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Posted: Wed Aug 13, 2008 11:16 am
The title says it all boy and girls. I like to RP, but after reading how you fellows RP im affraid to cause my skills as an RPer suck. Ill give an example of how i do it-
-walks into the room- wheres abe? -looks around- voice from the other end of the room says, "in the tank, duh"
see im not good at this, but would love to learn how to do it right sweatdrop
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Posted: Wed Aug 13, 2008 1:45 pm
I always have time to help out. smile
The key to RPing is to think of it like you're writing a story, so you describe things like you would if you wrote it in a book. If you practice writing fiction all on your own, RPing becomes a lot easier. It's not a natural skill, after all, you learn it. One other thing- I reccomend that you write in the predicate (past tense) so it works with other people's writing.
I'm sorry I'm being kind of vague, but I don't know exactly what it was you wanted to know about RPing. Feel free to ask me any questions, though, I check this forum at least twice a day.
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Posted: Wed Aug 13, 2008 3:10 pm
Trivia_Master I always have time to help out. smile The key to RPing is to think of it like you're writing a story, so you describe things like you would if you wrote it in a book. If you practice writing fiction all on your own, RPing becomes a lot easier. It's not a natural skill, after all, you learn it. One other thing- I reccomend that you write in the predicate (past tense) so it works with other people's writing. I'm sorry I'm being kind of vague, but I don't know exactly what it was you wanted to know about RPing. Feel free to ask me any questions, though, I check this forum at least twice a day. that helps but what about the writing format?
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Posted: Wed Aug 13, 2008 5:23 pm
It's just like a book.
So instead of -walks in- you could write
[subject] walked in.
... at its simplest. I would throw in an adverb, an adjective, and/or a location.
[subject] walked quietly into the dark room.
Even though quietly and dark aren't very original words to use, they still add a lot to what was written. I would add even more if I was feeling creative.
[subject] walked quietly into the dark room, and looked both ways just to be safe. He closed the door carefully behind him before crossing cautiously to the other side.
It's important to NOT use the same adjective or adverb in the same post. Synonyms can be your best friend, like how I use carefully and cautiously to describe [subject]'s actions. While not synonymous, the word quietly can still go together with them. I also avoid using the same way of referring to the subject the same way twice. For my character in the RP, Laura, I call her by a bunch of things. Sometimes it's just "Laura", other times "the woman" when I want to show that she's being mature, or "the agent" when she's bing professional.
I hope this isn't a sensory overload.
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Posted: Wed Aug 13, 2008 5:29 pm
As for the format: "Things being said go into quotation marks ," she advised. "Treat them like a sentence within a sentence, and if you add quotations inside quotations, note it with 'these marks' and when you're done, close with quotation marks again ." Now pay close attention to the periods and commas. "Hello," she said. She said, "Hello." Each one conveys the same thing, but pay attention to the way the commas and periods work. Now, there's also a way that quotations can fit into paragraphs. It can be Quote: [narration] [narration] Quote: Quote: [narration] Quote: [narration] Quote: [narration] but never Quote: [narration] Quote: [narration] [narration] Quote: [narration] Quote: You must start a new paragraph, don't just tack everything on to the quotes! (More coming, obviously.)
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Posted: Wed Aug 13, 2008 5:37 pm
Spelling- Good spelling is imperative. Everyone screws up sometimes, but it's good if you check yourself quickly after you type it all out or have a spell-checker built into your browser. I do. If you learned British English instead of American English while you were in school, it's appropriate to use the spellings that you learned then. I, for instance, learned in American schools, but I read a lot of books that were printed in Great Britain, so I'm sometimes in between 'defense' and 'defence'. Both are correct, of course.
Homonyms- These are a major pet peeve for a lot of people. Be careful which sort of 'there' you use and which 'its' you use because they mean something entirely different depending on where you put it. Furthermore, a spell checker wont catch it.
Apostrophes- Please use them for all your contraction needs. It drives me nuts to see 'dont' instead of 'don't'.
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Posted: Wed Aug 13, 2008 5:43 pm
Paragraph Size- Don't let your paragraph drive on forever. In an essay, a paragraph represents a complete thought, which usually requires three to seven sentences. In fiction, a paragraph can be as long as it needs to be. In one of my favorite books, there is a three page paragraph, but when I write, sometimes my paragraphs are no longer than one sentence for dramatic effect or because of a quotation.
"This is a complete paragraph," he said. It is, I realized with a shock. And so is this!
Which brings be to a random point that thoughts should be in italics. Otherwise it gets jumbled. For thoughts, use the same comma and period rules as with quotes, but ignore the actual quotation marks. Here's a longer paragraph for you.
It was a cold night, like most, and the dogs were howling again. Perhaps the coyotes were in the neighborhood again- (last year they'd tormented the dogs for a week and there had been canine gang wars the likes of which the town had never seen) but the few people who were awake at this ungodly hour didn't think that was the case. Because it was cold, everyone used the blankets on the bed. Because the dogs were howling, most people kept knives under their pillows just in case.
Long paragraphs like that rarely work for any reason other than long descriptions of settings. Actions are much more fleeting and are generally awarded with tinier paragraphs.
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Posted: Wed Aug 13, 2008 5:48 pm
I'm gonna take a break. My typing hands are sore.
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Posted: Fri Aug 15, 2008 3:56 pm
Okay- I'm back. My next lesson is making characters you can write for.
I, for instance, play a female character because I am female and it's easier. It's also easier for me to play a character with a disposition similar to mine. That doesn't mean that I can't play a male who is nothing like me, but it's harder to empathize with the character. For the RP here at the BPRD, you can be pretty much any race out of mythology. One guy has a minotaur character and a doppleganger character. Although it sounds like a lot of fun to be a nonhuman (it is), it's much simpler to just be a human. Again, this has to do with putting yourself into the shoes of the character. Let's say you wanted to play as an alligator man. I'm being purely hypothetical. You would have to consider all the differences in perceptions between the real you and an alligator.
Consider that the character would be cold blooded. This would massively affect the character's energy levels and behavior. Consider that their tail would throw off a human's balance. They would have to walk hunched over. Consider how claws would affect a person's manual dexterity. Consider that you would not have bifocal vision because an alligator's eyes are on opposite sides of the head. Consider how an alligator's snout would affect the character's ability to articulate words. Consider that the character's vision would be honed more toward movement than to detail, and that they would have four sets of eyelids.
And so on and so forth. I recommend that you start and practice with a human character with enhanced talents, like being seismokinetic or something.
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Posted: Mon Aug 25, 2008 3:41 am
I agree with Trivia-chan! I'll post a good example of an RP now! Now this RP character is "blessed" with a special exorcism mark that allows her sword to become a purifying weapon. Sorta like D. GrayMan. I'm using my avi image as the character's image.
In the frigid air of the night, snow glittered mystically on the rooftops. All those out were scurrying to their homes, eager to escape the icy atmosphere. No one would be out on the cold streets of Quebec tonight.
No one, but her.
A fur trimmed coat and cap warded away the creeping chill as she stepped harshly out into the dark streets. Although there was no one there, there was a definite whisper, that suggested the unholy prescence plaguing the dreams of the people that night. Her boots made a resounding click in each step as she followed the frantic whispers, fiery eyes flashing under thin shades. Finally, as if they detected her attention, the whispers simply stopped. In reaction, she to stopped, and found herself before a grand cathedral. She tightened her grip on her sheated rapier. Any moment....
Now.
With inhuman speed she slashed at the creeping red glow from below her feet. An echoing shriek resounded from the poltergeist as he faded into nothing. Moaning, groaning, and wailing his comrades rose up from the ground, glowing in iridescent red lights, faces pulled taunt and dramatic in their ectoplasm. She swirled her rapier in one hand, evaluating her foes. Suddenly they charged, as she leaped up high, and cried out;
"Impaler's Trap!"
With a slash of the sword, a radiant beam of light shot out, running wildly around the spirits. Confused and bewildered, they swirled above as they attempted to escape. A harsh zap disintegrated one as it fell into shrieks and wails before disappearing. An electric triangle had imprisoned the ghosts. Landing cat-like on both feet, she quickly charged through the trap, unharmed.
"Impaler's Revenge!"
A great flurry of rapiers bursted from the original, stabbing and slashing away at the howling, imprisoned ghosts. As the trap deactivated, they all faded away with lingering cries, until the ground left nothing more than the footsteps she had crossed. All was quiet in Quebec once more. With a final spin, she sheated the sword in its scabbard. No spirit would come to harm to the city, not beast shall defoul the purity that laid here. Not as long as she lived...
Danah...the Impaler Princess....
And that's how we do it! Hmm, not bad...I could use this for an RP!
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Posted: Thu Aug 28, 2008 4:37 pm
Thank you for the back-up. It's much appreciated. I, and many people, don't base their characters off of their avatars of vise versa. I like to start with a personality and then created the look based off of that. Laura, my character, enjoys adventure. She wears earth toned clothes because they don't show dirt as much as other clothes and because they are camouflage. She wears pants so she can move around easily and so her shins wont get grass-cuts if she runs through a field. So on and so forth. Clothes are easy to choose, though. If you character was a blackjack dealer, they'd have a uniform. If s/he was a circus clown, s/he'd have the suit to match. If it was the aforementioned alligator-man, maybe just a loincloth. Facial features follow in a similar manner, usually trying to adhere to stereotypes. I say that visual conformity is important because we see it all the time in real life and people are used to it. It makes the character more believable.
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