Mist Village Styles

[Orchid Moon]

This is a list of Styles that belong to the Mist Village  

[Orchid Moon]

Satsubatsu

Kirigakure Official Taijutsu

The Hidden Mist Sword Style is the one most commonly used by the shinobi of Kirigakure no Sato. It has been used for a long time, and has a fine tradition, in which the styles basics and moves are taught directly from master to pupil. Used as a focus, it is a pure weapon style, based solely upon the ancient tradition of sword fighting.

Training Methods: Training is usually done with a sword. Any type of sword will do, though the usual is katana or cleaver sword. High amounts of sword swings, target practice, muscle building, and agility practice are done, to bring about the full potential of the shinobi. The various techniques, stances, and forms are usually taught by master to pupil, though it is entirely possible for a student to learn the moves on his/her own.

Movement: The users of this style are fluid, graceful sword fighters, who are capable of smoothly moving forward to attack an opponent. Defense is of little use to a practitioner of this style, since it is considered that the best defense is a great offense. Quick reflexes, powerful attacks, and a balanced position make the user a deadly sword fighter.


Stage One
Academy

The user is at the most basic level in terms of speed and strength. Though a bit faster and stronger than most other shinobi at the same level, it is nothing amazing. The most the user can do at the moment is just swing his blade(s) around.


Stage Two
Genin

The user now has the basic rudiments of the style down. Capable of basic strikes, the user can inflict some damage, but usually nothing incredibly serious (except done by accident). Speed has increased, though not by much. The strength has increased as well, allowing the user to hack away at a tree trunk and have it sliced through in a matter of seconds.


Stage Three
Genin

The user is can use the style with a bit more ease, capable of inflicting more damage and implementing more speed and strength. However, the user isn't at a level yet where he is extremely dangerous to anyone except a lower level taijutsu user or a genin without taijutsu training.


Stage Four
Chuunin

The user can now hold his own in a swordfight, although against a higher-level shinobi he would go down easily. The speed and strength of the user has increased slightly, but in such a way that now movements are much more efficient, with less wasteful moves. The user’s reaction speed is now more noticeable, allowing the user to dodge and move in a way that is much more effective then before.

Special Techniques:

Double Sword Technique
Description: With intensive training, the user of the style can learn to wield two blades instead of just one. This can only be done with katana or smaller weapons. When using two blades, the effectiveness of the user can double or even triple under the right circumstances.


Stage Five
Chuunin

The blade is now an extension of the body, something that the user can use like an arm or a leg. While not perfect with the style skills, the user has now learned the simple fact that the straight line is the fastest path to follow. Using this simple principle, the user moves in a series of straight lines that allows him to move up close to the opponent and strike. Speed and power hasn’t increased at all, but it seems as if it has because of the application of this principle. The reaction time of the user, however, has increased again, allowing the user to see and react reflexively to most attacks below his skill level.


Special Techniques:

Chakra Edge
Description: By coating a layer of chakra over the blade of a sword, the user can increase the width and length of the blade. The actual extension is chakra, and so is invisible to the eye. The Chakra Edge can only go a maximum of one foot above the length of the blade and half a foot over the width of the blade.


Stage Six
Jounin

The speed of the user rises dramatically, and is so fast that normal people can barely keep track. The user is now a blur when in motion. The only ninja capable of watching the user are taijutsu specialist of a high level, and doujutsu users that specifically give them the ability to see/predict movements. However, the user cannot keep up this speed for long because his muscles will slowly begin to tear apart, leaving the user incapable of using them. The strength of the user is now at it's limits. Nothing can stop the blade of the user, except for a very few jutsu, weapons, and ninja. Normal steel can be cut through easily. The strength of the user, though, is not used fully correctly, wasting some effort and movement to access the strength of the user. So there is a great strain on the muscles when used too much, and this can stop the user's movements.


Stage Seven
Kage/Saanin

The user can now move at a speed that is so fast that afterimages are seen instead of the person. This, however, can only be kept up for a short period of time (3 posts) and afterwards, the user cannot move for a total of 10 posts. Also, muscles are ripped, and the user must heal to fight again. There is slight change in the strength and a change on how the strength is used. The user can now control his strength fully, without wasted movements or effort. However, like Stage 6, the muscles can be strained too much and be ripped or even destroyed. The weapons are more then extensions of the body now. The blades are the body. The pure grace and skill within the user is so high that it can only be described as awe-inspiring.


Stage Eight:
Kage/Kage level Satsubatsu

Discovered by the 5th Mizukage Luo Ushio, it is a stage which improves on all other aspects of the style other than the blade itself since that has already been mastered. Seeming to be an evolutionary progression specific to this style, the users over-used and consistently torn muscle fibers begin to adapt. The adaptation is so great, that new muscle has overlapped the old ones, and a new pairing of rubber-like ligaments has formed. These new coiled ligaments cause the movement speed of the seventh stage to be sustained for longer periods of time before the new ligaments are torn (10 posts). This evolutionary step combined with the graceful movement of this style cause flexibility to shoot up three fold. The fabled reaction time of a master swordsmen has now truly revealed itself as what some would call a sixth sense so great, the body reacts before the mind. In this stage, the movement speed is incredible. So quick is this stages movement speed, after images seem to perform movements as opposed to standing still (4 posts until muscle tearing). As well, the speed of the seventh stage can now be concentrated into one limb as opposed to full body movement, as control of the seventh stage's speed has been mastered. The speed of the sixth stage has now become common place, it can be sustained indefinitely for however long the shinobi in question is able to move, as the new muscle fibers allow for this stage to be performed as if it were the ninjas normal speed. Even the sharingan itself is unable to follow this individuals movement, or differentiate between after image, or actual shinobi. When the blade moves, it blurs confusing the enemy's course of action. It is said that the users grasp of spacing in swordplay is so great, changes in air current which predict movement within 15 yards can be noticed. The grace of this stage is unparalleled, and revered by shinobi across the great countries.

Techniques:
Greater Chakra Edge: Although the widening and lengthening of the blade with chakra is still performable, this techniques power lies in its elusiveness. Covering only the length of the users blade in the invisible coat of chakra, this chakra edge holds the capability of cutting through shields made of chakra related ninjutsu of chuunin level and below, as well as the lesser chakra edge as well. The true power of this chakra edge is its ability to create arcs of chakra as long as the user can swing his blade which can travel through the air unnoticed towards an opponent, cutting with the same strength it had while attached to the blade. Three arcs can be made before having to reform another chakra edge, but it is a well worth it price to pay for a deadly and invisible technique.

 

[Orchid Moon]

The Way of the Silent Blade [Yaiba no Mokumoku]
Official Mist Hunter Nin Style





This is a ancient style, focusing on speed and accuracy. A good assassin kills in a single blow, and it forced into a confrontation, will seek to end it as quickly as possible. To this end certain weapons are cut out for assassins, but most are not. The most common weapons an assassin uses are short swords of various types, Kunai, shurikans, ect... Oddly enough, even larger swords, such as the Zambatou have found uses among the assassin ranks. The ultimate close range weapon of the Assassin is the Assassins blades. These allow him to make maximum usage of his speed, with blades that are located on all primary striking locations on the body.

Their training in agility is for obvious reasons; accuracy is trained upon so that an Assassin may strike vital locations with ease, furthering their ability to strike down their opponents. Critics of the style argue that because of the lack of training in areas such as Strength and Endurance, if cornered an assassin is at a disadvantage. This, while true, does not hinder the typical assassin, as the shadows are their allies, and most pride themselves on their ability to remain hidden.

Unlike most Taijutsu styles, assassins do not shun other forms of fighting; rather many assassins make use of Genjutsus, as this gives them a much needed edge is hostile territory to bring their opponents down.


Stage 1
Academy

Ichi Taira

This stage primarily teaches a practitioner how to move. Speed is an assassin’s best friend, and the ability to stay out of reach of their opponent saves many an Assassins life. Once they have shown progress in speed, they then begin to learn vital spots on the human body, allowing them to strike with greater accuracy and precision. They also have some basic training in throwing weapons such as Kunai.

Stage 2
Genin

Ni Taira

This stage is focused on helping an Assassins kill. It is an intricate training of accuracy, forcing the assassin in training to learn to hit targets from great distances. It also teaches the assassin where to hit to slow the opponent, as well as instant kill and paralyzing locations. In this stage, the hunter is heavily taught in the study of biology. If the human body is not known inside and out, then the hunter's training ends here.

Techniques:
Oshi-Ten Dageki (Pressure Point Strike): The hunter-nin can no longer look at an opponents body regularly. To their eyes, the opponent's body is riddled with the pin point bullseye's of the pressure point targets used in this stage of training. This technique can run from the chuunin level at twenty strikes, to the satsubatsu level of one-hundred and twenty strikes. The strikes begin at the lower parts of the body. Always. This is to ensure that the hunter works his way quickly up the opponents body, striking pressure points in order to not only paralyze limbs (10 Posts), but to rupture blood vessels, and redirect blood flow to different areas of the body to cause massive heart trauma. The pinacle of this technique is the five point heart strike. Initiated around the heart in a pentagram, this causes an individual's heart to literally cease pumping blood and drown itself with it, causing it to literally burst within five minutes (5 posts).

Stage 3
Chuunin

San Taira

This stage is known as the weapons focus stage. The trainee picks from among his used weapons and chooses to specialize in one, taking time to train with it, and it specifically. The other weapons become mere secondary. The assassin applies this weapon, never letting it away from him. For the rest of his life he never puts it down, always seeking to become the perfect wielder of it, a goal that is almost certain to always be just out of their grasp, always propelling them onwards.

Stage 4
Chuunin

Shi Taira

This stage goes back to the good old theory of survival. However, an Assassin who has survived this long has come to realize that sometimes speed and maneuverability will fail you, and sometimes you can’t help but take a few hits. So during this phase of the training, the assassin will not only train his Agility, but also run for long periods of time, pushing his endurance to its limits as well. In addition to this, the hunter-nin undergoes "rice paper training." The hunter is made to train during this stage strictly on rice paper to improve agility, as well as the ability to move silently. The training is effective, and often yields greats results.

Techniques:
Seishuku Hokousha (Silent Walker): At this stage in the hunter-nin training, a hunter-nin holds the capability of moving for extended periods of time (ten posts) unheard. No matter what surface they may walk on, their steps are unheard due to strict training.

Stage 5
Jounin

Go Taira

This stage is often known as the Weapon mastery stage. The user has become so in tune with his weapon that it has become a part of him. Every motion is fluid, as if the weapon itself was a part of him. This stage requires no particular training on its own; rather it comes from major experience with the weapon in question. Because of this, few Assassins reach this level of expertise.

Techniques:
Hitoshirenu Yaiba Jutsu (Art of the Hidden Blade): This is when the hunter-nin in question is granted the true blades of an assassin. The weapons are hidden and connected under the wrists with a lock spring fro quick and silent release. Is it said that in one fluid motion a true hunter-nin can reveal and kill with his blade in less than a fraction of a second.

Hitoshirenu Yaiba Odori (Hidden Blade Dance): Created strictly for multiple enemies, this dance is one of the most beautiful blade waltzes in all of Kirigakure, and would be recognized as such across the land if those who saw it lived to tell about it. The dance consists of combining open palmed strikes with the use of the hidden blade by simultaneously bringing out, and putting it back in its fixed position. The arms are left extended during palm strikes, and are brought in when in close enough range for a blade strike. This combination allows for the hunter to keep multiple enemies at bay while attacking one or two simultaneously with the intent to kill.


Stage 6
Anbu Jounin

Roku Taira

Back to the basics, the Assassin realizes that the original training is just as important today as it was back then. Focusing on furthering their speed, they also practice their aim, sharpening their skills to a point beyond most people. Dummies are designed to mimic a human body, so that the assassin can further learn to nail vital organs, or specific points in the spine.

Techniques:
Junsei Seishuku Hokousha (Perfect Silent Walker): This is no longer a "technique," so much as apart of the hunter-nin in question. His steps are silent constantly, whether or not in combat. He holds such control over this ability that he can literally cause his steps to be heard in one stride, and not heard in the next in order to confuse the enemy. Few are the shinobi who can even fathom hearing this shinobi's foot steps before deaths silent embrace.


Stage 7
Kage

Shichi Taira
The ultimate level of achievement for an assassin, his ability to land killing blows undetected is beyond normal understanding. Almost ethereal, tales of Ghosts sticking down great leaders are often attributing to the more unbelievable victories of assassins. Their abilities to avoid obstacles and traps are famous amongst the higher ups of their respective villages, often earning them great praise. Every movement is precise, and most targets don’t even have a chance.

Techniques:
Junsei Kage Hokousha (Perfect Shadow Walker): Being viewed as a literal ghost, it is no wonder this shinobi is granted literal and complere invisibility in the shadows. This hunter can walk through a building, and literally disappear before your eyes the moment his body is immersed in a shadow cast by any object, or jutsu for that matter, making those who use shadow jutsu a threat to themselves in reality.

 

[Orchid Moon]

The Infinite One Sword Style (Mugen Ittōryū)
Advanced Taijutsu of the Hidden Mist and Hidden Leaf



http://www.youtube.com/watch?v=xocYeywG2cg

The Infinite One Sword style was created as a way to improve the relationship between the Hidden Leaf and the Hidden Mist villages. It was a joint attempt made by the Hokage Likkys Hatake, the Mizukage Zane Hajime, the Anbu Captain Tares Damascus, and the Pride of the Mist Luo Ushio. The sword style is a fusion of Leaf’s Lotus Taijutsu and training, Gentle Fist style, Mist’s Sword style, and the creation of Swords. Rather than relying on a single good quality blade the practitioner makes use of hundreds of katana scattered around the battlefield. The practioner does not care about the quality of the blades he uses, and uses a variety of moves making use of a single blade, or even multiple blades at the same time. Because of his reliance on hundreds of blades scattered around the battlefield the practitioner almost always has a blade, or multiple blades handy for use. He uses his swords for various purposes beyond normal melee attacking, including use as projectiles, paths to walk on, pins to hinder his opponent's movements, and also use for making multiple simultaneous attacks on an enemy or even several enemies. As a means to promote further relations between Mist and Leaf, the practioners must be trained at both Kirigakure and Konohagakure. Note that only a creator of this style can teach the final stage.

Stage 1: The Body Training
Academy

In the first stage of the style, the practioner does nothing but train his body by wearing weighted armlets and leg weights. The user trains by simply moving constantly and training sessions look almost like boxing matches, with the user having to constantly move around and dodge the trainer. It is believed that teaching one how to survive is the first order of business.

Stage 2: The Movement Training
Genin

After the basic body building is complete, the user then begins training technique. The user is taught how to keep momentum up, and how to move one move into another. This allows for stronger blows and more fluid movements. The user also learns how to constantly circle an opponent, keeping him on guard constantly. This is essential to using the infinite sword by moving constantly

Stage 3: The Sword Training
Genin

After all the hand to hand taijutsu training is completed, the practitioner is finally given a sword. Any sword will do. In this stage, the practitioner is trained in the art of the sword. By the end of the training, the practitioner feels bit more ease, capable of inflicting more damage and implementing more speed and strength. However, the user isn't at a level yet where he is extremely dangerous to anyone except a lower level taijutsu user or a genin without taijutsu training.

Stage 4: The Double Sword style
Chuunin

At this stage, the practitioner is taught how to use swords in methods never even thought of. The practioner is trained in many different forms:
Form 1: Balance…the practitioner is asked to stand and balance on the hilt of the blade on one foot while the blade has been stuck to the ground.
Form 2: Accuracy…the practitioner is trained on throwing a katana at an enemy. Usually a katana is not used as throwing weapons, but this is an essential part of the training. The practioner must have perfect accuracy by throwing the weapon at a bull’s-eye from 30 yards away.
Form 3: Dual wielding…the final form at this stage is the ability to wield two swords at once. This is only a small milestone in the sword style, but it is a step that needs to be taken.

Special Techniques:

Double Sword Technique
Description: With intensive training, the user of the style can learn to wield two blades instead of just one. This can only be done with katana or smaller weapons. When using two blades, the effectiveness of the user can double or even triple under the right circumstances

Double Shimmering Path:
Description: The practitioner throws two swords at once at high speeds at the opponent

Stage 5: The Summoning
Chuunin

At this stage, the user must seek out a Blacksmith to create hundreds of swords for him to use and seal them in a scroll. The user is taught the summoning weapons technique in order to summon the swords unto the battlefield. After this is done, the practioner is now taught how to use several swords at once. Using Mist Sword style, the practioner can wield two swords in hand at once, and grab several of them to use as projectiles. Using Leaf Taijutsu, the practioner can grab swords with their toes and use their feet to wield blades as well.

Special Techniques:

Tobidōgu (Flying Tools):
Description: This jutsu allows the practioner to store their swords in a summoning scroll and summon them whenever they want. The practioner is taught how to summon hundreds of blades and make them rein upon the battlefield. If the opponent is not careful enough, he can be skewered to pieces from the initial summoning.

Three Shimmering Paths:
Description: Using it, the practioner grabs onto three of his swords and throws them onto the ground creating a path. Then running along these swords the swordsman grabs onto a fourth one and uses it to directly attack the opponent at high speeds, using the hilt of each sword to push himself for more momentum

Stage 6: The Skewering
Jounin

At this stage the swordfighter is taught in the Hyuga’s gentle fist style. But not in the way one would think. The practioner is taught how to implement the blade with the techniques of the Leaf’s Hyuga clan and how to implement the several dozen swords into one giant attack.

Special Techniques

Addition Blows (1-12)
Description: The practioner moves at high speeds to attack his enemy. After each hit he will let go of his sword to quickly use another to let him attack from different angles while his enemy is stunned from his previous blow. This leaves his enemy covered with twelve swords

Sword Fang:
Description: Practitioner begins by hitting three swords standing parallel to each other. They are hit near the end, causing all three of them to slash upwards, in the manner of a "fang".

Vertical Line:
Description: Following his Sword Fang; all three swords momentarily hover in the air, where Mifune will then proceed to use the current sword in his hand to sequentially hit each, thereby launching each of them directly at the enemy.

Stage 7: The Massacre
Kage/Saanin

By this time, the user has practically neared perfection. His blows are perfectly straight and powerful, the user knows where and how to hit his opponent's body to inflict as much damage as possible. Using wide, sweeping strike the user is kept spinning and moving, almost like a top while fighting. The movements are so fluid that, even with making such wide strikes they still often hit. The weapons are more than extensions of the body now. The blades are the body. The pure grace and skill within the user is so high that it can only be described as awe-inspiring. By this stage…the user can effectively wield one hundred blades simultaneously by moving at such high speeds that they can easily strike, drop the sword, pick another and strike again. To master this style, is to be called a demon.

Special Techniques:

Multiplication Twenty Four Blows
Description: The practitioner will follow his Addition Blows with this attack. He strikes the swords that he left around his enemy from his Addition Blows which ends up cutting his enemy with the twelve swords all over again.

Stage Eight: Hells Ascension
Kage

At this stage, the sword master is said to have been granted his mastery over the sword from Susano-o himself. The shinobi's mastery over the countless katana he wields is incomparable to any other style around. A master of this stage has the capability of literally destroying an army on his own without so much as a scratch. When he moves, it is as if you were watching the wind dance listlessly. His movements are also quick and effective, not one strike made simply to maim. It is in this stage that the sword wielder has caused such a connection with the blades he fights with, that he has the capability of calling one to him from 100 yards away. Incorporated into this stage are the flips, tricks, and twirls which make him not only hard to hit, but hard to see. The swordsman is said to have invisible hands, capable of making it seem as if one were fighting ten katana wielding shinobi at once. It would take at least three jounin to effectively stand a chance against one of this rank. He is no longer referred to as simply a demon, his blades said to be forged in the flames of hell.

Special Techniques:

Yaiba Terekineshisu(Blade Telekinesis) Kage/Sannin Rank:
Description: As the blades are summoned into the battle ground, as long as the swordsman so much as touches one of them, it is instantly infused with a chakra mark. This mark, allows the swordsman to literally extend his hands and "call" a blade to each one, from 100 yards away.

Yaiba Kyuuten(Heaven's Blade) Kage/Sannin Rank:
Description: Burning his chakra into the blades on the battlefield, the swordsman can literally cause one hundred blades to hover and shoot towards an opponent, either all at once, or one at a time for five posts. In a limited fashion, the swordsman can control up to ten blades effectively in close combat, as if they were extensions of his actions and will. The latter of these two actions can only be done for five posts at a time, and a period of three posts afterwards must pass before it can be done again.

Masters and Creators:

The Ninth Stage (The Devil of the Mist)
Infinite Master Style #1 Naraku Kouken (Hell's Guardian)

Being one of the creators of the Infinite One Swordstyle, Infinite master Zane Hajime made the decision to transcend from being a demon...to a Devil...the Devil of the Hidden Mist. With the help of one of his most trusted friends, Zane created a set of katanas infused with elemental chakra: Fire, Water, Wind, Lightning, Earth and Non Elemental. Using his sharingan ability to be able to use all elements, Zane can wield each blade and infuse them with his own chakra. By doing this, Zane can create a barrier that blocks against the elements AND negates the elemental chakra to be used while inside the barrier. Each barrier can be raised to be the size of an entire football field. If the opponent tries to grab at Zane's blades, his Hyoton Ice bloodline activates...freezing the blade completely and crippling the opponent's arm as it freezes over. It is the ultimate defense against ninjutsu and genjutsu users, making Zane the Naraku Kouken.

Techniques

Touketsu Tachi (Frozen Touch) Chuunin Rank Passive: Since the blades have been infused with Zane's chakra, no other shinobi can wield his swords, for if they do, the blades itself will freeze over, rendering the arm of the shinobi useless as it will be frozen in Hyoton Ice

Katon Shouheki (Fire Barrier) Jounin Rank: Using six blades with red strings attached to them, Zane can create a barrier that negates the use of the fire element while inside the barrier. This lasts for five posts.

Mizu Shouheki (Water Barrier) Jounin Rank: Using six blades with blue strings attached to them, Zane can create a barrier that negates the use of the water element while inside the barrier. This lasts for five posts.

Doton Shouheki (Earth Barrier) Jounin Rank: Using six blades with brown strings attached to them, Zane can create a barrier that negates the use of the earth element while inside the barrier. This lasts for five posts.

Fuuton Shouheki (Wind Barrier) Jounin: Using six blades with green strings attached to them, Zane can create a barrier that negates the use of the wind element while inside the barrier. This lasts for five posts.

Raiton Shouheki (Lightning Barrier) Jounin Rank: Using six blades with yellow strings attached to them, Zane can create a barrier that negates the use of the lightning element while inside the barrier. This lasts for five posts.

Nain-Butai Shouheki (Non Elemental Barrier) Jounin Rank: Using six blades with white strings attached to them, Zane can create a barrier that negates the use of non elemental chakra techniques, ie Sound, Leaf, Grass, and Sand jutsus

Garandou (Chakra Void) Kage level: The ultimate barrier jutsu, using twelve blades, two of each type of blade in a perfect circle, Zane can create the ultimate chakra barrier. Any chakra released inside of it is sucked into the barrier...negating the use of any elemental and non elemental jutsu and genjutusu. Lasts for five posts.

*Note a cool down of 5 posts must occur between the use of barriers

The Ninth Stage, (The Infinite Master)
Infinite Master Style #4: Soshi Arashi (Elemental Tempest):

Being one of the creators of the infinite swordstyle, infinite master Luo Ushio came to grow attached to the style, reaching a level so great, he needed to adapt even the blades themselves of which he used. Luo created the schematics for a special set of blades. Blades which had never been formed in the countries before. The interlocking, strange shaped "key blades" were his creation, and his to wield alone. Each one differing from the next, yielding difficulty for anyone who attempted to wield one. The ninth stage itself is something even the masters of this style themselves, fear using. It is a stage of such power and concentration, that after all of its abilities are used twice, the summoned blades are instantly transported back into their summoning scroll. Luo's master stage is one of manifestation. Through his blades, Luo's elements have been manifested through them, a true testament to his mastery of this style. The movement and attack style of this stage are almost incomprehensible. It is a true fusion of grace and power of such a high magnitude, it is a stage which Luo himself has created a ban on against using on any shinobi of less than the chuunin stage, and of the chuunin stage at least three chuunin should be present. It is named Elemental Tempest because the style is said to rival with Susano-o's mastery over the blade.

Techniques:

Kaen Arashi(Flame Tempest)Jounin Rank:
This techniques strength is put at a jounin rank for its simplicity, and is in fact the manifestation of Luo's fire element. By forming a single seal either the moment the blades are summoned, each one glows red for less than a second. The moment anyone other than Luo attempts to touch any of the blades, they will erupt in flames of such heat from the hilt up, it would take someone with at least katon mastery stage four to hold them. This technique causes third degree burns instantly, scalding the hands so badly, hand seals are unbearable to perform.

Kaze Arashi(Wind Tempest)Sannin/Kage Rank:
Because the wind style involves such few hand seals, this technique is a surprise. By holding out a hand and performing a twisting motion, Luo can not only summon all blades in a cyclone of wind, but ride them as well like this (43 seconds in with the hand gesture, and then right after that with the blade riding). The blade ride lasts for three posts, or can be ended by ramming directly into the opponent. A truly tempestuous technique.

Yaiba Mizu Yuukai Arashi(Blade and Water Fusion tempest)Sannin/Kage Rank:
This is the sole purpose for the shape of each blade, as well as the only manifestation of the water element. Forming six seals, each blade with similarities of Yaiba Terekineshisu(Blade Telekinesis), is called back to Luo, all quickly locking together using the grooves of the key shapes of each blade, forming a shield around Luo. Then as a seventh seal is formed within the dome by Luo, each blades glows blue and collects water in a quick torrent around them, forming a shield of water around them so pressurized, it is as strong as steel. The shields strength is capable of deflecting all chuunin ranked jutsu, and all katon. If a katon of Kage rank is used however, the shield is broken through, causing 25 of the blades to instantly be sent back to the summoning scroll