|
|
|
|
|
|
Posted: Fri Aug 07, 2009 8:35 am
America
America The land of the free Where my voice Is heard From east to west And north to South The red, white and blue
Sing volumes To other nations We are free And proud of Our heritage
For we can vote, Raise a family, Or if were lucky Hold office Without fear
Red the color of rose The same drop of life In all of us The symbol help Is on the way the Red Cross
White the color of First fallen snow that Laces the ground
Blue the color of Lakes, streams and oceans That brings water to Our nation
The stars in the flag Show, if all 50 states Stand together Nothing can penetrate The soul of America
For United we Stand In honor of Those who Serve our Country and Our flag
May our flag Bring hope, passion And most of all Freedom heart fellow supporter p.s. please comment thank you
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Fri Aug 07, 2009 10:16 am
Once again, a great poem. Its really good to see a supporter. More people need to be like that.
|
 |
 |
|
|
|
|
|
|
|
|
|
|
Posted: Sun Aug 09, 2009 3:32 pm
it is a really great poem:]
|
 |
 |
|
|
|
|
|
|
|
|
Posted: Wed Jan 20, 2010 2:36 am
|
|
|
|
|
|
|
|
|
Posted: Sun Jun 20, 2010 9:40 pm
we had to write an essay about a war story/what war is and i wrote this:
War is hell, but that's not the half of it, because war is mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.
The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty. For all its horror, you can't help but gape at the awful majesty of combat. You stare out at tracer rounds unwinding through the dark like brilliant red ribbons. You crouch in ambush as a cool, impassive moon rises over the nighttime paddies. You admire the fluid symmetries of troops on the move, the great sheets of metal-fire streaming down from a gunship, the illumination rounds, the white phosphorus, the purple orange glow of napalm, the rocket's red glare. It's not pretty, exactly. It's astonishing. It fills the eye. It commands you. You hate it, yes, but your eyes do not. Like a killer forest fire, like cancer under a microscope, any battle or bombing raid or artillery barrage has the aesthetic purity of absolute moral indifference - a powerful, implacable beauty - and a true war story will tell the truth about this, though the truth is ugly.
To generalize about war is like generalizing about peace. Almost everything is true. Almost nothing is true. Though it's odd, you're never more alive than when you're almost dead. You recognize what's valuable. Freshly, as if for the first time, you love what's best in yourself and in the world, all that might be lost. At the hour of dusk you sit at your foxhole and look out on a wide river turning pinkish red, and at the mountains beyond, and although in the morning you must cross the river and go into the mountains and do terrible things and maybe die, even so, you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
War has the feel - the spiritual texture - of a great ghostly fog, thick and permanent. There is no clarity. Everything swirls. The old rules are no longer binding, the old truths no longer true. Right spills over into wrong. Order blends into chaos, hate into love, ugliness into beauty, law into anarchy, civility into savagery. The vapors suck you in. You can't tell where you are, or why you're there, and the only certainty is absolute ambiguity. In war you lose your sense of the definite, hence your sense of truth itself, and therefore it's safe to say that in a true war story nothing is absolutely true.
|
 |
 |
|
|
|
|
|
|
 |
|
|
|
|
|