|
|
|
|
|
|
|
Heavenly Floetic Sins Captain
|
 Posted: Mon Feb 09, 2009 1:43 pm
=3= If you are a Vizard, post your profile here.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Fri Feb 20, 2009 6:56 pm
Name: Fefnir Kamashiro Shihouin
Aliases/ Nicknames: Affectionately, he’s Feffy or Fef, and was formerly reputed as “The Flame’s Heir”
Age: Appears to be 20, but that’s not indicative of his advanced age, somewhere in the range of 600 years
Seat: Vaizard Leader
Height: 6’ 0”
Weight: 127 lbs
Personality: Cold, unfeeling, and unwilling to expose himself emotionally, Fefnir feels right at home in his exile. There are few people who bother him on earth when he wants to be left alone, and those people usually have one hell of a search in store. Generally, though, he’s good with animals (especially dogs) and can deal with people as he needs to. His naturally pointed and disdainful way of talking to people simply says what needs to be said in the most direct and accurate way possible.
Theme Song(s): [Anger]Fight Like This- Decyfer Down [Normal]The Red Priest- Joe Stump/The Fury of Speed- Matthew Mills [Contemplative]Keeping the Blade- Coheed And Cambria
Physical Description: Emaciated, but still fairly muscular, especially in the legs, Fefnir seems to have been sick for an undisclosed time. This does not, however, keep him from being a force to be reckoned with in the fighting arena. Fefnir's eyes are crimson, but are strange in that they have no pupils, causing him to appear to look through, not at, a person. Often people think he is blind, and the truth is that his vision is very bad, but he uses reiatsu to bolster it most of the time and strong glasses to correct it before bed. Most likely, this is an unexpected after effect caused by the use of Ocular Shukuchi (see below). His normal clothing consists of two simple looks: black cargo pants, red sleeved black tee-shirt, red Adidas A3’s and black cargo pants, red and black striped tee-shirt, and red Adidas A3’s. In addition to those, he has a pair of blue goggles that remind him of his time as a captain. He normally tends to go barefoot unless he is going to fight, because footwear is necessary to prevent Fefnir's skin from being ripped off by a combination of speed and reiatsu. Fefnir has long, crimson hair that reaches to the small of his back. He never does anything to style it, but it seems to stay perpetually straight regardless.
Zanpokuto: Kaji Hitokage (Flame Soul)
Release Phrase (Shikai): "Spark, Kaji Hitokage!"
Release Phrase (Bankai): "Preside, Kaji Hitokage!"
Sealed Form Description: The blade appears to be a long, angular piece of shrapnel. It’s deadly sharp, even on its rougher looking parts, though. The color is red, almost like deep rust, and the hilt has the appearance of a pair of wings, one demonic and the other angelic. The sheath is larger than most in order to house such a blade, and is also red.
Spirit Description: Kaji is a phoenix, with a burning red body and accents of gold at the tips of his wings and tail. Personality wise, he's very haughty and feels he is superior to those around him. His eyes are full of disdain for those he sees as unworthy (including Fefnir, funny as it is), and refers to a person by their gender (Boy, Girl, Woman, etc.) instead of their name out of a lack of respect.
Shikai Description: After the release phrase is spoken, the kanji "flame" burns into the base of the blade while it also becomes a more streamlined katana. A medium-length white cloth springs forth like a spark from the base of the hilt, and an intense heat radiates from the whole of the sword. As a manifestation of malicious intent, the zanpokuto has a raven’s wing as a hand guard on the hilt.
Shikai Abilities: The Blade is intensely hot, and its natural temperature superheats the air around it. So, even if a strike misses, there’s still a chance that the opponent will be burned by the hot air currents. The cloth absorbs Fefnir's (and only his) reiatsu and stores it over the course of battle, turning the color of blood when full. This can then be released in one large, wave-like strike. The cloth can also be detached once full to restore the reiatsu if needed.
Bankai Description: Fefnir's katana changes into a crimson dagger about the length of his forearm. This blade is curved outward, and is similar to a cleaver with the bottom edge extending like a talon over the grip, representing his zanpokuto spirit, Kaji. The grip is beveled to accommodate Fefnir's fingers easily, as well as having tight leather covering for a better grip. The blade still has the Kanji for flame on it, this time where the talon-like section meets the rest of the blade. The excess reiatsu left over from forming such a small bankai is funneled into Fefnir's body, manifesting itself as a fire around Fefnir's legs and as a pair of flaming wings on his back.
Bankai Abilities: The burning effect remains, and is intensified even further, creating second and third degree burns around the initial cut as well as cauterizing the wound, or even burning just by being in the vicinity of the burning hot metal. The reiatsu storage is completely gone, but Fefnir's initial speed is increased, acting as a substitute for True Shukuchi and easily matching its speed. The difference is, this speed runs off the fire, and will eventually run out with use. This is also very taxing on the body and difficult to maintain. When the fire is gone, Fefnir reverts to his standard Shikai release's capabilities, save for the replacement of his katana with the dagger. It is possible, but not advisable, for him to continue to fight after this.
Resurrection: When released, Fefnir's entire body becomes the same as his monstrous hollow form, a large beast similar in design to a jungle cat. His speed remains unaffected by this anthropomorphic change, and is actually more efficient in energy usage than his human form. In this state, he can't effectively control his speed levels, so whatever Shukuchi step he's at when he releases will be maintained. His eyes will uncontrollably leak reiatsu as well, providing the effects of his Ocular Shukuchi through his Hollow reiatsu, making it pale blue instead of the usual red. His mask, which has panels that leak cold air, now has large black vent-like structures running the length of his body constantly emitting cold air, chilling the atmosphere. The longer he's in this form, the colder it gets, and the colder it gets, the better he can move and fight. Long claws tip each toe and are just perfect for ripping enemies open as he wishes.
Kidou: Basically none. Fefnir feels that kido are for people that can’t fight properly.
Bakudo: N/A
Hado: N/A
Other: N/A
Vizard Mask: Coming soon! My amazingly talented friend is making the pic for me.
Vizard Abilities: Bala: (虚弾（バラ）, Bara; Spanish for "bullet") is an Espada alternative to the cero. The technique hardens the user's spiritual pressure and fires it like a bullet from their fist. It is seriously weaker than a normal cero, it moves about twenty times faster and can be fired at a much higher rate, but the damage is much the same.
Cero: (虚閃（セロ）, Sero; Spanish for "zero") are high-powered energy blasts that can be fired from various body parts, such as mouth, tongue, horns, hand or fingers. Only Menos, Arrancar, and the Vizards have so far been shown to use cero attacks, and it appears that stronger entities can use it more efficiently.
Garganta: (黒腔（ガルガンタ）, Garuganta; Spanish for "throat") is how Arrancar and Menos class hollows move to and from Hueco Mundo. Tousen Kaname and Urahara Kisuke have also demonstrated the ability to use the technique. It literally tears open the dimensional fabric separating the worlds, revealing a tunnel of whirling, torrential energy that must be focused and solidified to create a discernible pathway.
Hierro: (鋼皮（イエロ）, Hiero; Spanish for "iron") refers to the hardened skin of the Arrancar, which is a result of their compressed spiritual power. While their skin is strong enough to block even released Zanpakutou bare-handed, it is by no means impenetrable. Stronger Arrancar have proportionally stronger skin.
Pesquisa: (探査回路（ペスキス）, Pesukisa; Spanish for "inquiry") is the Arrancar equivalent of the Shinigami ability to sense Spiritual Pressure. It functions similar to sonar.
Sonído: (響転（ソニード）, Sonīdo; Spanish for "sound") is the Arrancar equivalent of the Shinigami flash steps and the Quincy Hirenkyaku; it allows the user to travel at incredibly high speeds for short distances. Use of Sonído is punctuated by a brief static sound, in contrast to the "swish" sound used for flash steps.
Skills:Flame Blast- Once full, the cloth on Kaji's hilt turns blood red, and literally drips reiatsu. At this point, Fefnir can release all that reiatsu in a large, wave like strike. This attack is extremely unwieldy, and isn't used often for the sole fact that it may backfire and do nothing. A second option is to detatch the cloth and regain the reiatsu stored within.
Flame Surge- By pushing his reiatsu into his released blade, the hot aura can be projected toward a target, visible only as a fast moving ripple of air. Depending on the release level, this can cause either second or third degree burns. The aura itself is about the size of a basketball and squishes to wrap around the opponent after contact.
Shukuchi (Reduced Earth) - Fefnir gathers reiatsu at his feet, wrapping it around them like a second shoe, allowing him extreme speed and maneuverability. Fefnir is unable to shunpo because of the conditioning he underwent to prepare his body to use this move. ((Author's note: The only difference between Shukuchi and Shunpo is that Shukuchi uses extremely rapid steps and shunpo is closer to longer strides, and that the reiatsu is wrapped around in Shukuchi, and is focused on the sole of the foot in shunpo))
There are 4 levels of speed, measured in steps:
3 steps- Slowest of the steps, Fefnir's body is almost transparent. Foot shaped divots appear where he steps, and the reiatsu is clearly visible.
2 steps- Second slowest of the steps, Fefnir is almost invisible and only the gleam of his zanpokuto can be easily seen. Rounded places where the ground has shattered mark every step. No reiatsu can be seen.
1 step- Second fastest of the steps, Fefnir is completely invisible to the untrained eye. Skilled swordsmen can still read his attacks. The shattered places in the ground are wider and deeper, but are hard to distinguish from the 2 step indentations. No reiatsu is visible.
True Shukuchi- The fastest he can possibly travel, Fefnir is gone before the opponent can realize it. It is nearly impossible to see, much less predict or parry, any attack launched. There are no marks left after Fefnir's steps.
Ocular Shukuchi- Fefnir forces reiatsu into his eyes in order to improve his vision and reaction speed. This can be maintained for an indefinite period, but the strain is intense, so Fefnir limits his use of this ability to as little time as possible. If used for too long, temporary or permanent blindness may occur soon afterward.
There are 3 levels of strength, measured in steps:
2 step Ocular- A miniscule amount of reiatsu is used to make Fefnir's eyes more active. This is characterized by the appearance of pupils in Fefnir's eyes. Usually the first thing done in any fight, activation is a subconscious reaction to stress. There is no after effect.
1 step Ocular- Large amounts of reiatsu are forced into the now opened pupils, greatly increasing reaction times and vision is selectively telescopic (Fefnir can focus on a certain point within a 30 yard radius or see all of it at once). If used for longer than an hour, temporary blindness occurs, one hour for every three minutes of time over the limit.
True Ocular Shukuchi- unbelievable amounts of reiatsu are funneled into Fefnir's eyes, making the enemy almost seem to be in slow motion. A deadly one-two combo when used in conjunction with True Shukuchi. For every 12 seconds of use, Fefnir loses a minute of sight towards the end of his life.
Shuntensatsu (Instant Heaven Kill) - Fefnir strikes rapidly with the lethal combination of True Shukuchi and True Ocular Shukuchi to utterly destroy his enemy. Designed to kill, this move is extremely rarely used, and Fefnir's leg muscles are immediately torn, making further battle impossible. It’s an all-or-nothing, last ditch attack.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Heavenly Floetic Sins Captain
|
Posted: Tue May 19, 2009 4:56 pm
Warning: History and Abilities charts all the way back to my days in BSS (spanning about 2 years ago.) and in Sereitei. If you have any questions about anything below, feel free to PM me... ^^ Thank you. WORK IN PROGRESS -Vaizard Section-
Name: Yomiko Shihouin
Aliases/ Nicknames: Captain Yo-Yo
Yomi
Gran-Gran/Grandma [Only her granddaughter, Amie Kamashiro, can say this. Anyone else who DARES to say this... will be persecuted on sight. XD]
Lindiwe --- A Name her mother used to call her when she was young. In Zulu, it means "have waited."
Formerly known as Yomiko Shihouin-Kimishima
Age: Appears To Be 27 [But she doesn't let anyone know her real age]
Race: Vizard
Vizard Class: A-Class
Seat: Former Unseated Officer of the 13th Division
Former Vice-Captain of the 2nd Division.
Former Vizard-Captain of the 2nd Division
Height: 5'6"
Weight: 125 lbs
Personality: Yomiko is very imaginative, her mind knows no boundaries. She often is portrayed as clueless, but that is not her nature. She sticks to her principles when it comes to combat and showmanship. She is one to ball up her feelings, not letting anyone know how she really feels about something until the time is right. Yomiko doesn't like fighting, but if she is required to, she will. Trust me, she will after she tries to negotiate with you, peacefully. She is open-minded, smart, lazy, and in dire situations she still maintains her gangsta despite whatever is happening. Though, she really isn't willing to do much for anyone else, she is often seen doing anything for those who are close to her, such as Fuyu and Amie. [As a grandmother, she'd do anything for Amie. XDDD] Yomiko is very skilled in Zanjutsu, Hakuda, and Kido. She can perform high kido techniques without chanting the incantations required to do so. In the sleeves of her 'shirt' she has a multitude of throwing knives.
Theme Song(s):
Ashita e no Sanka [Orchestra Version] - alan [<3 I love this gal!]
Don't Let Go - Pacha Massive
Season's Call - Hyde
The Inspiration - Young Jeezy
Physical Description: Yomiko Shihouin is 5'6". She has dark brown skin and piercing golden eyes. Formerly, back in her Vice Captain and Vizard days, her hair was a dark violet color, just like her ancestor, Yoruichi Shihouin but due to events she dyed it a rich dark sienna color. Her hair falls down her back and almost reaches her 'backside'. Yomiko has a curvy and fit body that is rarely seen because of some of the baggy clothes she wears. She usually wears her hair down, and on rare occasions she ties it in a ponytail. On her shoulder, there is a tattoo with the Kanji 'Hope'.
Her Shinigami Uniform isn't like the others. She doesn't wear the Kosode but like other shinigami she does wear the Hakama pants. Replacing the Kosode, she sometimes could be found wearing a dark hoodie or even a regular jacket with a matching tank top. Or, depending on her mood, she might just wear something casual, such as a T-Shirt and some jeans or something. It's not often that she is found wearing her Captain's Haori. The woman wears her Zanpaku-to on her back, in a similar fashion like Hitsugaya. Now, Yomiko wears fingerless gloves that resemble the ones that Kaname Tosen wore when he was in the Soul Society.
Zanpakuto Name and Sealed Description: Persephone - Persephone is a long Odachi reigning 67 inches long in length. Because of the length, Yomiko usually doesn't carry her sword around with her. If she does, she usually carries the sword is carried on her back or shoulder via a brown strap. The sheath of Persephone is obsidian with the Kanji 'Hell' inscribed largely near the guard of the sword. The guard of the sword is in a rectangular form, with for small bells attached to the ends. The Hilt is wrapped in a long red, tattered cloth that feels like the material from a female Shino-Reijutsuin uniform.
Zanpaku-to Sword Type: Odachi
Zanpaku-to Element: Fire
Shikai: 'Prossimo a me... La dea di inferno...Persephone.' (Come To Me, The Goddess of Hell... Persephone..)
The Zanpaku-to's default form of a Odachi Sword turns into a long Ivory whip with purplish-black flames flaring at the end.
- 'Fiamma nera a mezzaluna...' (Crescent Black Flame)
The Crescent Black Flame allows the weilder to shoot a crescent like attack of black flames towards the weilders opponent from the flaming end of the whip.
- 'Mille pugnali neri della fiamma..' (Thousand Black Flame Daggers...)
In a similar manner of the Crescent Black Flame, the whip releases a black flame attack. The black flame appears as so, but it soon materializes into a multitude of dark daggers.
- Una frusta di fuoco… e una catena della frode… ROTTURA... (A whip of fire... and a chain of deceit... BREAK)
The Initial Whip turns into a Chain Whip. It consists of several metal rods, which are joined end-to-end by rings to form a flexible chain. Generally, the whip has a handle at one end and a metal dart, used for slashing or piercing an opponent, at the other. A cloth flag is often attached at or near the dart end of the whip, and a second flag may cover the whip's handle. The flag or flags enhance a wushu performance by adding visual appeal, and by producing a rushing sound as the whip swings through the air. They also help stabilize the whip, enhancing the performer's control. This reduces the performer's risk of inadvertently striking himself/herself.
- Coda del fuoco… (Fire Tail)
The Cloth flag at the end of the Chain Whip ignites in a black flame, allowing it to be shot out at the opponent.
- Separato…
The Chain Whip turned into Two Chain Whips. You can still use the Coda del fuoco attack with it.
Bankai:'Liberi le fiamme di inferno... Persephone' (Release The Flames of Hell.. Persephone...)
The whole area within a radius of Yomiko becomes a barren wasteland. The Earth starts to shake and created large cracks through the ground, allowing hot multing lava to shoot out to the surface. The whip transforms into a a scythe that has blades at both of the ends. The weapon was pull apart into three sections that are connected by a metal chain.
A Sample from another RP I am in. This basically describes what the Bankai is. Yomiko Shihouin Yomiko slowly placed her hand on her Odachi. She was becoming more aware of her surroundings and continued to tune out Haito's voice in her head. It was now silence. She couldn't hear anything but that voice of Ogato and Persephone. That was something that she had learned over the years when she was young, successfully tuning out someone to the point that it was silence.
Her golden eyes looked around at the place, she wanted to end this fight as quickly as possible. As the sky became darker, losing it's purplish hue, she knew that this situation wasn't going in her favor. It was certainly not. Yomiko looked over at the darkened beach and at the tourists that were dumb enough to walk along it. She could see shadows of Haito, forming along then beach.
She slid the sheathed Zanpaku-to from the holder on her back. A silver aura started to form around the former Captain. It was like a glow was surrounding her whole being. The wind started to pick up in the vincinity around the woman, at first, then it migrated through the city streets. The wind was fierce as if it were a hurricane coming. The reiatsu forming around her was unlike the one that was formerly present, it was like a mixture of the malevolent and benevolent. It was stronger... unlike the energy that the Captain would emit from her person.
It was the mixture of Yomiko, Ogato, and Persephone's.
With the soft jingle of the bells that hung from her guard, the energy began to grow into something. The woman pressed her lips together as she watched more of the shadows form along the beach. She didn't want to have to resort to doing this, but it would have to be the only way.
"Release the Flames of Hell, Persephone..." She whispered to herself. The small four bells that were on her guard released themselves from it. Small bells sank into the ground as if they were engulfed in quick sand.
A small rumbling could be heard in the distance, then it became louder and louder. The ground started to shake like it was a earthquake occurring in then downtown District. The buildings swayed and shaked, but as the rumbling became more dangerous, one of the hotel buildings actually collapsed. Cracks in the sidewalk ran along the beach, then they started to move themselves apart from each other. With a rush, as then 'plates' moved apart from each other, hot gushing lava shot out from beneath the cracks. The lava shot up in the air with a roar.
The sky's hue changed color. The sky was now a pinkish color, unlike then dark color that it was before. The ocean's waves crashed along one of the 'plates'. Her Zanpaku-to turned into a long obsidian scythe with blades at each end. On the rod of the scythe, a electric blue inscription appeared along it, but Yomiko didn't pay this not attention.
Her eyes dimmed a bit before they turned into that familiar hue of crimson. The former Tenshi-Heisoban's eyes resembled the blood of her victims of long ago. Those crimson eyes finally took notice to the Haito Shadows that were coming her way. The wind kept it's pace through the hell-hole realm which was now her Bankai.The extreme heat of the realm brought some to their knees at some point. The windy atmosphere proved a feat for some of her enemies that were lucky enough to see her Bankai.
This attack allows the user to conjour up small little spots of black flames on the battle field. By each minute, the flames grow larger and larger until the wielder deems it necessary to stop the flames. This attack lets the weilder control the black flames and attack the opponent when necessary. xD
-'Gloria a mezzaluna più scura...' (Darker Crescent Glory)
This Attack, well, you might as well call it a larger version of the Crescent Black Flame. Only this time, the daggers are more sharper and deadlier. This attack can only be used if the weilder uses the sctyhe.
-'Onda di paralisi dell'inferno...' (Paralyzing Hell Wave)
(( xp I'm tired. gonk I'll get to this attack when I can... gonk Sorry...))
-Schermo twisted della fiamma…(Twisted Flame Sheild) ||
This attack allows the wielder to create a barrier of hot, molten rock. =_=
Kidou:
Bakudo:
1. Restrain (塞, sai)— Locks a target's arms in place behind their back.
4. Crawling Rope (這縄, hainawa) — An energy rope entangles a target's arms.
9. Strike (撃,Geki) — Engulfs a target in red light, completely paralyzing them.
12. Fushibi: A net formed from an attachment point on the caster, can be small or large depending ong the reiatsu force behind it.
37. Suspending Star (吊星, tsuriboshi) - Creates a star-shaped cushion of Spiritual Energy, which anchors it to nearby objects with "ropes" of spirit particles. It can stop falling objects, acting like a safety net.[6]
58. Summoning of the Tracking Sparrows (摑趾追雀, kakushitsuijaku) — Tracks and locates any spiritual force the user focuses on.
61. Six Rods Prison of Light (六杖光牢, rikujōkōrō) — Summons six thin, but wide, beams of light that slam into a target's midsection, holding them in place.
62. Hundred Stepped Rails (百歩欄干, hyapporankan?) — A rod formed of energy is thrown towards the target before it disintegrates into numerous short rods which are used to pin the target to the surroundings and render them immobile.
63. Chainlike Desert (Sajo Sabaku)— The target is wrapped from the neck down in a thick chain.
75. Quintet of 1 kan Iron Pillars (五柱鉄貫, gochūtekkan) — Forms a cage made of five incredibly high and thick pillars around a target.
77. Heavenly Rickshaws in Silken Air (天挺空羅, tenteikūra) — Transmits messages to anyone within Soul Society.
81. Splitting Void (斷空, danku) — Creates an energy barrier in the form of a rectangular wall.
Hado:
1. Thrust (衝, shō) — Pushes the target away from the caster.
4. White Lightning (白雷, byakurai) — Fires a concentrated bolt of lighting from the caster's forefinger.
11. Tsuzuri Raiden: Imbues and object with an electrical current. The technique was used by Hisagi Shuuhei, by allowing the kidou to travel up the chain of his zanpakutou, Shinikaze.
31. Shot of Red Fire (赤火砲, shakkahō) — Fires a ball of red energy at a target.
33. Blue Fire, Crash Down (蒼火墜, sōkatsui) — Fires a burst of blue spiritual energy at a target in a similar manner to 31, but over a wider area and with more power.
54. Waste Flame (廃炎, haien)— Incinerates a target completely.
58. Orchid Sky (闐嵐, tenran) - A widening tornado-like blast is fired towards the target.
63. Thunder Roar Cannon (雷吼炮, raikōhō) — Fires a massive wave of yellow energy at a target.
73. Twin Lotus Blue Fire, Crash Down (双蓮蒼火墜, sōren sōkatsui) — Essentially a doubled version of #33, this spell fires two shots of blue fire with greater potency than the single-shot variety.
88. Flying Dragon Striking, Heaven-Shaking, Lightning Cannon (飛竜撃賊震天雷砲, hiryūgeki zoku shinten raihō?)— Fires a massive blast of spiritual energy in a fashion similar to a laser.
Other:
Kyōmon: It creates a glass-like barrier which is difficult to break from the outside, but quite simple to break from the inside.
Hanki: This technique nullifies an opponent's movement by hitting them with an perfectly opposite surge of energy.
White Crawl (白伏, hakufuku): A Kido Spell that allows it's caster to destroy everything within a certain radius of him/her.
Shunkō[瞬閧, Flash Cry]: A technique that combines hand-to-hand combat and kidō. It concentrates high-pressure kidō energy around the body, allowing it to be fired at opponents. It can also be used to instantly neutralize an opponent's movement.
Senka [闪花, Flash Blossom]: a flash step combined with a spin to quickly move behind the enemy, followed by a strike aimed to destroy the saketsu chain and the hakusui soul sleep with a combination of two quick thrusts.
Utsusemi [空蝉, cicada]: Allows a person to move out of harms way by creating another image of themselves.
Skills:
Odachi Mastery: It is widely known that the Odachi is a long sword that was used for ceremonial offerings and the like. Because of the size of the sword, it proved to be a feat for someone who wanted to wield it. Yomiko is able to wield the heavy sword as if she were able to wield a normal Katana.
Shunpo: Flash Steps...
Zanjustu: Yomiko is very talented in Zanjutsu. This is a bit of a sample of her Sword Play style. [X-Yomiko's style is Flying Snow's Style (The Female)-X]
Hakudou: Her Hakudou style is the Jun Fan Jeet Kune Do Style [Made famous my it's originator, Bruce Lee.]
Kidou: She has a mastery of most Kidou techniques. She can perform high level techniques without the chants.
Physiognomy: At the time when she was an unseated member of the 13th Squad, her Captain took it upon her to teach her Physiognomy and Kinesics. Physiognomy is a skill that can effectively identify and analyze the features of the face that characterize a person’s personality traits.
Kinesics: This is the other technique that her Captain taught her. Kinesics is the reading of someone's body language. This includes movements, gestures, expressions and posture; all that convey something about personality.
Vizard Abilities:
Vizard Mask: Mask [Temp until I draw it.]
Sonído (響転（ソニード）, Sonīdo; Spanish for "sound") is the Arrancar equivalent of the Shinigami Flash Steps and the Quincy Hirenkyaku; it allows the user to travel at incredibly high speeds for short distances. Use of Sonído is punctuated by a brief static sound, in contrast to the "swish" sound caused by Flash Steps.
Garganta (黒腔（ガルガンタ）, garuganta; Spanish for "throat") It literally tears open the dimensional fabric separating the worlds, revealing a tunnel of whirling, torrential energy that must be focused and solidified to create a discernible pathway.
Cero: are high-powered energy blasts that can be fired from various body parts, such as mouth, tongue, hand or fingers.
Bala: (虚弾（バラ）, bara; Spanish for "bullet", also translated as "Hollow Bullet") The technique hardens the user's Spiritual Pressure and fires it like a bullet from their fist. It is seriously weaker than a normal cero, it moves about twenty times faster and can be fired at a much higher rate, but the damage is much the same.
[---Post Time-Skip--]
Hierro: (鋼皮（イエロ）, Hiero; Spanish for "iron") refers to the hardened skin of the Arrancar, which is a result of their compressed spiritual power. While their skin is strong enough to block even released Zanpakutou bare-handed, it is by no means impenetrable. Stronger Arrancar have proportionally stronger skin.
Negación: (反膜（ネガシオン）, Spanish for "negation") fields are used to rescue fellow hollows. Only the Gillian-class Menos have shown the ability to use it. Negación fields surround a target in a square beam of light that isolates the target from the dimension they are currently in, making it impossible to harm them.
Pesquisa: (探査回路（ペスキス）, Pesukisa; Spanish for "inquiry") is the Arrancar equivalent of the Shinigami ability to sense Spiritual Pressure. It functions similar to sonar.
Gran Rey Cero (王虚の閃光, (グラン・レイ・セロ), Guran Rei Sero; Japanese for "royal hollow flash", Spanish for "Grand King Zero") is a much higher-level Cero used by the Espada. It is performed by mixing an Arrancar's own blood with the Cero.
Bio: Yomiko Shihouin was born into the Royal Family, Shihouin. She had two brothers, one that was younger and another that was older. Out of her two brothers, she was the only one that wasn't adopted. Her mother was banished from the Shihouin family after Yomiko became sick when she was very small. It was unknown at that time that the sickness that she had would plague her for the rest of her life would have such a strong impact on her physically and mentally. Once her mother was banished, her father disowned Yomiko and wanted her to be killed. At this time, she was a small child and before her father could do anything her grandfather stepped in and opted to raise Yomiko; much to her fathers' displeasure...
When her grandfather took her in, she was very young. At the age she was, she was barely able to speak. He raised her from then, teaching her things that will stay with her for a lifetime. As she was being took in by her grandfather, her father wanted little do with her. He just ignored her like she was nothing and her eldest brother was constantly belittling her. When she became sick again, her grandfather began to shelter her more than she should've been. She grew up sheltered by the Royal Family, not able to do anything until she was enrolled into the Shinigami Academy. She was enrolled in low-level classes by her grandfather, who didn't want to stress her body. At the time, she did not pay any attention to this, since she understood that her primary care-giver was trying to take care of her. When she was at the academy, she soon learned that being a Shihouin in a class full of commoners and such was not good. Because of this, no one [the students] didn't want to have nothing to do with her. This lead her academy years to be lonesome until she met Fuyu Arashi and another girl, by the name of Michiko, that wasn't afraid to speak to her or anything. As expected, these three became fast friends despite their differences in status. For a time, this made Yomiko happy...
Chaotic events followed her as she entered her last year at the academy. The year before, her youngest brother was murdered by her eldest brother, out of a fit of jealously. She witnessed the whole thing, not able to do anything about it since she was under her sick spells. The murder still reeled through her mind after wards, causing her to feel guilty about the whole thing. Her older brother, on the other hand, did not get in trouble for the whole thing, but instead he claimed that an 'assassin' had came to attack Yomiko and her brother. They all listened, but only Yomiko and her Grandfather knew the truth but remained silent. Months later, after this incident had happened, her older brother still taunted her with his rude names and such. He looked down on her constantly, the main reason was because of her unorthodox ways of being a 'noblewoman', such as befriending a commoner and other factors.
So one day, close to her graduation from the Shinigami Academy, something unexpected happened. While her and her friend visited one of the districts in the Rukongai, the two were ambushed... by her older brother and some of his friends. That's when they were attacked by the group. Though her friend was strong, her friend tried her best to protect Yomiko at all costs. With a stab to the heart and neck by two of the attackers (at the same time, I might add), her friend was killed. To remember her friend, at that time, Yomiko ripped the cloth from the girls' Hakama pant and wrapped it around the hilt of her Zanpaku-to...
Again, he got away with this as well... selling the family with the same BS
story that he fed them when he killed their own sibling...
Sick of the killing and the chaos that her brother has put her through, on the day of her Graduation, Yomiko decided to confront her older brother about the deeds the family had let him get away with. She thought if they wouldn't do anything about it, she will...
Her brother welcomed the challenged with open arms... not knowing that would be his last time ever being able to be the 'tryant' to her. Though it was a rough battle, Yomiko killed him. She didn't bother hiding his body or anything of the sort, she just left it there and waited beside it until someone came for them. Once someone came, the guard escorted Yomiko to the 'council' of the Shihouin Family. [Her grandfather was on this council as well.] Staring at her long and hard, they decided her fate. At the time, since her grandfather was on the council, she thought she was going to get away with the murder with a small punishment, but alas she was wrong. She was banished from the Shihouin Royal Family, by her Grandfather (Who SUGGESTED the banishing). Feeling betrayed, she left the Shihouin without a word...
Though she graduated from the Shinigami Academy and was admitted into the 13th Division, she decided not to go into the Gotei 13 at that time. Yomiko had a strong feeling that the Shihouin Family might try something... especially with their influence within the Soul Society... So she resorted in 'staying' in the Rukongai for a while.
Her days in the Rukon District Kusajishi were rough and harsh. She had no means for food or shelter. The girl resorted on living on the streets. Because of this hard life, Yomiko began to develop skills in thievery and such. She was breaking into people's homes and stuff... and that's when the Shihouin Family popped back into her life once again. Now, an assassin was after her and wanted her to end up being dead. The assassin caught her when she was walking on a dark night. The assassin almost killed her, until an unknown woman stepped in and saved her. Because of this woman's courage, this prompted her to go back into her rightful place in the Gotei 13's Divine Protectors Division. When she was admitted in, she tried to work around her sick spells and such. As she progressed in her training as a member of the Divine Protectors, she was one of the only few unseated members to gain her Zanpaku-to's Shikai and have a strong control on her reiatsu, which caught the eye of the 2nd Division Captain who recruited her to become his Vice.
Once Vice Captain of the 2nd Division, since she was so in-experienced, she had to learn most Kidou's that someone of her level should know. This prompted her to learn more Kidou, which would explain why she was so talented into that area. She also had to brush up on her Zanjutsu and Hakudou as well. When it came to her last name, she often set her subordinates straight by not allowing them to even address her by her last name or even bow to her, which she still does now. This is because she is not of the Shihouin Clan anymore, despite her last name. Well, as she trained and proved herself to the Captain, her Captain eventually trained her into learning Shunko, which she really doesn't have a full mastering of the technique. Soon, her days of being the Vice of the 2nd Division would soon be over which one of her sick spells caused her to leave her post as the Vice Captain of the 2nd Division...
A few months later, she came back to her post only to see that her former student had taken over the Division. This did not dishearten Yomiko, only made her happy. She was glad that one of her subordinates she taught actually became something. She met her former students in the training grounds, but the meeting was short lived when Yomiko fainted. Her student took her to the Vizard that she was allowing to stay in the squad. The Vizard healed Yomiko and for some unknown reason, out of randomness, she became his 'assistant' despite her protests. After most tests and so forth, he unwillingly turned her into a Vizard. After many 'adventures', these two actually decided to get married...
The marriage was long and quite interesting. Everything was going great until she went to seek out the training of Feiy Boelba and Drift Galewind. Her husband and Feiy were not on good terms with each other, knowing this, she went out to seek the training of the Vizard, anyway. As her time training with Feiy and Drift went on, her husband was killed during the time.
[--Post Time skip--]
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon May 25, 2009 10:03 pm
[Reserved For Greatness]
Name:
Tezuka Matsushima (Teh-Zoo-Kah Maht-Soo-She-Mah)
Themes:
Bloodlust/Unleashed Psychosis/Battle Ready Mood - Emmure - False Love in Real Life
Normal Mood/Relaxed - the GazettE - Gentle Lie
Party time/Onstage Attitude - Girugamesh - Break Down
Age:
Physical Age: Appears to be in his late teens, early twenties possibly around 20 or 21 depending.
Real age: Unknown (******** if he remembers!)
Aliases/ Nicknames:
Tezu, The Punk Vizard, Galaxy Boy (Stage Name) and Tezunami (By the ladies -winkwink-)
Ranks Held:
Former: Squad 3, 3rd seat (Ancient History)
Current: Class A-Vizard
Physical Description:
153lbs, standing in at a minimal 5’10” of pure muscle, Tezuka looks rather scrawny for a guy his age and weight-class. Short black hair that never really saw the touch of a hairbrush, just ruffled to perfection with his hands. Somewhat of a tan, but all natural. Brilliant blue eyes. For some reason he enjoys wearing a colored contact lens in the eye of the day to make it look like his natural eye color is brighter than it actually is. It is a little duller shade of blue, but the subtly of its color makes it hard to recognize immediately unless you looked deep into his eyes for an extended period of time. A small mole can be seen clearly under his left eye. He has his ears gauged, being the only major piercing seen on his body.
His clothing resembles something similar to a school uniform like this, but not from any of the local schools in the area. Black in all with what looks like either beige or white interior cloth. He usually has the left pant leg rolled about halfway up his shin to let others know of his status as a real punk. Instead of a normal undershirt he usually wears a light blue tank top or nothing at all, the latter being at performances. He always has the front opened and unbuttoned with an overtly long blue and black striped belt holding his pants up. Shoes usually ranged from old combat boots to brand new converse that compliment his clothing. He wears a pair of black, fingerless gloves kind of like bike gloves, which expose the back of the hands. When not wearing the gloves his fingers are littered with all sorts of rings that change every time he wears them.
Special Accessories:
Tezuka carries around a folded up bandana he uses to hide his cover nose when he wants to act really tough. A pair of 9-gauge, midnight Pyrex glass flesh tunnels. If you look closely at the gauges you can see what appear to be white speckles inside that resemble stars in a galaxy. A special boot sheath for his sealed zanpaku-to located on his left ankle. Black biker gloves.
Tezuka holds possession over three gigais, each being the spitting image of himself except with a span of possibly 20 years or more between them. These gigais are used as public figures, presenting grandfather (original Tezu), father (current Tezu/Zanza), and son (future Tezu/Zanza). His father gigai and son gigai are usually switched off with Zanza (his mod-soul) when the time calls for it as they switch regularly. Whenever Tezuka is in one, Zanza is in the other and is usually at home guarding the place for Tezuka. It's complicated to say the least.
Personality:
Tezuka has a very rebellious streak to him, always disobeying or arguing with authoritarian figures that can’t physically put him in his place. He is usually seen as the person that doesn’t care, but he secretly is quite conscious of the things going on around him and the consequences of most of his actions. He enjoys a good laugh, but whenever a person senior to him makes a comment similar to his he always says it ruins his status. He has an odd habit of lightly scratching the tip of his nose when he’s annoyed, accompanied with a slight smirk and sigh. When he becomes excited, especially onstage, he jumps around and pumps his fists into the air, or beats his chest with his fists in rhythm with the song’s tempo that is currently playing.
During battles though, he becomes quite enamored with trying to kill his opponent in ways as flashy as possible, usually seen laughing and taunting even if he is on the defensive and losing ground. His majority style is coupled around psychologically rattling his opponents, making them doubt themselves at every turn possible. Very flexible in most combat situations, both physically and psychologically, but very maniacal at times.
Biography/History:
Tezuka was born into a world that rejected everything and everyone who didn’t conform to the politics of the day. He was the fourth child of a middle-class family when having more than two children was considered taboo. His father was Asian, but his mother was American, which was considered a taboo of the country at the time. As such, it wasn’t long before conspirators, who wanted the land located his family occupied, came in and usurped his father from his position as village high council, resulting in the family’s departure from the country to avoid persecution from the lies and slander spread by the conspirators and the corporations that backed them. So, they ran to the states, as refugees.
Racial tension here wasn’t as bad as it was back in their homeland, but it wasn’t exactly far off from brutal racism. His family couldn’t afford to send their children off to school, so Tezuka and his brothers and sister worked with his parents as they bounced between temporary jobs. It wasn’t long after that war that Tezuka’s father was laid off from his current job along with the rest of the family. Due to their ethnicity they were turned down at every corner. Word spread that there were jobs farther east, so the family set out to try and find work there, but disappointment still followed them.
As they entered into what was then the “Bible Belt” of the south things began to get worse before they got better. Jobs were continuously being filled and the ones they could find only spat in their faces and told tell to go back to their country where they belonged. It was hell. Money was running thin, and they were losing all hope of ever getting back to their former glory from the time back in the old country.
Eventually they found work as scabs for an orange farm in Florida when the normal pickers went on strike to gain better wages. The family was loaded onto a bus convoy with several hundred other scabs and sent off to work. But all was for not, as the strikers ambushed the bus convoy in a small town 40 miles out of the orange farm. Using trucks, they rammed into the lead bus, killing the majority of the occupants with one blow and began pulling scabs out of the other buses left and right. It was total chaos. A race riot to end all race riots. Tezuka and his family tried to fend off their attackers, but they were dragged out one by one and beaten to death by the strikers. Bodies hung on display to ward off any other notions of scab labor in the future.
Tezuka found himself unable to grip the reality of being dead, rebelling against several shinigami that came to send him safely into the afterlife. Eventually, this act became old and he submitted to their will, but not for long. After being freed of his soul chain, Tezuka fled and hid out in the outskirts of the Rukongai District, fending for himself by way of fighting. It was all he had and knew.
Eventually members of the Soul Society found him and persuaded him to come to the Academy, sensing the potential in his spiritual abilities after accidentally running into him and having to fend him off when they were making their rounds in that district of Rukongai. He was always apprehensive of the idea, but they promised him he would become even more powerful than he was now, and that alone was enough to compel him to join.
It was odd; conforming into a group again after so much turmoil raked his life a giant blur. Things went by as they always did though. He couldn’t get along with many of the instructors, often not performing the lessons taught or skipping to go do his own thing. He was a gifted student nonetheless, especially with his sparring teachers, getting high marks with them every time and building a decent reputation as a reputable student among their classes even though he was usually never to be seen in other classes. His education in the ways of becoming a shinigami were not hindered though as he was always seen practicing late into the night the lessons that were to be taught the next day for the classes he skipped out on. Somehow he managed to even graduate a whole year earlier than people thought he would, gaining access to a seated position in squad 3.
He was rather low on the totem pole at first, holding the 14th seat for some time, but things slowly began to take a turn for the better as he was included in earthbound missions more frequently. He seemed to have a great knack for being placed behind enemy lines for days on end with only a few squad members to back him up as they lay in wait for hollows, eventually taking on a permanent seat on the roster for further incursions in the world of the living. As time went on he continued to be promoted, reaching the rank of 3rd seat near the end of his time as a shinigami. He and his captain didn’t really see eye to eye on certain matters and codes of conduct, this being the true reason for his sustained position as 3rd seat instead of becoming the squad’s Vice Captain after the previous was promoted to another squad and later slain. He had the ability, personality, and power to become the new Vice Captain, but it was never to be. The captain always held it at arm’s length.
Around this time he came into contact with a certain Yomiko Shihouin who had come to earth for reasons unknown to Tezuka. He figured she was there for observational purposes, but he was the acting ranked member in charge of worldly affairs in that district, so he felt like he was being audited. Somehow, they found common ground, sort of a silent bound at first, but eventually it became more outspoken in its intent; both of them seeking to become stronger by any means. He always seemed to vent his frustrations to her, and although she usually didn’t seem to care, she understood his distress in the matter, being held back by a system of beauracracy, not being able to pursue the things he wanted most. Sure the daily fighting seemed to amuse him somewhat, but he wanted so much more. He felt so confined by his duties that it was suffocating. He had to find a way to liberate himself of this thirst for more.
And then one day Yomiko told him of this legend that seemed to fascinate him to no end, a man tormented by his inner hollow who eventually rose up and tried to take over the man’s body. Granted this was what was taught at the academy, that every shinigami had an inner hollow that was waiting to devour their souls, but he had never heard or read this story in any textbook before. A man who triumphed over his inner hollow and became so much more than just a shinigami. A whole new entity was born, and with it a power that was unfathomable to his mind. Tezuka hounded her for months about this legend, asking if it were true or not, but she always brushed off his advances as if he were a simple house pest.
Eventually his nagging paid off, but she didn’t tell him anything new. Instead she directed him to her husband, Kazi, a shinigami working in conjunction with squad 12’s inner most R&D team at the time. He humored Tezuka by listening to his story, but laughed at his request to find any more information on the subject. “Why would you need to know any more than you already do? The man it speaks of was me.” Tezuka was taken aback by this sudden revelation, but found it more understandable as Kazi explained the process to him. “There will be some, experiments I need to run on you for this to work. Pain will be a very prevalent factor as this transformation occurs.” But nothing could dissuade Tezu at this point. He wanted the power of his inner hollow, the power of the Vizard.
It was long and brutal, and at times Tezuka felt as if he couldn’t go on any longer. But somehow he found the will power to fight on through it all, eventually gaining what he had desired for so long. It took almost a whole month of recovery before he could return to active duty, but he felt it was worth the wait. All he wanted to do was test his powers out on something, big.
And finally the day came when he was released from squad 4’s infirmary, refreshed and replenished. He felt like a whole new person, just like the legend. A new entity. A Vizard. At the time things were heating up with increased attacks in the human realm. Bigger enemies and in greater numbers were performing hit-and-run attacks against the 3rd squad’s advanced barracks there, and he immediately requested to join the task force that was in charge of hunting down the hollows responsible for these attacks.
The day drew near, an attack imminent. Tezuka could feel it in his bones. There hadn’t been any hollow activity in almost a week and that had even Central 46 on their toes now, fearing an attack on the Seireitei itself. Tezuka could only imagine the cabinet members squirming in their seats, but it still made him laugh like a kid at the thought. They were such pansies. Hiding behind their positions as the Seireitei’s legislative/ dual-held executive branch. As if that meant anything to hollow. What a bunch of morons. They could all die today and the world would keep on spinning. Or, at least, that’s what Tezuka thought.
The attack eventually surfaced, being totally underestimated by the Seireitei in its bulk and strength. The members Tezuka had taken with him were all, but wiped out, leaving a few scattered elements of resistance here and there in their jurisdiction with no sign of reinforcements in the near future. He tried desperately to gather the remainder of his forces together, but they were quickly overrun at every turn by the sheer mass of hollows. There were broken reports that several captains were coming earth side to assist in the eradication of the threat, but Tezuka knew it wouldn’t be in time for them to be rescued. Lambs left to die in the slaughterhouse. Yeah, that sounded about right.
In a last ditched effort to save what was left of his units, he opened a gate back to the Seireitei, commanding that they flee while defended their retreat. Many of them argued otherwise, but he would have none of that, not now, or ever. The last thing most of those few survivors would remember of their 3rd seat was a bloody mess slicing at everything that came near their portal to escape.
As it closed, Tezuka smiled. Now he could finally test out his Vizard powers he had gained from Kazi’s experimentation of his inner hollow, his hand coming to pull down on an unseen force above his head, revealing the mask of what was to be his hollow. He suddenly like he could conquer the world, his blows and attacks ripping through the mass of hollows like nobody’s business. And suddenly a great static energy began to form on the northern and southern horns of his masks, recoiling something awful as a cero blast exited from his mouth. Now things were getting interesting.
All was going well, until the mask suddenly disappeared, leaving him filled with the immediate onset of fatigue and double-vision from moving at such high speeds and with such veracity for such a long time. His body felt like it weighed a ton, dragging him to the earth as hollows swarmed around him. His time was up. He knew it. All in a matter of seconds he was going to be ripped limb from limb by their hungry teeth. It sickened him. All he wanted to do was kill more of them before he went out, but there was no point in arguing now. He couldn’t do anything to stop them.
He hit the ground hard, coughing up blood as fresh wounds appeared on his face and ligaments from the fall. Blood was slowly pouring out of him at this point. He could feel the end. Especially when a rather large hollow appeared and proceeded to stomp him into the ground. It hurt. A LOT. He quietly laughed to himself now before saying goodbye to the world one last time.
But the finally blow never came. In fact it sounded as if the hollows were retreating or were being killed off entirely. Reinforcements had arrived! He found himself weeping joyfully as he attempted to stand up, but failed. His body was a wreck of broken bones and lacerations. He wasn’t going anywhere. So he did the next best thing and tried to twist his head as far up to the side as he could.
“You twist yourself any further and you’re gonna break your on damn neck, ya’ moron.” A familiar voice. But whose? Whose voice called out to him? He squinted his eyes as a blurred figure drew near and squatted in front of him, hands on their knees with their head tilted. Eventually she came into view, and Tezuka found himself staring at the annoyed face of Yomiko. “I see you fail at using the Vizard powers Kazi gave you.” He laughed at her words, coughing up more blood, hearing her sigh as hands came forward to lift him up and carry him away. “You’re such a pain in my a**. I swear sometimes, I just don’t know what to think of this.” And at this moment he seemed to black out.
Yomiko had saved his life that night and he could never live that down now the way she always bragged about it whenever he saw her. She had apparently healed his wounds and left him to shack up in some old house that belonged to someone neither of them knew, but no longer wanted the place by the state it was in. Yomiko had told him that the Seireitei had proclaimed him KIA, but that suited him at this point. He was a little too ashamed to return their now considering how he had his a** handed to him yet again. He would stay here for now. And Yomiko was even kind enough to sneak him a gigai from the Seireitei’s newer stock, giving him the freedom to roam about after his injuries healed up.
The house wasn’t actually that far away from a growing city, maybe a 30 minute drive if traffic was acting up, but nothing too bad. He eventually set about fixing up and even expanding the size of the house, getting a job at a recording studio as a sound technician to help stimulate his ever growing lifestyle and habits. The way of life on earth was slowly beginning to rub off on him and he liked it. Currently he is the lead singer for a local band called “The Space Cadets”.
Skills/Powers:
Jian Mastery:
Considered the “Gentleman of Weapons”, it is one of the four great weapons of Chinese folklore. Being a straight-short sword it is quite odd to handle for the inexperienced wielder. Tezuka seems to have a knack for bringing out the oddities and turning them into a beautiful dance of chaotic malice and tenacity.
Zanjustu:
Tezuka’s style stems from a mixture of Xingyiquan and Chen style- Tai Chi Chuan, holding the fluid motions of both forms as well as the explosive nature behind Xingyiquan to make him a rather deadly opponent when coupled with his shikai.
Hakudou:
His style of Hakudou is purely lower body based, complimenting his use of bladed weapons. An odd combination of Capoeira and Savate, he is usually seen moving about in an oddly timed dance as he fights.
Kido: Isn't a real big fan of using them, preferring his hollow powers over his shinigami powers.
Other:
“Death Scream” - Can perform a kind of sound-based shockwave emitted from the mouth that can stop most opponents in their tracks with a “Wall of Sound”. Similar sounding to a hardcore scream, except elongated. The scream can only be heard when it first starts up, becoming a frequency human ears cannot register, but can still feel like a tick in their heads.
Zanpakuto:
Totoro no Kyoki (Weeping Troll)
Zanpaku-to Blade Type: Knife
Zanpaku-to Spirit:
Totoro is actually a multitude of sentient fragments of rock and porcelain, hoving around an orb of dim light. These fragments come together everyone once in awhile when Totoro wishes to convey an emotion or action, but can never create a full form at one time. The pieces usually float around the orb, encircling it when not active. Still sentient, but taking no form. There are hints of metal and other minerals in the rock shards, giving them a shiny glow as they circle around the orb. Totoro cannot speak, but makes most gestures by forming rocks into a sort of charade based game almost, or just making hands and using those.
Personality:
Totoro is very calm, seeing as it is the only emotion one can perceive from the orbiting fragments, but deep down he is rather hostile to sudden changes and new faces. The only real way to notice this is what color the orb is at that time. Totoro honestly doesn't care what happens in the end though, as long as Tezuka's well-being is the same, he feels at peace.
Inner World:
Totoro's inner world is what some would call a dreamworld, being of multiple plains and terrain all at once, and none of them at the same time. It is purely what the imagination of the wielder wishes it to be, but there is one solid state inside that appears. A library, endless in size that never changes. Totoro is usually seen floating around here, rearranging the books and returning them to their places after reading them.
Callot Phrase:
"Release the shackles and take form, Totoro no Kyoki!"
Sealed Form:
Totoro's sealed form resembles a black, tri-bladed knife with matching handle. It is small, measuring in full length at only 7 ¾”. There is a special ring on the end so Tezuka can pull it out of its boot sheath into a reverse grip in seconds.
Shikai:
Shikai Blade Type: Heated, Chain-Jian
Small, teeth-like protrusions stick out of the blade of all sides of the sharpened edge. These bits are actually loosely held in place by a groove that allows the teeth to move in a chainsaw like motion around the perimeter of the blade, giving it the look of a chainsaw sword. The bits are still metal though and create a large amount of friction as they scrape against the inside of the blade's groove, causing the blade to be heated to an unknown, but high degree. The rotation of the bits can also be manipulated, either weakening or strengthening the strength of a slash.
Abilities:
[1] Jettosutori-mu (Jet Stream) - With the rotation of the bits inside the blade, Tezuka is able to manipulate the water in the air, turning them into vapors. When the blade is swung at a target, the air superheated around Tezuka's blade rushes forward like an unseen blade of super-condensed steam that can cut through unprepared enemies. Attacks using this ability at close range (that cut the flesh) immediately cauderize the wound made, possibly cutting off blood flow to that part of the skin or body.
If used in conjunction with sonido, and then immediately stopping, this attack can create the sensation of a sonic boom; throwing an opponent backwards with possibly second or third degree burns depending out how fast the blade was spinning and fast sonido was.
Bankai:
[Not yet attained]
Resurrecion:
[Coming Soon]
Vizard mask: [Coming Soon]
Vizard Abilities:
Bala - (虚弾（バラ）, Bara; Spanish for "bullet") is an Espada alternative to the cero. The technique hardens the user's spiritual pressure and fires it like a bullet from their fist. It is seriously weaker than a normal cero, it moves about twenty times faster and can be fired at a much higher rate, but the damage is much the same.
Cero - (虚閃（セロ）, Sero; Spanish for "zero") are high-powered energy blasts that can be fired from various body parts, such as mouth, tongue, horns, hand or fingers. Only Menos, Arrancar, and the Vizards have so far been shown to use cero attacks, and it appears that stronger entities can use it more efficiently.
Garganta - (黒腔（ガルガンタ）, Garuganta; Spanish for "throat") is how Arrancar and Menos class hollows move to and from Hueco Mundo. Tousen Kaname and Urahara Kisuke have also demonstrated the ability to use the technique. It literally tears open the dimensional fabric separating the worlds, revealing a tunnel of whirling, torrential energy that must be focused and solidified to create a discernible pathway.
Hierro - (鋼皮（イエロ）, Hiero; Spanish for "iron") refers to the hardened skin of the Arrancar, which is a result of their compressed spiritual power. While their skin is strong enough to block even released Zanpakutou bare-handed, it is by no means impenetrable. Stronger Arrancar have proportionally stronger skin.
Negación - (反膜（ネガシオン）, Spanish for "negation") fields are used to rescue fellow hollows. Only the Gillian-class Menos have shown the ability to use it. Negación fields surround a target in a square beam of light that isolates the target from the dimension they are currently in, making it impossible to harm them.
Pesquisa - (探査回路（ペスキス）, Pesukisa; Spanish for "inquiry") is the Arrancar equivalent of the Shinigami ability to sense Spiritual Pressure. It functions similar to sonar.
Sonído - (響転（ソニード）, Sonīdo; Spanish for "sound") is the Arrancar equivalent of the Shinigami flash steps and the Quincy Hirenkyaku; it allows the user to travel at incredibly high speeds for short distances. Use of Sonído is punctuated by a brief static sound, in contrast to the "swish" sound used for flash steps.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reply
