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Posted: Mon Jul 31, 2006 8:00 am
I feel so bad because I haven't actually been around like, this whole month- much less at my actual computer with all my editing stuff! gonk *Headdesk*
Work more whilst computer est with you!
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Posted: Wed Sep 27, 2006 8:51 pm
I'd go with a different title. This just exudes immaturity, from my point of view, anyway. I mean, there are so many different ways to title this poem; I think this one just does it injustice. Quote: The room is an oven, the children the bread Fix that comma to a semicolon or something of the like. Quote: sucked of all moisture and slowly, ever so slowly, asphyxiated. I think that the second line here feels too much like fillers in meat. Just, not too nice and doesn't taste that good on your tongue. So, I'd just go ahead and omit that second line and those commas. Quote: The room is a star field, with the few shining bright and some a slight glimmer-- aptitude but no ambition. That last sentence feels too tell-ish. The other part is passable, but the 'few shining bright' and 'slight glimmer' just sounds too much like its already been used. I'm pretty sure you can do better. Quote: Others, moons reflecting the sun; more lost to the black hole of ignorance. See, this is what I mean. I'm not sure about the 'black hole of ignorance', though. It feels pretty straightforward for a metaphor. Quote: The teaching is like a pillow, under which creativity respires and expires; Is 'the' really needed? You could omit it, really. I like the idea of creativity breathing and dying, and the way you presented it. Nice job there. Quote: and the children, bless their (lack of) souls, use as the well-worn path to Dreamland. Since you just used a semicolon, the 'and' isn't needed. I don't like the idea of the 'bless their souls', but I like the idea of the lack therof. Quote: The desks sigh, and the seats groan as the pen(cil)s hurry to copy the answers off their next-seat neighbors. I'm not sure if the wording of the first line is doing justice, really. It's a nice idea, but the way its presented just doesn't work out too well. Also, the copying part feels a bit straightforward, like you just stuck it out there because we couldn't understand it otherwise. Quote: Whoosh; the balled up paper (an “imaginated” airplane) swoops and soars like a stunt flyer only to miss the trash-goal. I love the playfulness of this stanza. Quote: The groans of disgust from the commentating boys are masked by the chitter-chatter of the twitter-bird children I enjoy the internal rhyme in the second line. I think you could change 'commentating boys' into something like those people who report the golf games and such. Quote: (a-twittering and -tweetering about the latest and greatest), the soprano counterpart to the tuneless mumble-grumble uttered in voices like golems’. Change that first comma to something like a semicolon or dash or such. This is a nice little stanza, though 'mumble-grumble' does feel a bit elementary, compared to what I've read from this poem so far. Quote: Whinging about the latest assignment leads to faux-goth notes carved into faux-wood desks I'm not sure if this first line break is such a good idea, but the faux-goth/faux-wood repetition is just splendid. Quote: as the children, like so many carrion crows, circle overhead just waiting, for the raptors to attack (poor twitter-birds, to meet such a brutal end). The second line feels very filler-like, which isn't too good. This metaphor is very nicely done, though. Quote: At the teacher’s glare, like a Gorgon’s saturnine stare, the room, a not so gentle cacophony,-- as harsh as the most cynical of magazine critics and pounding like a jackhammer in the middle of Manhattan --quiets. Couldn't you delete the fourth comma? I mean, there's a dash right beside it. Also, the last line break isn't that appealing, in my opinion. Quote: The teacher speaks, her voice a monotonous droning as much as an old cigarette-smoking man with a cold and a somewhat nasalized vernacular, Total love for this. Its a great simile set-up that almost no poetry I see nowadays uses. Quote: as she draws diagram upon diagram on the ever-so-prettily decorated chalkboard. And, this just falls flat. Its boring compared to how nicely you just showed us that teacher and how she speaks. The slight repetition of 'diagram' isn't all that nice, even though it sounds alright. 'Ever-so-prettily' is a downslide, as well. Quote: Fingers drop the chalk (the epitome of education), which falls and catches itself on the rim at the bottom of the board; No real qualms here. It's not bad, but it's not exactly good, either. Can't put my finger on what makes it so okay, but not great. Quote: it leaves a trail of fine white powder, coke on the mirror, Pure love here. Though, I'm not sure if 'coke' is such a good word to use here. It'd be pretty cool if you'd use a somewhat scientific word for it, but have context clues so we don't totally have no idea what you're saying. Quote: to be killed, wiped into oblivion, with those self-same fingers (‘Quick, before Mother sees!’). No qualms here, either. Quote: Like a latex glove stretched thin over jaundiced skin, the chalk-colored hand will show no fortune-lines until it is dusted, Oh, that last line falls a bit flat. Other liens are very nicely done, again, though. Quote: and chalk debris floats down as snow to the scuffed linoleum floor. The students will mirror Teacher-dearest, I do completely hate 'Teacher-dearest'. I don't really know why, but it just irks me so bad. Quote: dusting their own hands so that dead skin and graphite fall onto the desks like an offering, rejected, from above. I'm not a fan of that second line. Its probably just subject to some bad line breaks, but it doesn't hold much of anything, really. Quote: They are automatons, like robots, copying from the board straight onto the virginal sheets, previously unblemished as a sacrificial lamb. This seems to remind me of a Catholic school very much. Quote: The ink bleeds on the paper, a scritch-scratch punctuating every wound, Oh, I don't like this much at all. I know there is a better way to make this personification a good one, and you could play with this to no end to make us readers think. Quote: in black and blue (shades of a bruise) and the many garish CareBear-colors. There's no need for those parentheses. That one's a given, compared to the wound personification. I like the Care-Bear color vibe, however. Quote: Far worse than all the colors-- my eyes, they burn with afterimages; Give me the sun and a telescope any day --are the papers and poems (surely, being made to read this constitutes child abuse.) YES. I know how this feels, and those last two lines just made me so relieved that this would be brought up. This is quite possibly my favorite stanza. Quote: Each word, pronunciation distorted beyond any recognition, causes nerves to shudder as they carry their message to the slowly dying brain. The second line is a bit bland. Its like a fill-in. This is a nice ending from my thoughts. Overall: Wow. This is a very good piece, but there are a few places that need a deal of work. But, its a lot better than most of what flows through here, and you know you agree.
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Posted: Sat Dec 23, 2006 6:58 pm
Zoeidina Red writing is grammatical/spelling edits.Blue writing is story notes.Green writing is other notes.Gaia has odd formating. In order to make new paragraphs, you have to skip a line."This place gives me the creeps, big time," Zac Lawrence said, crossing his arms in an attempt to keep warm in the chilly autumn evening. He had forgotten his red, Old Navy hoodie in the his apartment that was his residence, I understand that you're trying to make the sentence sound more...sophisticated? However, sometimes simple is better. about a quarter mile away. The handsome, black-haired boy stood in a garage-type building that looked like it had once been attached to a house. His best friend, Monica Reynolds, currently accompanied him. She was facinated by the place and had to see it every time they walked past it on the path. The word 'had' makes action seem forced. However, if Monica is facinated by the building, she would be happy to go past it. Try '...by the place, and was able to see...' Although it wasn't too far from routes 198 and 29 , the garage was absolutely silent, aside from the natural sounds of crickets and frogs. All three garage style doors were missing, which should have given the small structure an open feel. It didn't. The time was six p.m., and it was already getting dark. The last three sentences are pretty choppy. Give a little more transition, or try to relate the three sentences together.General critique on this paragraph: It's pretty good, just rough around the edges. I like the desription in it, and how you still relate it to the story- however your sentence structure is a little floppy. Also, I need to be brought back to the story. There's so much description here that at some point I forget that Zac said something. "Chicken-s**t," Monica said jokingly. Zac glanced at her. "Shut up," he said. "Seriously. I feel like I'm in a horror movie or something." Monica smirked and shook her head. Zac walked to the ladder that extended from the attic's trap door. It seemed to be beckoning to him, calling him into the pitch darkness that waited above , like a sexy siren to a man. Sexy siren breaks the mood so horribly. I understand the want for humor, but that just doesn't work. Zac grabbed either side of the ladder and planted his foot on the first wooden rung. The ladder creaked and Monica whipped around. Her shoulder-blade length brunette hair blew into her face with her sudden turn. She was very attractive, with perfectly sized breasts that complimented her slender, curvy figure. Her green eyes sparkled in the little bit of street light that filtered into the building. Tight jeans hugged her thighs and legs, a tight black tank top covering her chest and stomach. She was practically immune to the cold. General Critique on this paragraph: The sentences are way too choppy. I'm getting very little transition. Also, find a way to describe Monica without completely taking us away from the story. Don't just give us a block of description, put some action in there as well. I don't understand why Zac's going up there, either. If it freaks him out- why's he going?"You are not going up there," she said to her friend. "I know you. You're too scared." Zac ignored her, his deep brown, almost black eyes reflecting the deeper blackness 'Black' is a word that should be used sparingly, unless it's a symbol or you're writing a form of fiction that 'black' is a word describing mood and features. If this is an important part of the story then replace 'blackness' with 'darkness'. If not, take out the words 'almost black' and just say that he had 'dark, deep brown eyes'. above. He brought his left foot to the second rung. His shoulder-length black hair fell into his face, and he mindlessly pushed it aside, his silver eyebrow and lip rings reflecting a seemingly sourceless light. Why are they reflecting a light that's not there? Don't go agaisnt laws of science unless there's a reason. He continued to slowly climb the creaky, wooden ladder, slowly, as if in a trance, until his long legs finally disappeared into the consuming darkness of the attic. Monica stood there, silent, for what felt like hours, yet could only have been minutes. General Critique on this paragraph: I seriously can't figure out if the constant use of black and dark and light is a symbol or just description. Description is good, very good. However when description is taking away from action, and the reader can't figure out why it's not good anymore. Either take out part of the description- like constantly saying it's dark, because we get it- or show us why it's a symbol.
Also, I have no idea what's going on plot wise. For some reason there's this guy who hates this place, but is climbing to the attic. Why? I don't know. Is he in a trance? I don't know. I can't even guess. If he is in a trance then explain the trance, and what it feels like. The reader needs to be able to experience with the writer."Zac?" she finally called, slowly walking to the ladder. Then something fell down the wooden rungs . , making Monica yelp ed and jump ed back. The thing clattered to the floor . as Monica cautiously stepped forward , brushing her silky hair back behind her right ear. She knelt down and closed her fingers around the small, Cingular Nokia flip phone. As she stood up, the cell phone vibrated and The Red Jumpsuit Apparatus's "Face Down" issued from the tiny speaker, filling the entire structure with loud rock music. Again , Monica screamed, and almost dropped the phone. She read the caller ID on the front of the phone, holding it with madly trembling hands. Why is she suddenly terrified of this place? I thought she liked it before. The number was an impossible one. Zac's cell. The cell she was holding. Her eyes grew wide with terror. She flipped open the phone and slowly brought it to her ear, hands trembling even worse. "Hello?" she whispered. A raspy, broken voice answered. "Hush... little baby don't... say a word." Monica screamed, threw the phone at the opposing wall, and ran. General critique of this paragraph: Choppy, but I think that with the edits it should be okay. However, Monica's character has done a 180. Before, I thought she was a headstrong, tough girl. Now she's screaming at a phone ringing for no reason? There was a turn, and no explanation for it.General Critique: Truthfully, I think it's pretty good. You have a pretty good vocabulary, and you know how to use words. With a little bit of work this should be pretty good. However, it's really foggy right now. There's really no transition between action, and not that much action in the first place. Expand it and find ways to fit in description without throwing everything at us at once. And then telling us again. Which is something you did a lot- telling us everything and then, in case we forgot, telling us again. ... I know. I finally put in a critique. Amazing. *Okay, okay. I left Gaia awhile. I'm sorry, okay. /emo*
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Posted: Mon Jan 29, 2007 2:05 pm
Wanderlust14 Pen name: Wanderlust Entry title: Four Little Letters Rating: G Can we comment on your work if it's published in the 'zine? To your heart's content! Four Little Letters I’m going through changes, Nikki. I mean… .we all do eventually, I suppose, but today’s been too much, too fast. N eeds transition. Something like, "And all these changes are making me wonder or some-such. I'm starting to wonder things 'Things' is a word that should be used only when needed. In this case it is not. . Why fate ever let me meet you. Why you ever loved me. I never wondered those things before. Again with the transition. Because this is the beginning, the reader knows nothing of this 'secret', or what is has to do with the narrator wondering. Stay on topic, or give transition. I kept your secret, yes. But that shouldn't have made you obligated to be with me. And now....I'll never know if you really loved me, or if you just felt you owed me something. This isn't the best opening. It throws us into a bunch of ideas that we know nothing about. Even just a short, maybe two sentence, paragraph before this would make it better. Since you’ve been gone, I’ve just been sitting in my room, thinking. Not about today--I was almost prepared for that--but ….about the time I came close to losing you , but didn’t. The 'close to' implied that the narrator did not loose Nikki. Was that time the reason that you been taking care of yourself? I don't understand why the narrator almost loosing Nikki would make Nikki take care of his/herself. Did Nikki almost die? I'm not sure. Was that time the reason you’ve gotten careless? Those last two sentences are contradictory. If Nikki was taking care of her/himself then he/she wouldn't have gotten careless.I remember it like it as well as if it had happened yesterday. This It was back before we were truly together. We’d known each other for about four months, remember? And I already felt more comfortable around you than I’d ever felt about around any of the close-minded Bible thumpers in this town. (Are they the reason, Nikki?) Anyway ....yes, you had told me almost everything about you. But you kept one secret, Nikki. One very big secret…. ~ I grew up in here in Milestone, unlike you, who moved here from New York City. That must have been quite a change for you, Milestone being the very small, very religious little hamlet that it is. It's quite far from any civilization and from any ideas that the Bible might discourage or does not explicitly allow. The last half of that sentence is awkward. I don't quite get what it's saying. I think it's saying that there's no place near it that doesn't follow the Bible, but I'm not sure. Homosexual love simply doesn’t thrive here. You suddenly change tenses in that last paragraph, and it's kind of confusing. I can't tell whether you're doing it on purpose- or whether you're still telling a story of your past. But ours did, Nikki. Yours and mine. We had to keep it a secret, but… .we loved each other. For better, for worse, forever. Then again… .we never really were like other people, were we? That was made obvious by the secret you kept from me. This secret just keeps randomly showing up. There doesn't seem to be any rhyme nor reason to it. It seems as if it's there to just complicate things- and for no reason but that. The secret I found out one day when I came over to your house to study for those stupid finals, the ones you always hated with every fiber of your being. I hated them, too… .we all did, even the best students. I was always the smart one of the two of us, you said. So you wanted me to help you cram for the finals, and I sure as hell wasn’t about to complain. I had no idea what I was walking into, Nikki. Your mother wasn’t there when I came over, and you weren’t answering the door. I knocked for almost ten minutes before I tried the knob and found that it was open. The house was as silent as the grave as I walked through the sparsely furnished room and up the rickety old stairs. Your room was at the end of the hall, but and when I found it, I pushed the door open only to realize that you were not there. 'Did he forget about our study session? ' I wondered, feeling a strange sort of gloom hit me at the idea. I didn’t know , then , why I felt so thoroughly disappointed, but I didn’t have time to rationalize it, as I became aware of strange sounds coming from the adjoining bathroom just as the thought occurred to me. Frowning in confusion, I shoved open the door to the bathroom , and forced back a gasp of shock. I’ve never forgotten the picture I was met with that day--of you huddling over the toilet, spewing all sorts of foul-smelling muck into it, and shaking harder than I believed it was possible to shake. Your body was more fragile than a leaf being battered about by a hurricane force wind, and you were sobbing brokenly when you finally finished and rolled over weakly to lean against the sink. When your eyes met mine , the lost, frightened look there was enough to break me from my spell. I hurried over to the sink, opened the door underneath it, and fished out a folded up towel, which I wetted liberally with cold water before I knelt beside you and pressed it to your sweat-soaked forehead. We stayed like that for a long time, completely silent--I didn’t know what to say, and you had no breath to say anything with. “What happened?” I finally asked quietly after about ten minutes, my voice shaking as hard as your body still was. “… .Nothing. I just… .got sick.” Your voice held a forced note of determination. I stared at you for a moment, then stood up to wet the cloth again. “You always were a terrible liar--I learned that after knowing you for a week.” I stared at myself in the mirror--the red hair that was flung haphazardly all over the place ,and the face that, at the moment, was pale enough to be mistaken for the facethat of a corpse. I was shaking almost as hard as you were. New Paragraph “Come on. What’s wrong?” “ Nothing. I’m fine.” You grabbed the sink and hauled yourself up to stand on trembling legs, and it occurred to me that , occasionally, even a black man can look extremely pale. I imagined that your face was the color of your creamy blond hair, which you had told me you inherited from your father, but that imagination was false. You were, however, a whiter shade of pale than I had ever seen a man of your color wear. 'A whiter shade of pale' makes no sense in this context. A black man cannot be whiter. Perhaps something like, 'Paler than a man of your color' or something. I yelped as you let go of your precarious hold and hit the floor again, and I wetted the cloth and knelt down beside you once more. “You’re obviously not. What happened? When did you start feeling sick?” “… .Was that a serious question?” Why doesn't Nikki think it's serious?I sighed in exasperation as you tried to get up again , and , having learned my lesson, I moved quickly to your side to support you. Much to my surprise, you didn’t refuse the shoulder I lent to you , but , rather, accepted it gratefully and used it as we moved into your room. “It was a serious question. Come on, Nick… .why won’t you talk to me?” I assisted you onto the bed and then stood and went back into the bathroom to re-soak the cloth. “I am talking to you,” you replied stubbornly. “You’re hiding something. I can tell,” I called back, filling one of the paper cups by the sink with water, flushing the toilet, and returning to you. I pulled the covers up to your chin and sat down next to you on the bed, handing you the cup of water and then absently pressing the towel to your head. My mother had always done this for me, and it had always made me feel better--not the wet cloth, really… .that was pretty worthless. But it always made me happy to know that she cared. I wanted to give that same gift to you. “Come on… .tell me what it is.” “Nah, never mind, it’s nothing,” you told me, trying to force yourself into sitting position before I forced you back down. Which I did, before you’d actually gotten anywhere. “Look, can we just… .study? Like we planned?” I couldn’t ignore that pleading tone in your voice, so I sighed and stood. “Keep that on your forehead. Where are your books?” “Top desk drawer, where they always are.” “… .I think we may have discovered the problem,” I teased as I went over to the desk and tried to pull open the drawer, only to have it resist stubbornly. Frowning in annoyance, I pulled harder. “Your desk is giving me lip, Nick!” I whined. You laughed , and , although it was a tired one, it was very real. “Yeah, it gets stuck sometimes. You just have to pull really hard.” So I did as you said. I gave the drawer a vicious yank… .and quite suddenly , it was jumping out at me, and its contents were spilling everywhere. I saw you move immediately to make mad dash to pick it all up, but you sank back onto the bed, turned faintly green, and then made another rush to the bathroom. It was a moment before I really understood why you made that attempt to move, but it all became clear when I stood up to rush after you, and my foot kicked the pill bottle that was lying at my feet. Frowning, I leaned over to pick it up ….and everything fell into place. You managed to pull yourself up on your own this time, and were leaning heavily against the sink when I came in. “Oh, thank you, Jesus,” you rasped ., “C’mon, Riley, get over here….I need the shoulder again.” “Why didn’t you tell me?” I asked quietly, my voice completely devoid of emotion. “… .Riley, what….?” You turned around slowly, and then blinked at the pill bottle in my hand ., “Where did you find that?” “It flew out of the drawer when everything spilled. Why didn’t you tell me?” “Riley… .can we just… .not do this right now?” you asked, your voice tinged with anger as you went slowly back to your bed. “We damn well will do this right now. Nicholas, how could you not tell me?” “It was real easy, actually,” you muttered, pulling the covers over yourself. “But I could have helped. I could have--” “ What?” you interrupted angrily. “What could you have done? I’m going to die, and unless you have some magical cure for an incurable disease hidden up your little Irish sleeves, it’s gonna be a lot sooner than it should be. And nothing you say will make that okay, Riley. Nothing.” Wooooooah. What? A paragraph ago I totally thought that Nikki was an adict. Not...what, with cancer?I blinked, and felt tears come into my eyes in spite of my best efforts. “But still… .I could have… .been your friend. I could have supported you, I could have… .done something. I could have….” The tears spilled over now--I had always been a bigger crier than most boys my age. “Oh, God, Nick….” I whispered helplessly. Your face softened, and you said softly, “Hey, Riley… .Riles, it’s okay. C’mere.” I pushed myself out of the wooden chair I had been sitting in and walked shakily over to the bed, throwing myself onto it and curling up against your chest. Your arm came around me , and I hid in it, trying to force all the thoughts that were crowding my mind into some coherent order so that I could speak. All that came out, though, was, “I’m sorry, Nick.” My tears were showing no signs of slowing--in fact, they seemed to have begun to come more liberally. “Sorry? For what?” yYou asked, lifting your head slightly to look at me. “For… .not being the kind of person you can trust, or… .tell things to.” You smiled, a real, genuine smile. “Riley… .don’t be an idiot. I trust you completely.” “No… .you don’t have to. We haven’t known each other long. I haven’t earned my place as your secret keeper yet.” “No, it’s not that. In the first month that I knew you, I knew for certain that I could tell you absolutely anything. I’ve… .never felt that way towards anyone before.” “Then why couldn’t you tell me?” “I… .didn’t want you to have to know… .to have to live with the secret. You’re too young to have to carry something like that.” “I’m not--” “You are. Riley, I got all of this shoved on me. I have to deal with it. You don’t. And I… .didn’t want you to have to.” “If you’re carrying it, then so am I,” I insisted stubbornly, and I felt you smile. “Fine, have it your way,” you teased. “Can I… .do anything to help?” I asked, wiping away my tears. It felt silly to for me be crying when you were the one who deserved to be doing the crying. “No. It’s not something that can be helped. Just… .be here.” I smiled. “I can do that.” That night was a turning point for us. You and I spent the entire night spilling our secrets , and our fears. We took turns crying on each other’s shoulders , and , while you felt silly, I helped to get rid of that relatively quickly. Get rid of what quickly?The barriers came down, and that night , you and I had our first kiss. It was rather odd , to have such a wonderful moment spring from such a tragic discovery, but… .it felt right. ~ And that was the day I learned your secret. Things changed after that, but… .for the better. AIDS. That Those four little letters can cause so much trouble it amazes me. But what is even stranger , is how those four letters can bring two people together in a way that I never thought possible. That, to me, is the most amazing part, Nikki. Our relationship flourished through public disapproval, our own teen dramas, and a (quite literally) deadly secret. We won, Nikki, in the end. Wherever you are now… .I hope you know that. Where are you now, Nikki? Heaven? Are you happy? Do you think about me? Do you miss me? ... .Do you still love me? I liked it, but there were just little errors. Transition, especially in the beginning, was iffy. Just make sure that the reader knows as much as the writer.
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Posted: Sun Feb 18, 2007 9:17 pm
Yay! Look who has decided to critique something [refering to me]! ----------------- Quote: (1) Pen name? Cerulean (2) Entry title? Snow (3)Rating: T? I'll you make the final decison then. (4) Can we comment on your work if it's published by us? Sure thing. It would be nice to have other opinions on it, too. (5) Post here: I will go ahead and admit that I am always a little cautious with the one-word title. With the title you chose, truthfully, I'm not expecting a good poem. The title, along with the first stanza, will most likely be the top way to draw the reader in. You need a good title. Quote: Snow is like little lights that fall from the sky, Cooling the roads of the world, Soothing the pain of the people. I love the idea of snow being little lights -- I'd just rather it be the other way around. Dealing with a force of nature like this in poetry just feels very childish and amateur. Also, the third line was very cliched, which doesn't add to good poetry. Quote: Snow is like a cold finger, Touching my heart and turning it to ice, Making me remember, what peace is like. Once again, this feels fourth-grade-esque. You don't want to sound childish when speaking of nature, because you risk not having an audience. Especially in the first line of this stanza -- the same set-up as the first stanza made it very lazy and slouchy. This was a bad stanza overall. Quote: Snow is like a gentle breeze, Falling to my face gently, Teaching me compassion in the midst of a harsh blizzard. This stanza was pretty, well, corny. Somewhat like it came out of a Hallmark card. I like that you did use a bit of metaphor at the end of the last line of this stanza, though. Quote: Snow is like me now, Cold, calm, and dead, That I whatever I was, whatever I touched, have become affected. And this feels very teen-angst mixed with the poetry kids write in elementary school. Its not good, and everything else pretty much applies here. Overall: Yes, I know I was a bit harsh, and I'm sorry about it, but you really needed to hear this. This poem pretty much held up to my expectations, which really weren't that high. I also noticed that you ended each line with punctuation and at the end of phrases. You can take more chances with your line breaks. Also, I noticed that you didn't use that much imagery, which you really do need to take in and use.
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Posted: Wed Feb 21, 2007 6:50 pm
Eh, if you were referring to me, I wouldn't be insulted. xDDD
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Posted: Mon Feb 26, 2007 10:57 am
Kigali_13 (1) Hope Steinback (2) Breathe (3) PG-13 (4) Okay. Warning...It's an ongoing story so I don't know if you'll want to use it or not. I hope you enjoy the begining though... Breathe In a small town in tropical Hawaii , a lovely sixteen-year-old girl wanders the old town market. She is obviously a native Hawaiian , with her long black hair, brown eyes, and tan skin. She wears a simple white sundress , which is tied at the waist with a light yellow sash, brown sandals, and a silver heart locket. She looks like all of the other natives This statement isn't explanitory at all. Either take it out or make it more descriptive. except for the quiver of arrows on her back and the bow in her hand. She is a warrior. Despite that fact everyone greets her kindly with warm smiles. You speak about warriors as if they are bad things. However, in most society warriors are considered highly respected. I'm not sure about Hawaii, but if the case is that they are feared, explain that. This Paragraph: Normally I'd say that you shouldn't start off with description of a character, purely. However, I think that you pulled it off fairly well. Just keep in mind that some other critics might be put off by it. “Hello, Leilani!” A young man greets her as she approaches his stall. “Good morning Sir Laerd,” Sshe greets The word 'greets' is a little awkward. It usually implies that she initiates the greeting, however Laerd did. him with a smile , before purchasing her weekly fruit. Why is a man with the title of 'Sir' selling fruit? Also, 'Sir' is, as far as I know, a very European thing. “Going to train again today?” He asks her. “Yes,” She sighs brushing a strand of hair out of her face. “I must train everyday in case OMD decides to invade here,” She takes her fruit. Her speech is very broken up. It doesn't sound natural, at least not for current day. And, again, the only plave I can thing of it ever sounding natural would be in Western Europe, or some places in earlier America. “Good luck!” He waves as she walks away. She leaves her purchases with old mMiss Marteen before heading for the secluded beach where she trains. There , set up against the breaking waves , are her mother 's old targets. She raises her bow and takes an arrow from her quiver… This Paragraph: Keep the cultural connotations in check! If there is something going on that is not normally done by that culture it needs to be explained why. If you don't know about that culture, then research! Ignorance is not an excuse. In a large city in Japan a different sixteen-year-old female wanders the harbor. She seems to be waiting for someone. She wears her very long , dark brown hair in a braid , and her brown eyes search the waves before her. She wears a pair of dark blue pants, a white , long-sleeved tunic with red bead designs, and black sandals. On her right hip is a katana in its sheath. She is also a warrior. Her eyes rake the sea once more before she sighs and heads back to the little sea shack , where she takes a seat. “You alright, Sayo?” The waiter asks her. “Would you like anything to eat?” “No. I’m fine Aidan ,.” She looks up into his sweet dark green eyes. He has short , red hair and wears a pair of dark jeans, a black T-shirt and black and white sneakers. His Japanese has a thick Irish tilt to it. “I know they are coming. I feel it,” Sshe says to him. “You’ve been saying that for so long, Sayo. Do you have proof?” He asks her , teasingly. “You know that they strike without warning,” Ss he replies , giving him a sharp look ., “I’ll have some tea,” “Okay then,” Aidan disappears behind the counter. “Mind if I join you?” He asks, returning returns with two cups of green tea. “They won’t come here yet, Sayo,” He says placing a cup before her , and taking a seat himself. “I know. I’m just worried,” Sayo sighs. “They will come eventually…” In a small -, secluded town in Greece a cute sixteen-year-old girl watches the sea from the beach, which is before her home. She has shortish Shortish is not a descriptive word. light brown hair, dark blue eyes, and is lightly suntanned. She wears a pair of black denim shorts, a light blue tank top tied at the waist with a red sash, and brown sandals. A sword in its scabbard lays on the sand beside her. Another female warrior. “Danae, come back inside.” A wrinkled old man approaches her. “No, grandfather. Not yet. He said he’d meet me right here before he leaves,” Danae replies , smiling. “How do you know he’ll come? He’s bad news Danae. Bad news ,. ” He goes back into the house , which is only a few feet behind a large sand dune just off the beach. “I know because he loves me…” Danae replies as a breeze lifts her hair. “Danae!” a voice calls. She turns to see a young man running towards her. He has shortish Again, shortish is not a descriptive word. black hair, light blue eyes, and is light skinned. He wears a pair of jeans, a red T-shirt, and dark blue sandals. They meet and lose the world in each other 's embrace… Total impression: The story is interesting. I'm tempted to read more. You did a very good job at the present tense. However, there are a lot of very basic mistakes. Where most people put too many commas, there are too few here. The cultural aspects are quite iffy. The grammar in the dialogue isn't great. Mostly it was done well, however the awkward puncuation is ruining a good piece of work.
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Posted: Tue Mar 27, 2007 8:02 pm
Off my cloud. By TRP Quote: "i would be eight other people and then difficulties vanish only as one i contain the complications" Okay, I'll admit that this was a bit hard to understand at first glance, but I think I understand it after the third read-through. As a reader, I like the way it rolls on my tongue. As a critiquer, I don't like it because it just doesn't have much 'umph'. That was the first line -- the second line is nice. I see that for the second line to work, you need the concept of the first line, but let's clean up the presentation. Also, I can see that the punctuation was voted out of the equation, which might also be adding the confusion. Quote: the ceiling unfolds like origami shapes in air and takes back the precious clock to a falling shock I'm loving the ceiling/origami imagery. Quite nice. The rhyme is not one of my favorites, which is also from the shortness of your lines. Couldn't there be another word to describe clock rather than 'precious'? Quote: a stupid kid a shooting star laying on the counter for everyone passing by.... OKay, I'm loving the image. Loving it a whole, whole lot. Once again, I'm not liking the presentation that much, though. Especially the first two lines. I can say those weren't enjoyable in my critiquer-mind. Quote: --------------------------------------- its a synthetic reply --------------------------------------- (not a happy hi) Oh my. Nice ending! Just, wow -- it's a good, concise way to tell the reader exactly what she/he needs, which is just a little closure. Overall: Well, I'm not very talented in the non-punctuation poetry, but you seemed to pull it off without making me want to gorge out my retinas. Yay! Though, there were spots that the concept was amazing while the wording was bland.
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