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 Posted: Tue Mar 10, 2009 3:25 pm
What are your favorite techniques to use that make your playing unique
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Posted: Tue Mar 10, 2009 6:55 pm
I'd say vibrato and bends yet that can be just for the sake of bad habit.
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Posted: Wed Mar 11, 2009 9:40 pm
I personally like tapping. I'd like to learn 8-finger tapping, but not yet... it's way out of my league.
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Posted: Thu Mar 12, 2009 12:04 am
Absolute Imperfection I personally like tapping. I'd like to learn 8-finger tapping, but not yet... it's way out of my league. just start it out slowly . Its kinda easy to do when you know what to do . Am a big chicken pickin kinda guy .
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Posted: Sat Mar 28, 2009 1:05 pm
I like to play around with scales and modes. Being able to use different modes, and switch between them, really gives me a diverse way of playing, as each sound is different from the last. I can give it a romantic sound with the Lydian scale, a wicked sound with the Dorian scale, then suddenly a sad sound with the Pentatonic. Most often I'll mix in the pentatonic with the rest of them just to get more of that rock sound out of my guitar...
Right now I'm also building my way up to 8-finger tapping. I also use a lot of hammer-ons and pull offs...
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Posted: Sun Mar 29, 2009 6:44 pm
Jazz chords. They're the hugest b***h to learn, but when you have them down, you can do pretty much anything.
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Posted: Mon Mar 30, 2009 6:48 pm
Slappy the Ninja Jazz chords. They're the hugest b***h to learn, but when you have them down, you can do pretty much anything.
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Posted: Mon Mar 30, 2009 9:45 pm
Raider83 Slappy the Ninja Jazz chords. They're the hugest b***h to learn, but when you have them down, you can do pretty much anything. I'm getting into them in my school's Jazz Band. Some of them are torturous. Like 9 chords, maj9b5, the screwy list just goes on.
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Posted: Sat Apr 04, 2009 10:49 am
Slappy the Ninja Raider83 Slappy the Ninja Jazz chords. They're the hugest b***h to learn, but when you have them down, you can do pretty much anything. I'm getting into them in my school's Jazz Band. Some of them are torturous. Like 9 chords, maj9b5, the screwy list just goes on.
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Posted: Sun Apr 05, 2009 1:46 am
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Posted: Sun Apr 05, 2009 11:15 pm
Absolute Imperfection Slappy the Ninja Raider83 Slappy the Ninja Jazz chords. They're the hugest b***h to learn, but when you have them down, you can do pretty much anything. I'm getting into them in my school's Jazz Band. Some of them are torturous. Like 9 chords, maj9b5, the screwy list just goes on. Of course there are movable shapes for each kind of chord, but some of them I just can't get used to, like the 9 shape (example root G):
XX5465
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Posted: Mon Apr 06, 2009 4:10 pm
Slappy the Ninja Absolute Imperfection Slappy the Ninja Raider83 Slappy the Ninja Jazz chords. They're the hugest b***h to learn, but when you have them down, you can do pretty much anything. I'm getting into them in my school's Jazz Band. Some of them are torturous. Like 9 chords, maj9b5, the screwy list just goes on. Of course there are movable shapes for each kind of chord, but some of them I just can't get used to, like the 9 shape (example root G):
XX5465
EM9 Em9
E----------
B--7----7--
G--8----7--
D--6----5--
A--7----7--
E----------
I could help you with them if you need it. I've got some good fingerings for them.
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Posted: Mon Apr 06, 2009 11:04 pm
Yeah, I just really hate that one shape. Minor 9's aren't too bad, though.
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Posted: Tue Apr 07, 2009 3:38 pm
Slappy the Ninja Yeah, I just really hate that one shape. Minor 9's aren't too bad, though.
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Posted: Fri Apr 10, 2009 4:06 pm
quick transitions between staccato and legato during scale and modal transitions. as for chords, hardest for me to get used to weren't the minor 9th's but the minor add 9th's
(ex: Amadd9
e------5--------
B------5--------
G------5--------
D------9-------
A------7-------
E------5-------
)
. wicked shape but beautiful sound.
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