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Posted: Mon Dec 04, 2006 9:39 pm
Mhm! Flow is important 3nodding See how well I flow?........ ....... rofl rofl rofl Me? Flow?? Ridiculous!
Grammar IS important. One cannot understand the author if his work is littered with bad grammar and spelling. Although, I understand breaking the grammar rules can have a good effect ninja Breaking any rules and doing them well is awesome ninja *encourages it*
Being knowledgeable or being able to make up believable things is important too...
I think I'm illiterate when it comes to moods O.o I haven't developed my reading eye enough to understand and see moods yet, I guess.
ninja Yeah...Do I flow or what?
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Posted: Mon Jan 08, 2007 2:40 am
glorybaby S.E. Hinton was 16 when she had The Outsiders published, which is a good book...One of my favorites <.< I think it's well written and entertaining, makes me think, etc.I do think the media has a lot to do with giving young authors publicity (stupid media...). I haven't read any books by any teenages other than The Outsiders, but I would ASSUME, that if a teen's really smart and has had writing classes, knows how to write, that he/she show be able to write a decent story. I would think as long as any teen is mature about writing, grammar and his subject matter (whatever he's writing about) then he should be able to write a decent story too. And just because a story is has some grammatical errors, doesn't mean it's a bad story...unless it's littered with them <.< then I get pissed The Outsiders is a great book, and has also been one of my favorites since I was in like 5th grade (so almost 10 years ago)....Her new book, Hawkes Harbor is good....but a little disturbing...and partway through I was like: WTF? VAMPIRES?! Since I really wasn't expecting that sort of thing out of her. It was very strange. confused
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Posted: Mon Jan 08, 2007 7:59 pm
Jackie-senpai glorybaby S.E. Hinton was 16 when she had The Outsiders published, which is a good book...One of my favorites <.< I think it's well written and entertaining, makes me think, etc.I do think the media has a lot to do with giving young authors publicity (stupid media...). I haven't read any books by any teenages other than The Outsiders, but I would ASSUME, that if a teen's really smart and has had writing classes, knows how to write, that he/she show be able to write a decent story. I would think as long as any teen is mature about writing, grammar and his subject matter (whatever he's writing about) then he should be able to write a decent story too. And just because a story is has some grammatical errors, doesn't mean it's a bad story...unless it's littered with them <.< then I get pissed The Outsiders is a great book, and has also been one of my favorites since I was in like 5th grade (so almost 10 years ago)....Her new book, Hawkes Harbor is good....but a little disturbing...and partway through I was like: WTF? VAMPIRES?! Since I really wasn't expecting that sort of thing out of her. It was very strange. confused VAMPIRES!? From Mrs. Hinton!? eek *faints* I still like the Outsiders best and Rumble Fish. The movie versions were pretty good too <.< Glory very tired and sick right now ^.^ *passes out cold*
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Posted: Mon Jan 08, 2007 10:00 pm
glorybaby Jackie-senpai glorybaby S.E. Hinton was 16 when she had The Outsiders published, which is a good book...One of my favorites <.< I think it's well written and entertaining, makes me think, etc.I do think the media has a lot to do with giving young authors publicity (stupid media...). I haven't read any books by any teenages other than The Outsiders, but I would ASSUME, that if a teen's really smart and has had writing classes, knows how to write, that he/she show be able to write a decent story. I would think as long as any teen is mature about writing, grammar and his subject matter (whatever he's writing about) then he should be able to write a decent story too. And just because a story is has some grammatical errors, doesn't mean it's a bad story...unless it's littered with them <.< then I get pissed The Outsiders is a great book, and has also been one of my favorites since I was in like 5th grade (so almost 10 years ago)....Her new book, Hawkes Harbor is good....but a little disturbing...and partway through I was like: WTF? VAMPIRES?! Since I really wasn't expecting that sort of thing out of her. It was very strange. confused VAMPIRES!? From Mrs. Hinton!? eek *faints* I still like the Outsiders best and Rumble Fish. The movie versions were pretty good too <.< Glory very tired and sick right now ^.^ *passes out cold* Yeah I know...it REALLY threw me for a loop! But yeah, The Outsiders is best in my opinion as well. I was slightly surprised to find out that my mother read it when she was younger too. I just recently encouraged a friend of mine to read it, and she loved it as well! 3nodding
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Posted: Tue Jan 09, 2007 3:25 pm
mylogicistechno There seems to be a notable sensation that any book written by a young author seems to get a lot of publicity and praise. For example, the two books in this category that I am most familiar with: In the Forests of the Night by Amelia Atwater-Rhodes and Eragon by Christopher Paolini. I understand the publicity part, but the feedback seems a bit one-sided. It is almost all praise, which I find odd. A few good reviews I can understand, but books written by young authors seem to get more people gushing over them than your average book. The amount of praise is peculiar given that the book is written by a very inexperience author and the material is usually rather generic and, in some cases, poorly written. In my opinion, if a 15 year old writes a book, the book might be good considering the fact its author was 15, but that doesn't necessarily make it a good book. However, a lot of people seem to disagree with me. What are your thoughts? And why? I only wish....I, for one, totally agree with you. I understand the publicity that Eragon received and didn't think it was THAT terrible but it was definitely obvious that the author was young. Most of his ideas were obviously borrowed. I accepted that and enjoyed the book but I do think that there is a drawback to a young author. I also saw improvement in eldest.  that love and society would agree.
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Posted: Tue Jan 09, 2007 3:27 pm
I only wish....There's also Mary Shelley and Frankenstein. Great book if you can get past the big words and flowery language she used to prove herself as a 19 year old female author. Egh. that love and society would agree.
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Posted: Wed Jan 10, 2007 5:47 am
I believe that in Ms. Shelley's time, the language of writing wasn't the vernacular. She wrote that way because that's how people wrote. But, back to the topic. Age of the person doesn't matter; absolute originality doesn't matter (there really are no absolutely original ideas out there folks). A well told tale, and characters that feel "real" - no matter the setting - are all that matters.
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Posted: Wed Jan 10, 2007 11:36 am
Are you kidding me? No absolute originality? That's a load of garbage, you're telling me I can't walk out into the middle of nowhere and just have an idea? Granted, much work is borrowed from and reused over and over again, sometimes tastefully, sometimes not. However, it is possible and by all means likely for someone to come up with something totally on their own without outside influence and yet, still have someone else already written about it. There's 6 billion people on the earth, originality is everywhere, and your classifying WAY too broadly as a term for poking at writers. I can take any story ever written, good/bad/ugly, and turn it into something original. How is that original, simply making different someone else's work? It is because when you combine object A with object B you get object C which is autonomous to both A and B. The only way something can't be original is if you copied word for word someone else's story, hell I could take Tolkien's work 30 some years ago, write it over and have Boromir snatch Frodo's ring and henceforth take over the lands of middle-earth. It would be original because it would have never happened before, just because something is borrow doesn't mean the spawn of that thing is the same.
And age I think does matter, I think I've said this already but what the hell I'm bored and have to wait 2 more hours for my train. Most young people can't write for beans, I couldn't write well when I was 15 and I'm not just poking at my own literal mistakes. It's called experience, and no 15 year old has any experience unless he grows up somewhere where survival and the need to actually live is key. Palioni's parents published his book for crying out loud, it was discovered later by a big name NY publishing company who wanted to make a buck so they bought the publishing rights for it probably because they hoped of another Harry Potter case. I watched the movie and I wasn't impressed, I think the old Dungeons and Dragons movie was better. Not that that is Chris' fault, its the director's, but the main themes in the book didn't stick to me at all, it was mainstream, Saturday morning cartoon cookie cutter themes, that's the only experience someone his age has.
And on a side note, I hate Mary Shelley, Frankenstein is an overblown work that only ever happened because she was dared to write a horror novel. The themes are fine and dandy for the time, it worked out great for anti-German propaganda in the 30's and 40's in the old movies but today its not comparable to current works at all. I hate that book so much, %$^& damn literature class! Making us read it, that vile, over hyped, outdated, over published... book!
And I agree with you Aeric about the characters being all important. A story can go a number of ways and still be good:
1. A story can be character driven with life-like characters that an audience can quickly and easily conform and relate too.
2. A story can follow a complex myriad, theme driven plot line where characters are secondary players.
3. The books environment can be done in such a way that character and plot may be forgivable if the setting is done well. Edenborn is a good example of this, the characters are shallow, the plot is based around 6 or 7 adults trying to raise something like 12 or 14 kids to be the new progenitors of mankind, those also being deftly shallow and boring to follow. However, their world is in ruins and the human population is them, less than 20 people, making the world something new and exciting for them to explore.
You may only like a book or story that has an exceptional character basis, but yours isn't the only opinion. I like well done characters too and I hardly read a book that doesn't contain at least one, but you have to consider the flipside argument.
the Demon
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Posted: Mon Jan 22, 2007 5:22 pm
LittleSora Im not exactly shure where I stand in this issue, but I think that young authors seem to know what young readers want to read, (duh, I know)They get more publicity because of that, and because there young. (There makeing a Eragon movie! stare I hope they dont make it dumb!) well that is true but i am writing a good book or at least as my friends say and i think it is good to i will post it some day.....
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Posted: Mon Jan 22, 2007 5:33 pm
Desert_Demon I didn't get off topic Vale, she asked for everyone's thoughts and those are mine. I've read lots of books published, by young and old that were neither very good or laid out, but I enjoyed the books. I can't really explain why, they might have appealed to my humour or actually had well rounded characters and not so much a good storyline, it can happen. I like following author's as they write from book to book like Glory wrote, I find it amazing how they evolve and learn and build off their own work like I think a good writer should. It isn't a crime to use older material and make it better, or use a common theme and put a fresh twist on it. I think that's what's happening with youth these days, they have such a wide range of material they can take issues from a few different books/movies/articles and just spice them up in a new light. I try and do this all the time, I borrow ideas all the time, it helps me further my own novel. I don't think it's wrong in anyway, that would be like saying you're stealing the idea to use a nose hair trimmer for your own nose. dang i so agree with you..... some people that have read my stories say i copied it out of another book but i was just spicing them up and having a good time writing and i hope to publish a book in at least 2 years........ Again, kudos to those who can actually get published! You must be doing something write! The Demon
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Posted: Tue Jan 23, 2007 11:09 am
Jackie-senpai Amelia's writing is very good. Sure "In the Forests of the Night" wasn't her best work, but its not bad either. I like her unusual spin on Vampires....And in my opinion, Midnight Predator is just...Awesome. Its One of my two favorite books. I like Amelia's work as well. She gives everything a fresh twist...there haven't been many good books about shapeshifters that I've read recently. Plus Blood and Chocolate...horrendously wonderful book. I don't remember if that's Amelia's work but it was good. The people making the movie better not ruin it. I shall be vexed. I'm a writer myself, although I've fallen from the habit. I'll have an absolutely wonderful idea, then layout the background for that idea...then lose interest. So mostly these days I just write poetry, not the sappy stuff, but emotional stuff that gets to you. Search for Phillip Warner Cunningham (an alias of mine, of course) at http://www.poetry.com and you can see one of my older poems. The style leaves a bit to be desired, I'll admit, but it was still good. You could of course just click here to go directly to the poem. The copyright says 2007 but I wrote and entered it sometime in '04 or '05 I think. I recieved a lot of mail about it.
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Posted: Thu Jan 25, 2007 3:49 pm
"i wrote a 100 page book for one of my teaches who copied it and gave it to people they really liked it and said i had talent for a 12 year old. i tried a few time but stopped but i have some good ideas
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Posted: Sat Jan 27, 2007 8:45 pm
>> Only the blackest of hearts
Well, as I myself am a teenage writer (although not as good as others, I have friends who also fit this category) - I don't believe it depends on age, exactly - merely the level of education and basic writing ability achieved. Most thirteen-year olds don't have the grammar and spelling skills to write a book so... you know... unless they were writing children's books, it is not going to appeal to teenagers-adults. However, if you are 15-17, perhaps in the Honors English class or have taken Creative Writing... then I don't see why you can't write a book. It's not like half the books published by adults are much better...
 Can feel the purest of love <<
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Posted: Wed Feb 07, 2007 5:12 pm
Young authors who know how to write, and do a good job at it, are a good thing. Though there are some, and Paolini is one of them, that shouldn't have been published.
I read a book once, though my memory sucks and I can't seem to remember the name nor the author of this book, all I can remember is that it's about a world mostly covered in water, there was magic, that there would be another book to it, and that the author of that book was 19 yrs old when it was published. This of course was several years ago, and I was impressed with that book.
The Paolini series of books though, is disheartning to me. My sister had gotten me the book to read, I'd never heard of it, so thought I would give it a try. While reading through it, I was disgusted to think that a published author would write that book. The writing itself is what I'm having problems with. There was no connection for me as I read through the book, and I was just frustrated severly with it. Needless to say, I never did finish the book. I was so upset over this though that I went and did some research on the author, and though it made me feel somewhat better that he was a young author, though, I still feel that It should have never been published. Maybe in a magazine feature or something, but not this way. My hope is though that he learns from this, and becomes a better writer, and that his work will improve. Though I'm not sure about that, as some of the hard lessons that we go through to better our skills is involved in the rejection stages of our manuscripts and trying to figure out how to make them better, and understand where we need to work on our style and skill at. Something hard to do when your parents print your book for you, and someone has the crazy idea to make it into a movie...
I've been writing since the age of 11, but that doesn't mean that the manuscripts I was churning out at the age of 15 or even 18 were book publish worthy. Though I am proud of some of those things I have writen, and the written articles I've done in our local paper (as a part-time news reporter) and of the articles I wrote in my college magazine class, my manuscripts are more a part of me than anything. They are my babies, and I want them to be sound, well recieved and well written.
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Posted: Wed Feb 07, 2007 10:05 pm
Well, I started to read Eragon at 27. It's... readable. Not my favorite, but readable. Though I can see the advantages:
I use the word children to denote people 17 and younger. That's only because I'm old and jaded and I can smile (and "young people" takes too much time to type)
All but the rarest few adults tend to write books for children that either talk down to them, patronize them, or tell the stories adults think children should learn not what children actually want to read.
Teenagers, being part of the audience they are trying to reach don;t have to worry about this so much.
One thing I noticed about Paolini's writing is he is unusually blunt. Things in the book are generally laid straight on the table, from character's personalities to plot points. But unlike many adult writers his bluntness is not patronizing - it doesn;t "talk down" to the reader, it simply lays things bare. For young readers they can easily get into the story without being confused, without feeling that an adult is trying to "dumb things down" for them. Paolini's tone is earnest and simple. That's admirable in his writing.
Now, Paolini also has problems. His structure is mechanical and tends to follow a precise formula:
Describe setting. Describe characters. Start action. Add any necesary information to explain action to audience. Finish action. Have characters evaluate action.
rinse, repeat. I found most of his chapters read the same way with the same structure. Like a glass covered hotel with all the floors built with the exact same plan, the decoration is good but the structure is bland. The story is fine, but the structure is simple. That doesn't make it a bad read, but for some (particularly older, more educated people who like to be snarky about what the read; re: college students) it gets boring.
Is the praise deserved? well, yes and no. It's unusual for someone to write to children "in thier own language" and deserves merit whenever done, but that doesn;t mean there isn't room for improvement. And improvement isn't a bad word.
(If you want proof about that improvement thing, read Shakespeare's first play. xd )
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