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Posted: Thu Apr 16, 2009 9:20 pm
I've been following that game for a while, Chris. It looks pretty great.
Oh, what was I here to do... huh ... oh yeah, FREAK OUT! SAMURAI JACK IS GETTING A MOVIE!!!! It will finally end!!! Phil Lamar will come back, being done by Genndy after he directs the Power of the Dark Crystal.
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Posted: Thu Apr 16, 2009 10:03 pm
Rex Mason I've been following that game for a while, Chris. It looks pretty great.
Oh, what was I here to do... huh ... oh yeah, FREAK OUT! SAMURAI JACK IS GETTING A MOVIE!!!! It will finally end!!! Phil Lamar will come back, being done by Genndy after he directs the Power of the Dark Crystal. wait? I though they ended Jack with the 4th season.
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Posted: Thu Apr 16, 2009 10:06 pm
Nick Joseph Fury I was just watching Rashomon earlier today. Sadly, haven't seen Seven Samurai or Yojimbo yet. My knowledge of Eastern cinema could use some work. sweatdrop both films are good, and after seeing Yojimbo, check out Sanjuro, witch is a squeal to yojimbo.
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Posted: Thu Apr 16, 2009 10:08 pm
Zachary T Paleozogt Rex Mason I've been following that game for a while, Chris. It looks pretty great.
Oh, what was I here to do... huh ... oh yeah, FREAK OUT! SAMURAI JACK IS GETTING A MOVIE!!!! It will finally end!!! Phil Lamar will come back, being done by Genndy after he directs the Power of the Dark Crystal. wait? I though they ended Jack with the 4th season. The fourth season ends with Jack and the Baby and really doesn't end the series at all. Jack saves a baby and it gets a warrior look because Jack killed a bunch of monsters as he tried to return it home. I need epic climatic showdown, TWICE! Once with future Aku and then with past Aku.
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Posted: Thu Apr 16, 2009 10:16 pm
oh I see.
It was weird, I had this whole love/hate deal with Samurai Jack. Like I like the style and the plot. But I had a problem with how some of the episodes didn't have this chronological order. Then again, I never saw the full series from beginning to end. I should hunt down the dvds.
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Posted: Sat Apr 18, 2009 1:42 am
What's this? A GI Joe Web series? Written by Warren Ellis, no less?
4laugh Okay, I admit, I'm only there for the Ellis. :B But there are GI Joe fans here, wanted to get your guy's takes on it. I think it looks pretty cool.
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Wormwood Gentleman Corpse
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Wormwood Gentleman Corpse
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Posted: Sat Apr 18, 2009 1:48 am
Also, I have finally seen Frank Miller's The Spirit.
I drank heavily to prepare myself for it.
I did not drink heavily enough.
Someone called it "noirsploitation" and I'm inclined to agree. Maybe it was the drink talking, but if it hadn't been The Spirit I maybe could have enjoyed its absolutely retarded dialogue and overall ridiculousness. I mean, it had pointless Nazi bits! I love pointless Nazi bits!
But I'm sorry, when Sand Saref's photocopied a** is a plot point... I just.. oh god. Where is Frank Miller's house? It needs to be egged. Special eggs. Eggs made of glass, containing gasoline and rags and fire. It needs to happen now.
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Posted: Sat Apr 18, 2009 12:02 pm
Rex Mason I've been following that game for a while, Chris. It looks pretty great. Did you see the Harley clip? Voice actress from the cartoon with new sexy nurse's uniform and corset. xp
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Posted: Sat Apr 18, 2009 12:06 pm
Chris Powell Rex Mason I've been following that game for a while, Chris. It looks pretty great. Did you see the Harley clip? Voice actress from the cartoon with new sexy nurse's uniform and corset. xp What Now??
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Posted: Sat Apr 18, 2009 12:15 pm
Cinderella of Fables Chris Powell Rex Mason I've been following that game for a while, Chris. It looks pretty great. Did you see the Harley clip? Voice actress from the cartoon with new sexy nurse's uniform and corset. xp What Now??You can has linky!Kinda fits with the mood and theme in the game.
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Posted: Sat Apr 18, 2009 12:23 pm
Ooohh.. Harley Quinn Rocks!! I might pick that up for myself. biggrin Thanks Chris.
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Posted: Sat Apr 18, 2009 12:25 pm
You should see that gameplay footage....I'm practically salivating. Gameplay!And if you buy the Collector's Edition, which is 100 bucks, you get a freaking batarang.
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Posted: Sat Apr 18, 2009 1:08 pm
Oh my.. that looks awesome! though I can't spend the 100 at this time. sad
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Posted: Sat Apr 18, 2009 1:14 pm
Wormwood Gentleman Corpse What's this? A GI Joe Web series? Written by Warren Ellis, no less?
4laugh Okay, I admit, I'm only there for the Ellis. :B But there are GI Joe fans here, wanted to get your guy's takes on it. I think it looks pretty cool. "...Cobra Commander killed 10 million people in a mere moment in the first five minutes ... this needs to be a full series, right now"
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Posted: Sat Apr 18, 2009 1:37 pm
Natalia Romanova Aw, just because the film is "subtle" does not mean Wright does not have a style. His Pride and Prejudice is far more stylistic then other film versions of the same story; using the camera in a very contemporary way with exceptionally sharp editing (along with a near surprising amount of special effects). In today's world of films I'd say Wright's Prejudice and Atonement stand out away from the crowd, following more in the footsteps of Mulligan's To Kill a Mockingbird and even the work of Douglas Sirk rather then the road many of his fellow young British directors have taken. This does not mean I think he is "better", just making different choices. Well. I did notice that it was shot in a much more contemporary way, but unless you're Baz Luhrman or Tim Burton period films are generally shot in a very conservative way and that often times suits the period, especially if you're looking at provincial life in Austen's era. Personally when I want to investigate a director's style, I'm looking for something that pushes the boundaries of the medium or translates the intangible (such as emotions) into a comprehensible visual language. I'm less invested in more subtle work because it doesn't speak to me as an artist. I'm just about the last person to really ask for a seriously informed opinion of Wright as a director given my niche.
However, I do find that Julian Jarrold took more chances with Becoming Jane although he seemed somewhat tentative about it. He did more unconventional shots that at times had the shot-on-video look of Battlestar Galactica or The Shield, but he didn't really sell the effect or pull it out more than once or twice. I feel like he also had more visual continuity than Wright did if you strictly compare Pride and Prejudice to Becoming Jane. There was a trailer for Atonement on the disc for Becoming Jane, and the shots in that promise to be something I can speak to more, even if the goddamn trailer completely ruins the big twist in the novel. You aren't supposed to know that the narrative is fictional and thus whose atonement it really is until pretty much the end. Growl.Quote: Meh. Depends on what you think the monolith is. The monolith is a literal object within the film, but that doesn't mean it is to be understood in the literal - just because it is there and man does not know what it is does not mean it has to represent a higher being. A lot of people believe the monolith to merely represent the potential of man, appearing at times when man furthers/seeks to further himself and at times when he fails. Others feel the monolith is indeed a higher power; while some people see the monolith as a movie screen.
I don't personally believe the film has anything to do with becoming equal or a part of the universe. I feel the film certainly has a large amount to do with the evolution of man and what it is to be human, but I feel it is actually a cautionary tale of sorts. But after all "All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors." Well, again, a lot of my final interpretation is in response to what Clarke stated the intent of the film was right before the premiere, so I'm trying to build my interpretation of it around that framework, but 2001 is extremely open to interpretation. I dunno, that whole end sequence is so similar to the ascention sequences in End of Evangelion, The Invisibles, and Promethea that it lends itself to that range of interpretation. There's space there to look at the monolith as being a forerunner to Barbelith, which was just about as nebulous in nature. Stanley Kubrick, to me is an artist. He's a fine artist, but he's a s**t storyteller. I can watch Lynch and not worry about it making sense, because I know it isn't meant to. Kubrick I tend to feel cheated by, although it seems to me that Lynch inherited a lot of Kubrick's reoccurring images and themes.Quote: The irony here is that, of course, I saw Sunshine as a less effective 2001. xd You crazy.
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