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PostPosted: Wed Dec 10, 2008 9:32 am


Hindu Goddess Info  
PostPosted: Wed Dec 10, 2008 9:33 am


Prithvi

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Prithvi (Sanskrit: pṛthvī, also pṛthivī) is the Hindu earth and mother goddess. According to one tradition, she is the personification of the Earth, and to another its Mother, being Prithivi Tattwa, the essence of the element earth.
As Prithvi Mata "Mother Earth" she contrasts with Dyaus Pita "father sky". In the Rigveda, Earth and Sky are frequently addressed in the dual, probably indicating the idea of two complementary half-shells.
Prithu chasing Prithvi, who is in the form of a cow.She is the wife of Dyaus Pita ('father Dyaus'). (The widespread belief that these two were originally a single deity appears to be mistaken. See Dyavaprthivi). She is the mother of Indra and Agni. According to a tradition, when Indra killed Dyaus Pita, she applauded and married him. She is associated with the cow. Prithu, an incarnation of Vishnu, milked her in the cow's form to get food from her.
Prithvi is also called Dhra, Dharti, Dhrithri, meaning that which holds everything. As Prithvi Devi, she is one of two wives of Lord Vishnu. His other wife is Lakshmi.
Prithvi is another form of Laxmi. Another name for Her is Bhumi or Bhudevi or Bhuma Devi.
In art she is represented as a woman with four arms and a green skin.
 

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PostPosted: Wed Dec 10, 2008 9:35 am


Sarasvati (Vaak)

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Saraswati (pronounced as [sə.rəs.ʋə.t̪iː]; Sanskrit: सरस्वती, sarasvatī) is the Hindu goddess of knowledge, music and the arts. Saraswati has been identified with the Vedic Saraswati River. She is considered as the daughter as well as consort of Brahma, the Hindu god of creation. Thus, with the goddesses Lakshmi and Parvati or Durga, she forms the Tridevi ("three goddesses"), who are consorts of the male trinity of Brahma, Vishnu and Shiva, respectively. Saraswati's children are the Vedas, which are the oldest sacred texts of Hinduism.
Saraswati as a river
Main article: Sarasvati River
The Rigvedic hymns dedicated to Saraswati mention her as a mighty river with creative, purifying, and nourishing properties. The best theory regarding the Vedic Sarasvati River states that it was formed by the present headwaters of the Yamuna River. In ancient times, after leaving the Himalayan foothills, the waters of the Yamuna turned west instead of east at Paonta Saheb. Next, the river flowed southwest across the Punjab and Haryana regions along the course of the modern Ghaggar-Hakra River in a pathway roughly parallel to the smaller Indus River to its west. The Sutlej flowed further east than it does today, and joined the Sarasvati somewhere near Bahawalpur. Eventually, the wide river emptied into the Rann of Kutch, which at the time was a more integral part of the Arabian Sea.
Along the course of the Sarasvati, the Harappan Civilization developed. The earliest known examples of writing in India have been found in the ruined cities that line the now dry riverbed of the ancient waterway. Some have postulated that the goddess Saraswati gained her role as personified communication and the giver of knowledge due to the role of the Sarasvati River in the development of written language in ancient India.
Between 2000 B.C. and 1700 B.C., seismic activity caused the waters of the river's two main sources to change course. The Sutlej moved course westward and became a tributary of the Indus River. The Yamuna moved course eastward and became a tributary of the Ganges. The tremendous loss of water which resulted from these movements caused the once mighty river to become sluggish and dry up in the Thar Desert without ever reaching the sea. Without any water for irrigation or transportation, the dense population of the river basin soon shifted east with the waters of the Yamuna to the Ganges River valley. Late Vedic texts record the river as disappearing at Vinasana (literally, "the disappearing"), and as joining both the Yamuna and Ganges as an invisible river. Some claim that the sanctity of the modern Ganges is directly related to its assumption of the holy, life-giving waters of the ancient Sarasvati.
Recently, archaeologists using satellite images have been able to trace the course of the river. A small channel of water flows near Kurukshetra. A nearby signboard denoting the former path of the once great Sarasvati River can be seen along the main highway (GT road).
Maha Saraswati
Maha Saraswati is the presiding Goddess of the Final episode of Devi Mahatmya. Here she is a part of the trinity of Maha Kali, Maha Lakshmi and Maha Saraswati. She is depicted as eight-armed. Her dhyana shloka is: Wielding in her lotus-hands the bell, trident, ploughshare, conch, pestle, discus, bow, and arrow, her lustre is like that of a moon shining in the autumn sky. She is born from the body of Gowri and is the sustaining base of the three worlds. The Maha Saraswati I worship here who destroyed Sumbha and other asuras.
Mahavidya Nila Saraswati
Nilasaraswati is another form of Mahavidya Tara. There are separate dhyana shlokas and mantras for her worship in Tantrasara.
Origins and context in Hinduism
In the Rig-Veda (6,61,7), Saraswati is credited, in association with Indra, with killing the serpentine being Vritraasura, a demon which hoarded all of the earth's water and so represents drought, darkness, and chaos. She is often seen as equivalent to other Vedic goddesses such as Vak, Savitri, and Gayatri. Saraswati represents intelligence, consciousness, cosmic knowledge, creativity, education, enlightenment, music, the arts, and power. She is not only worshipped for secular knowledge, but for the true divine knowledge essential to achieve moksha. She is also referred to as Shonapunya, a Sanskrit word meaning ‘one purified of blood’.
In some Puranas (like Skanda Purana) she is associated with Shiva and in some Tantras with Ganesha.
According to Brahma Vaivarta Purana 2.6.13-95 Vishnu has three wives, who constantly quarrel with each other, so that eventually, he keeps only Lakshmi, giving Ganga to Shiva and Saraswati to Brahma.
The original (spiritual) forms of devas including Saraswati are present in the spiritual world:
In the centre [of Vaikuntha] reside the deities of fire, sun and moon, Kurma-avatara, Ananta Sesha, and Garuda, the master of the three Vedas. The Vedic hymns and all sacred mantras also stay in that holy place, which is made of all the Vedas, and which is known in the Smriti-sastra as the yoga-pitha.
Rupa Gosvami elaborates:
Accompanied by Goddess Lakshmi and other associates, the catur-vyuha expansions headed by Lord Vasudeva are manifest in the eight directions, beginning with the east. In the directions beginning with the southeast, the palaces of Lakshmi, Saraswati, Rati, and Kanti respectively are situated.
According to Vedanta she is considered to be the feminine energy and knowledge aspect (shakti) of Brahman, as one of many aspects of Adi Shakti.
Other associations
As a river/water goddess, Saraswati symbolizes fertility and prosperity. She is associated with purity and creativity, especially in the context of communication, such as in literary and verbal skills. In the post-Vedic age, She began to lose her status as a river goddess and became increasingly associated with literature, arts, music, etc. Her name literally means "the one who flows", which apparently was applied to thoughts, words, or the flow of a river (in Sanskrit: "dhaara-pravaah").
Saraswati is known as Benzaiten in Japan.
Iconography
Goddess Saraswati is often depicted as a beautiful, white-skinned woman dressed in pure white often seated on a white Nelumbo nucifera lotus (although Her actual vahana is believed to be a swan), which symbolizes that she is founded in the experience of the Absolute Truth. Thus, she not only has the knowledge but also the experience of the Highest Reality. She is mainly associated with the color white, which signifies the purity of true knowledge. Occasionally, however, she is also associated with the colour yellow, the colour of the flowers of the mustard plant that bloom at the time of her festival in the spring. She is not adorned heavily with jewels and gold, unlike the goddess Lakshmi, but is dressed modestly — perhaps representing her preference of knowledge over worldly material things.
She is generally shown to have four arms, which represent the four aspects of human personality in learning: mind, intellect, alertness, and ego. Alternatively, these four arms also represent the 4 vedas, the primary sacred books for hindus. The vedas, in turn, represent the 3 forms of literature:
Poetry — the Rigveda contains hymns, representing poetry
Prose — Yajurveda contains prose
Music — Samaveda represents music.
The four hands also depict this thusly — prose is represented by the book in one hand, poetry by the garland of crystal, music by the veena. The pot of sacred water represents purity in all of these three, or their power to purify human thought.
She is shown to hold the following in her hands:
A book, which is the sacred Vedas, representing the universal, divine, eternal, and true knowledge as well as her perfection of the sciences and the scriptures.
A mala (rosary) of crystals, representing the power of meditation and spirituality.
A pot of sacred water, representing creative and purificatory powers.
The veena, a musical instrument that represents her perfection of all arts and sciences. Saraswati is also associated with anurāga, the love for and rhythm of music which represents all emotions and feelings expressed in speech or music. It is believed that children born with that name will prove to be very lucky in their studies.
A white swan is often located next to her feet. The sacred swan, if offered a mixture of milk and water, is said to be able to drink the milk alone. The swan thus symbolizes discrimination between the good and the bad or the eternal and the evanescent. Due to her association with the swan, Goddess Saraswati is also referred to as Hamsa-vahini, which means "she who has a swan as her vehicle".
She is usually depicted near a flowing river, which may be related to her early history as a river goddess. The swan and her association with the lotus flower also point to her ancient origin.
Sometimes a peacock is shown beside the goddess. The peacock represents arrogance and pride over its beauty, and by having a peacock as her mount, the Goddess teaches Hindus not to be concerned with external appearance and to be wise regarding the eternal truth.
Festivals
Saraswati festival on Dasashwamedh Ghat in Varanasi, India, January 2007Saraswati Puja is performed on the 5th day of Magha month of Hindu Calendar( Also known as Basant Panchami).
In several parts of India, generally states to the south, Saraswati Poojas are conducted during Navaratri - a 9 day long festival celebrating the power of feminity. Navratri is celebrated in all goddess-temples of India- esp with great pomp and splendor in south and east India. The last three days of Navaratri starting from Mahalaya Amavasya (the New Moon day) are dedicated to the goddess. On the ninth day of Navaratri (Mahanavami), books and all musical instruments are ceremoniously kept near the gods early at dawn and worshipped with special prayers. No studies or any performance of arts is carried out, as it is considered that the Goddess herself is blessing the books and the instruments. The festival is concluded on the tenth day of Navaratri (Vijaya Dashami) and the goddess is worshipped again before the books and the musical instruments are removed. It is customary to study on this day, which is called Vidyarambham (literally, Commencement of Knowledge). All students are traditionally required to study a part of all that they have learn till that day, and also to start the study of something new on the same day. Gurus ( Preceptors) are worshipped on this day as embodiments of Saraswati.In major part of India this Navratri is associated with Goddess Durga, but down South is celebrated as Saraswati Puja.
Temples
Major temples for the goddess are in Basara Town ( Andhra Pradesh, www.BasaraTemple.org) Shringeri (Karnataka), Pushkar (Rajastan), Panachikkad (Kerala), South Paravoor (Kerala). Though temples for saraswati are rare, there are some minor temples in Kumbakonam,Koothanur (Tamilnadu), Basar, Nuzvid(Krishana Dt..)(Andhra Pradesh), Bharathi temple (known as Kollam Bharathi locally) near Atmakur, Kurnool Dist in Andhra, shradapeth (ruins) (kashmir) Also Deupatan, Kamalakshi, Thimi, Bhadrakali ,Gairidhara in the Kathmandu region have her temples.
The Worship of Goddess Saraswati
The goddess's abode is mentioned as being in the state of Kashmir, among the Himalayas. Her favorite fruit is supposed to be the apple.
In hindu mythology, great significance is attached to offering honey to this goddess, as honey is representative of perfect knowledge.
A Prayer to Goddess Saraswati – Saraswati Vandana Mantra
Yaa Kundendu tushaara haaradhavalaa, Yaa shubhravastraavritha
Yaa veenavara dandamanditakara, Yaa shwetha padmaasana
Yaa brahmaachyutha shankara prabhutibhir Devaisadaa Vanditha
Saa Maam Paatu Saraswatee Bhagavatee Nihshesha jaadyaapahaa
English Translation:
"May Goddess Saraswati, who is fair like the jasmine-colored moon, and whose pure white garland is like frosty dew drops; who is adorned in radiant white attire, on whose beautiful arm rests the veena, and whose throne is a white lotus; who is surrounded and respected by the Gods, protect me. May you fully remove my lethargy, sluggishness, and ignorance."
 
PostPosted: Wed Dec 10, 2008 9:37 am


Lakshmi (Shri)

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Parmeshwaraʕ Lakshmi or Mahalakshmi (pronunciation: [ləkʂ.miː]; Sanskrit: लक्ष्मी lakṣmī) is the Hindu goddess of wealth, fortune, love and beauty, the lotus flower and fertility. Representations of Lakshmi (or Shri) are found in Jain and Buddhist monuments, in addition to Hindu temples. Analogous to the Greek Aphrodite and Roman Venus - who also originated from the oceans - she is generally thought of as the personification of material fortune, beauty and prosperity. As wherever Lakshmi is, there also is Vishnu; Lakshmi is endemic to Vaishnavism.
She is the consort of Vishnu and married or romanced his incarnations Rama (in her incarnation as Sita) and Krishna (as Rukmini and the milkmaid Radha).
Legends
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Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (November 2007)
The appearance of goddess Lakshmi is related to an ancient story. Durvasa the short-tempered sage once presented Indra, the king of the gods (devas) with a garland of flowers which would never wilt. Indra gave this garland to his elephant Airavata. Sage Durvasa saw the elephant trampling the divine garland and cursed Indra, for he had shown disrespect to the sage. The sage cursed Indra that he and all the gods would lose their power because it had made them so proud and vain. Due to the curse, the demons (asura) vanquished the devas and drove them out of the heavens.
The defeated gods then went to seek refuge to the Creator Lord Brahma who asked them to churn the 'Ocean of Milk', Ksheersagar, to obtain the 'nectar' (amrita) of immortality. The gods then went to Lord Vishnu, to seek his assistance. Lord Vishnu took the Avatar Kurma (Tortoise) and supported the Manthara Parvata (mountain) as a churning rod, while the king of the Nāga, Vasuki, became the churning rope. The deva and the asuras (under the leadership of the pious and wise King Bali Chakravarti) both helped each other in churning the Ocean of Milk.
Amongst the host of divine gifts which appeared from the ocean, goddess Lakshmi appeared and then chose Shri Vishnu as her consort, as only He had the power to control Maya or 'illusion'. Because of this, Lakshmi is also called the daughter of the sea; since the moon also appeared from the ocean during the churning, the 'moon' (chandra) is called her brother. Alakshmi, the goddess of misfortune, is Lakshmi's older sister. She is said to have also arisen from the Ocean of Milk.
According to the Vishnu Purana, Lakshmi is the daughter of Bhrigu and Khyaati and resided in Swarga but due to the curse of Durvasa, she left Swarga and made Ksheersagara her home. The reappearance of Lakshmi after Samudra manthan and her marriage to Vishnu thereafter, remain the same. Lakshmi is the power and Maya of Lord Vishnu. This is consonant with the basic philosophy of "Sri Vaishnavism" which honours Sri (Lakshmi) as the "Iswarigm sarva bhootanam" i.e. the Supreme goddess and not just the goddess of wealth. In some places She is seen in two forms, Bhudevi and Sridevi, both either side of Vishnu. Bhudevi is the fertility form in which She is Mother Earth. Sridevi is the wealth and knowledge of Her which is seen with Narayan. Most people are mistaken that they are separate beings although they are one, Lakshmi.
Mahalakshmi
Mahalakshmi is the presiding Goddess of the Middle episode of Devi Mahatmya. Here she is depicted as Devi in her universal form as Shakti. The manifestation of the Devi to kill Mahishasura is formed by the effulgences of all the gods. The Goddess is described as eighteen armed bearing string of beads, battle axe, maze, arrow, thunderbolt, lotus, bow, water-pot, cudgel, lance, sword, shield, conch, bell, wine-cup, trident, noose and the discuss sudarsana. She has a complexion of coral and is seated on a lotus. She is known as Ashta Dasa Bhuja Mahalakshmi.
Dasa Maha Vidya Kamalatmika
Mahavidya Kamalatmika, one of the Dasa Mahavidyas has the same iconography as Lakshmi. But here she is considered the ultimate reality.
Epithets
Vishnu with Lakshmi (Lakshminarayana) at HalebiduLakshmi has many names. She is known to be very closely associated with the Lotus, and her many epithets are connected to the flower, such as:
Padma: lotus dweller.
Kamala: lotus dweller.
Padmapriya: One who likes lotuses
Padmamaladhara devi: One who wears a garland of lotuses
Padmamukhi: One whose face is as beautiful as a lotus
Padmakshi: One whose eyes are as beautiful as a lotus
Padmahasta: One who holds a lotus
Padmasundari: One who is as beautiful as a lotus
Her other names include:
Rama,
Indira,
Manushri,
Chakrika,
Kamalika,
Lalima,
Nandika,
Rujula
Out of these names, the two most popular names are Rama and Indira.
Iconography
Sculpture of LakshmiPhysically, goddess Lakshmi is described as a fair lady, with four arms, seated on a lotus, dressed in fine garments and precious jewels. Her expression is always calm and loving. The most striking feature of the iconography of Lakshmi is her persistent association with the lotus. The meaning of the lotus in relation to Shri-Lakshmi refers to purity and spiritual power. Rooted in the mud but blossoming above the water, completely uncontaminated by the mud, the lotus represents spiritual perfection and authority. Furthermore, the lotus seat is a common motif in Hindu iconography.
Goddess Lakshmi's traditionally accepted vehicle, the owl (Ulooka in Sanskrit), is a bird that sleeps through the day and prowls through the night.
Ashta Lakshmi
Main article: Ashta Lakshmi
Ashta Lakshmi (Sanskrit: अष्टलक्ष्मी,Aṣṭalakṣmī, lit. "eight Lakshmis") are a group of eight secondary manifestations of the goddess Lakshmi, who preside over eight sources of wealth and thus represent the powers of Shri-Lakshmi. They are:
1) आदि लक्ष्मी Ādi Lakṣmī [The First manifestation of Lakshmi]
2) धान्य लक्ष्मी Dhānya Lakṣmī [Granary wealth]
3) धैर्य लक्ष्मी Dhairya Lakṣmī [Wealth of courage]
4) गज लक्ष्मी Gaja Lakṣmī [Elephants, symbols of wealth]
5) सन्तान लक्ष्मी Santāna Lakṣmī [Wealth of continuity, progeny]
6) विजय लक्ष्मी Vijaya Lakṣmī [Wealth of victory]
7) विद्या लक्ष्मी Vidyā Lakṣmī [Wealth of knowledge and education]
धन लक्ष्मी Dhana Lakṣmī [Monetary wealth]
Celebration in Hindu society
Laxmi idol at Bhubaneswar during (Laxmi Puja) FestivalHindus worship Lakshmi the most on Diwali, the festival of lights. According to tradition people would put small oil lamps outside their homes on Diwali and hope Lakshmi will come to bless them.
In Bengal, Lakshmi is worshiped during a night in Autumn when the moon is full, the brightest night of the year. It is believed that she showers wealth on this night.She, along with her mount, the great white owl, descends to earth and takes away the darkness of poverty, stagnation, anger, and laziness from our lives.
The prefix Sri (also spelled as Shri, pronounced as shree) renders as 'one who takes delight in Sri' Lakshmi, meaning wealth, wealth of any kind. Any thing that need be affluent gets the auspicious prefix or suffix 'Lakshmi', or 'Sri' like Rajya Lakshmi (Wealth of Empire), Shanti Sri (Wealth of Peace), etc. In modern India, common titles standing in for the English Mr. and Mrs. are Shri (also Sri or Shree) and Shrimati (also Srimati or Shreemati), as in "Sri Gupta" or "Srimati Mangeshkar".
Goddess Lakshmi is worshipped by those who wish to acquire or to preserve wealth. It is believed that Lakshmi (wealth) goes only to those houses which are clean and where the people are hardworking. She does not visit the places which are unclean/dirty or where the people are lazy.
In the Sri Vaishnava philosophy however, Sri (Lakshmi) is honored as the "Iswarigm sarva bhootanam" i.e. the Supreme goddess and not just the goddess of wealth. This is an important distinction between Sri Vaishnavism and other materialistic philosophies.
In Uttarakhand, after the worship of the goddess on Diwali night, the Shankha or Conch is not blown. This is because the shankha is also from the ocean like the goddess herself, so it is given a day of rest.
Karaveera Nivasini Mahalakshmi is the patron goddess of Kolhapur city, Maharashtra.
Worship
Two of the most famous prayers for worshipping Ma Lakshmi are: Sri Lakshmi Stuti By Indra and Sri Sukta. There is another famous prayer pronounced by the great sage Agasti: Agasti Lakshmi Stotra. Although Mother Lakshmi is worshipped as the Goddess of fortune, when she is worshipped with Narayana not only wealth but also peace and prosperity never leave the home of the worshipper. They can be worshipped in various forms such as LakshmiNarayana, LakshmiNarasimha, SitaRam, RadhaKrishna, VithalRakhumai(VithhalRukmini).
Shri
Sri, Shri or Shree (Devanagari - श्री, Kannada- ಶ್ರೀ, Tamil - ஸ்ரீ, official IAST transliteration Śrī) means wealth, is a Sanskrit title of veneration, a Hindu honorific stemming from the Puranic conception of prosperity. It signifies the goddess of wealth - Lakshmi, the wife of Vishnu. Lakshmi symbolises beauty, wealth and grace. According to Sanskrit grammar, Sri belongs to the feminine subjunctive gender but nowadays it is written as a masculine name prefix, short for Sriman and it is akin to Mr. in English, kreiōn in Greek, Effendi in Turkish, or Thiru in Tamil. It is pronounced halfway between sree and shree.
Significance
Sri' is an epithet of some Hindu gods. It is also used as a prefix to the names of men and women who are considered great or holy, or who derive their power from that which is holy. When used as a title for gods, Śrī is sometimes translated into English as Lord, but this is inaccurate and it is generally agreed that Śrī is best left untranslated.
Sri Devi (or in short Sri, another name of Lakshmi, consort of Vishnu) is the Devi (goddess) of wealth according to Hindu beliefs. Lakshmi symbolises beauty, wealth and grace.
There is a common practice of writing Śrī as first word centralised in line at the beginning of the document.
Śrī is one of the names of Ganesha, the Hindu god of prosperity. The origin of the word Sri is traced to the account of Lord Ganesha losing his head while protecting his mother Pārvatī. This is why He is the first to be worshiped in all the 'yagyas'.
Current usage
Sri/Shri is often used as a respectful affix to the names of celebrated or revered persons. It is not gender-specific, but the assumption that it is gender-specific has resulted in the title of Shrimati (abbreviated Smt) for women.
Another usage is as an emphatic compound (which can be used in multiple: shri shri, or sri sri sri, etc.) in princely styles, notably in Darbar Shri, Desai Shri, Khan Sahib Shri Babi, Malek Shri and Thakur Shri or as in Sri Sri Ravi Shankar, a Hindu spiritual Guru and leader
Place name
It is used in the name of the country Sri Lanka, which means venerable island and as in Sri Perambadur, a town in the State of Tamil Nadu, where the Srivaishnava pontiff Ramanuja was born.
 

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