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Margaret Mitchell - Gone With the Wind

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Marquess of Pembroke

PostPosted: Mon Dec 15, 2008 12:47 pm


Name: Margaret Mitchell
Birth Date: 1900
Death Date: 1949
Nationality: American
Gender: Female
Occupations: author

Published 1936, re-published 1964.

Plot Summary


Twilight of the Old South

Scarlett O'Hara is the anti-heroine of Gone with the Wind, a character who breaks the conventions of a romance novel from the first line of the book "Scarlett O'Hara was not beautiful, but men seldom realized it." A spoiled, high-tempered, and strong-willed sixteen-year-old Southern belle, Scarlett is the eldest of three O'Hara daughters who live an idyllic life on a North Georgian plantation called Tara. In the opening scenes, the O'Haras prepare to entertain their neighbors with a barbecue, and Scarlett plots to capture the man she loves-Ashley Wilkes-from her friend, Melanie. However, Ashley rejects her, and Scarlett's nemesis, Rhett Butler, overhears her humiliation. Rhett, a wealthy outcast from high society who "looks like one of the Borgias," is both amused by and interested in Scarlett.

Historical Context

The Great Depression and Reconstruction Eras

Although Mitchell's 1936 novel Gone with the Wind focuses on the Reconstruction years following the Civil War, many of Mitchell's Initial readers living through the Great Depression could identify with the hardships endured by Scarlett and her family. When all the slaves of Tara run off, and Yankees loot the plantation by burning cotton and stealing valuables, the O'Hara family is left with very little. This experience was one shared by many plantation owners in the South, some of whom also lost their land because they were unable to pay the new taxes. Similarly, many people in the 1930s had lost their jobs, savings, and homes after the stock market crash of 1929.
PostPosted: Mon Dec 15, 2008 12:49 pm


Anyone who's read it or would like to read it please feel free to post comments or thoughts for compare and contrast as well as other things.

Marquess of Pembroke

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Literature, Art, and Architecture

 
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