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Posted: Mon Feb 06, 2006 4:39 am
To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action. - Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd.
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Posted: Mon Feb 06, 2006 4:42 am
In this play Hamlet is going through so much. He is griveing for his dead father. Angry with his uncle and his aunt. He is pretending to be crazy.
So in this part of the play it has a double meaning. Lots of people point out the obvious one. To die, or not to die? Ah but how about to act or not to act? To put his plan in motion, or not. To Pretend to be mad or not to pretend to be mad?
this is why I love this play so much. It has so much depth to it.
Personally I think that with this speech it meant all of thoes things at the same time.
What are your oppinions.
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Posted: Mon Feb 06, 2006 4:53 am
Act 5, Scene II
SCENE II. Padua. LUCENTIO'S house.
Enter BAPTISTA, VINCENTIO, GREMIO, the Pedant, LUCENTIO, BIANCA, PETRUCHIO, KATHARINA, HORTENSIO, and Widow, TRANIO, BIONDELLO, and GRUMIO the Serving-men with Tranio bringing in a banquet LUCENTIO At last, though long, our jarring notes agree: And time it is, when raging war is done, To smile at scapes and perils overblown. My fair Bianca, bid my father welcome, While I with self-same kindness welcome thine. Brother Petruchio, sister Katharina, And thou, Hortensio, with thy loving widow, Feast with the best, and welcome to my house: My banquet is to close our stomachs up, After our great good cheer. Pray you, sit down; For now we sit to chat as well as eat.
PETRUCHIO Nothing but sit and sit, and eat and eat!
BAPTISTA Padua affords this kindness, son Petruchio.
PETRUCHIO Padua affords nothing but what is kind.
HORTENSIO For both our sakes, I would that word were true.
PETRUCHIO Now, for my life, Hortensio fears his widow.
Widow Then never trust me, if I be afeard.
PETRUCHIO You are very sensible, and yet you miss my sense: I mean, Hortensio is afeard of you.
Widow He that is giddy thinks the world turns round.
PETRUCHIO Roundly replied.
KATHARINA Mistress, how mean you that?
Widow Thus I conceive by him.
PETRUCHIO Conceives by me! How likes Hortensio that?
HORTENSIO My widow says, thus she conceives her tale.
PETRUCHIO Very well mended. Kiss him for that, good widow.
KATHARINA 'He that is giddy thinks the world turns round:' I pray you, tell me what you meant by that.
Widow Your husband, being troubled with a shrew, Measures my husband's sorrow by his woe: And now you know my meaning,
KATHARINA A very mean meaning.
Widow Right, I mean you.
KATHARINA And I am mean indeed, respecting you.
PETRUCHIO To her, Kate!
HORTENSIO To her, widow!
PETRUCHIO A hundred marks, my Kate does put her down.
HORTENSIO That's my office.
PETRUCHIO Spoke like an officer; ha' to thee, lad!
Drinks to HORTENSIO
BAPTISTA How likes Gremio these quick-witted folks?
GREMIO Believe me, sir, they butt together well.
BIANCA Head, and butt! an hasty-witted body Would say your head and butt were head and horn.
VINCENTIO Ay, mistress bride, hath that awaken'd you?
BIANCA Ay, but not frighted me; therefore I'll sleep again.
PETRUCHIO Nay, that you shall not: since you have begun, Have at you for a bitter jest or two!
BIANCA Am I your bird? I mean to shift my bush; And then pursue me as you draw your bow. You are welcome all.
Exeunt BIANCA, KATHARINA, and Widow
PETRUCHIO She hath prevented me. Here, Signior Tranio. This bird you aim'd at, though you hit her not; Therefore a health to all that shot and miss'd.
TRANIO O, sir, Lucentio slipp'd me like his greyhound, Which runs himself and catches for his master.
PETRUCHIO A good swift simile, but something currish.
TRANIO 'Tis well, sir, that you hunted for yourself: 'Tis thought your deer does hold you at a bay.
BAPTISTA O ho, Petruchio! Tranio hits you now.
LUCENTIO I thank thee for that gird, good Tranio.
HORTENSIO Confess, confess, hath he not hit you here?
PETRUCHIO A' has a little gall'd me, I confess; And, as the jest did glance away from me, 'Tis ten to one it maim'd you two outright.
BAPTISTA Now, in good sadness, son Petruchio, I think thou hast the veriest shrew of all.
PETRUCHIO Well, I say no: and therefore for assurance Let's each one send unto his wife; And he whose wife is most obedient To come at first when he doth send for her, Shall win the wager which we will propose.
HORTENSIO Content. What is the wager?
LUCENTIO Twenty crowns.
PETRUCHIO Twenty crowns! I'll venture so much of my hawk or hound, But twenty times so much upon my wife.
LUCENTIO A hundred then.
HORTENSIO Content.
PETRUCHIO A match! 'tis done.
HORTENSIO Who shall begin?
LUCENTIO That will I. Go, Biondello, bid your mistress come to me.
BIONDELLO I go.
Exit
BAPTISTA Son, I'll be your half, Bianca comes.
LUCENTIO I'll have no halves; I'll bear it all myself.
Re-enter BIONDELLO
How now! what news?
BIONDELLO Sir, my mistress sends you word That she is busy and she cannot come.
PETRUCHIO How! she is busy and she cannot come! Is that an answer?
GREMIO Ay, and a kind one too: Pray God, sir, your wife send you not a worse.
PETRUCHIO I hope better.
HORTENSIO Sirrah Biondello, go and entreat my wife To come to me forthwith.
Exit BIONDELLO
PETRUCHIO O, ho! entreat her! Nay, then she must needs come.
HORTENSIO I am afraid, sir, Do what you can, yours will not be entreated.
Re-enter BIONDELLO
Now, where's my wife?
BIONDELLO She says you have some goodly jest in hand: She will not come: she bids you come to her.
PETRUCHIO Worse and worse; she will not come! O vile, Intolerable, not to be endured! Sirrah Grumio, go to your mistress; Say, I command her to come to me.
Exit GRUMIO
HORTENSIO I know her answer.
PETRUCHIO What?
HORTENSIO She will not.
PETRUCHIO The fouler fortune mine, and there an end.
BAPTISTA Now, by my holidame, here comes Katharina!
Re-enter KATARINA
KATHARINA What is your will, sir, that you send for me?
PETRUCHIO Where is your sister, and Hortensio's wife?
KATHARINA They sit conferring by the parlor fire.
PETRUCHIO Go fetch them hither: if they deny to come. Swinge me them soundly forth unto their husbands: Away, I say, and bring them hither straight.
Exit KATHARINA
LUCENTIO Here is a wonder, if you talk of a wonder.
HORTENSIO And so it is: I wonder what it bodes.
PETRUCHIO Marry, peace it bodes, and love and quiet life, And awful rule and right supremacy; And, to be short, what not, that's sweet and happy?
BAPTISTA Now, fair befal thee, good Petruchio! The wager thou hast won; and I will add Unto their losses twenty thousand crowns; Another dowry to another daughter, For she is changed, as she had never been.
PETRUCHIO Nay, I will win my wager better yet And show more sign of her obedience, Her new-built virtue and obedience. See where she comes and brings your froward wives As prisoners to her womanly persuasion.
Re-enter KATHARINA, with BIANCA and Widow
Katharina, that cap of yours becomes you not: Off with that bauble, throw it under-foot.
Widow Lord, let me never have a cause to sigh, Till I be brought to such a silly pass!
BIANCA Fie! what a foolish duty call you this?
LUCENTIO I would your duty were as foolish too: The wisdom of your duty, fair Bianca, Hath cost me an hundred crowns since supper-time.
BIANCA The more fool you, for laying on my duty.
PETRUCHIO Katharina, I charge thee, tell these headstrong women What duty they do owe their lords and husbands.
Widow Come, come, you're mocking: we will have no telling.
PETRUCHIO Come on, I say; and first begin with her.
Widow She shall not.
PETRUCHIO I say she shall: and first begin with her.
KATHARINA Fie, fie! unknit that threatening unkind brow, And dart not scornful glances from those eyes, To wound thy lord, thy king, thy governor: It blots thy beauty as frosts do bite the meads, Confounds thy fame as whirlwinds shake fair buds, And in no sense is meet or amiable. A woman moved is like a fountain troubled, Muddy, ill-seeming, thick, bereft of beauty; And while it is so, none so dry or thirsty Will deign to sip or touch one drop of it. Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign; one that cares for thee, And for thy maintenance commits his body To painful labour both by sea and land, To watch the night in storms, the day in cold, Whilst thou liest warm at home, secure and safe; And craves no other tribute at thy hands But love, fair looks and true obedience; Too little payment for so great a debt. Such duty as the subject owes the prince Even such a woman oweth to her husband; And when she is froward, peevish, sullen, sour, And not obedient to his honest will, What is she but a foul contending rebel And graceless traitor to her loving lord? I am ashamed that women are so simple To offer war where they should kneel for peace; Or seek for rule, supremacy and sway, When they are bound to serve, love and obey. Why are our bodies soft and weak and smooth, Unapt to toil and trouble in the world, But that our soft conditions and our hearts Should well agree with our external parts? Come, come, you froward and unable worms! My mind hath been as big as one of yours, My heart as great, my reason haply more, To bandy word for word and frown for frown; But now I see our lances are but straws, Our strength as weak, our weakness past compare, That seeming to be most which we indeed least are. Then vail your stomachs, for it is no boot, And place your hands below your husband's foot: In token of which duty, if he please, My hand is ready; may it do him ease.
PETRUCHIO Why, there's a wench! Come on, and kiss me, Kate.
LUCENTIO Well, go thy ways, old lad; for thou shalt ha't.
VINCENTIO 'Tis a good hearing when children are toward.
LUCENTIO But a harsh hearing when women are froward.
PETRUCHIO Come, Kate, we'll to bed. We three are married, but you two are sped.
To LUCENTIO
'Twas I won the wager, though you hit the white; And, being a winner, God give you good night!
Exeunt PETRUCHIO and KATHARINA
HORTENSIO Now, go thy ways; thou hast tamed a curst shrew.
LUCENTIO 'Tis a wonder, by your leave, she will be tamed so.
Exeunt
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Posted: Mon Feb 06, 2006 5:03 am
The Taming of the Shrew is my all time favorite Shakespeare play.
Katherine is a wild, willfull woman, which made her fathers and her sisters life misrable. So a bargain is struck between two men, so that the younger sister can be married. So Kiatherine is simply given away to a man she has no intention of marrying, but ends up getting married. They don't care much for each other.
But on a deeper level once she gets to her new home and he is both crule and kind to her, she learns what it is to love.
and in the last act and the last scene with the bet between the three men. the husband calls for thier wives to attend them. the the widow, and the sister send a reply of no thank you. But it is Katherine who wins the bet for her husband. By not only comeing back when asked to, but draging the other two women with her. for she had leanred what it meant to be a wife, and to truely love her husband.
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Posted: Mon Feb 06, 2006 5:07 am
My all time favorite scene. from the Taming of the Shrew
Act 4, Scene V
SCENE V. A public road.
Enter PETRUCHIO, KATHARINA, HORTENSIO, and Servants PETRUCHIO Come on, i' God's name; once more toward our father's. Good Lord, how bright and goodly shines the moon!
KATHARINA The moon! the sun: it is not moonlight now.
PETRUCHIO I say it is the moon that shines so bright.
KATHARINA I know it is the sun that shines so bright.
PETRUCHIO Now, by my mother's son, and that's myself, It shall be moon, or star, or what I list, Or ere I journey to your father's house. Go on, and fetch our horses back again. Evermore cross'd and cross'd; nothing but cross'd!
HORTENSIO Say as he says, or we shall never go.
KATHARINA Forward, I pray, since we have come so far, And be it moon, or sun, or what you please: An if you please to call it a rush-candle, Henceforth I vow it shall be so for me.
PETRUCHIO I say it is the moon.
KATHARINA I know it is the moon.
PETRUCHIO Nay, then you lie: it is the blessed sun.
KATHARINA Then, God be bless'd, it is the blessed sun: But sun it is not, when you say it is not; And the moon changes even as your mind. What you will have it named, even that it is; And so it shall be so for Katharina.
HORTENSIO Petruchio, go thy ways; the field is won.
PETRUCHIO Well, forward, forward! thus the bowl should run, And not unluckily against the bias. But, soft! company is coming here.
Enter VINCENTIO
To VINCENTIO
Good morrow, gentle mistress: where away? Tell me, sweet Kate, and tell me truly too, Hast thou beheld a fresher gentlewoman? Such war of white and red within her cheeks! What stars do spangle heaven with such beauty, As those two eyes become that heavenly face? Fair lovely maid, once more good day to thee. Sweet Kate, embrace her for her beauty's sake.
HORTENSIO A' will make the man mad, to make a woman of him.
KATHARINA Young budding virgin, fair and fresh and sweet, Whither away, or where is thy abode? Happy the parents of so fair a child; Happier the man, whom favourable stars Allot thee for his lovely bed-fellow!
PETRUCHIO Why, how now, Kate! I hope thou art not mad: This is a man, old, wrinkled, faded, wither'd, And not a maiden, as thou say'st he is.
KATHARINA Pardon, old father, my mistaking eyes, That have been so bedazzled with the sun That everything I look on seemeth green: Now I perceive thou art a reverend father; Pardon, I pray thee, for my mad mistaking.
PETRUCHIO Do, good old grandsire; and withal make known Which way thou travellest: if along with us, We shall be joyful of thy company.
VINCENTIO Fair sir, and you my merry mistress, That with your strange encounter much amazed me, My name is call'd Vincentio; my dwelling Pisa; And bound I am to Padua; there to visit A son of mine, which long I have not seen.
PETRUCHIO What is his name?
VINCENTIO Lucentio, gentle sir.
PETRUCHIO Happily we met; the happier for thy son. And now by law, as well as reverend age, I may entitle thee my loving father: The sister to my wife, this gentlewoman, Thy son by this hath married. Wonder not, Nor be grieved: she is of good esteem, Her dowery wealthy, and of worthy birth; Beside, so qualified as may beseem The spouse of any noble gentleman. Let me embrace with old Vincentio, And wander we to see thy honest son, Who will of thy arrival be full joyous.
VINCENTIO But is it true? or else is it your pleasure, Like pleasant travellers, to break a jest Upon the company you overtake?
HORTENSIO I do assure thee, father, so it is.
PETRUCHIO Come, go along, and see the truth hereof; For our first merriment hath made thee jealous.
Exeunt all but HORTENSIO
HORTENSIO Well, Petruchio, this has put me in heart. Have to my widow! and if she be froward, Then hast thou taught Hortensio to be untoward.
Exit
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Posted: Mon Feb 06, 2006 5:08 am
Kathrine is so home sick she will do anything to see her family again. therefor the comical but serious scene.
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Posted: Mon Feb 06, 2006 5:15 am
The Merchant of Venice The Character Shylock speaks:
To bait fish withal: if it will feed nothing else, it will feed my revenge. he hath disgraced me, and hindered me half a million; lauged at my losses, mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies; and what's his reason?
I am a Jew. Hath not a Jew eyes? hath not a jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you p***k us, do we not bleed? if you tickle us, do we not laugh? if you posion us, do we not die? and if you wrong us shall we not revnge? If we are like you in the rest, we will resmble you in that. If a jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his suffereance be by Christian example? why, revenge. The villaniy you teach me, I will execute, and it shall go hard but I will better the instruction.
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Posted: Mon Feb 06, 2006 5:16 am
I find that statment so true to any differences in race. I don't particularly agree with the revnge part, but I do agree with the whole if you p***k us do we not bleed.
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Posted: Sun Jun 18, 2006 4:38 am
Gwyndara I find that statment so true to any differences in race. I don't particularly agree with the revnge part, but I do agree with the whole if you p***k us do we not bleed. *Nods in agreement* In English we watched a man act this out before discussing our views. our teacher likes everyone to have theirs minds made up before we respond to anything. In a way Shakespeare speaks like a lawyer (Please don't kill me). If you listen to the way he presents both sides of an argument he is neither perswasive to either way and in fact could choose to be 1 or the other and would be so very convincing that the greater population would even turn against most of that which they believe. I think that is what makes him so great. But this is just my opinion.
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