Welcome to Gaia! ::

The Gaian Summer WriMos Guild

Back to Guilds

Home of the Gaian Summer Writing Months, based off NaNoWriMo 

Tags: Writing, NaNo, Stories, Novels, Summer 

Reply SuWriMos 2009 Novels (Archive)
NaNo '08-SuWriMos '09: Sirit's Story

Quick Reply

Enter both words below, separated by a space:

Can't read the text? Click here

Submit

Have you answered the response questions?
  I don't intend to.
  Yes, I have.
  I intend to, but I haven't yet.
View Results

Commander Oblivious

4,800 Points
  • Gaian 50
  • Signature Look 250
  • Dressed Up 200
PostPosted: Tue Jun 02, 2009 5:49 pm


Sirit's Story:

This girl's the heir to the throne, but enemies from another country come in and kill everybody in the court that they can find. Her mom shoves her into a tunnel that's one of those secrets-that-everybody-knows-about things, but just before that, the girl watches her mother's skull get bashed in.
She runs down the tunnel, finds herself in a forest, and is taken in by two people who can't have kids. Around when she turns seventeen, her cousin (who the invader-king decided not to kill, for whatever reason) finds her and tries to convince her to lead a rebellion against the king-guy. She's all, "I don't want to die. I'm not going back there."

This is about as far as I've gotten, and I don't know how it ends. I'm excited to find out, though!

My goal for this, by the end of August, is 64k. That's the 16k I've already got plus the 50k I want done. While I'm in Europe this summer, I'll take a printed copy of what I have, a notebook, and a pen, and I'll write on the plane. Go trans-continental and trans-Atlantic flights! Woohoo!


Things to watch for in posts with story.

NOTE:
At one point, there's a line of dialogue something like, "I wasn't here, you weren't here, I have to warning."
I have no idea what this was meant to mean back when I initially wrote it in November, but it's far too amusing to drop. I'll find a place for it.
Also. There's one scene that's just outside Gaia's rating, so I'll either write something else in its place, or cut the scene and post a summary here. Which do you guys want?
PostPosted: Tue Jun 02, 2009 5:55 pm


PART 1:
Through the commotion in the hall, a young girl raced madly, ducking swords and clubs and skirting the invaders. “Mama!” The girl screamed, searching frantically. “Papa!” Her wide eyes stared about, looking for a glimpse of the royal green her parents wore.

Somebody grabbed her hair- the girl screamed and pulled at the hand. She managed to pull away, leaving a clump of her hair in the person’s hand. “Sille! Pedran!” Her siblings were nowhere to be found either.

Surrounded by screams and yell and the guards and the servants and the invaders, she just didn’t know what to do- so she kept running. She ran through the dining hall, the library, through to the private viewing chamber.

“Mama!” The little girl exclaimed, racing across the stone floor. Her mama gathered her up in her arms, shaking. She moved aside the tapestry behind where she stood and pulled the girl into the alcove it hid.

“I thought I lost you!” her mama said, running her hands over the little girl’s head.

“Mama, what’s happening?” the girl asked, jumping as a door slammed against a wall. She peeked through the sliver of room where the tapestry didn’t quite touch the wall and squeaked, seeing more of the ugly, scary invaders. “Mama, I’m scared!”

“Be brave, little one!” Mama said. She took the simple circlet from the girl’s head and tossed it into the darkness behind her. Mama took the gold chain from around her own neck and pressed the amulet that hung on it into the little’s girl’s hand. “Run, darling! I’ll find you when it’s all over!”

“Mama, where’s Sille and Pedran and Papa?” she asked, clinging to Mama’s skirts. “I couldn’t find them!”

“They’re fine, but you must hide! Remember, behind papa’s chair, the little hole? Climb in there, and run, as fast as you can. Get as far away from here as you can, and don’t look back!” Mama pushed the girl out of the tapestry, towards the thrones.

The girl looked back right as she made it to the top of the steps where the thrones were. Mama was fighting with an invader. He was tall and he had icky stained clothes and he grabbed Mama by her arm. The little girl’s eyes widened and she watched, frozen, as the invader swung his club, catching Mama’s head. Mama crumpled to the ground and stayed there.

The first tear slipped from her eyes, soon followed by a blinding torrent. She spun stumbled to Papa’s chair and pushed aside the heavy cloth that hid the dark, frightening tunnel. She didn’t know where it went, but Mama said it was okay-

“Mama…” she whispered, arms trembling as she crawled into the hole.

It was hardly big enough for her bigger cousin Mei, but she fit quite well, and when the hole widened, she could stand.

She reached out both hands and touched the wall, and walked slowly. It was deafeningly quiet, with only the sounds of her sniffles and short breaths for company. The tunnel walls were dusty and covered in dirt, and cobwebs kept catching in her hair. They were also extremely cold, and she couldn’t fight off a shiver.

The little girl stopped after a long while, when she though the invaders couldn’t possibly be following her. She sat against the wall and hugged her knees, and finally let the sobs out, completely unhindered.

A while later, the little girl sat up, and, confused, brushed the dirt out of her hair. “I fell asleep…” she murmured, but she didn’t remember actually laying down and sleeping. “What do I do now?”

She stood and slowly made her way down the tunnel. It was pitch black- she couldn’t see her hand in front of her face, and so shuffled, to see if there was anything in her path.

For a moment, she wondered what the hard, round thing in her hand was, then remembered Mama’s amulet. Mama always wore it and said it was good luck. She stopped and lifted the chain over her cobweb-and-dirt covered curls. The chain was so long it dropped to her waist so she doubled it.

She stretched her hands out and, the wall against her fingertips, took one step. Nothing slithered or squished under her foot and, emboldened, took another. Soon, she was walking just slower than normal.

What felt like ages later, a breeze lifted up and the girl spied a hint of light, further down the tunnel. She hurried towards it, and broke into a run. Fresh air wafted over her, the breeze , smelling of rain. As she got closer, she could see the raindrops pounding down on the grass.

She stopped outside the exit and looked around. She didn’t recognize where she was, but in looked like the valley in the story Mama used to read to her when she was little. It was green and wet and cold, but there was a pretty waterfall and a little pool not too far off.

She turned in a circle, and stared at the dark entrance back up to the castle. She couldn’t go back there- Mama was dead, and she didn’t know if Papa and Sille and Pedran were alive. “Mama…” she mumbled, arms wrapped around herself. She sniffled again, and sat down inside the tunnel. Her tears ran free again and the breeze hurt her sore eyes but she just closed them and wished with all her heart that she was back with Mama and Papa and Sille and Pedran.

Commander Oblivious

4,800 Points
  • Gaian 50
  • Signature Look 250
  • Dressed Up 200

Jasper Riddle

PostPosted: Wed Jun 03, 2009 9:46 am


You can just go for a summary--tell us what we need to know about the scene.

[screams and yell] yells.
Have you ever heard a child cry? How old is she? I'd think she'd be sniffling and screaming and unable to think straight.
[They were also extremely cold] The cobwebs?
[when she though the invaders] thought

- What seems unneeded or pointless? What can be thrown away? I dunno. It's hard to tell at this point.
- What doesn't make sense? How old is this girl? Would she seriously be able to run through such a hectic scene as the beginning one without being killed or at least caught? Why the hell would she be running through it, anyway, and not running away screaming?
- Do you enjoy it? What is the best part? What's the worst part? It's not bad so far, and I mentioned my peeves in the question above.
- What needs the most improvement? The plot. I keep flashing back to Anastacia and just about every "you have to get out of here now!" opening ever. It's not badly written but it just doesn't interest me that much so far.

Hope I helped. Keep at it. :3
PostPosted: Wed Jun 03, 2009 1:49 pm


What seems unneeded or pointless? What can be thrown away?
- What doesn't make sense?
- Do you enjoy it? What is the best part? What's the worst part?
- What needs the most improvement?
- Do the flashbacks make sense, or do they impede the flow of the story?


1. The "mamas" nearly every time she talks. We get it, she wants her mom.
2. Not completly. The language is a bit clumsy. In one sentance you use "and" four times. I don't completly feel in the story. The imagery is too vague for me to feel what's going on.
3. What needs to be improved is evoking the emotion of the whole scene and plot. I predicted that the mother would die, maybe make it seem as if they were just about to get away and then they get caught. Make it seem as if they were with out a doubt going to get away.
4.No it doesn't really. The flow is choppy and I got confused at some parts.

Keep going, of course, but try to really dive into this story and paint a better picture.

DayhawK68
Crew

Romantic Hunter

7,950 Points
  • Forum Sophomore 300
  • Signature Look 250
  • Dressed Up 200

Commander Oblivious

4,800 Points
  • Gaian 50
  • Signature Look 250
  • Dressed Up 200
PostPosted: Wed Jun 03, 2009 4:03 pm


Jasper Riddle
You can just go for a summary--tell us what we need to know about the scene.

[screams and yell] yells.
Have you ever heard a child cry? How old is she? I'd think she'd be sniffling and screaming and unable to think straight.
[They were also extremely cold] The cobwebs?
[when she though the invaders] thought

- What seems unneeded or pointless? What can be thrown away? I dunno. It's hard to tell at this point.
- What doesn't make sense? How old is this girl? Would she seriously be able to run through such a hectic scene as the beginning one without being killed or at least caught? Why the hell would she be running through it, anyway, and not running away screaming?
- Do you enjoy it? What is the best part? What's the worst part? It's not bad so far, and I mentioned my peeves in the question above.
- What needs the most improvement? The plot. I keep flashing back to Anastacia and just about every "you have to get out of here now!" opening ever. It's not badly written but it just doesn't interest me that much so far.

Hope I helped. Keep at it. :3

I'm not sure how much I really want to explain at this point in the story, and I'm not sure how to bring it in right now, but she's nine. She does get caught at one point- but the people are more concerned about killing adults who pose a threat. Taking the time to kill a child would be pointless.
How could I put that in, and where would be best?
She's running through it trying to find somebody, but it could work if she was in the throne room to begin with.

Say, she and her mother are in there, the people burst in, and the queen shoves her off towards the throne and tries to attack the guards. Would that be a more efficient opening?
I agree that it's Anastasia-esque, that was my inspiration for it to begin with.



Dayhawk:
1) I hadn't noticed that. -notes it- I'll edit a few of those out.
2) Which sentence? And what needs more description?
3) I truly despise tricking the reader. Unless it's 100% amazing, I'll put the book down then and there.
4) What is a more efficient way of explaining how she came to end up on the farm?
PostPosted: Wed Jun 03, 2009 4:15 pm


Commander Oblivious
Jasper Riddle
You can just go for a summary--tell us what we need to know about the scene.

[screams and yell] yells.
Have you ever heard a child cry? How old is she? I'd think she'd be sniffling and screaming and unable to think straight.
[They were also extremely cold] The cobwebs?
[when she though the invaders] thought

- What seems unneeded or pointless? What can be thrown away? I dunno. It's hard to tell at this point.
- What doesn't make sense? How old is this girl? Would she seriously be able to run through such a hectic scene as the beginning one without being killed or at least caught? Why the hell would she be running through it, anyway, and not running away screaming?
- Do you enjoy it? What is the best part? What's the worst part? It's not bad so far, and I mentioned my peeves in the question above.
- What needs the most improvement? The plot. I keep flashing back to Anastacia and just about every "you have to get out of here now!" opening ever. It's not badly written but it just doesn't interest me that much so far.

Hope I helped. Keep at it. :3

I'm not sure how much I really want to explain at this point in the story, and I'm not sure how to bring it in right now, but she's nine. She does get caught at one point- but the people are more concerned about killing adults who pose a threat. Taking the time to kill a child would be pointless.
How could I put that in, and where would be best?
She's running through it trying to find somebody, but it could work if she was in the throne room to begin with.

Say, she and her mother are in there, the people burst in, and the queen shoves her off towards the throne and tries to attack the guards. Would that be a more efficient opening?
I agree that it's Anastasia-esque, that was my inspiration for it to begin with.



Dayhawk:
1) I hadn't noticed that. -notes it- I'll edit a few of those out.
2) Which sentence? And what needs more description?
3) I truly despise tricking the reader. Unless it's 100% amazing, I'll put the book down then and there.
4) What is a more efficient way of explaining how she came to end up on the farm?



1. smile
2. This one "Surrounded by screams and yell and the guards and the servants and the invaders, she just didn’t know what to do- so she kept running." It would sound better if it was "Surrounded by a sea of people and their screams, she ran even though she could not understand the confusion around her."
3. Well it's not really tricking, just giving false hope.
4. I think if you start out with her out of harms way and reflecting on what happened, then let her see the farm, it would be easier. Like you don't have to mention everything that happened either, just the fact that her family was dead. But be descriptive of where she is as she is wondering her way toward this farm.

DayhawK68
Crew

Romantic Hunter

7,950 Points
  • Forum Sophomore 300
  • Signature Look 250
  • Dressed Up 200

Commander Oblivious

4,800 Points
  • Gaian 50
  • Signature Look 250
  • Dressed Up 200
PostPosted: Wed Jun 03, 2009 4:48 pm


- What seems unneeded or pointless? What can be thrown away?
- What doesn't make sense?
- Do you enjoy it? What is the best part? What's the worst part?
- What needs the most improvement?
- Does the jump to the present make sense?


Sirit woke to the pounding of rain and a flash of lighting followed by monstrous thunder outside her tiny window. She sat up and blinked at the window, but between the sleepy haze over her eyes and the blur of rain on the window, she couldn’t see anything. The rain bothered her eyes and she blinked again, then flopped back down against the feather mattress. A sense of déjà vu washed over her, but she shook it off and tossed the heavy blankets off her. Downstairs was silent, which meant her parents were probably asleep still.
She tiptoed down the stairs and into the kitchen. On the back of one of the chairs was a quilted blanket. Sirit took it and threw it around her shoulders and opened the door to step out onto the porch. A small cat sat on the thin railing, perfectly balanced as all cats are. Sirit met the cat’s eyes and leaned against the railing next to it. “Hey, kitty,” she said, rubbing it lightly between its ears. The cat let out a tiny purr and stretched up into her hand. “Hiding out from the rain, I suppose?” The cat blinked up at Sirit and stood and walked down the rail a few steps. “Whatcha doing, kitty?”
The cat jumped off the rail and looked expectantly at Sirit. “What?” Lightning flashed and Sirit closed her eyes against it. When she opened her eyes, the cat was back on the railing. “Cat, what are you doing?”
The cat blinked, otherwise unmoving. Sirit narrowed her eyes and huffed at it. It stood and walked pointedly past her, to the stairs at the very end of the porch. Every now and then, it looked back to see Sirit following. “I’m following you, alright? You don’t need to make sure I’m there!” Its ears twitched and it jumped off the railing. It jumped the stairs and headed straight for the trees lining the small house. Sirit grumbled and dropped the blanket on the wicker porch chair.
The cat stopped at the edge of the trees and waited for Sirit to catch up. Sirit shivered and mumbled under her breath, arms crossed tight across her chest. “Stupid cat,” she said, glaring down at it. “What do you want from me?”
The cat meowed and headed into the trees. Sirit followed, and winced as she stepped in a mud puddle. “This is disgusting!” The cat made no comment and led Sirit through the tall trees, until they met up with a river. It almost looked familiar, but Sirit shook it off and stopped behind the cat. “Well?”

The cat yawned and meowed, but moved on. The rain began to lighten with the sky as dawn approached. Sirit doubted her parents would be up anytime soon, but all the same, she wanted to be back before dawn. “Can we hurry this up a bit, cat?”

The cat glanced over its shoulder and gave her the equivalent of a sigh, but broke into a trot. It headed up the river a bit further, then broke off back into the trees. Sirit glared at it and raced after it. The cat, in turn, ran faster, leaping over rocks and tree roots with more accuracy than Sirit could ever hope to have. Because of this, Sirit stumbled and ran into things, but she never once lost sight of the cat.

Finally, when the cat stopped, Sirit took the chance to breath and get her heaving lungs to calm some. For all that it was cold and wet, she was hot and sweaty. “What was the point of that?” She asked, staring down the cat. “There’s nothing here!”

It was just a little clearing with a waterfall at one end that fell into a pool, and-

Sirit stared at the dark hole. She’d blocked up most of the memories of her childhood, but the tunnel…that, she’d never forget.

The cat’s loud meow broke through the shock. Sirit snapped to look at it- it was pawing at something. She jogged over to it, and pushed it gently aside. The cat meowed loudly, and pawed again at the thing. It was half buried in the mud, but Sirit thought that had it not rained, it would have been completely covered. She scraped at the mud and finally got it free.

“My god, it’s Mama’s amulet!” Sirit exclaimed, turning the amulet over in her hands. It was unmistakable- it was the very amulet that Mama gave her just before the invaders killed her. “Cat, what-”

The cat bumped her leg with its head then bolted into the tunnel. Sirit almost followed it, but stopped herself. “Cat, I can’t follow you anymore! I have to go back home!”

An echoing meow was its response. Sirit refused to let herself even think of following it- the invaders who had killed her family had taken over the castle and she’d be taken prisoner or made a slave or something if she went back, and nobody would be able to help her because you just don’t help the captured ex-princess of a country headed by barbarians and murderers when they’ve probably been searching for her head for years since they took over.

Sirit gave a harsh snort and looped the muddy amulet around her neck. Her white nightdress was soaked through anyways, a little bit of mud wouldn’t hurt it.

As she walked, the rain slammed down, full-force. It was absolutely freezing, but thankfully Valley autumns were quiet and wet so it wouldn’t get much worse than this. She pouted up at the sky and hurried, hitting the river. As long as she followed the river, she should find her way back to the house.
PostPosted: Sat Jun 06, 2009 9:21 am


Looks like you forgot to space out those first few paragraphs--thanks for doing so later. :3
I'll accept the distinctly uncatlike behavior on the grounds of this being fantasy.
[Sirit glared at it and raced after it.] Nonsense. Cats have to trot to keep up with us walking at a fairly normal pace--shorter legs, yanno. Maybe the cat should take offense when she calls it slow and just start running.
How long has it been? Sorry, it's just the timeline is totally...nonexistent.
[but thankfully Valley autumns] Is the place called Valley? If it's just a valley, don't capitalize it.

- What doesn't make sense? The cat. Have you ever lived with one? They don't act like humans, but as I mentioned earlier, I'll let it slide.
- Do you enjoy it? What is the best part? What's the worst part? It was readable. Not gripping, though, and I think that needs the most improvement. (I could be blunt but I'll bite my tongue here.)
- Does the jump to the present make sense? Yeah, yeah, sure. Except, as I said, you didn't say how much time has passed and so it's fairly easy to pretend that it hasn't been very long at all.


Sorry if I'm not seeming very helpful.


@your previous questions: I think that might be a better opening, yes. I dunno. Maybe research revolutions and uprisings and see how the upperclass/royalty have escaped before?
Oh, maybe they're in there and a messenger busts in and explains that invaders have breached the castle walls and they need to get out of there like a bat outta hell?

Jasper Riddle


Commander Oblivious

4,800 Points
  • Gaian 50
  • Signature Look 250
  • Dressed Up 200
PostPosted: Wed Jun 10, 2009 8:24 pm


Jasper Riddle
Looks like you forgot to space out those first few paragraphs--thanks for doing so later. :3
I'll accept the distinctly uncatlike behavior on the grounds of this being fantasy.
[Sirit glared at it and raced after it.] Nonsense. Cats have to trot to keep up with us walking at a fairly normal pace--shorter legs, yanno. Maybe the cat should take offense when she calls it slow and just start running.
How long has it been? Sorry, it's just the timeline is totally...nonexistent.
[but thankfully Valley autumns] Is the place called Valley? If it's just a valley, don't capitalize it.

- What doesn't make sense? The cat. Have you ever lived with one? They don't act like humans, but as I mentioned earlier, I'll let it slide.
- Do you enjoy it? What is the best part? What's the worst part? It was readable. Not gripping, though, and I think that needs the most improvement. (I could be blunt but I'll bite my tongue here.)
- Does the jump to the present make sense? Yeah, yeah, sure. Except, as I said, you didn't say how much time has passed and so it's fairly easy to pretend that it hasn't been very long at all.


Sorry if I'm not seeming very helpful.


@your previous questions: I think that might be a better opening, yes. I dunno. Maybe research revolutions and uprisings and see how the upperclass/royalty have escaped before?
Oh, maybe they're in there and a messenger busts in and explains that invaders have breached the castle walls and they need to get out of there like a bat outta hell?


Cat: Yeah, it's a human-intelligence cat. Not sure why just yet, but somebody sent her to keep track of Sirit.

I've always disliked times and dates before chapters, but should I do that? Seven years later, Seven years back, what have you?

There's no way the mother can escape, and knowledge of what's going on beforehand messes with how much Sirit should know about the take-over.
Reply
SuWriMos 2009 Novels (Archive)

 
Manage Your Items
Other Stuff
Get GCash
Offers
Get Items
More Items
Where Everyone Hangs Out
Other Community Areas
Virtual Spaces
Fun Stuff
Gaia's Games
Mini-Games
Play with GCash
Play with Platinum