I was reading over zen koans when I came across two that reminded me of previous conversations both within this guild and on other sites. While the link to the index of these koans was provided twice elsewhere in this guild(and soon thrice), I thought I would make a thread to bring these two specific koans to the attention of others and perhaps discuss them.
The first koan; Right & Wrong.
When Bankei held his seclusion-weeks of meditation, pupils from many parts of Japan came to attend. During one of these gatherings a pupil was caught stealing. The matter was reported to Bankei with the request that the culprit be expelled. Bankei ignored the case.
Later the pupil was caught in a similar act, and again bankei disregarded the matter. this angered the other pupils, who drew up a petition asking for the dismissal of the thief, stating that otherwise they would leave in a body.
When bankei had read the petition he called everyone before him. "You are wise brothers," he told them. "You know what is right and what is not right. You may find somewhere else to study if you wish, but this poor brother does not even know right from wrong. Who will teach him if I do not? I am going to keep him here even if all the rest of you leave."
A torrent of tears cleansed the face of the brother who had stolen. All desire to steal had vanished.
The second koan; The Stingy Artist.
Gessen was an artist monk. Before he would start a drawing or painting he always insisted upon being paid in advance, and his fees were high. He was known as the "Stingy Artist."
A geisha once gave him a commission for a painting. "How much can you pay?" inquired Gessen.
"Whatever you charge," replied the girl, "but I want you to do the work in front of me."
So on a certain day Gessen was called by the geisha. She was holding a feast for her patron.
Gessen with fine brush work did the painting. When it was completed he asked the highest sum of his time.
He received his pay. Then the geisha turned to her patron, saying: "All this artist wants is money. His paintings are fine but his mind is dirty; money has caused it to become muddy. Drawn by such a filthy mind, his work is not fit to exhibit. It is just about good enough for one of my petticoats."
Removing her skirt, she then asked Gessen to do another picture on the back of her petticoat.
"How much will you pay?" asked Gessen.
"Oh, any amount," answered the girl.
Gessen named a fancy price, painted the picture in the manner requested, and went away.
It was learned later that Gessen had these reasons for desiring money:
A ravaging famine often visited his province. The rich would not help the poor, so Gessen had a secret warehouse, unknown to anyone, which he kept filled with grain, prepared for those emergencies.
From his village to the National Shrine the road was in very poor condition and many travellers suffered while traversing it. He desired to build a better road.
His teacher had passed away without realizing his wish to build a temple, and Gessen wished to complete this temple for him.
After Gessen had accomplished his three wishes he threw away his brushes and artist's materials and, retiring to the mountains, never painted again.
Personally, I think these two koans go very well together. The first one explains, I believe, a sense of duty to help teach people what is right and what is wrong if they do not know. The second, however, explains how dim a view we may have no matter how obvious things seem to be. What are your thoughts on these koans?
The sources-
http://www.ashidakim.com/zenkoans/45rightandwrong.htmlhttp://www.ashidakim.com/zenkoans/47thestingyartist.html 
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