Professor Kain
"In the English-speaking world, where there is little or no tradition of using tarots as playing cards, tarot decks only became known through the efforts of occultists influenced by French tarotists such as Etteilla, and later, Eliphas Lévi. These occultists later produced esoteric decks that reflected their own ideas, and these decks were widely circulated in the anglophone world. Various esoteric decks such as the Rider-Waite-Colman Smith deck (conceived by A. E. Waite and rendered by Pamela Colman Smith), and the Thoth Tarot deck (conceived by Aleister Crowley and rendered by Lady Frieda Harris) -- and tarot decks inspired by those two decks—are most typically used. Waite, Colman Smith, Crowley and Harris were all former members of the influential, Victorian-era Hermetic Order of the Golden Dawn at different respective points in time; and the Golden Dawn, in turn, was influenced by Lévi and other French occult revivalists. Although there were various other respective influences (e.g., Etteilla's pip card meanings in the case of Waite/Colman Smith), Waite/Colman Smith's and Crowley/Harris' decks were greatly inspired by the Golden Dawn's member-use tarot deck and the Golden Dawn's tarot curriculum.
The late Hermetic Order of the Golden Dawn is the first known in the Anglophone world to venture into esoteric tarot. Francophone occultists such as Court de Gebelin, Etteilla, Eliphas Lévi, Oswald Wirth and Papus were influential in fashioning esoteric tarot in the French-speaking world; the influence of these Francophone occultists has come to bear even on interpretation of the Tarot de Marseille cards themselves. Even though the Tarot de Marseille decks are not 'occult' "per se", the imagery of the Tarot de Marseille decks arguably shows Hermetic influences (e.g., alchemy, astronomy, etc.). Referring to the Tarot of the Bohemians, Eliphas Levi declares: "This book, which may be older than that of Enoch, has never been translated, but is still preserved unmutilated in primeval characters, on detached leaves, like the tablets of the ancients... It is, in truth, a monumental and extraordinary work, strong and simple as the architecture of the pyramids, and consequently enduring like those - a book which is the summary of all sciences, which can resolve all problems by its infinite combinations, which speaks by evoking thought, is the inspirer and moderator of all possible conceptions, and the masterpiece perhaps of the human mind. It is to be counted unquestionably among the very great gifts bequeathed to us by antiquity..."
In the French-speaking world, users of the tarot for divination and other esoteric purposes such as Alexandro Jodorowsky, Kris Hadar, and many others, continue to use the Tarot de Marseille, although Oswald Wirth's Atouts-only (major-arcana) tarot deck has enjoyed such popularity in the 20th century (albeit less so than the Tarot de Marseille). Tarot decks from the English-speaking tradition (such as Rider-Waite-Colman Smith and decks based on it) are also gaining some popularity in French-speaking countries.
Paul Marteau pioneered the number-plus-suit-plus-design approach to interpreting the numbered minor arcana cards ['pip cards'] of the Tarot de Marseille. Prior to Marteau's book Le Tarot de Marseille (which was first published "circa" 1930s), cartomantic meanings (such as Etteilla's) were generally the only ones published for interpreting Marseille pip cards. Even nowadays, as evidenced by tarot readings of members of French-language tarot lists and forums on the Internet, many French tarotists employ only the major arcana cards for divination. In fact, in recognition of this, many French-language Tarot de Marseille tarot books (even good ones, such as Picard's) discuss the symbolism and interpretation of only the major arcana. Many fortune-tellers in France who use the "Tarot de Marseille" for readings will use only the major arcana and will use an Etteilla deck if they are to use all 78 cards for the reading."
"In the English-speaking world, where there is little or no tradition of using tarots as playing cards, tarot decks only became known through the efforts of occultists influenced by French tarotists such as Etteilla, and later, Eliphas Lévi. These occultists later produced esoteric decks that reflected their own ideas, and these decks were widely circulated in the anglophone world. Various esoteric decks such as the Rider-Waite-Colman Smith deck (conceived by A. E. Waite and rendered by Pamela Colman Smith), and the Thoth Tarot deck (conceived by Aleister Crowley and rendered by Lady Frieda Harris) -- and tarot decks inspired by those two decks—are most typically used. Waite, Colman Smith, Crowley and Harris were all former members of the influential, Victorian-era Hermetic Order of the Golden Dawn at different respective points in time; and the Golden Dawn, in turn, was influenced by Lévi and other French occult revivalists. Although there were various other respective influences (e.g., Etteilla's pip card meanings in the case of Waite/Colman Smith), Waite/Colman Smith's and Crowley/Harris' decks were greatly inspired by the Golden Dawn's member-use tarot deck and the Golden Dawn's tarot curriculum.
The late Hermetic Order of the Golden Dawn is the first known in the Anglophone world to venture into esoteric tarot. Francophone occultists such as Court de Gebelin, Etteilla, Eliphas Lévi, Oswald Wirth and Papus were influential in fashioning esoteric tarot in the French-speaking world; the influence of these Francophone occultists has come to bear even on interpretation of the Tarot de Marseille cards themselves. Even though the Tarot de Marseille decks are not 'occult' "per se", the imagery of the Tarot de Marseille decks arguably shows Hermetic influences (e.g., alchemy, astronomy, etc.). Referring to the Tarot of the Bohemians, Eliphas Levi declares: "This book, which may be older than that of Enoch, has never been translated, but is still preserved unmutilated in primeval characters, on detached leaves, like the tablets of the ancients... It is, in truth, a monumental and extraordinary work, strong and simple as the architecture of the pyramids, and consequently enduring like those - a book which is the summary of all sciences, which can resolve all problems by its infinite combinations, which speaks by evoking thought, is the inspirer and moderator of all possible conceptions, and the masterpiece perhaps of the human mind. It is to be counted unquestionably among the very great gifts bequeathed to us by antiquity..."
In the French-speaking world, users of the tarot for divination and other esoteric purposes such as Alexandro Jodorowsky, Kris Hadar, and many others, continue to use the Tarot de Marseille, although Oswald Wirth's Atouts-only (major-arcana) tarot deck has enjoyed such popularity in the 20th century (albeit less so than the Tarot de Marseille). Tarot decks from the English-speaking tradition (such as Rider-Waite-Colman Smith and decks based on it) are also gaining some popularity in French-speaking countries.
Paul Marteau pioneered the number-plus-suit-plus-design approach to interpreting the numbered minor arcana cards ['pip cards'] of the Tarot de Marseille. Prior to Marteau's book Le Tarot de Marseille (which was first published "circa" 1930s), cartomantic meanings (such as Etteilla's) were generally the only ones published for interpreting Marseille pip cards. Even nowadays, as evidenced by tarot readings of members of French-language tarot lists and forums on the Internet, many French tarotists employ only the major arcana cards for divination. In fact, in recognition of this, many French-language Tarot de Marseille tarot books (even good ones, such as Picard's) discuss the symbolism and interpretation of only the major arcana. Many fortune-tellers in France who use the "Tarot de Marseille" for readings will use only the major arcana and will use an Etteilla deck if they are to use all 78 cards for the reading."
