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Posted: Tue Jan 11, 2005 3:21 am
I've started this thread for people to post what they regard as useful info about their martial art and post links to sites containing useful info. This could be anything including the history of your martial art, general info about your MA, good sites for equipment, specific stuff like patterns/kata/forms/poomse and help with techniques. The more info the better people smile
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Posted: Tue Jan 11, 2005 4:46 am
As I do Taekwondo I'm gona post some info about that: History of Korean Arts:The Korean combat skills originally began over 5,000 years ago with the formation of the Kochosun kingdom. In order to protect the people and their territory this kingdom began the development of a strong combative system. Later, over 2,000 years ago, the kingdom of Silla (BC 57) was formed and they began the development of their own warrior system. This system was called Hwarangdo. Modern HwarangdoHwarang (s) - (Hwarangdo ) - The term used to refer to the ancient Hwarang warriors. The Hwarang and Rangdo together were called the "Flower knights." In reference to these individuals as a group of people, the Hwarang (leaders) and Rangdo (fellows), two terms are used. Most references simply say Hwarang (s), but there are some later references that also use Hwarangdo . The "DO" suffix used here means a group of people. So the term pronounced Hwarangdo means a "group of flower men." Hwarang - "Flower man" The title given to the leaders of the youth group from the ancient kingdom of Silla. This title was only received by the youth of royal family members, and not civilians. Rangdo -"Fellows" The title of the Hwarang's fellows. These people were the students disciples, and soldiers of the Hwarang, and all came from the civilian class. This Hwarangdo system eventually spread to Japan and was very influential in the development of the Japanese Samurai system and Bushido (Korean-Musado, this is the moral mentality of the Hwarang and samurai). During this time much of the Japanese culture originated from the Korean kingdoms of Silla, Koguryo and Packche. Along with social customs, martial aspects were passed across the sea to Japan. So the counterpart of the Silla Hwarang was the Japanese Shogun, and the counterpart of the Silla Rangdo was the Japanese shogun's soldiers (their samurai). It is also thought that the family of the founder of Jujitsu was also connected to the Hwarang warriors. The name of this "Jujitsu " founder is "Shinna Sabro ", and the Korean pronunciation of his name is "Silla Samrang." There were many Koreans who moved to other countries, and because they still felt strong ties to their homeland they used this kingdom's name as their maiden name. The meaning of this founder's name is "Silla third man," so it is thought that this founder's ancestors came from the kingdom of "Silla ". Japanese soft styles such as Judo (mostly a sport version of throwing and chocking), Daitoryu Yawara (same as Aiki Jujitsu - mostly throwing, joint manipulation, and grappling), and Aikido (mostly the use of an opponent's strength, and joint manipulation) were the same skills that evolved from Jujitsu. But, in Japan the Daitoryu yawara (Aiki Jujitsu) and Jujitsu name has been disbanded, and presently these branch schools are called Judo and Aikido schools. However, the Jujitsu that has become poular in present times is called Brazilian Jujitsu and is mostly focused on grappling and ground locks. All of these Japanese soft style skills share many similarities with the soft style "Yusool" skills of the ancient secret combat skills of the Hwarang which are called "Um Yang Kwon " (Yusool -soft skills and Kangsool -hard skills). Because of these many similarities and the meaning of the founder's name, it is thought that Jujitsu's roots lie in the Hwarang tradition of Korea. This Hwarang system was passed through the Koryo dynasty (936 AD - 1392 AD), however during the Yi Dynasty (Chosun) (1393 AD - 1910 AD) the hwarang faded from public service, typically becoming monks or retreating into a mountain life of contemplation. From 1910-1945 Korea was occupied by Japan. The japanese government tried to quash all forms of korean identity, including martial arts so the only arts allowed were japaneese ones. After the liberation many various martial arts sprang up including YEON MU KWAN KONG SOO DO, MU DUK KWAN TANG SOO DO, CHANG MU KWAN KONG SOO DO, SONG MU KWAN KONG SOO DO, CHUNG DO KWAN KONG SOO DO, JI DO KWAN KONG SOO DO and DAITO RYU YAWARA. And many more. In 1955 General Choi Hong Hi officially named the art he had developed from an ancient korean art named Taekyon and Japanese Karate -Taekwondo History of General Choi and TaekwondoTaekwondo (also written as "tae kwon do", "taekwon-do") is a modern martial art from Korea that is characterised by its fast, high and spinning kicks. Taekwondo was originally founded by General Choi Hong Hi, General Choi was born on November 9th, 1918, in the Hwa Dae Myong Chun District of Korea. At the age of twelve he started to study Taek Kyon, an ancient Korean method of fighting with the feet. Later, when he was studying in Japan, he met a Karate teacher who helped him earn his first degree Black Belt in less than two years. He then intensified his training, striving to earn his second degree. Around the same time, he started teaching. Conscripted into the Japanese army during World War II, he was posted to Pyongyang where he was imprisoned. Wanting to maintain his good physical and mental health during his imprisonment, he practiced karate, alone at first, then by teaching it to the staff of the prison and the other prisoners. Becoming an officer in the new Korean Army after the end of the war, he continued to teach his martial art to his soldiers as well as to American soldiers serving in Korea. His beliefs and his vision of a different approach to teaching martial arts led General Choi to combine elements of Taek Kyon and Karate techniques to develop a modern martial art. He called it Tae Kwon Do, which means "the way of the feet and the hands", and this name was officially adopted on April 11th, 1955. In 1959, General Choi was named President of the Korean Taekwon-Do Association. Seven years later, on March 22nd,1966, he created the International Taekwon-Do Federation (ITF). As the Founder of Taekwon-Do and President of the ITF, he had the ability to share his art with students everywhere. Today, Taekwon-Do training is available around the world. After a life dedicated to the development of Taekwon-Do, a modern martial art based on traditional values, philosophy, and training, General Choi, Founder of Taekwon-Do and President of the International Taekwon-Do Federation, died of cancer on June 15th, 2002, in the country of his birth. There is one main and important division within Taekwondo. General Choi founded the International Taekwondo Federation (ITF), due to its popularity and being taught to the army of southern Korea it was named the national sport of South Korea. General Choi seeking to expand the reach of Taekwondo went and taught the North Koreans his art. The South korean government angered by this created a new Taekwondo association named the World Taekwondo Federation (WTF). After this split General Choi spent most of the remainder of his life in Canada. These two federations whilst similar now have important differences. The ITF style has always been a martial art, designed to train soldiers in effective hand to hand combat. The WTF in order to be included in the Olympic games has had many of the dangerous techniques removed to have the classification of a sport. Useful links: ITF PatternsWTF poomseTKD Philosophies (site detailing many books outlining the various philosophies of TKD, extremely obtuse...)
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Posted: Tue Jan 11, 2005 1:47 pm
I dont think I'd be much of any help here. I mean I know the origins of my arts, but I dont practice them independantly.....
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Posted: Wed Jan 12, 2005 3:08 am
Any martial art resource is cool, so if you know of any good websites, post a link, be it any martial art, equiptment or general martial arty cool stuff
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Posted: Thu Jan 13, 2005 4:50 pm
Shorin-ryu Karate
This was developed when Okinawin Te and Shaolin Kempo merged. There are a few different sects, with simular katas, but destinctive differences. Karate was brought to Japan in the early 1900s. The karate gi actually comes from Judo, an effort to make the art "more japanese". After WWII the art began to come to America.
Karate is known for its powerful strikes and linear techniques. Advanced forms do have a more chinese influence. This is especially seen in the crane katas.
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Posted: Fri Jan 14, 2005 2:50 am
Shaolin Kempo? Sounds an interesting mix, whats that about?
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Posted: Sat Jan 15, 2005 9:11 pm
DarklingGlory Shaolin Kempo? Sounds an interesting mix, whats that about? Remember the movie "Karate Kid", y'know "wax on, wax off". Well, the people who wrote it did their history homework. There was a Miyagi and he travelled to China. There he learned Shaolin Kempo. When he returned, the art got fused with Okinawin Te. Karate originally translated to "China hand", but the Okinawins were rather proud, and altered the translation to "empty hand" as opposed to giving credit to the Chinese.
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Posted: Fri Jan 21, 2005 6:57 am
hello!!
i decided to post some info on the martial art that i love and practice CAPOEIRA!! xd a lot of you may be familiar with it, especially if you know the characters eddie and chisty from tekken.
im a green and yellow corda (duas voltas) and im with the Grupo Capoeira Biriba Brasil.
ill be dividing the whole thing into sections.. What is capoeira? History Music and Instruments What usually happens in class? Basic Moves Ranking System
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Posted: Fri Jan 21, 2005 7:07 am
[ Message temporarily off-line ]
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Posted: Fri Jan 21, 2005 7:11 am
History
"Capoeira" (pronounced "ka-po-eh-ra") is an Afro-Brazilian martial art, combining fighting techniques, acrobatics and dance techniques. It originated in Brazil, some 300-500 years ago, but was introduced to Brazil by the African slaves from the African country of "Angola". The Angolan slaves were brought from their country on slave prison ships, across the southern Atlantic Ocean, to Brazil, to work as slaves in Brazil. It was in Brazil that the Angolan slaves created the art from the drive to escape from slavery. The Native Brazilian slaves, however, did contribute some to the creation of the art. Because they were not allowed to practice fighting in captivity, the slaves disguised their art as a peaceful, non-contact "Dance-Fight-Game" (as Mestre Nestor Capoeira calls it in his book "Capoeira: Roots of The Dance-Fight-Game"). Because the art looked like a harmless dance, the slave keepers thought nothing of it, and simply watched them practice this "dance" for entertainment. Capoeira, at this time, was practiced slow, low-to-the-ground, and with no (or very little) acrobatics. "Capoeira" actually had no name, at this time. The name came a little later.
Later, the slaves used the art to attempt to escape from slavery. When doing this, they used Capoeira in its true, agressive form. Fast, powerful, full contact, etc.. Some escaped, some didn't. Some escaped, but were caught again, later. The slaves that did escape fled to the jungles of Brazil. Hunters were hired to track them down and recapture them. The word "Capoeira" is said to mean "brushwood", referring to the area the refugee slaves would hide preparing to attack the hunters. This is believed to be when and where Capoeira got its name. Now, Capoeira was called, in full, "Capoeira de Angola".
Some refugee slaves later formed small, backland villages, consisting of refugee slaves. These villages were called "Quilombos". Hunters continued to try to capture refugee slaves. But the people of the Quilombos were usually too skilled for them. Although some did fall to the hunters. There was one Quilombo called "Palmares". Their King, named "Zumbi", was considered the strongest. But one day, Palmares fell to the hunters, and Zumbi was captured - although not easily. Zumbi was executed, but even to this day, Capoeiristas consider Zumbi a hero! Eventually, a law was passed, called The "Freedom of The Womb" law, stating that all new children born in the Quilombos were born free from slavery.
Eventually, hunting for Quilombos and Capoeiristas became too dangerous and costly for the Brazilian Government. The Brazilian Government then finally called off the hunts, and slavery was completely abolished!
However, the elders of the Quilombos, although now free, had not the resources to establish good trade to support themselves.
The younger refugees fled to the cities, now that they were free, and formed gangs of "Capoeiristas" to assault and rob people as a way of living and survival. Political voting time came, one year, and the politicians decided to take advantage of the gangs. They would hire and pay gangs of Capoeiristas to be their bodyguards, and assault those voting for the opposing parties, unless they changed their vote for the person they were working for. This got quickly out of hand, and the Brazilian Government then decided to completely outlaw Capoeira and its practice. All those caught using or practicing Capoeira were sent to exile on "Fernando de Noronha" island, off the NE coast of Brazil. Police made huge efforts to stamp out the art. But the Capoeiristas did not give up. They continued to practice their art, but take measures against police. They played Capoeira in areas where there were many quick exits, and even invented a rhythm called "Cavalaria" ("Cavalry") to herald the approach of police. They also gave eachother nicknames, and often changed them, making it hard for police to track them down.
In 1932, Manoel dos Reis Machado (Mestre Bimba) founded a much more agressive, athletic and martial form of Capoeira, which came to be known as "Capoeira Regional", and opened the first school of his modality of Capoeira, in Bahia State, Brazil. In addition, in 1937, Mestre Bimba demonstrated his art in front of the Brazilian President, who then decided to declare Mestre Bimba's school the first official school of Capoeira, and declare Capoeira as an official Brazilian martial art.
In 1942, Vincente Ferreira Pastinha (A.K.A.: Mestre Pastinha) founded the first school of Capoeira de Angola, also in Bahia State, Brazil.
(Both Mestre Pastinha and Mestre Bimba are now passed away).
There are now thousands of Capoeira schools, in over 70 countries across the globe. Some teach only Regional, some teach only Angola, and some teach both.
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Posted: Fri Jan 21, 2005 7:14 am
Music and Instruments
Music is an integral and ESSENTIAL part of Capoeira. Music commands the type of game of Capoeira played in the Roda (fast/slow, low/high, beautiful/agressive, etc.), and sometimes even delivers messages to the Capoeiristas playing in the Roda.
There are many parts to the music. The instruments (see post 6), the Leader of the Roda (he/she sings the "bridge" lyrics), and the people standing/sitting around the Roda (the "coro". They sing the chorus and clap along).
There are different sections to the "song" aspect of Capoeira. In order...-
Ladainha: A long, slow introductory solo song sung by the leader, initiating the game, and saluting past Mestres, famous places and historic events.
Chula: Considered a part of the Ladainha, this is a call-and-response song, also saluting Mestres, famous places and historic events. The leader calls "Iê" followed by a chosen line, then the coro responds "Iê", and repeat the line, and add "Camará" at the end of the line. A Chula can be short or very long.
Corridos: Call-and-response songs, where the leader sings the bridge, and the coro sings the chorus at the appropriate time.
The coro also claps along to the music, EXCEPT during a Ladainha. Claps are called "palmas". Although, I should mention, there is no clapping during Capoeira de Angola practice.
There are a wide variety of instruments used in Capoeira in general. Although different groups have their different arrangements of instruments.
Berimbau: The lead instrument. It commands the type of of game played in the Roda. (Used in my grupo)
Atabaque: A tall, wooden hand drum used in Capoeira. It is the second instrument to begin playing in the Orquestra. Click here to learn more about it. (Used in my grupo)
Pandeiro: Similar to the "Tambourine", it is a round wooden frame, with metal discs fit along the sides, and a skin fit over the top. It is held in one hand and struck by the other hand to play it. (Used in my grupo)
Agogô: A pair of metal cones, one smaller and higher pitched than the other, attached together by a curved metal rod, held in one hand, and struck by a stick in the other hand to play it. (Used in my grupo)
Reco-Reco: A notched bamboo or metal scraper, held in one hand, and scraped with a stick in the other hand to play it. (Not used in my grupo)
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Posted: Fri Jan 21, 2005 7:37 am
What usually happens in class?
Well a usual day in Capoeira training starts off with the all important STRETCHING. We need to warm up our bodies to get them limber and to avoid (most of) the aches and pains that usually follow a gruelling 3 hours practice!
The next part we start singing songs. As mentioned in the last post singing is very important and we all sing the songs to be used for that day. It also provides good time for newbies to learn the songs. Our mestre (our teacher/guru/sensei) expects all of us to have learned the songs after just two tries sweatdrop impossible since its in portugese. hehe But everyone is required to sing! No exceptions even if it leaves you just humming the tune wink
After we decide wether we will be practicing for a maculele or training moves. A Maculele is a series of steps (this is very much like a dance) and involves the use of two short bamboo sticks. Its a series of foot steps and hand motions using the sticks. After individuals learn the basics we start "dancing" or sparring in pairs.
If were training moves we practice in groups and the mestre moves around. I will be discussing the basic moves in the next post ^^
Lastly we usually close up with a roda. (My fave part!) When "practiced", together with fellow Capoeiristas, they practice in a circle, called a "Roda" (pronounced "haw-da") formed by other Capoeiristas, and an assembly of musical instruments at the opening to the Roda. All the movements are done to the rhythms of these instruments. Here its basically free style. You and your opponent dodge and attack to the beat of the music. It is here that Capoeira can be seen as a "game" since the only blows made are slight taps to show their opponent that their defenses are down! xd
Of course the friendly nature of the game can't hid the power behind all the kicks and acrobatic moves! When sparring injuries can be quite painful. An example would be me failing to evade in time and getting slammed with a kick to the face. Plus I can't tell you how many times I have crashed into my oponnents when we both do Au`s (cartwheels) at the same time!
After all this we slow down and just fool around. Our mestre believes that to have a good school we must know our members and develop friendships. It's not a competition, we are comrades who help each other reach our goals! blaugh
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Posted: Fri Jan 21, 2005 8:04 am
[ Message temporarily off-line ]
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Posted: Fri Jan 21, 2005 8:07 am
Ranking System
We don't have belts but Cordas or Cords.
Beginners - Orange Cord or None 1st Stage - Green Cord - Initiation 2rd Stage - Green Cord - (duas voltas) 3rd Stage - Green/Yellow Cord - Intermediate 4th Stage - Green/Yellow Cord - (duas voltas) 5th Stage - Yellow Cord - 1st level of Instructor 6th Stage - Yellow/blue Cord - Instructor 7th Stage - Blue/Green - Professor Estagiario 8th Stage - Blue Cord - Professor 9th Stage - Green/Yellow/Blue Cord - Contra Mestre 10th Stage - White/Green Cord - 1st level of Mestre 11th Stage - White/Yellow Cord - 2nd level of Mestre 12th Stage - White/Blue Cord - 3rd level of Mestre 13th Stage - White Cord - Grand Mestre
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Posted: Fri Jan 21, 2005 8:10 am
Phew! That was a really long one... sweatdrop
And there ya go! All about capoeira for people who wanna know about it. Some parts i wrote myself the others I compiled from various sorces on the internet! 3nodding
Ok I'm gone! whee Axe`!
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