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Posted: Fri Jun 19, 2009 7:35 pm
Oh, sorry about the wall 'o text. I've broken it up a little, but maybe I should split it into 2-3 posts.
Did it read as just a segment, rather than a story in and of itself?
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Posted: Sat Jun 20, 2009 8:55 am
It did feel more like an opening chapter than a standalone story, but that's probably because I'm not entirely sure what a vignette is.
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Posted: Sat Jun 20, 2009 6:37 pm
A vignette is like an illustration: not quite self-contained, but not dependent on narrative context either. But I'm trying not to be too avant-garde about it, which is why I need to know how clear/unclear things are.
(In other words, James is such a cryptic b*****d that I feel the need to prop him up with at least two other narrators in order to make a novel out of him.)
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Posted: Sat Jun 20, 2009 7:45 pm
Well, I have a tendency to take things as they are (and unless they make absolutely no sense or I'm in a bad mood or don't like the writer, I don't protest things that are unclear on the faith that they will be explained later), so perhaps you should see if you can get a second opinion.
ninja If you can get a second opinion in this place.
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Posted: Sat Jun 20, 2009 8:38 pm
@second opinions Yeah. . . there's a great deal of silence, but since it's not just me, I'm not taking it personally.
Mostly what I need is regular reality-checks. My particular combination of self-doubt, over-thinking, and gloomy subject matter tends to send my writing off on strange tangents, and this project is so long that I have to at least try to stay coherent.
I am a little worried that maybe the length of the post was a deterrent, so I'll repost, but if no one says anything. . . *shrug* I have real-life editing buddies, so all will not be lost.
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Posted: Sat Jun 20, 2009 8:55 pm
Excerpt from "Postcards From Another World: A mentalist's Memoir" Greta, or The Rose Garden Part 1 of 5
Note on the text: If anything doesn't make sense, let me know. This is not the kind of chapter that links closely with other chapters. It's the kind of chapter that has to make sense all by itself, because the other chapters aren't that closely related. A woman began sobbing shrilly from across the yard. The sudden, jarring noise was so loud that I jerked my head up from the book in my lap, thinking the sound must be very close by. But I didn't see anyone. Following the wails, I decided that it was coming from the direction of the house, but I couldn't see anything through the intervening rosebushes. I tried to go back to my book, but I was so distracted that the crisp black text on the page turned into little worms. The fact that a woman might decide to weep in our yard didn't seem odd at the time, but who was she? And what had happened to make her cry so piercingly? At first I thought it must have been my aunt Marlene, who often cried. Then I remembered that she hadn't ventured outside her room in more than a month, and would certainly not have trekked all the way out to the back yard just to wail loudly. It wasn't as if we couldn't hear her perfectly well when she cried in her room. The book snapped shut in my hands, as if of its own accord. I set it down and knelt on the warm flagstone of the garden path to peer through the leafy branches of one of the larger rosebushes. A bruised, overblown blossom pressed so close to my face that I was nauseated by its musty, cloying scent. Even the sulky wall of smell surrounding the stand of lilies behind me was overwhelmed by the mushy cloud of rose. Through the leaves, I my mother sitting on the patio. She perched on a wrought-iron chair, her face buried in a lace handkerchief. The screen door opened and slammed shut behind a purposeful block of beige: my father, dressed for the weather in a crisp linen suit. Ice cubes tinkled invitingly against the walls of the two glasses he gripped deftly with one hand. Splashes of amber light danced on the patio tiles, reflected through the full decanter in his other hand. He set it down on the little table next to my mother's chair, the shadows from the open grid-work of the iron table veiling the amber patches like black lace.
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Posted: Sat Jun 20, 2009 8:59 pm
(Greta or The Rose Garden: cont'd.) Part 2 of 5 And then I knew. Certainty crept from outward from a congealing knot near my navel. The perspiration on my back and arms turned clammy and chill in spite of the June heat. I stood up, relieved to escape the oppressive floral stench. Careful not to break too many shoots of new growth off the intervening branches, I pushed my way out onto the lawn and walked the dozen or so yards to the patio. My father saw me first. "Son," he said, "your mother and I . . ." I noticed that his shirt had not been ironed, and that he had not yet buttoned on his collar. He started over. "We've had some terrible news." My mother looked up, sniffling behind her handkerchief. The silence drew painfully long as they waited for that to sink in. I should have frowned, I suppose, or looked up, tried to show shock, but my face felt as numb and blank as a marble column. After what felt like ages, I couldn't stand it. "Great-aunt Greta is dead," I said. The mossy patio tiles blurred as Greta's image ground its way into my field of vision, so vivid I was almost convinced that it was she who was real, and the patio a dream. Her corpse lay limp on the mortician's slab, pale and flabby. The rank old-meat and stale-powder smells of her doughy flesh not yet replaced by the clinical bite of embalming fluid. Greta's face swam closer and closer to my eyes, as if dragging me down to join her on the slab. Her watery hazel eyes stood open, drying to a matte film like the white of a slowly-poaching egg. Unable to look away, my gaze traveled down fuzzy, mole-studded cheeks. They hung backwards from the blue-purple putty of her gums, receding in turn from her teeth, like grout shrinking away from yellowed ceramic tiles. When I had gotten so close I could see the black pinpoint of a cavity on the cadaver's left canine, a gritty black haze narrowed my view to a ragged, dimming circle. For an endless moment the world spun around that ghastly visage, dragging me down by the pulsing knot in my chest.
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Posted: Sat Jun 20, 2009 9:01 pm
(Greta or The Rose Garden cont'd) Part 3 of 5 "Don't just stand there gawking, speak up! How did you know?" My father's hand clutched my shoulder hard enough to bruise, shaking me back into the baking sun. The ice under my breastbone began to thaw. "I. . ." my voice buzzed in my throat, small and tinny. I swallowed and tried again. Words tumbled out every which way, cascading from a point deep behind my eyes. "She was sick, then . . . then she fell, she went to let out the dog and she fell and the milk man found her dead on the stoop, still warm, and, and. . ." Red, angry, confused, my father's face hovered, but I looked away, back down at the paving stones. There were little pale green spores on the moss. I liked the stones. I liked the moss. Most of all, I liked the little frothy spores, the color of growing things. Nothing could be more alive than little green sprouts, nothing could be less like the iron-jawed clasp of that dead face. Dispassionately, I noticed that I was shaking, and that my shoulder hurt. Apparently, fingers were still digging into my flesh, which struck me as rather funny. A hysterical laugh caught in my dry throat, unvoiced. My eyes watered. The patio blurred green, then faded to empty gray-violet, and I twirled away again, this time into memory. The last time I saw my Great-Aunt Greta, she wrapped me in a boneless hug that smothered me in ancient, powdery flesh, mauve crepe, and the dusty, saccharine smell of her perfume: damask roses, jasmine, and lilies. When she released me, I heard the shuffling of her invisible, slippered feet, buried behind endless waves of crinkling skirts. She gave me a small, flat oatcake. When I chewed it, the dry, crumbly clumps of butter, flour, and oats stuck in my throat. I started coughing.
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Posted: Sat Jun 20, 2009 9:03 pm
(Greta or The Rose Garden cont'd) Part 4 of 5 "There, there," she warbled hoarsely, and handed me a butterscotch drop. "How are we doing today?" The gluey mix of syrup and oatcake paste formed a leaden blob like a bottle-stopper in the back of my throat. I could breathe-barely-but I couldn't have spoken if my life depended on it. "What's the matter, sweetheart, cat got your tongue? Never mind. Women like a man of few words." She laughed at her own joke, wheezing, but her eyes, swimming between the doughy folds of her eyelids, had no mirth in them. They were bloodshot. I was struck with the similarity between those tiny, meandering veins and the bleeding gills of a small trout I had caught on a recent fishing trip. The red gashes had spread and feathered as it thrashed its last inside the frayed wicker basket. Great-aunt Greta gestured majestically, and I sat down on a prim, spindly chair, swallowing convulsively in an effort to clear my throat. Rustling sounds drew closer until all I could see was mauve skirts. My great-aunt leaned creakily down and offered me a woolen object with a large, stiff ball at one end. I took it. Turning it over in my hands, I found that it was a crocheted doll with floppy gray-brown limbs. Its lopsided smiling face was embroidered in crimson over its cream-colored face. A thin fringe of black yarn , apparently meant to represent hair, dangled from the top of the simulated skull. "Keep it near your bed," Greta said. "It's a family tradition." Turning to my mother, she continued: "And here's one for the baby. Save it for when he's older." "Oh, and give him my love," she added, as if my infant brother were far away, instead of right there with us, cradled in my mother's arms. "I will, Aunt Greta," my mother promised.
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Posted: Sat Jun 20, 2009 9:08 pm
(Greta or The Rose Garden cont'd) Part 5 of 5 A stinging blow struck my left ear. The sharp pain made me blink, and when I opened my eyes again, the doll was gone, the quiet, shadowy room replaced by glaring summer sun. "Who told you?" my father was shouting. "Who knows besides you?" "Why won't you be gentle," my mother said, voice oozing with tears. "Can't you see the boy is upset?" "But he had to have found out somehow, and if the housekeeper has been snooping, we need to let her go immediately . . . " "He might have overheard." "From all the way out here? He's been reading all afternoon, and we only heard. . . " "Morton, please." My mother ran a hand along the line of my father's stubbled jaw, turning his face toward me. The air was so hot that he wavered in my vision. The house, the patio, and the lawn were also wavy. I didn't mind. My shoulder was only a little sore, now. "All right," my father told me, more quietly. "Sit down." I sat. The pale straw disc of my mother's sun hat shaded my face for a moment, and a cold wet glass appeared between my hands. The hat receded. "Have a drink, son," my father said. "You'll feel better." The first sip of cold liquor hurt so badly it made my eyes water, and the second left the inside of my mouth raw and tingling, but the third sip was all right. The bourbon tasted like a hollow golden sphere of burnt sugar and hickory smoke. After I drank it, I did indeed feel better. The strong amber liquid filled in the ragged gashes and glued the scattered pieces of my world back together. My parents, the lawn, and the house glowed with comfortable solidity. My father took the empty glass from my hand. I smiled at him, then at my mother. They smiled back. With a pat on the head and a quick peck on the cheek, I was dismissed. Back among the roses, I opened the book, but it remained mute, letters still hazy and indistinct. So I closed it and laid my head on it instead, and watched the clouds creep slowly across the sky, mind wandering. The clouds were castles, swords, chargers and gallant knights. The sky was blue, and all was well. Then the sky was navy blue, almost black, and I sat up, shuddering from a dream I couldn't remember. Uncertain light drizzled from the weak moon jittering overhead. My shirt clung in a tight band around my chest, plastered to my skin by a layer of gummy sweat. The roses pressed closer and closer, too close, so close that they filled my nose, my mouth, my lungs. I gasped for breath, coughing to clear my throat until I gagged. I tasted phlegm, sour milk, and formaldehyde, and then all at once I was sick on the flagstones.
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Posted: Sun Jun 21, 2009 3:31 pm
June 21, 3:24 pm
Until I finish this segment, I can't move on to the next one. Not just don't want to, can't. I've got an idea running. I've started writing it. The whole narrative structure hasn't dissolved yet. I feel intuitively that there may be something important about this bit. There will be no new ideas from my back-brain until I do justice to this one.
But I hate this segment. While not particularly autobiographical, it is based on a very brief, very miserable experience a long time ago. And it is made mostly of shame, failure, and rank terror.
@%%^ it, James. You would have to put this in, wouldn't you? You unspeakable, insufferable b*****d.
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Posted: Mon Jun 22, 2009 5:02 pm
June 22, 5:00 pm
Progress report: pro/con edition.
Pro: I finally finished the bit that was making me sweat tears and bleed brain-juice.
Con: it's. . . still problematic. And it still makes me wince.
Pro: The next section appears to be less depressing. Romantic, almost.
Con: I'm not sure where it's going, why it's important, or whether or not it will wind up depressing after all.
Pro: I've also gotten a fair amount of work done on other writing projects over the past few days.
Con: That's because I've been avoiding this project, which is filled with hatred and hard work.
And y'know what the worst part is? The fact that I'm filled with hatred and frustration is a good sign, since it means I'm getting somewhere. My love of writing is exactly like my love of being stabbed with pointy objects: passionate, but ultimately a Very Bad Idea.
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Posted: Wed Jul 08, 2009 10:10 pm
July 8, 10:15 pm Hey kids, welcome to "do as I say, not as I do." On tonight's show, we'll be addressing the kamikaze productivity boost! I'm currently engaging in the judicious use of legal stimulants and legal depressant in order to improve my ability to complete yet another miserably depressing chapter. Stay tuned for more hilarious news, as I edit this post to demonstrate the efficacy (or inefficacy) of this technique. 10:30 pm Flaw #1 -- When smoking a pipe of delicious, delicious tobacco, one needs to keep puffing relatively regularly or it will go out. This takes at least one hand, which impedes typing. But nicotine is important. 11:20 pm Flaw #2 -- Distractions are still an issue, even with good chemical balance. Advantage #1 -- I have shaken loose the hint of an idea for the next few paragraphs. 12:40 pm -- Flaw #3 -- Drinking is, in itself, sort of a tricky b*****d. See below: Ada Leverson (Paraphrasing Oscar Wilde's comments during a conversation they had had some years previously): "After the first glass, you see things as you wish they were. After the second, you see things as they are not. Finally you see things as they really are, and that is the most horrible thing in the world." Advantage #2 -- "My story how it has to be" is, apparently, also the most horrible thing in the world. There it is, through the bottom of the glass. Now if only I can keep my %$#@@ fingers moving on the keyboard. . . 3:25 am Why do I bother with "if only"? I never get there. 4:30 am Y halo thar, 4 am. Got something going, now. God help me. I'm cold. Possibly I should go indoors, as soon as I stop generating second-hand smoke. Or maybe I should stop drinking stuff with ice in it. 5:30 am Well, I got more done tonight than I have this week. Shame that's not much. The two lights across from me have turned into giant eyes. I am definitely going to feel like $&!& when I wake up. If I sleep. I wish I could say I'm sorry. I wish I were sorry. But I got the flow of words started again, and that's all that matters.
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Posted: Thu Jul 09, 2009 9:00 am
Huzzah for writing. And yes, while I can't particularly approve of your methods, you did get started again. Maybe now you can pick up the thread again without as much hassle as this time.
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Posted: Thu Jul 09, 2009 8:43 pm
Darn, I was going to delete that post before anyone commented. Foiled again. Curse my exhibitionist streak.
I'm resigned to the necessity of a certain amount of hassle. This sort of thing has made (and ruined) plenty of writers over the years. Besides, it's fairly exciting.
. . . I swear, I'm happy and well-adjusted in person. Really I am. I eat vegetables, take regular exercise, listen to NPR, and bake cupcakes.
Which is probably why I'm not already dead.
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