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 Posted: Wed Oct 14, 2009 7:26 pm
ZING ZING ZING
BLING BLING MOTHA ******** IN THE CAR b***h
GET IN THE CAR
GET IN THE CAR b***h
GET IN THE CAR
FISHING AIN'T EASY ON A BOAT WITH NO LEGS
b***h GO GET THE KEGS
AND START THE PARTY
START THE PARTY b***h
START THE PARTY
NIGGAS DON'T KNOW WHERE THE PARTY'S AT
WHERE THE PARTY AT
WHERE IT AT *****
WHERE IT AT
SUCK SOME WOOOOOOOOPS
***** YOU MADE A MISTAKE
NOW I'M EATING YO STEAK
IN YO HOUSE
WIT YO GIRL
***** SHE A PEARL
***** SHE A PEARL
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Posted: Thu Oct 15, 2009 1:14 pm
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Posted: Thu Oct 15, 2009 1:29 pm
I think I'm about to actually write music for this.
Tonight's project is underway.
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Posted: Thu Oct 15, 2009 1:40 pm
Hect I think I'm about to actually write music for this. Tonight's project is underway. Post this s**t here then.
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tiny broken fingers Vice Captain
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Posted: Thu Oct 15, 2009 3:31 pm
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Posted: Thu Oct 15, 2009 7:50 pm
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Posted: Thu Oct 15, 2009 8:52 pm
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Posted: Thu Oct 15, 2009 9:46 pm
Sorry for lack of autotune. It really didn't fit the ******** gangsta a** s**t I was going for.
I plan on releasing a rap album, so it'll probably make a hook appearance somewhere on that thing. First though, I need some recording equipment. It's going to be a while.
Also, recommend me some mid-range condenser mics blasten. I need your knowledge.
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Posted: Fri Oct 16, 2009 3:00 pm
For rap or what? for frap a SE electronics z5600a II is awesome. It might be a little more than you're asking for. It's a great vocal tube condenser. I had a chance to fool around with it and a gemini. the gemini is a FAT mic. it's a very large diaphragm tube condenser. it's a pretty high end mic. Although the z5600 isn't as much, I think I preferred it over the gemini for the rap project I did a few months back.
Another good tube condenser is the Rode K2. I don't have my mic book but I remember it being great on vocals and acoustics. it's about $400-500. multi polar patterns.
I've wanted to try a Studio Projects C1 or T3. I love my B1 especially for it only being $100. I does add a little bit of high end which is fine by me.
Maybe some other options, a Electro Voice RE-20, it's a dynamic mic and much more forgiving than most condensers. it's a pretty clean and strong mic. although it is fairly sibilant, there is a little boost around 8 khz.
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Posted: Fri Oct 16, 2009 3:42 pm
No, this would be for singing/acoustic guitar. I was just going to use my non-existent SM57/58s for the rap album.
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Posted: Fri Oct 16, 2009 3:55 pm
I stand by the rode K2. Bluebirds would work fine. I like a stereo pair of small diaphragm condensers and a large diaphragm right up the middle. I just haven't found a cheap pair of SDC that I liked. I have behringer C2s they're perfect for lo-fi acoustic sounds and decent drum overheads.
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