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[ART] How my winter project has progressed... help?

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What do you think?
  It sucks, stop painting.
  It's interesting, but still need some work.
  Fix what you said and call it done.
  Call it done! It's awsome as is.
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Ulterior_Motives

PostPosted: Mon Dec 26, 2005 9:44 am


Before I get to where I am now. I'm going to outline how this painting has progressed oer the week. And yeah, I can be brutal to myself.

So, I start out with a blank canvas, a photo to refrence the figure off of, too much time over break, and the ability to paint until 2AM every day.

http://img.photobucket.com/albums/v238/DaElf/KaikAi1copy.jpg

That's where I was after 5 hours of work. That is not real great, and there's a ton of problems off hand- too many to complain about here. They're obvious enough, to anyone. The forest is horrible, the water is too chunky, the figure undeveloped. So yeah. more work.

http://img.photobucket.com/albums/v238/DaElf/kaikai2copy.jpg

3 more hours of work. Forest looks much much better, if not a bit cartoony, but hey, if I wanted photo quality, I would have left the photo as is. My main complaint was that I over did the dress, making the entire figure looking chunky, posed, and very plastic. It also looks sickenly flat, which doesn't fit against the depth created by the foreset behind it.

There's a few odd things going on in the forest that I don't exactly like. In the left corner, there's a little impossible space where a tree far behind the one near the water comes up in front. It might not be that big of an issues, but it hinders the trees from realating, and it makes the leaves look flat, and one dimensional. There's also some weird bright orange reflected in the water that I do not like.

So, back to work!

http://img.photobucket.com/albums/v238/DaElf/kaikai3copy.jpg

3 and a half more hours, and it appears that there isn't much difference. but it's the small things that make painting finished that seem to finaly come together. The figure is no completly longer flat(Cold use some cooler colors on the far side to reenforce the motion), and the dress has regained the motion. I worked some of the facial fetures, finaly making the form work.

But there still are things that undouptedly annoy me. The shadows of her skin are sickenly purple, making it look bruised, and definatly NOT healthy. Her facial features are still not completly defined, save for the eye sockets, which fall under the purple skin problem. Oh, and her foot is too small. Oh, and her hair looks stiff and mis colored... It's just gross.

Now, the ground she is on annoys me. The way it is painted doesn't hold up against the extremly bold way that I have painted everything else. The streaky, brushed out paint falls shrt of bringing the attension to the front, no mater what bold colors I use. Granted, the forest is extremly interesting, and even though I know I might had to repaint it, I don't want too. I'm sure I can find some way to make the forground hold up against it.

This is where I am now. Fighthing with painting blonde hair, skin tone shadows, and flat foreground space. I'm probably going to start painting later tonight, and I'd really like some idea of where to go from here, and some hints on how to add those finishing touches. Keep in mind, even though it might be obvious, I don't want an anime figure(But I'm perfectly aware of some minor anotomical problems), and I haven't used black in over a year. I'm not allowed(Painting teacher took it away).

So Anyone have any suggestions on where to go from here? This is the last week of winter break, and I have some friends expecting to see something awsome when we come back to school.
PostPosted: Mon Dec 26, 2005 9:50 pm


This post is really informative.

I don't paint so I'm not quite sure what to recommend. I agree that the foreground doesn't seem to match the rest. I might add some yellow and use more vertical strokes instead of just horizontal. That way all the vertical strokes won't be confined to the trees and your attention won't be drawn to them as much.

I do like the trees and pond a lot though.

Lierne


drakkenmuerte

PostPosted: Wed Dec 28, 2005 7:14 am


Couple Q's in order to help:

What kind of paint are we using?

and

What size is this painting?

From what I can see you need to start laying down the light source- where is the ambient lighting coming from and where do the shadows and hi-lights fall. The impasto layer is down, start using glazes and textures to bring out the details, working background to foreground is best.

As for the skin tone- she looks fine. Look in the mirror when you stand outside- our shadows are purple and blue. Heck, where she is her shadows are probably green! We only have orange shadows in glamour magazine covers because people think it looks pretty (which it doesn't)

Don't forget you can use different size brushes
PostPosted: Thu Dec 29, 2005 11:39 am


Acrylic paint on a 16 by 20 canvas. Can't believe I left that out.

And yeah, I've invested in some smaller brushes and I've started doing some glazing to create texture.


Yeah, I definalty have to start defining a light source.

And Maybe I will throw some green into those shadows, it'll add interest at least.


Thanks a bunch!

Ulterior_Motives

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