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Posted: Tue Oct 23, 2007 2:59 pm
I got cast as Fairy May in the play The Curious Savage. which is absolutely wonderful because I love the character but I'm having trouble remembering all of these lines as this is the biggest role I've yet to play.
Does anyone have an pointers in remembering lines?
I've read my script over and over again but so far I've only had luck in getting act one down, and even then I get shaky towards the end. Our director is really on us about getting off of our scripts ASAP.
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Posted: Tue Oct 23, 2007 10:06 pm
Don't memorize the script word for word, memorize little sections. And in your mind, put together a thought process for why you would say what you say. Let's take this little bit of script:
HARRY Sue Ellen's doll? How can he be a problem? She loves Bobo! More than any other doll she has. LAURA (sarcastic) Why not? How many other eight year old girls have a doll with a complete set of male sex organs? HARRY C'mon, now, Laura! We discussed all that. And we agreed it was silly to have to explain that every man has a tinkletiinkle. And then have to explain why her boy dolls don't. LAURA Right. So you went out and bought Bobo, the anatomically accurate Real-Boy-Doll. HARRY Even our pediatrician thought it was a very, well, interesting idea. LAURA Well, it seems that Mr. Jerome Grogan doesn't agree with our pediatrician.
Love this scene, it's so funny. Anyways, tricks for memorizing. First of all, if you were Laura, you wouldn't memorize the whole sentance. (With dialogue this short, yes you would, but I'm just using this as an example) Instead you take small snippets. Her first line is Why not? How many other eight year old girls have a doll with a complete set of male sex organs?
So you would just memorize "Why not... eight year old girls doll.....male sex organs..." And you have to somehow connect it to what Harry says. "Why would I say this? What prompts me to ask this question?" He mentions the doll, so you remember that you don't agree with the doll.
And of course, just read over it again and again and again. Start by reading over one page, using those little tricks to memorize it. Whne that page is done, then move to the first three pages. Then when that's memorized, the first ten. Keep moving up in increments until you've got the whole thing down. You can do it!
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Posted: Thu Oct 25, 2007 12:37 pm
I've managed to memorize long lines by memorizing the inflection that I put on lines. It makes lines more like songs (at least to me) and songs are much easier to memorize than a paragraph (also, at least to me).
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Posted: Thu Oct 25, 2007 7:18 pm
This is time consuming and it seems like a pain in the a** but this got me through memorizing 7 monologes. You need to have a line reader for it but you go back and forth reading the line one word at a time, adding the next word the next pass.
Example: The line is "Oh how good of you to join us."
Reader says: Oh You repeat: Oh Reader says: Oh how You repeat: Oh how Reader: Oh how good You: Oh how good Reader: Oh how good of You: Oh how good of
And so on. It seems silly but it REALLY does work well!
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WickedElphie Vice Captain
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High-functioning Werewolf
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Posted: Fri Oct 26, 2007 9:15 am
I round up a coach for myself whenever I have trouble with lines (all the time).
I go through the scene or monologue or whatever twice with the script, then without the script for....well for as long as it takes. You will struggle, but the worst thing you can do is put it off for later.
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Posted: Tue Jan 01, 2008 10:40 am
what i do is depending on how long i have to memorise it, i memorise a scene every like for exapmle 2 days, and it adds up.
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Posted: Wed Jan 02, 2008 8:37 pm
Honestly - I don't have much problems memorizing lines - however, I do much better and learn them faster if when I'm memorizing I have some sort of movement - its a long explanation as to why it works, but it ties in to muscle memory. Try pacing or running through your blocking when you're memorizing. Just get ACTIVE!
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Posted: Tue Jan 08, 2008 8:36 am
say them outloud to yourself and try to memorize them by how they sound in your voice. That's how i do it. But ive discovered...that some people just can't do that...so don't feel bad if u can't. it's got nothing to do with your acting skills or anything. it's just a method of memorizing. and it works best for me personally. smile
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Posted: Mon Jan 28, 2008 7:32 pm
Quite honestly, I'm a freak. I always memorize my lines and those of everyone else in my scene. I even know my enitre Shakespeare scene (although, somehow I still manage to mess my lines once in a while, even if I can get my partner's perfect) My suggestions are definately writing them down and just going through the scene without any acting or movement with the persons in it with you. I find that writing it helps commit them to memory, and just talking through a scene helps you become more comfortable so that when you start really getting into it, it flows so much easier.
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Posted: Tue Jan 29, 2008 3:45 pm
Well me when I learn a text, I learn it all. It might not be a good way to do things, but it works for me. I also realized this is a good way to like, be able to get it back on the good track if someone misses his line or something.
Or you can try to learn your line, and the sentence from the line before, so when you hear the sentence, you'll be able to associate it to the good line. One of my friend thinks it is easier like that because for him, the text comes more naturally.
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Posted: Wed Feb 06, 2008 12:37 am
When I had a huge part with massive monologues, I kept writing all my lines down. First you can copy your lines out of your script, but try just writing them from memory. Something about the movement and seeing the words appear on paper as you think of them helps embed it in the mind. It takes up a lot of notebook space, but writing out my lines over and over again really helped me.
=^__^= Anneko
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