I'm going to be honest and say I find
this troubling. Wizard buys a lot of conventions around the country, and on the one hand it does impact greatly the number of people who attend. It gives them a lot more promotional ability, reaches a wider audience and guarantees a certain amount of funding. They bring better, bigger conventions to areas that may previously have not had any, or they were too small and too far away for people to bother with the journey. More people usually means more fun, so yay for that.
It also sucks.
The conventions invariably loose their intimacy and the friendly qualities that made them the most enjoyable. Wizard also has no qualms about gouging people for money, and when I say people I mean exhibitors. Artist's Alley. I've heard too many horror stories not just about the cost of tables (did you know tables were free at the original Chicagcon?), but about the treatment and placement of the unfamous. Even the mildly unfamous. Contract Vertigo artists who get stuck in corners against walls next to people they've never met, and then who
don't even get listed on the map or in the program.
My one great big fancy hope is that having a super-commercial Wizard Con in New York will keep NYCC a sort of haven for creators. It's in a bit of the off-season, all the editors show up, there's a lot of business that goes down there. Whereas the commercial cons, the editors flee from because they get attacked by up-and-comers. Or even just people like DeffiantK.