitch is usually (but not always) found outside the city, perhaps on an acreage or farm, often practicing by her self or within the family. They work much as the Cunning Folk of old, helping neighbours, friends and family with ailments, shamanic healing and even blessing the odd field. Hedgewitches will work a lot in cultivated fields, gardens and farmsteads, but often prefers time spent in the woods and other wild areas.

A Cottage/Hearthwitch, Greenwitch or Kitchenwitch works mostly in her garden and in her home. Hedgewitch will practice largely in the home as well, but will likely spend more of her time gathering her herbs and practicing her craft in rural or wild places than many other Witches. A Cottage/Hearthwitch, Greenwitch or Kitchenwitch may use some trance or shamanic techniques in her practise, but has probably not have received the call from her spirits to Shamanize. A Hedgewitch has “fire in the head” also commonly known in this Path as the Cunning Fire.

Although many of the traditions that a Hedgewitch draws from have changed, after all lore is lost and knowledge changes over the centuries, you will find most Hedgewitches prefer to practice as close to traditionally as possible but still in a manner practical for these modern times. Hedgewitches are very adaptable. You may find a Hedgewitch casting an old-fashioned prosperity or fertility spell on a modern tractor as a favour to a neighbour, for example.

Hedgewitches use herbs and herbal concoctions known as flying ointments, as well as shamanic techniques such as drumming and meditation, to induce altered states of consciousness. They work with familiar spirits, their ancestral dead, plant and animal Totems and the like, to assist in their Otherworld work.

Hedgewitches often refer to shamanic journeys as “Walking the Hedge”, “Riding the Hedge”, “Oot and Aboot” or “Crossing/Jumping the Hedge”. They also have a tendency to spend much of their lives with one foot on either side of the Hedge, which makes them eccentric to say the least.
A Hedgewitch walks freely into caol ait (Gaelic), the “thin places” between one world and another. More experienced Hedgewitches learn not only to find such places, but how to use them effectively and how to open them even when the Hedge, or Veil, is at its thickest between the high days.

Spirituality in Hedgewitches varies and depends on the individual; usually they look to their own heritage and ancestry. The only tradition Hedgewitches typically follow is a reverence for Nature, though some may come from a more formal Pagan path originally.
Some Hedgewitches will also practice a form of Traditional Witchcraft, such as those based on the work of Robert Cochrane, while more and more Wiccans are also taking up the work of a Hedgewitch. Hedgewitches commonly do practice some form of Paganism, but many make no claim to any practice but that of Hedgecraft or Hedgeriding.

The main distinction between Hedgewitchery and other forms of Witchcraft is that Hedgewitches often have less interest in the religious/ceremonial aspects of coven or group Witchcraft, having an individual and often unique way of relating to life, spirituality, magick and Creation.
A Hedgewitch is less likely to perform scripted magickal workings, preferring the freedom and joyfulness of spontaneous workings that come from the heart. For the Hedgewitch there is no separation between normal life and their magickal one, for their normal life is magickal.
They avoid complicated, ceremonial, scripted and formulated ritual, practicing an earthy and simple form of ritual and magick. Some Hedgewitches do not cast Circles in a Wiccan sense, and may either have other methods to mark sacred space, or not bother at all. Hedgewitches believe that all space is sacred.
Hedgewitches do what ever comes natural to them; they follow their instincts, and their heart.

They do not typically follow one particular moral code, but rather their own personal ethics and often some version of the credo to “do only what is needed” and/or “Know Thyself”.

Hedgewitches walk the Crooked Path, the Path that winds and twists its way between the right-hand and left-hand Paths. Hedgewitches walk all borders, and prefer the grey areas, having little interest in all black, or all white, magick or spiritual workings.

Most use few synthetic objects in their spells and rituals. Their tools are typically very practical, such as a walking stick, often they will use a stang, or even pruning shears, and their tools are hand made by them as much as possible. Most Hedgewitches use only what is needed, meaning they do not clutter an altar (if they should use an altar at all) with items that will not be actively used during a working or rite.

Hedgewitches usually study herbalism, wildcrafting and wortcunning with gusto, as well as seeking knowledge and understanding of the ways of Nature. Such as the cycle of the seasons and the wildlife and plant-life in their area.
Hedgewitches may know how to grow herbs in a garden, but are more likely to study where and how they grow in the wild and how to gather them. They usually have a great deal of lore on trees and plant life, animals and the wilderness in general.
Healing, divination, the use of trance inducing herbs and all manner of fertility and shamanic rites are also a part of this Path.

Hedgewitches tailor their Path to suit themselves, some may focus on herbalism, others study midwifery, some may practice something like reiki, they may focus on animal husbandry, and others may be well versed in healing with crystals. Many Hedgewitches may choose to be a jack of all trades, but a master of none.

While Hedgewitchery is typically a solitary path, this is not always so. Even the most hermit-like Hedgewitch can still be found at the odd local Pagan event. While others may even belong to a Coven, Kindred or Grove.
Hedgewitches are unlikely to become involved with Witch Wars within the community, and depending on the individual’s personality are more likely to prefer maintaining friendly relations with the majority of the Pagan community. Some may have friends or domestic partners who follow another Pagan or Heathen path, and they will often happily join in any ritual or activity if invited.
Also, some of their practices, especially the shamanic ones, require a trusted friend or group to watch over their body while their soul is elsewhere.
While most Hedgewitches may just be plain old rebels and rabble-rousers, this is after all, an Outsider Path.

The daily spiritual practice of a Hedgewitch will be adapted to her individual abilities, interests and life style. One Hedgewitch may start his mornings offering up prayers of thanksgiving to his gods as he collects eggs from the chicken coop. Another Hedgewitch may spend her mornings in quiet meditation on her patio; sipping tea and watching the deer graze in her lawn. A third Hedgewitch may say a quick prayer at the household shrine before racing off to work. The forth Hedgewitch spends his day fasting and preparing for a rite and a trip across the hedge that night.

So what the heck IS a Hedgewitch anyways?

Some people may prefer rural and/or wild settings and be a little wild themselves. They may be looking for a tradition that is adaptable and practical, one that combines “old school” Witchcraft and a modern life, a tradition that adds a focus on European-based Shamanism and the practical application of folklore to the mix.
They may be looking for a tradition that leans heavily on natural magic, understanding the Land and the practice of healing lore. They may want a tradition that focuses on personal experience, experimentation and doing-it-yourself. They may wish to blaze their own Path, like the Cunning Folk of old. They may have that Cunning Fire burning in their head, heart and soul.

They may just be ‘Hedgewitches’.
PostPosted: Sat Nov 28, 2009 2:04 am


Overview

So, at its core my practice is that of the Hedgewitch.

I spent a fair few years searching for and defining my path, and it's only recently that I've started using the term "Hedgewitch", both for myself and, shall we say, "socially". Before that I spent a fair amount of time internally referring to myself as a "Border Witch" and occasionally still do prefer this term to "Hedgewitch", depending on how I feel at the time and what I'm doing.

The concept of "Border Places" was something I ran across years ago in a Pratchett novel as he described his witches. There are "Border Places", where one state meets another. The hedge, the shore, waterfalls, sunset and dawn, but also stages, masks, ritual circles. These are magic places, places of a certain energy, and also places where I feel the most at home. Not at ease, perhaps, but energised. I've grown up by the shore all my life and find it disconcerting to be away from it for any extended length of time. Twilight is, and always has been, my favourite time of day.

My personal path is one of borders, of "between". I used to consider myself rather plagued with the ability to see things from the other fellow's point of view; I'd rather not take a side unless I'm personally involved. If I am objective, I choose to remain objective. That's not really... that's more of a side-effect, related but not. But Borders... Borders are one primary element of my personal path and practice. Walking Border-lines and crossing them is a major aspect, and it's not something I can easily descibe. Nor can I say why it's so important.

The other major element is that of living and enjoying life as much as possible. This ties in majorly to my understanding of my Gods, which will become clear later. Passion of all kinds is intrinsic to my life and thus intrinsic to my practice. It is, essentially, sex, life, and death. Celebration of life, respect of death and the dead, and affirmation of both in that most alive of experiences, sex. Passion in other things too, of course - love, art, angst, rage.

Blood plays a major metaphorical role. It is present at our birth, essential for life. It carries our hormones, runs hot during our most passionate moments. It rushes with adrenaline when we are furious or afraid. It's linked to both deities, but primarily my God. All of those things blood is linked to are central to the second major aspect of my path, best summed up as "Passion".

Sanguina Cruenta
Captain

Eloquent Bloodsucker


Sanguina Cruenta
Captain

Eloquent Bloodsucker

PostPosted: Sat Nov 28, 2009 2:09 am


Deities

There are two deities in my religion, a God and a Goddess. I have no idea whether anyone else in the world worships Them, or if they do, whether they understand Them in a similar way to myself. Most of my understanding of Them was achieved through Gnosis, in meditation or ritual. I do not know Their names. I had a theory, at one point, that everyone had to "earn" Their names, and that everyone's names for Them could be different. At this point I'm more inclined to believe what They had been telling me all along: that They don't have any names, because They know who they are, but that you can call Them something if you want to.

My understanding is that I have worshipped these deities for a number of years, but in the last year I've had epiphanies that made me see Them in a very different sort of way. I have wondered whether the deities I had such experienced ritually were in fact the same deities I had always worshipped. At present, experiences and answers sought suggest They are, but you never know.

I was originally inspired - as so many are - by pop-"Wicca" books. Whether this majorly coloured my perception I do not know. Some colouring was of course unavoidable originally; how much of this I have shed, again, I do not know. I do know that I have always been a hard polytheist. Soft polytheistic ideas never appealed; I had always baulked at the idea that Aphrodite was the same Goddess as the one I worshipped. I mean, I had welcomed each into rituals, and they didn't feel the same. She and Aphrodite were clearly different personalities, different entities.

Nevertheless, I am sure there are elements that have remained, and I'll try to "answer" those that stand out.

First, The God's symbol of the Sun, and the Goddess's of the Moon.
The Moon as a symbol of Feminine energy always appealed when I was "starting out". That energy radiating from that celestial body was - and still is - both that of the body itself and a shining face of my Goddess. The rising Sun, something I so often see on bus rides to work of a winter's morning, fills one with the passionate desire to shout aloud to the God.
This was so, but troubled me. Am I, I thought, simply making these associations because of what I read so long ago? Perhaps They are both equally linked to each celestial body. So I flipped my prayer practices. I began praying to the Lady Goddess with the rising Sun and the Lord God with the rising Moon. And it didn't work. At all. I made connections but they were more distant than they had been. I felt a discord. So after a week, I went back to my normal practices. It still might be that this is a hang-over from my old research, and one day in the future I may well try this experiment again, and for a longer period. But at present, They appear to have such links as these.

Second, that the God is a Horned God.
Now, Wicca is not the only witch-faith that worships a god with horns (if indeed they do and I have not been mislead). There's Coltrane and his lot. I'm not sure about Aunt Doreen and what she ended up doing; I think she may have been a soft poly. At any rate, I have always seen the God I worship as antlered. Let us be honest... the gods, at least these Gods, existed before matter, let alone human form. While it's possible we developed in Their image, I think it unlikely. He is as much going to take a wolf's form or a hare's as He is to take human (not with me, just generally, I suppose). With me, when He appears as human, He is antlered. Once I have seen Him as Pan-like, young, with goat legs and horns, but that is the only time I can recall seeing Him as human and un-antlered... and even then He was wearing horns.

For quite some time there was a third, that of a Maiden-Mother-Crone concept. I tried to make this fit in my practice for some years, and for a while it did, but I think that may have been because I never really thought about it. After that it became increasingly "uncomfortable" until I finally had a proper look at it, set it up against what I knew of my Goddess, and decided it was mostly irrelevant. I have, to a greater or lesser extent, discarded it.

So here are my understandings, at present.

My Gods are Primal Deities. By this I mean that They were the first entities to exist, and that they are... different in... construct, I suppose you could say. They are the very essence of what makes life. The vibration of atoms. I believe They are not simply the creators of, but the "ultimate parents" of, all other deities. I mean by this that They are more connected to those other deities than They are to us.

If asked what my Gods are "of", as in Odin, god of the Slain, Thor, god of Lightning... if asked what my Gods resounded with or were inclined towards in such a way, I would say that They were the Gods of the passionate desire to be. They are the desperate, dangerous passion of each living thing to hang onto their life, and to protect their offspring. They are hunger and fear, desire and passion. They are death, sex, and birth.

I'm going to quote from my journal from when I first truly experienced this Gnosis....

Quote:
Some personal... I was going to say revelation, but I think realisation is closer to the word, during my meditation tonight. I experienced the-Goddess-of-Moonlit-Greenery and the-God-of-Burned-Forests in an images-not-words, sensory sort of way that I haven't done in a while. It impacted me in a subtle way, and yet I cannot help but refer to Them in references to those images, as the mere words "Lord" and "Lady" feel clumsy and wrong - placeholders that are no longer fulfilling their purpose.

~~~

I still believe that there is a God and a Goddess who predate all things, who are in the curve of each dancing body and the curve of each shadow cast by firelight. Deep Forest makes me think of Her with bronze skin and curves, swaying out of the water with long black hair and huge eyes.... and Him with dark eyes that burn, clad in animal skins, smelling of smoke, dwelling in the depths of the green.

So in my prayer tonight, I prayed to Them. Increasingly of late I'm unsure who I'm contactting with them. Occasionally They will appear as something unfamiliar, as something I know at least to some degree is Them, but in a different guise, or a side of Them I seldom see. I suspect I am slowly getting to know Them on a deeper level, but in doing so, sometimes I worry that I don't know Them at all. And then to know Them as I did before, feeling something very familiar.... that feels.... disappointing. It leaves a part of me worrying "is it really Them, then, that I'm feeling when I feel something a bit different?" and the other part thinking "I am going backwards, not forwards, if I feelThem as I used to feel Them". It is confusing. I think I'm probably on the right track to discovering Them, but I'm not 100% certain. They're there, somewhere, hiding in the shadows and the primordial wild places of this world. They are not gods of civilisation. We had different gods by the time we'd discovered villages... They are from before.

I suppose.... maybe I'm slowly stripping off the veneer of civilisation that I - or hundreds of Pagans - have laid on top of Them. But doing so is difficult, like trying to hold onto sand that's slipping through your fingers. Decades of homogenized "Mother Goddess" crap. I mean, sure.... a Mother Goddess.... but not like that. Not blonde and smiling and bedecked in pink, but naked and dirty and half-obscured by shadow. I don't know how the God could be homogenized... which is why I think most people don't bother. They just ignore Him, they say "Goddess Bless!" quite cheerfully, but the God? He's masculine. There's no wallpapering over that erection, the smoke and blood of survival, the naked dark flesh and wild untamed testosterone of Him. So He's ignored, or never thought of enough to be understood.

I know these gods are there. For years I've dealt with projections.... Them, but the part of them standing in sunlight, in the middle of a courtyard, understanding that They had a wild side, but never seeing it. And thinking about it, sure, from time to time.... but only on a shallow, surface level. Never really understanding it. Now I've caught sight of Them, and each step I take towards Them they step away, further into the shadows, and I stumble after Them, trying to catch Them. And from time to time They pause and step into the sunlgiht again to be with me, and increasingly I find that less satisfying.

They are, indeed, both life and death - They are the passion and desperation and joy of living on the razor's edge, a hunt away from eating or starving, a step away from being something else's dinner. THAT is why He is both Hunter and Hunted. Not just because He is the wolf as well as the deer, but because humans were prey as well as predator.

Now some of the Mysteries I've come to understand begin to make more sense, like puzzle pieces slotting together, and I wonder if another Mystery is slowly seeping into my soul.



She is long-haired, wild, fierce, passionate. She is a laughing young woman. She comes naked from the river. She is the cool, soft hand of maternal care. Her skin is white, dark, dirty. She dances in the fire-light. She is silver, shimmering. She is the Moon and the ocean, the birthing woman and the fierce joy of running.

He is Horned, erect, strong, determined. He is naked and passionate, alive in Himself. His form is spry, lithe, muscled. He is the protective embrace of both the father and the lover. He dances in the fire-light. He is dirty, sweat-sheened, wet with blood. He is the Sun, the plains, the Hunter and the Hunted.

Primary here is Their role as the driving force of passion, as well as Their duality in being both shadow and flame. Tied inseperably into this is that, in my tradition, knowledge is not symbolised by light. It's symbolised by, and found in, shadow. You don't shine a light on it to understand it, because it slips away. It can only be understood by entering that shadow and waiting until one's eyes adjust. By feeling with one's hands or waiting until the moon comes out from behind the clouds so you can see its outline in the shadow. It's all metaphor, of course, describing with imagery an idea that would otherwise be ineffable. Basically it's in following into the "shadow" that gnosis occurs and that wisdom is achieved.


So... As I said, I don't know whether or not any one else worships these Gods. Or whether people understand Them in different ways. Maybe people worship Them but don't believe Them to be the Creators or anything... But I'll tell you what I did find, on the Walking the Hedge blog, in an interview the blogger was doing with someone else, she answered a question about deity in a way that was absolutely the same as answers I've had from my God.

And I quote:
Quote:
Okay I’ll tell you one of those crazy stories that makes people look at me funny.
Once upon a time, while hanging out in the underworld, I happened across the guy with the antlers, who was just, well hanging out. After a while nothing happened, so I figured I’d ask a question. I asked:
“So, are you a individual god, all gods, a primal god, or what? How does that work anyways?”
He said, “It doesn’t matter”
True story. So, while I find it very interesting to think about this and wonder at it and look at theories, I’m not all that concerned over it.

From here.

So there you go. What that means either way I don't know, but it's interesting anyway. He's a cryptic individual, is the Horned One. Well, not so much cryptic as not particularly helpful when it comes to that sort of question.

My God and my Goddess are connected very much to fierce passion in all things. Sex is a part of that, protecting the young is part of that, hunting is part of that. They're so very connected to the desperate need for survival and life, but in the same breath and same token They are very much connected with death, with both killing and dying. We live and we die, and They are there when we are living and when we are dead. They are that line, the knife's edge. The moment of orgasm, and the moment of death. Le petit mort....
PostPosted: Sat Nov 28, 2009 2:18 am


Cosmology

There are at least three worlds - a middle (that would be this one, more or less), an upper and a lower - but I suspect there are around nine, possibly more. Much of my contemplation on this score is my own contemplation, not something I consider actively to be a part of this path of mine.

These worlds overlap. There are some places that seem to be a bit of both, as far as lower and upper worlds go... and some places in this world that are like anchors tying equivalent areas in two worlds together. (I have a theory that standing stones, among other things I imagine, mark these out. In theory one can also pull these worlds together when one creates a proper ritual circle.) There are also places that are like... well, Pratchett has these things called "parasite universes" that hold onto real universes like a remora fish. There are, like, pseudo-worlds that are.... parallel... sort of next to, a part of, but not really these other worlds. Particularly Midgard here. There are also... shores. Not like an actual shore with an ocean, but sort of a lead-up before the place proper. Not everywhere... just something I've encountered.

I am wary of saying too much here.

So it gets complicated. And it's not properly structured like a layer cake. It's more like a gooey, mixed up trifle with bits bleeding over into one another. (Yum.) And that can be easy to forget sometimes, because people have a tendency to shove things into definite categories. One has to keep reminding oneself, when something is confusing, that things aren't always so clear-cut. But for simplicity's sake, the important elements to this path are the Upperworld, the Middle World (I have a tendency to refer to this as Midgard because of my Heathen influences, so please excuse that) and the Underworld.

Now the Underworld, as I understand it, is one place. But within it, so the theory goes, are particular Underworlds. Possibly a bit like countries in our world. It's one land mass with different nations. Probably with very definite borders that may, or may not, be difficult to cross. I, for example, will quite happily visit the Underworld area with which I am familiar but would be very wary about the idea of entering Hel. The dead go here. All sorts of dead. It's not the only place dead go, but every place the dead go has a bit of the Underworld about it. (You see how it gets complicated if you depend on stratification?) Well, except when the dead walk the earth, so to speak wink

The Upperworld is generally where the gods hang out. Not all the gods, mind. A few Chthonic types have a tendency to hang out Down Below. Again, one general land, many nations. Olympus and Asgard are not the same place, though as I understand it they are in the same realm. There appears to be more overlap and mixing with the Upperworld than the Underworld, but that's just based on my personal experience. Very few of the dead go here; anyone who does will be there through literal divine intervention, being called to serve a deity there &c., as the Einherjar in Valhalla or... well, Ganymede and such.

Midgard is this world, but not just the world we see. If you travel in this world you may find or see things that are... like metaphor. Things that have happened, or suggestions that a place is special or different. I don't travel in Midgard much so my personal experience here is a tad limited and I have trouble explaining myself.

Then we have places like Alfheim. Elf-land. Is it a distinct world? Is it part of the Upperworld? The Netherworld? Both?! Could be. That's the trifle I was talking about. The custard layer bleeding into both the jam and the sponge. It's hard to tell... but I'd venture to say both, myself. Not so much a distinct world as a country connecting two separate worlds together. In that sense, sort of parallel to Midgard, but not part of it.

There are other places, too, that I won't talk about. These places - worlds, rather - I have mentioned here are the main ones.

Sanguina Cruenta
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Sanguina Cruenta
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PostPosted: Sat Nov 28, 2009 2:20 am


Hedge-Walking

Walking the Hedge is an essential element of my path, something I was doing long before I really understood what it was. I called it something like "meditating, but doing something" before I looked into shamanism. Then I called it "Journeying", but it was a term I always disliked. "Walking the Hedge" sits much, much better with me; it's a term I am very comfortable with and one I use for preference.

It refers to out-of-body travel, within this world and the others. Why? To speak with gods, guides and spirits, to find answers to questions, to learn things we cannot learn elsewhere, to uncover things that are hidden. Sometimes just because there is that pull, that desire to travel elsewhere.

This requires a trance-state. Traditionally you can aid this through the use of flying ointment. Personally I haven't tried this yet, firstly because I'm not secure in my knowledge of the ingredients to want to screw around creating my own, and second because I'd want someone capable that I trusted to watch me in case something untoward happened. I'm eager to try it, yes. I am also wary. My personal favourite method so far is drumming: about four beats a second can alter the pattern of your brain waves, apparently. Dancing also works well in creating trance states but you need to be on something soft in case you fall over when you leave your body; I've found the best method with that so far is to dance and then when you feel the trance coming on, drop down and lie down. Fasting is another method, one I haven't tried because I like food, and sleep deprivation another - one that definitely doesn't work for me, because I can't pay attention to anything enough to even be sure where I am. Also falling asleep in this situation would not be a good idea.

One can get lost. Particularly one should take the time to properly travel back to one's body. You can always snap back, like an elastic band, but the trouble with this is that not all of you will necessarily come back. You can lose bits of yourself, out there, if you're not careful about bringing all of yourself back. So if there's a loud noise and you get snapped back to your body automatically, you have to go back out there and retrieve the rest of yourself. You won't feel comfortable otherwise. There will be something missing. So always go back, or someone else might have to do it for you.

There's always an element of risk. There will be those who resent your presence and those who aid you. You are a guest where you travel, and must respect that. Yes, it's safer to stay where you are. It takes either daring or foolhardiness to Walk the Hedge and it's important to keep yourself in the first category. You're going beyond the town, where nightshade black and mandrake grow wink And yet strangely it can feel so comfortable.

The question, really, is why this is so important particularly to my path. It's all tied in to border-places, and crossing borders, and this is an element of that. A fairly major element of that, and for understanding the border concept. Borders, you see, aren't simply lines keeping things out. (Or in.) They are places where two things meet. Where two things exist together. They are cross-over places. Think of them one way and they're walls; another way and they're bridges.
PostPosted: Sat Nov 28, 2009 2:26 am


Magic and Spellwork

Whether Walking the Hedge is magic or not I have not really decided, but nevertheless some magical work is necessary for this particular path. It is that of a Hedgewitch, after all. Feeling, understanding and working with the energies around us every day is integral. It's essential.

Spellwork is less essential - knowing how to do it is important, because of the necessity of understanding how to use and manipulate energy, but actually performing legitimate spells isn't something of huge concern. The spells themselves are "low magic". They involve energies of the earth and the home, the tools being essentially whatever one has to hand. The structure of the spell depends on what the aim is, and what one has around. Personally I prefer a piece of string, depending on what I'm doing. If I don't have string, I use a strand of hair. It's a practical form of witchcraft at the core. I do have time for trappings when ritual is involved, but not when it comes to spellwork.

Sympathetic magic is also very big in this form of witchcraft. It involves representation, "cargo cult" style magic, wherein one performs magic to one thing and expects it to occur to another, though there may be no essential link between the two. There are several ways things can be linked: through shared origin, like two wooden items hewn from the same tree... shared make-up, like two items made from the same type of tree... shared blood, like a person's toenails and hair used to represent the person.... shared shape, like a doll or a photo as a representation of a person. There are probably more but that's just a taste.

I said spellwork wasn't essential to practice and then went on to explain the types of spellwork involved in fair detail. This is sort of to highlight that this is a very low-magic, come-as-you-are, hearth-craft form of witchcraft. It's not ritualised magic.

The more integral elements of magic have less to do with directing the energies and more to do with feeling and understanding them. I'm talking more laying your hand on a tree and feeling what it has to say, sinking oneself into the ground to rejuvinate in the soil, sitting and feeling the world around one. Personally I'm an air element, and I know that doesn't mean a lot to many people, and perhaps they're right, but I do find it most easy to work with the air, to ask it to stir and then feel it stir. But then air is more easily mutable than water and much more easily mutable than earth. At any rate... this sort of magic is very "earthy", very "'where have you been, wind?' 'far, far away...'" and is tied into striving to feel and understand the world around you.

Additional to this is respecting the energies in a place, and local land spirits, and of Walking in Midgard. When we Walk in this world we are feeling the energies around us in a slightly different way.

I think I lost track of what I was saying.

Non-spell energy work. Right. Healing is big for other Hedgewitches but less so for me personally. I don't consider myself a 'natural healer', in that I don't think I have any particular talent in that area. I do what I can, but whether or not it does any good I haven't a clue. Essentially, when it comes to things like working with stones or herbs or whatever, it's up to the individual. Charging things with purpose, marking out areas for purpose or as territory, charging things to store energy, charging as a blessing, cleansing old energies, holding an object and feeling its energy, touching a tree to share a little energy in greeting, all of that sort of thing is the sort of simple, every-day magic that worms its way into one's life (in fact the lives of many, many witches) to the extent that one finds it difficult to imagine life without those sensations, or to even pinpoint what is "magic" and what is not. In this path, little bits of every-day magic are just that: a part of every day. Perhaps when baking, perhaps when sending out "feelers" for the right book or stone to buy, perhaps when trying to track down a lost object. It's very... I suppose "organic" might be the word I want, in the sense that it's close-up and present.

Divination... is it magic or not?... Either way, like working with stones or herbs, it's more of a personal choice, a talent one might choose to nurture or a hobby one integrates in. But tied in with understanding and feeling energies is getting a sense of one's own instincts and listening to those - and also knowing when one doesn't really have any indication or know that one is influenced too much by desire to really tell. One might know a baby's sex easily and the next pregnancy feel unable to call it. I've predicted a car crash - at the time I didn't know that's what it would be, but I knew going a particular way was not something I wanted to do at all. That sort of thing, which isn't divination, but that depends on understanding your instincts, that's essential. Working with cards and feeling which ones to pick, communicating and understanding what they're saying, or letting images rise up in one's mind while scrying, that's much less essential, but it's an interesting way of working with energies.

Sanguina Cruenta
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Eloquent Bloodsucker


Sanguina Cruenta
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PostPosted: Sat Nov 28, 2009 2:29 am


Rituals

Rituals, I'm afraid, are still something I'm very much in the process of figuring out. I am fond of formal ritual, and I would find pleasure in constructing and writing a ritual structure and particular individual rituals in advance. There is a part of me that really feels like this would help my practice.

However. I am utterly at a loss at how to do this. I read as many books on witchcraft as I can dig out for help with this, but many of them are pop-Wicca based and as such have little real relevance to me and my craft. I am not a Circles sort of person. I've tried it many times, and never really worked out how to do it properly in a way that felt spiritually "alive". In other words, they don't mesh with my faith at the present time.

But I find myself a bit... lost in this area. I try to draw from what influences I can find. Eric de Vries is at present the only fellow I've found helpful and his stuff isn't exactly along the lines of honouring deity.

So, how rituals are performed is not something I have yet officially decided. But I will discuss what has worked well so far.

At present the best rituals I've done have been those involving dance. Not choreographed sort of dance, the sort where one contort's one's body and tosses one's head out of some sort of obediance to the dance or the Deities or both. It's a way of both experiencing one's body and of reaching outside of it. These rituals are generally performed by candle-light (firelight, while preferable, is much more impractical) and to an invigorating beat of some kind.

Spoken words in ritual generally focus on the purpose for the ritual - for example, noting the import of the day - and recitation of what by-names and titles for the Deities rise to mind. Regardless of how long. A lot of the latter descends into a sort of yelping cry of joy, a wordless expression of celebration and praise. The former, however, really does need to be stated formally, if ad-libbed, because noting this change in seasons must be properly understood, formally noted, marked, felt and internalised or one ends up feeling slightly out-of-sorts, as if the ritual hadn't actually taken place. For in most cases, these rituals are to mark a particular thing, be it a holiday or a rite of passage, and if this is not done properly the point of the ritual slips one by, however passionate one might express one's feeling.

What does one need for a ritual in this path?
One needs:
Oneself. Preferably naked or wearing something that feels amazing. Hair unbound, glasses taken off (v. important, for some reason).
Atmosphere. It seems silly but it's important for the mind. Good atmos can be achieved in moonlight, candlelight, dawn and dusk. Pitch darkness can be interesting but it doesn't have quite the same appeal. Shadows, preferably shifting, are what you want to achieve. So the light from a shifting sort of computer game or screensaver can actually work particularly well. (I remember holding a blot for my other path with a screen from Tomb Raider casting a really fitting sort of pale light over proceedings. Worked quite well. )
Privacy. Getting interrupted in the middle rather spoils the build-up of energy. To express oneself freely in ritual one needs to feel secure and comfortable.

That's essentially it really. Everything else is personal preference, but rituals are never overly complex, they don't involve ritual circles (although brushing the space free of old energies with a broom isn't uncommon), and there's not all that much in the way of tools.
PostPosted: Sat Nov 28, 2009 2:32 am


Sabbats

The first question is "Why do you call your holidays 'sabbats'"? A sabbat is traditionally a witches' meeting or celebration. I am alone, so in that sense my celebrations don't really qualify. I use the term for these holidays partly because it is a word so associated witchcraft, and partly to distinguish them from my Heathen celebrations which often take place at the same time. I use the term more often to refer to the ritual and celebration itself rather than the particular day.

There are eight Sabbats that take place at the same time as the "big eight" basic generic Neo-Pagan holidays. Celebration properly takes place on the astronomical date - preferably at the proper time of day too, if possible, particularly if this holiday is an Equinox or a Solstice.

The holidays centre largely on the natural world and the way it changes over the course of the year, and the imagery associated with those times and changes. The focus is on those natural changes rather than on what humans are doing at that particular time, but part of that focus is how it affects the practitioner and others as well.

I have no set names for these holidays at this point. I have a tendency to call the Equinoxes and Solstices just that (or Midsummer and Midwinter). The cross-quarters (I don't use the terms "greater" and "lesser sabbats") are more tricky, and I do have a tendency to fall back on generic Neo-Pagan standards, though I know some of these are culturally specific. I call the holiday after Midsummer "Lammas" and this is a standard for me; the English names of these holidays, though Catholic in origin, do appeal more than Irish ones, but I do find myself using "Beltaine". "Samhain" I renamed for myself this year to Old Year's Night, or "Nox Umbrarum", night of shadows. I will, perhaps, rename my "Beltaine" this year, as the holiday I celebrate is not "Beltaine".

Marking these holidays in some way has become increasingly essential; missing them entirely makes me feel quite out of sorts and drawn... backwards. If full ritual is not possible, marking the day in some form of prayer and meditation is a must.

Rituals for Sabbats typicaly involve inviting my Lord and Lady to be present, asking them to bear witness to my ritual, marking the day verbally and through meditation, and honouring Them in context of the day. Again the rituals aren't particularly elaborate and never rehearsed.

The meaning of the Sabbats and how to celebrate them is still something I am very much seeking structure for. For this reason I'm always interested in ways other people celebrate their own holidays, particularly if these celebrations are fresh and different. (Post something, here or elsewhere in this forum, about how you celebrate your own holidays. It'll be helpful ^_^) It's also one of the reasons I'm always eagerly looking for new books on religious witchcraft. I seek inspiration for forming some sort of structure in regards to the celebration of my holidays.

Sanguina Cruenta
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Eloquent Bloodsucker


Sanguina Cruenta
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PostPosted: Sat Nov 28, 2009 2:49 am


Minor Celebrations

The Quarters and Cross-Quarters aren't the only holidays celebrated. Other natural patterns and cycles are observed in some form, though which ones one observes are more or less optional.

I observe New and Full Moons, and relate them to my Goddess. Neither is more important than the other; the New Moon is related very much to the concept of wisdom in darkness, while the Full Moon is a lantern in the night sky, turning the world all ethereal. Did I mention the import of atmosphere? wink

At present I try to mark the moon phases ritually when possible. When not, prayer to the Lady is essential. At this point I am very much at a loss when it comes to the structure of these moon rituals, much more so than for my Sabbat rituals. I feel there should be something I am doing during these rituals, some method of action related to the day in some way, but I am unsure what this is.

The only other patterns I currently observe are eclipses, but there are certainly other options one could work into one's practise. The first spring lambs or blossoms, the first frost, the days certain constellations or stars rise above the horizon. Observing these days need not require ritual. Taking note and making some small prayer or action of acknowledgement may be all one decides to do. Personally I spend eclipses in meditation and holding vigil as much as I can. Simply experiencing an eclipse is fascinating. During a lunar eclipse, one can see the shadow of the globe upon which one stands projected onto another globe. Fascinating.
PostPosted: Sat Nov 28, 2009 2:53 am


Prayer

I can't remember what I was going to say here originally when I decided to have a post on prayer >.> So I'll just say what comes to mind.

I try to connect with my Gods daily. Bus rides to and from work have proved useful in this way - I pray to the Lord in the morning as His sun's light breaks the horizon and rises bright and orange into the sky, and to the Lady in the evening as Her silver orb rises - or sets, as the case may be.

I often begin to pray with a recitation of Their titles or names I associate with Them. Prayer may involve asking for things or thanking Them for things, but often it doesn't involve words at all. Wordless prayer works best with Them, I find. I often use a variant of the Fivefold Kiss to honour Them when I sit in devotion: I kiss Their feet, Their sex, Their womb/core, Their breast/s and Their lips, in turn. I often kiss Him from His feet to His lips, and Her from Her lips to Her feet.

When a type of prayer becomes such that I am paying more attention to what I'm saying or doing than I am to the Gods themselves I change tack. I value repeated prayer (verbal or otherwise) in that I take comfort in the familiarity of it and can focus on the Gods while a part of me repeats the devotion. Additionally, whether your prayer is a verbal one or one of movement or physical devotion, a repeated prayer can still the mind into a devotional or worshipful attitude from the first words or movements, because this is a familiar pattern to your mind. It's something I've experienced personally and marvelled at, and took full advantage of.

I'd like to write a Book of Hours to honour my Gods, as I do like repeated and formal prayer. I value the concept of morning and evening prayers, though I have none written at present.

Edit:
I have changed my prayer habits yet again. As I have done once before, I have returned to evening prayer, complete with physical movement as a part of the small rite. I pray at my altar, in front of a lit candle, with my glasses off and often nude. Sometimes I use words, sometimes I do not. At any rate I end the prayer the same way, by kissing my altar and touching my head to it once for my Lady and once for my Lord, repeating the phrases "Lady, teach me the words to Your songs" and "Lord, teach me the steps to Your dance" in turn.

Sanguina Cruenta
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Eloquent Bloodsucker


Sanguina Cruenta
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PostPosted: Sat Nov 28, 2009 2:54 am


The Afterlife

There are things I know about the afterlife, and things I hope are so but that I have no evidence of.

What I know is that "good" and "bad" people go to essentially the same place. Who you are and what you do aren't of massive concern to the Gods unless you're doing it in Their name or for Them. Everybody gets the same afterlife as far as They're concerned. Individual differences are up to you personally and what you'd rather have, where you'd rather be, etc. Meeting up with people you loved centuries ago seems to be allowable, although they may have reincarnated (see below).

What I'd like to happen, but as yet have no evidence for, is that your illusions disappear. You're stripped of the deceptions you and others have built up for yourself and you see things as they truly are. This means you face everything you have done with unbiased eyes. You then have to understand, accept, and deal with all the bad things you've done in your life. That's essentially all I want from people. To understand what they've done, and to work through it so that they feel truly sorry and can move on with themselves. This process may, in some cases, take a very long time. What I do know is that there is a period after death when you do deal with what you experienced during life. It's a recovery period in the sense that you remember things very clearly, things you may have forgotten during life, and sometimes deal with horrible things all over again. Dealing with pain of this nature can take some time and if you're reincarnated quite soon after this death - as can happen, and is sometimes essential - you carry over some of this suffering into your new life, leaving you feeling sometimes exhausted.

The Underworld - or Underworlds - are where most people end up. There are many, and yet one. This is due to different domains within one realm - like countries on earth, perhaps. Hades rules here, Hel there. For the most part the Underworld (personally I prefer Netherworld) isn't particularly different from this one. It's bigger. There's more of a variety when it comes to animals, trees etc. There are mountains, trees, rivers. Some of these (trees particularly) I think were once on this world but died, and turned up in the Netherworld. The different nations of Underworld are more difficult to describe; you get to different ones in different ways and they're all quite different to one another. I haven't visited any myself, though I have been to the misty outskirts of Helheim.

Some of the dead reside with the gods they honoured in life, either in service or for some particular reason. These dead are few in number.

Other dead reside in this world. They haunt - for some this appears to be some sort of requirement, or perhaps punishment - or remain with their folk or their body, after-living in earthworks, mountains, foundations. Exorcisms, as it happens, aren't particularly nice things to do. Getting rid of a ghost from one place only bounces it somewhere else. They don't stay in the Underworld if you get rid of them from wherever you get rid of them from, because there's a reason for them being here. Exorcisms make my teeth itch and the bile rise in my throat so don't mention them to me unless you want me to scream at you. I like the dead. They're generally nicer than the living. Exorcisms are highly unpleasant. Nor can you generally "help them toward the light" because, as I say, they're here for a reason. They'll just roll their eyes at you or end up right back here again. You're not helping, unless they really just want to get away from you and don't mind being bounced elsewhere.

The dead are just like the living, only non-coporeal. They're not stupid, deaf, evil or mental. They are not your spiritual play-thing. Their residence is not your spiritual theme park. They have no more reason to like you than that old man down the road who keeps shouting at you kids to get off his damn lawn. So if you're on some ghost's damn lawn, don't interpret his yelling at you to be negative ghostly evilness. He just wants you off his lawn, you damn kids.

Reincarnation seems to be almost compulsory, though the gap between incarnations can vary widely. There are a set number of required incarnations per person, and a variety of things to learn and experience. After that it appears you can reincarnate again if you get bored and want to do something new for a while. Although, this does mean you have to be a teenager all over again so it's probably not all that popular.

Some of the dead take on Guide roles. This doesn't mean they're more advanced spiritually, just older and with access to more information. Guides are teachers, and it can be a difficult job depending on how complicated a person's life is going to be.

The relevant elements to Hedgecraft involve the dead one meets - either in the role of a Guide or those one has lost, or simply friendships one forms - either in Walking the Hedge or here in this world. A Hedgewitch has no particular responsibility regarding the dead, save respecting them. One Hedgewitch might want none in her house while another will accept in any wandering spirit who chooses to knock at her door. It's always important to establish house rules as there's no telling what sort of society said ghost has come from, nor what social norms he is used to. To a Hedgewitch the dead are a part of everyday life, and iconography so associated - graveyards, bones etc - are a part of that Border-country we feel at home in.
PostPosted: Mon Jan 04, 2010 1:52 am


Links and Recommended Reading*

To Fly By Night, ed. Veronica Crumner (Note, you may wish, as I did, to tear out the awful pages by Robin Artisson)
Hedge-Rider by Eric de Vries
Exploring Shamanism by Hilary S. Webb (despite her use of the word "Shaman" I'd recommend it to any Otherworld or spirit worker)
ABC of Witchcraft by Doreen Valiente
Way of the Hedge-Witch by Arin Murphy Hiscock (only recently picked this one up, it's not really about Hedgecraft but it reflects in many ways the hearth-centred elements of traditional craft)
(Most of these are available on Bookdepository.co.uk or Amazon.com)

Walking the Hedge blog
And there is my own blog, Hagstone, on which I post some things about my craft.


*These may not be books or links directly about Hedgecraft, but they have helped or inspired me in the creation of my craft. I'm still trying to dig out bits and pieces that influenced me over time, so this list will grow.

Sanguina Cruenta
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Eloquent Bloodsucker


Sanguina Cruenta
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Eloquent Bloodsucker

PostPosted: Mon Jan 04, 2010 1:54 am


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Spiritual Paths and Journals

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