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Research Assistant Zoe

PostPosted: Mon Nov 14, 2005 2:26 pm


So... I've been playing around with a pen and a sketchbook recently. Was fun.
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Dnd char sketch- I'm playing a paladin again. I really like how it turned out- will have to try this style again.

Some more finished things:
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A picture I finished in art class a couple weeks ago. I liked it a lot more before I scanned it. My art teacher provides unsatisfying critique- she's more suited to teach children and middle aged women who are taking up art as a hobby, I think. People who need/want to be reassured constantly that they're doing well, whether or not they actually are. Or something like that. All she would tell me about it was that she though it was wonderful and that the girl looked roman.

A series of pictures of another RP character of mine:
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PostPosted: Mon Nov 14, 2005 3:51 pm


One thing that really pops out is how unproportioned your faces are.

Try taking a look at this tutorial: http://www.portrait-artist.org/face/structure.html

It should help quite a bit.

Oh, and you especially need some help with drawing profiles. Here's another tut for you: http://www.portrait-artist.org/face/profile.html

Did your teacher not teach you any of this!?

So, first off, keep in mind that faces are ovally, and egg-shaped. The guy in the third picture has a very square head.

A few other pointers to mention:
*There are five eye-widths across the face. The 2rd and 4th spaces are the ones occupied by the eyes themselves.
ex) Let's pretend this is a face: ( | | | | )
The eyes go in these spaces: ( |o| |o| )

* The eyes are halfway between the top of the head and the chin.
* The bottom of the nose is halfway between the eyes and the chin.
* The mouth is halfway between the nose and the chin.
* The corners of the mouth line up with the centers of the eyes.
* The top of the ears line up with the center of the eyes.
* The bottom of the ears line up with the bottom of the nose.

I can draw you a diagram of all this if you want. ninja

Tawney


Research Assistant Zoe

PostPosted: Mon Nov 14, 2005 5:21 pm


For the ink sketches(and several of the other things), I feel the need to plead randomness- they were done without any pencil underdrawings and, most of the time, I had very little idea where I was going with them until they were mostly done. Not much of an excuse, I know, but it does make a difference.

I had another one, but I seem to have forgotten to upload it. Another profile.

And, yeah, my art teacher did, indeed, not go over any of that with me. I do technically know the proportions and have several pages full of them(given to my by my highschool art teacher, a very different person completely) I will have to go find those again, because evidently I need to be reminded. Irritating that she didn't, if it's that glaring of a problem, since I was taking lessons with her with the goal of building up a portfolio with which I might apply to an art school eventually.
Like I said, she's not much of a critic.
Yet another reason why I'm not going back to that teacher and will instead take in some figure drawing classes. (starting wednesday! whee )

I will look through those tutorials you linked.
PostPosted: Mon Nov 14, 2005 6:18 pm


you might benefit also from a book of human anatomy and skeletons. you can find them at most used bookstores.
your art seems highly Elfquest-influenced, which is amusing- i remember my elfquest phase, but in the long run it didn't serve me well, and in fact i kept almost nothing from that period, physically or stylistically.

Plonky the Wondercat


Research Assistant Zoe

PostPosted: Mon Nov 14, 2005 6:22 pm


I actually just bought an anatomy book a couple days ago, though I haven't had the chance to do more that flip through it yet.

And that's very odd. I've heard of elfquest, but have actually never seen any of it. So I don't know how that came about.
PostPosted: Tue Nov 15, 2005 9:18 pm


Some of the stuff is good.

And although this isn't helpful to you whatsoever, I nearly laughed when I saw the nose you had done in your second picture of the more 'finished' works. It's bulbous at the top, like about as wide as her eyebrow, then goes flat and small. Like an upside down pyramid gonk

I like yer pen sketches however.
But just keep in mind to vary your lines. You did in the first pen sketch with bold definition hair and lips then contrasting thin strokes.
But in the second and third you kinda done little squiggle things with blotchy looking lumpy strokes.
I'm not sure if that makes sense. I just think you need to keep pen pressure and strokes in mind when doing things.

I'm not sure how helpful any of this has been.
Just some general thoughts and opinions from me.

bish diIIigaf

Wheezing Smoker


Gardenhead

PostPosted: Fri Nov 18, 2005 7:03 pm


Mm, I don't know how to explain it, but your eyes seem to be lifeless (?). Myabe that's just a photo thing, I dunno.
PostPosted: Sun Nov 20, 2005 2:49 pm


The Magic Hate Ball II
Some of the stuff is good.

And although this isn't helpful to you whatsoever, I nearly laughed when I saw the nose you had done in your second picture of the more 'finished' works. It's bulbous at the top, like about as wide as her eyebrow, then goes flat and small. Like an upside down pyramid gonk



Noses are generally thinnest, or thinner at the top where bone becomes the brow......i think.

Page Boy

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