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sasquatchum

PostPosted: Wed Oct 12, 2005 5:35 pm


Of all the major alternative rock bands of the early '90s, the Smashing Pumpkins were the group least influenced by traditional underground rock. Lead guitarist/songwriter Billy Corgan fashioned an amalgam of progressive rock, heavy metal, goth rock, psychedelia, and dream pop, creating a layered, powerful sound driven by swirling, distorted guitars. Corgan was wise enough to exploit his angst-ridden lyrics, yet he never shied away from rock star posturing, even if he did cloak it in allegedly ironic gestures. In fact, the Smashing Pumpkins became the model for alternative rock success -- Nirvana was too destructive and Pearl Jam shunned success. The Pumpkins, on the other hand, knew how to play the game, signing to a major-subsidized indie for underground credibility and moving to the major in time to make the group a multi-platinum act. And when the group did achieve mass success with 1993's Siamese Dream, they went a long way to legitimize heavy metal and orchestrated prog rock, helping move alternative rock even closer to '70s AOR, especially in the eyes of radio programmers and mainstream audiences. Unlike many of their contemporaries, the Pumpkins were able to withstand many internal problems and keep selling records, emerging as the longest-lasting and most successful alternative band of the early '90s.

The son of a jazz guitarist, Billy Corgan grew up in a Chicago suburb, leaving home at the age of 19 to move to Florida with his fledgling goth metal band, the Marked. After the band failed down South, he returned to Chicago around 1988, where he began working at a used-record store. At the shop he met James Iha (guitar), a graphic arts student at Loyola University, and the two began collaborating, performing and recording songs with a drum machine. Corgan met D'Arcy Wretzky at a club show; after arguing about the merits of the Dan Reed Network, the two became friends and she joined the group as a bassist. Soon, the band, who named themselves the Smashing Pumpkins, had gained a dedicated local following, including the head of a local club who booked them to open for Jane's Addiction. Before the pivotal concert, the band hired Jimmy Chamberlin, a former jazz musician, as their full-time drummer.


In 1990, the Smashing Pumpkins released their debut single, "I Am One," on the local Chicago label Limited Potential. The single quickly sold out, and in December, the band released "Tristessa" on Sub Pop. By this point, the Smashing Pumpkins had become the subject of a hot bidding war, and the group latched on to a clever way to move to a major label without losing indie credibility. They signed to Virgin Records, yet it was decided that the group's debut would be released on the Virgin subsidiary Caroline, then the band would move to the majors. The strategy worked; Gish, a majestic mix of Black Sabbath and dream pop produced by Butch Vig, became a huge college and modern rock hit upon its spring 1991 release. While it earned a large audience, many indie rock fans began to snipe at the Smashing Pumpkins, accusing them of being careerists. Such criticism did the band no harm and they embarked on an extensive supporting tour for Gish, which lasted over a year and included opening slots for Red Hot Chili Peppers and Pearl Jam. During the Gish tour, tensions between bandmembers began to escalate, as Iha and D'Arcy, who had been lovers, went through a messy breakup, Chamberlin became addicted to drugs and alcohol, and Corgan entered a heavy depression. These tensions hadn't been resolved by the time the group entered the studio with Vig to record their second album.

Toward the beginning of the sessions, the Pumpkins were given significant exposure through the inclusion of "Drown" on the Singles soundtrack in the summer of 1992. As the sessions progressed, Corgan relieved himself of his depression by working heavily -- not only did he write a surplus of songs, he played nearly all of the guitars and bass on each recording, which meant that its release was delayed several times. The resulting album, Siamese Dream, was an immaculate production owing much to Queen, yet it was embraced by critics upon its July 1993 release. Siamese Dream became a blockbuster, debuting at number ten on the charts and establishing the group as stars. "Cherub Rock," the first single, was a modern rock hit, yet it was "Today" and the acoustic "Disarm" that sent the album into the stratosphere, as well as the group's relentless touring. The Smashing Pumpkins became the headliners of Lollapalooza 1994, and following the tour's completion, the band went back into the studio to record a new album that Corgan had already claimed would be a double-disc set. To tide fans over until the new album, the Pumpkins released the B-sides and rarities album Pisces Iscariot in October of 1994.

Working with producers Flood and Alan Moulder, the Smashing Pumpkins recorded as a full band for their third album, which turned out to be, as Corgan predicted, a double-disc set called Mellon Collie and the Infinite Sadness. Although many observers were skeptical about whether a double-disc set, especially one so ridiculously named, would be a commercial success, Mellon Collie became an even bigger hit than Siamese Dream, debuting at number one on the charts. On the strength of the singles "Bullet With Butterfly Wings," "1979," "Zero," and "Tonight, Tonight," it would sell over four million copies in the U.S., eventually being certified platinum over eight times (each disc in the set counted separately toward certification). The Pumpkins had graduated to stadium shows for the Mellon Collie tour, and the band was at the peak of their popularity when things began to go wrong again. On July 12, prior to two shows at Madison Square Garden, the group's touring keyboardist, Jonathan Melvoin, died from a heroin overdose; he was with Jimmy Chamberlin, who survived his overdose. In the wake of the tragedy, the remaining Pumpkins fired Chamberlin and spent two months on hiatus as they recovered and searched for a new drummer. Early in August, they announced that Filter member Matt Walker would be their touring drummer, and Dennis Flemion, a member of the Frogs, would be their touring keyboardist for the remainder of the year. They returned to the stage at the end of August and spent the next five months on tour. During this time, Corgan contributed some music to Ron Howard's Ransom.

Early in 1997, once the Pumpkins left the road, Iha and D'Arcy launched Scratchie Records, a subsidiary of Mercury Records. In the spring, the Smashing Pumpkins recorded two songs for the soundtrack for Batman & Robin. Iha's solo debut, Let It Come Down, appeared in early 1998; Adore, the new Smashing Pumpkins LP, followed a few months later to disappointing sales and reviews. Chamberlin returned to the group and D'Arcy exited prior to the early-2000 release of MACHINA: The Machines of God. Several months later, Corgan announced his intentions to dissolve the band before the year was out. With former Hole bassist Melissa Auf Der Maur replacing D'Arcy, the band launched their farewell tour in 2000. Fans of the band received one last treat when Corgan and company worked feverishly to finish off tracks that were left over from the MACHINA sessions. Surprisingly, Virgin Records balked at the idea of releasing the 25-track set so close in time to their previous album, so the band put the entire album (going by the official title of Machina II: The Friends and Enemies of Modern Music) on the Internet for fans to download for free. On December 2 of the same year, the Pumpkins played a mammoth final show at Chicago's Metro (also the venue at which the group played their first show back in 198 cool , before officially calling it quits. But the former members of the band didn't wait long before carrying on with other projects -- Corgan spent the summer of 2001 playing guitar with New Order on select concert dates, and later in the year, unveiled his new band, Zwan, including Chamberlin on drums (as well as former Chavez guitarist Matt Sweeney and bassist Skullfisher). The other two former Pumpkins, Iha and Auf Der Maur, began putting together an alt-rock supergroup dubbed the Virgins, which may include such big names as Ryan Adams, former-Lemonhead Evan Dando, and former-D Generation leader Jesse Malin. The same year, a pair of postmortem Pumpkins collections were issued for the holiday season -- a double-disc collection and a DVD both called Greatest Hits.

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gish

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siamese dreams

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pisces iscariot

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mellon collie and the infanite sadness

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adore

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machina/the machines of god

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machina II/the friends and enemy of modern music

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the aeroplane flys high

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altro


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rotten apples greatest hits 2001
PostPosted: Wed Oct 12, 2005 5:43 pm


special thanks to pacta_cum_daemonibus
for making the biography! mrgreen
 

sasquatchum


Discord and Doom

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PostPosted: Thu Oct 13, 2005 5:09 pm


Amashing Pumpkins have.. some ******** Up Songs!...I love them for it! ^_^;;;; How can you NOT love them?
PostPosted: Thu Oct 13, 2005 8:51 pm


yes! quite. i first started to get interested in them when i heard Bullet Proof Butterfly on Kilo. yeah. and then. i have cherished them. and been sad that they are no longer a band. but. none the less. i love them!

interesting side note: amy lee from evanescence covered Zero at the concert i went to many moons ago in denver.... back when she had a band. ninja i can't say as a pumpkins fan i was offended.... i was actualy quite extacti over the whole.... hearing that song live. 3nodding

sasquatchum


snogging_risika

PostPosted: Thu Oct 13, 2005 9:16 pm


i will take note of this and figure out my game plan for my bios*does a jump in the air for happiness* biggrin
PostPosted: Thu Oct 13, 2005 9:17 pm


Pumpkins! heart

So what did you guys think of Corgan's announcement about possibly reviving the Pumpkins (in some form)?

ShinobiRedScarf


sasquatchum

PostPosted: Thu Oct 13, 2005 9:25 pm


hmmm. that would be neat. i would have to say .... as long as they can al just g-g-g-get along and make some perdy music! yay! but if the band is all stare with eachothe.r.... no.... that would suck. no....
PostPosted: Thu Oct 13, 2005 9:31 pm


I'm worried that they aren't going to get Iha back in the group. If any of you have been keeping up with Corgan's solo project or his Myspace blog then you will understand what I mean. He seems to pin a lot of blame on Iha for the band breaking up in the first place.

The Smashing Pumpkins are one of my all time favorite bands and as exicited as I feel to think of their return, I also feel very skeptic about if they will be able to produce the same level of music they once had. I'm hopeing that they do not mar my memories of them.

ShinobiRedScarf


sasquatchum

PostPosted: Thu Oct 13, 2005 9:39 pm


yeah. i am not so worried about the whole "mar-age of memories" thing. i like their stuff that is already published. if they can't come up with good music if they rejoin... that won't change my opinion of the smashing pumpkins i love right now. people change. and if they can't work with eachother then.. well... back in their day they kicked a**. such is the way of life. and i will still spout pumpkin lyrics in the middle of conversations. and the world will keep turning. ::shrug:: as long as they don't kill eachother or... do something incredibly stupid to eachother. i am pretty "whatever" on that whole part of the subject.
PostPosted: Fri Oct 14, 2005 7:28 pm


I love the song from the poll! i first heard the song when evanescence did it, then i decided to download the original version. i should download some of their other songs later. 3nodding

Jakalope Rules

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PostPosted: Fri Oct 14, 2005 7:50 pm


KILO has a mini-obsession with playing Bullet Proof Butterfly! Lol. It's great.. some of their songs really scare me though! xD
PostPosted: Sat Oct 15, 2005 11:05 pm


woot the pumpkins......well your lucky you get kilo...the radio station i listen to never ever plays that song....oh well..i gots the cd with it...woot.....

hmmmmmmmm


i'll just say this cause i want ******** the smashing pumpkin song that sounds alot like tool!!!

yup^^^v

ISalmanParadizIadnamadYes


sasquatchum

PostPosted: Sun Oct 16, 2005 4:07 pm


kilo sometimes plays zero too. which is neato. but yeah. i love my mellon collie and the infinnent sadness cd's. ::pets them::

mk: i;ve heard of silver ********. but i don't think i have it. their cd's are next to impossible to find. cry
PostPosted: Tue Oct 18, 2005 6:12 pm


....damn....kbpi should start playing the pumpkins more often...like seriously

oh ******** is such a good song...((cause im in love with the rythm section..and that song's got some awesome bass playin, and drumming!!!...ho yeah))

..i know, i wish cd's were easier to find...well good cd's....and you'll never find any good ones as say..wallmart...target...k mart...and all thoses.........ok...you may find...one or two good ones...but still..ugh

ISalmanParadizIadnamadYes


sasquatchum

PostPosted: Tue Oct 18, 2005 8:43 pm


pacta_cum_daemonibus
....damn....kbpi should start playing the pumpkins more often...like seriously

oh ******** is such a good song...((cause im in love with the rythm section..and that song's got some awesome bass playin, and drumming!!!...ho yeah))

..i know, i wish cd's were easier to find...well good cd's....and you'll never find any good ones as say..wallmart...target...k mart...and all thoses.........ok...you may find...one or two good ones...but still..ugh
yes. my poor provintial town has walmart and an establishment called virgils music... which i havn't actualy looked to see if they have good music... i am inclined to say no because... they wouldn't be big sellers. they didn't even have clarinet solo music. i was like eek SACRELIGE!!! :: procedes to throw flying batons of DEATH @ the virgils music store owner:: ..... but i digress.... i have seen.... siamese dreams... but... most of those songs are on melion collie so i was like... no. and went to spend my money on books. sweatdrop
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