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Posted: Mon May 05, 2008 12:24 am
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Posted: Mon May 05, 2008 12:27 am
>> Teacher Template
Name: Teacher's name.
Subject: (This is what they teach.)
Department: (select from Mathematics, Art, Science, History, Physical Education, English, Technology, Magic, Electives)
Classes: (for instance; world history, classical studies, Gaian History, etc)
Atmosphere: (brief description of classroom can be included here -- this is how your teacher organises their classroom, as well. Rank and file desks? Desk groups? Cushions on the floor? Is it a feel-good funhouse, or a dank prison?)
Style: (teaching style, methods, preferred punishments/disciplinary strategies; descriptions should be filled out for each level of the course, since very few professors will teach the bright-eyed children the same way they'll teach the jaded old seniors)
Homework requirements: (what does your teacher set as homework, and what's their homework style? Weekly worksheets? Essays? Oral presentations? Do they set an end of class exam, or do they prefer getting handed in a project? Do they let everybody go nuts picking what they'd like to do to present their work -- such as a poster, or an audio presentation, or interpretive dance? As with teaching style, give us notes on how this varies from level to level.)
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Posted: Mon May 05, 2008 1:01 am
Name: Dr. Beatrix Darnell
Subject: Mathematics
Department: Mathematics
Classes: Elementary Maths, Intermediate Maths, Advanced Maths, Calculus (elective), Statistics (elective), Mathematical Physics (elective, cross-curricular with Science Department)
Atmosphere: Beatrix's classroom is fairly staid and reserved: more like a 1950s classroom than anything else, though there are splashes of colour here and there. What posters do decorate the walls are laminated mathematical rules and the multiplication tables, and there are large organised trays at the back filled with blocks, tens sticks, dice and coloured worksheets for the elementary classes.
The desks are arranged in neat, separate rows, so that each student is separated from the rest and left to fend for themselves individually, at a clean wooden desk that sees graffiti and injuries with compass points at your own risk. The front of the classroom is dominated by a large blackboard and Dr. Darnell's desk off to the side: large windows to the left side of the classroom offer a fairly pretty and distracting view out onto the field, and woe betide any student who chooses to glaze over watching the outside world rather than their algebra.
Beatrix maintains a strict level of silence in her classes: talking is allowed in elementary classes if doing matwork, and whispering if in pairs, but slacking off and being social in the advanced classes or in the electives is grounds for being made to stand outside.
Style: Beatrix is strict but just, a behaviourist teacher-dominated classroom style of the Old School, fairly sarcastic with her older students and gentle but firm with her younger ones. She does not talk down no matter what level her learners are at, and gives a heavy load of coursework. Pure maths the old-fashioned way is her forte, probably due to being old-fashionedly brilliant herself, and she is a teacher known for picking favourites. Teacher's pets are well known if they are in Beatrix's classes, though she is rarely dismissive of the rest of her students except in rare cases.
Beatrix's punishments are old-fashioned as well -- essays and detentions for not handing in work, misbehaviour, or general slackness, as well as leaving the room and being made to stand outside for misdemeanours. She cannot abide intellectual laziness or rudeness, and her tiny seeing-eye demon Thwomp will also tend to thwomp on your fingers if you flick rubber bands across the room.
Depending on your personality, Beatrix becomes more fun as the classes move up in advancement: she treats the Advanced Mathematics students more as intellectual equals, which means that she rides them like ponies and is sarcastic as hell over any mistakes they tend to make, but is also very giving and encouraging of her time and will spend out-of-classroom hours giving one-on-one help with her learners. She is even fairly witty and no-bullshit at this level, giving students much longer of a leash -- desks can be bunched together for whispered groupwork if the session calls for it, classroom discussion can be quite animated, and expectation is incredibly high. The pressure can be too much for some students.
For the elementary learners, mathematics is still quite fun, as Beatrix expects very few prodigies and is content to have silly activities and maths games and knows exactly how long a preteen's attention span will last. Intermediate maths is probably the most dreary: there is very little fun involved, she still treats most of the children like they are bears of very little brain, and you are no longer allowed colour-coded worksheets or colouring in pie graphs with markers.
Homework requirements: High, hands-on. All levels have weekly homework set, elementary students in the forms of worksheets, intermediate students in the form of two-day assessment sheets, and advanced students and elective students in the form of nightly, involved homework and a constant barrage of projects. Pop quizzes and tests are very common, even for the elementary levels, and only the elementary levels and advanced levels do group projects that are any fun whatsoever. Advanced and elective students probably see a good hour's worth of homework per night depending how quickly they work, and stats students spend a lot of time haunting the computer lab.
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Posted: Mon May 05, 2008 1:29 am
Name: Ms. Rosalind Naaktgeboren, referred to by her students as Ms. Lindy
Subject: Health
Department: Physical Education
Classes: Elementary Health, Intermediate Health, Advanced Health (cross-curricular with Science Department), Sexual Education
Atmosphere: Ms. Lindy's room is grotesquely bright and comfortable: instead of chairs, beanbags are scattered over the premises, complete with a few low tables for written work to be completed on (if any is given out). The walls are littered with bright posters (some of them advocating that people who do drugs are thugs, etc), drippy pictures depicting healthy people by the elementary schoolers that have lots of glitter glue, colourful skeins of cloth, Chinese lanterns hanging from the ceiling, etc. A stereo with CDs sits by Ms. Lindy's desk, which are free for anyone to change and put on so long as the volume is not loud. The desks also contain tins of markers, as colouring seems to be a part of the class even during, like, sex ed. Fun and offbeat.
Style: Ms. Lindy's style is laid-back, hands-on and "whatever makes you happy," learner-driven learning that is aimed at indulging whatever the student prefers to do in terms of handing in and what they want Lindy to assess. If they want to do a written report, that's fine; so is a clay sculpture about maintaining a healthy lifestyle. She encourages class discussion and teamwork, co-constructive solutions and problem-solving, as well as a slightly enforced HAVE FUN! background. For the intermediate and advanced students, the intellectual demands are a little more rigorous, as you cannot simply get away with writing "HEALTH" in scented markers on a piece of posterboard and get an A as it is entirely possible to do in elementary health, but the curriculum is a holistic view of health and also involves balancing spiritual and emotional health and can get slightly dreary if you're not interested in talking about your inner thoughts and strategies.
The sex ed students have to watch a lot of movies and put a lot of condoms on a lot of bananas. Ms. Lindy is free with everyone thinking this is hilarious.
Discipline-wise, what Ms. Lindy does not put up with is cruelty, disrespect to others or Bad Vibes, all of which can get you ejected from class and having to talk to her afterwards. She is also the school counselor, so many students try to avoid acting out in Health simply because they know that too much attention and they will be getting sent to her office for TALK IT OUT sessions until they graduate.
She is sweet, upbeat, open-minded and accepting, and tends to polarise students: generally you either think she is cool or you would prefer to take a transport ship to Alaska than go back inside her class.
Homework requirements: Weekly projects in many forms: thought logs, class debates, tiny models of giraffes eating bananas, whatever. As long as you can justify it, Ms. Lindy often accepts whatever medium you give her, up to and including short movies made in Flash or classroom plays. There are a lot of questionnaires which involve self-reflection and how things make you feel. Although these are blissfully easy compared to some classes, understandably they make some students want to puke. As the classes get more advanced, more proofwork and participation in class discussion is required.
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Posted: Mon May 05, 2008 3:38 pm
Subject: Science Name: Sadanobu Iijima - "Mr. Iji" Department: Science Classes: Science Level 1, Science Level 2 Atmosphere: The first goal of Science Levels 1-2 is to make science fun. To that end, the room is bright and colorful, with lots of large laminated posters displaying cartoon atoms and famous scientists. Desks are grouped in sets of five to six. Where you sit determines which group you work in. There are sinks for washing up and plenty of cabinets containing plastic beakers and flasks, straws, cotton balls, and everything else needed for lessons. Style: Most of Iijima's assignments are hands-on experiments. Every child has a science workbook with explanations and worksheets, and the whole class goes through an experiment step-by-step together. There is a lot of group work, at least one or two group assignments every week. Class follows a theme each week, such as water, plants, seasons, or the solar system. More involved themes last up to four weeks. Sitting in time out is a standard punishment, mostly used if students are talking when Iijima is giving instructions. The first rule of the classroom is to listen to instructions. Since assignments are generally lots of fun, time out is a hard punishment and means the student has to sit and listen and watch while his/her classmates have fun with the experiment. Iijima is very forgiving, though, and uusally lets students leave time out after just five or ten minutes. When Iijima is not giving instructions, talking is allowed, as students are encouraged to help one another with the assignment at hand. Iijima firmly believes that teaching is a very effective learning tool. Talking about non-class stuff earns a short verbal warning, and if a pair of students persist in talking about non-class subjects, they may be split up into different work groups. Safety is a very important component of the class and the first thing everyone does before beginning an experiment is put on goggles and a smock. The last ten minutes of class are wash-up time, when everyone lines up in the back and washes their hands and the things used in the experiment. For examples of classroom experiments, see Science Lesson Plans. Homework requirements: Homework is very light and fun in level one. Word searches with basic science terms, filling out easy workbook pages, drawing pictures of the cycle of water. The typical level one assignment takes 10-25 minutes and can usually be done with a crayon. In level two, homework is still light, but a bit more involved and less playful. Assignments include filling out worksheets on the day's experiment and creating a brief oral report on something related to science, the topic of which is up to the student (with the teacher's approval). The typical daily level two assignment takes 15-45 minutes. Presentations and reports, of course, take longer.
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Posted: Mon May 05, 2008 5:09 pm
Subject: Music
Name: Orriole & Masamichi Etoh (Mr. Etoh)
Department:
Classes: Music (Levels 1-3), Orchestra (Levels 3-4), Musical Composition (Level 4), Musical Performance (Level 4), Piano and Violin (by special consideration)
Atmosphere: The classroom is typical of music rooms, with chairs and music stands on several levels like a small ampitheatre, the lectern and board front and center. The room is acoustically decent, not great, and is designed not just to enhance musical sound but also contain it, so each instrument can be discerned individually. Storage rooms off the main classroom contain instruments students may borrow.
The first half of regular class is the "lesson" part which involves Orriole lecturing about the subject at hand in a very cheerful manner and answering questions as Etoh makes sure students are paying attention and not slacking off. The second half is practical, with students playing instruments and Orriole and Etoh walking around the room to give pointers. Students are grouped together by instrument as much as possible. Sometimes, lectures will run the whole length of the class, in which case the next class is all practice.
Style: The first class of every semester, Orriole and Masamichi perform a piece of Classical music. As Orriole is a world-class musician famous for several instruments, it's always a real treat. The goal of this is to give students an appreciation for the beauty of music.
Level 1 - Students learn about various instruments and musical styles from around the world and the basics of how to play simple instruments. They learn a simple song, usually Twinkle, Twinkle Little Star.
Level 2 - Students are encouraged to pick an instrument to study. The focus of level two is learning to read music and play the chosen instrument. Several easy songs are studied and performed, a new one every two to three weeks, and encouragement is given individually. The history of music is explored in more depth, with particular attention to famous musicians and composers.
Level 3 - Students must have an instrument chosen at this point. Styles are explored in more depth, with students encouraged to explore their own piece selections. After-school workshops and additional practice hours with instruction are offered.
Orchestra - For students interested in pursuing music more seriously, there is a small student orchestra which performs a concert once yearly and is open to students in levels three and four. It is conducted by Mr. Etoh and meets three times a week and every other Saturday.
Muical Composition - Taught by Orriole exclusively, this course meets once a week for two hours and encourages students to explore their own musical style and voice. Every week, the compositions of the participants are reviewed and discussed and critiqued.
Musical Performance - Taught by Mr. Etoh, the emphasis of this course is learning to perform music professionally. In addition to weekly practice and critique, students meet professional musicians from various venues and other figures in the music industry, and explore career options. The course meets once a week for an hour and a half, with field trips to professional venues once or twice a month. Some of the guests may offer apprenticeships to interested students.
Piano and Violin - Students showing exceptional promise may be offered an apprenticeship in piano or violin by Orriole and Mr. Etoh, as as many hours a week as are needed.
Homework requirements: Level 1 - No homework.
Level 2 - Short papers on musical figures or styles, answering questions about the day's lecture, researching an era of music and picking a song to share with the class (via CD or MP3), and practicing instruments at home. Typically an hour's worth of homework. The culminating assignment is for students to compose a small song of their own, at least thirty seconds in length.
Level 3 - Practice at home required several nights a week. Occasionally other assignments, such as transcribing a piece of music chosen by the student or writing a short essay on a piece of music chosen by the instructors.
Orchestra - Practice of the piece being performed for the semester several hours a week as possible.
Musical Composition - Students may work on a single piece during a semester or a new piece every week. Study is self-directed. This is the kind of course where what you get out of it is in direct relation to what you put in.
Musical Performance - Self-directed practice of chosen instrument(s), which will directly affect in-class critique. Occasional short essays on career paths or important guests.
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Posted: Tue Dec 30, 2008 6:58 pm
Name: Mr. Shade
Subject: Physical Education, sports, self defense
Department: Physical Education
Classes: Elementary PE, High School PE, High School self defense
Atmosphere: Gym takes place in either the large gymnasium, complete with basketball court taped out on the floor, or outside on the blacktop.
Style: Gym is supposed to be fun, and he encourages them to enjoy themselves as much as possible while sticking to the class work. Elementary students are usually taught with games, or races, three legged, wheel barrel, or Red Light, Green Light sort of things. (As well as the classics, dodgeball, kickball, and basketball.) He usually starts the class with a brief run before pairing or teaming them up in groups for the games.
High school often follows the same course, but the games are more organized, he teaches basketball, touch football, dodgeball (still, you never outgrow the horror) and kickball. What sport he teaches depends on how good the weather is outside.
Self Defense classes begin with a stretching set and are a series of exercises such as punches, kicks, and katas, repeated over and over again until they can do them in their sleep, then added to. It's a smaller class, since it's not required.
Homework requirements: He often tells them to get out and play as soon as their homework for other classes is finished, for the self defense classes he makes them practice their katas on a daily basis. The katas are loosely based on karate.
If there was enough interest, he would be perfectly willing to coach a sports team. So far he hasn't gotten any requests for it yet.
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Posted: Tue Dec 30, 2008 7:24 pm
Name: Michael Prosper ("Mr. Prosper")
Subject: Art
Department: Art
Classes: Elementary Art [level 1], Intermediate Art [level 2], Studio Art [level 3-4], Art History [level 3-4]
Atmosphere: Easels in a semi-circle in the center of the room, with a small raised platform in the middle for setting up references or models. There are desks, generally pushed against the walls under the supply cabinets. Prosper tries to make his classroom engaging and inviting,
Style: With elementary art, Prosper places most focus on interaction and hands-on projects. He introduces some different styles, but the lowest level art classes are essentially playtime. In intermediate art, different techniques are introduced and he begins sorting the serious students from the slackers. The serious students are invited back for Studio Art and Art History, with a heavy emphasis on technique and polishing skills, while the slackers are told to chose a different elective. Misbehaving students may find themselves moved to the front of the class where Prosper can keep an eye on them. If they continue to cause trouble, their easel will be separated from the rest of the group. A third infraction will find them in the hallway for the rest of the period, and a fourth will find them sent to the office. He is generally more lenient with the older students, allowing them to rearrange the easels as they please and socialize as long as they are not in the middle of important lectures or work.
Homework requirements:
Elementary: No homework.
Intermediate: Short reports on famous artists or movements, usually accompanied by a backboard or poster of some kind. Once or twice a semester.
Studio: Students will be expected to develop a portfolio of pieces. The art room will be available during lunch periods and after school to Studio Art level students for work.
Art History: Research papers detailing the evolution and influence of artists and movements. Once or twice a semester. Nightly reading sections from a textbook.
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Posted: Tue Dec 30, 2008 8:05 pm
Name: Tyler Deakon
Subject: Practical Living
Department: Electives
Classes: Practical Living, Woodworking
Atmosphere: Depending on what he's teaching in practical living, the classroom can be anywhere from a borrowed classroom to the garage or kitchen. This is one of those classes that travels with the teacher.
Woodworking is taught in a special workroom class, complete with long tables and stools. Along the right part of the classroom, where he teaches at, there are a series of tools, two scrollsaws, a rack of drills, hammers, and screwdrivers hanging up on a special pegboard that has outlines for each of the tools, including a hook for rulers and yardsticks. For the larger things, such as planing and molding, he takes them to the garage.
Style: Both classes are for high school, so he doesn't deal with the elementary school kids. Tyler is a very straight forward, practical creature, and doesn't yell. He merely explains things thoroughly before it begins and goes from person to person to make sure they're doing it right.
For the practical living course he has a series of lessons on things that are necessary for the real world. He teaches how to change the oil and tires on a car, how to balance a checkbook, how to sew on buttons or patch holes in clothes, how to--well, if you can think of it, he'll teach it. It's a bit of everything from home ec to home repairs. He often asks the students what THEY think they need to learn, and adds that to his curriculum as they go along. Since it's an elective he believes that this is something that they're actively seeking to learn, and is willing to help them.
For woodworking he focuses on a series of projects, bird houses, dog houses, decorations for their parents to put up around the house. He teaches things like tool safety and the proper use of electric tools. Everyone should know how to use a screwdriver and a hammer, and he plans on teaching them. Again, since this is an elective he believes that the students come into this actively seeking to learn. If they don't want to learn, they don't have to take the class.
Homework requirements: Practical Living doesn't usually have homework, but once in a while he might have them make a blanket or do a budget sheet for going to the store.
For woodworking there are a series of projects, due at a certain time. They can work in pairs or alone, it's up to them, but he expects more out of the pairs. As the courses advance the projects get larger and more complex.
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Posted: Tue Dec 30, 2008 8:33 pm
Name: Dr. M and Talos Perdison
Subject: Metalworking
Department: Electives
Classes: Metal Shop (Levels 3-4)
Atmosphere: The metal shop workshop (which does not include any wood-working or fabrication of any other kind) is located in a small attachment to the secondary gym. It has high ceilings and windows which are usually open to ventilate out the smell of metalworking and chemicals. The area itself isn't huge, but the high ceiling gives it a spacious feel. The wall can actually open to accommodate the addition or removal of large items, such as cars and small airplanes.
Most people liken the room to a junkyard. When you walk in, there are pieces of junk piled on the tables, under the tables, on the shelves, even hanging from the ceiling. Occasionally some piece of junk will end up on the lawn, and everyone (teachers included) gets yelled at. Scattered throughout the junk are workspaces, but there aren't very many, so class size is limited.
There are enough first aid supplies stashed around for a field hospital, and to reach the actual on-campus hospital, one has only to run across the sports field.
Style: Firstly, it must be noted that neither Dr. M nor Talos are typical teachers. While their knowledge of metalworking, welding, mechanics, and related topics is EXTENSIVE (twenty years experience on Dr. M's part, ten years' on Talos's), neither has any practical teaching experience, and Dr. M is clinically insane. He bounces around constantly, wheezes when he speaks, and is brilliant but prone to outbursts of weirdness. He can get obsessively hung up about things that are completely unimportant. You will never find another person better with a welding torch and for the serious student, he is an encyclopedia of amazing things. For the non-serious student, he's often a bit annoying. His wheezing is so severe he talks very slowly as a result. Talos, on the other hand, gets nervous and flustered and doesn't like being in charge, but he has a knack for explaining things. Somehow, they manage to cobble together lessons that aren't bad, and are sometimes actually good. The fact that Dr. M is nutso can sometimes makes the class uproariously fun with the wacky stuff that happens.
Due mostly to the size of the workspace and available tools (but also because Dr. M is insane and Talos is ill-equipped to handle large groups), class size is limited to 5-6 students, so they actually run more than one class at a level, as needed. This means that not all characters in Level 3 Metal Shop will necessarily be in the same class. The workshop is also open after school for projects provided Talos or Dr. M are present. When they are not, it is locked up so tight you had better not think of even trying to get in.
The first few classes, no one touches any tools (except the teachers) and instead safety is taught. There is a quiz, and if you fail to pay attention enough to pass that quiz, chances are high you will not be allowed to participate in the class.
Discipline is pretty basic. Follow the rules, ESPECIALLY the safety rules, or you can kiss the class goodbye because you'll be removed from it. It's an elective, not a given. You may get one or two warnings first, unless the infraction against the rules is particularly egregious and dangerous, in which case you're out.
There is a huge, huge emphasis on safety. Despite this, about once a month there there is a huge BOOM on campus because the metal shop has exploded. Expect to spend about 1/5 to 1/4 of the class... rebuilding the class. Which is great practice! (No one ever gets seriously injured in these explosions, and no one will.)
Periodically, safety quizzes are given to keep everyone fresh on all the precautions.
Because the class size is so small, Dr. M and Talos are able to give a lot of individual attention and are constantly looking over shoulders.
In level three, basics are covered, mostly technique and tools. The projects generally include repairing mechanical objects or building basic metal things. Once a year, a junk heap of a car is brought in to be repaired, though invariably the car gets some sort of an "upgrade" in the process, and is often the source of an explosion. Students can expect to bring home various metalcrafts to their parents, such as tin cups or bowls, or other little crafty things. Some students make industrial metal jewelry. (None of the workshop equipment is really set up to make delicate, normal pieces of jewelry, but someone sufficiently creative enough might be able to pull something off with the materials on hand.) Level three students must have parental permission to enroll in the class.
In level four, advanced subjects are covered, including sculpture, blacksmithing, and gunsmithing (which is a terrible idea, and everyone knows it). Level three can be a cakewalk, but level four should only be attempted by those students with a serious professional interest in welding and metalwork and who have proven themselves responsible in level three. This is not a joke. Do not put characters in level four metal shop who aren't really serious about it.
Homework requirements: There is no homework. Students may pursue their own projects after school provided there is someone around to supervise.
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Posted: Tue Mar 10, 2009 7:28 pm
Name: Aila Li Chang
Subject: Drama
Department: Drama
Classes: Drama (all levels)
Atmosphere: Casual and comfortable-- getting on stage is hard enough for most people, and Aila's not much for super-structure offstage anyhow. Most classes take place in the school's auditorium, but there's a smallish room backstage as well for learning lines and such.
Style: Aila tends to be a bit harder on the older students, of course, but for the most part she's pretty relaxed as long as people are getting things done and putting in the effort. Those who do not put in the effort will be dropped and replaced. This includes smaller ones, though she's nicer about it with them ("If you don't practice, you don't get to be on stage!")
Homework requirements: Depends on what part the child is taking in the whole thing, but homework can include: Studying lines, memorizing skits, practicing improv, putting together pieces of the set/costumes, and often includes staying after school to work on things, whether it be sound and lighting or running lines with your classmates.
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Posted: Wed Apr 08, 2009 9:24 pm
Name: Cressida Aristipossos
Subject: Textile Arts
Department: Electives
Classes: Beginner Textiles, Intermediate Textiles, Advanced Textiles, Introduction to Design, Weaving (a specialty class offered upon interest only)
Atmosphere: The fabric tech workshop is a bright, spacious area that's actually two rooms with the dividing wall knocked down. The walls are covered with both eye-catching posters and swaths of different fabrics, pinned to the walls or left to drape in different ways. Fashion prints and safety posters are both stuck up alike, and also sconces of flowers -- there's a certain shabby chic atmosphere, but it's all clean and colorful and attractive.
In the front half, there are a number of desks clustered around a teaching area with a whiteboard, though there is also a space set out with a few mannequins and moving trundle wagons of pins and tools. A huge geometric quilt is pinned up sail-style behind the whiteboard. The other half is devoted entirely to sewing machines, set at individual tables with chairs up against them, with each workspace containing a trestle of fabric paper/scissors/needles/measuring tape -- all of this is clearly marked. There's room for the teacher to move about behind and around each workspace. In both corners of the room there are huge shelves with neatly stacked bolts of cloth. In a little cupboard to the left, tucked away, there's also a washing machine with a tumble-dryer.
All in all, it's an attractive and inviting workspace, smelling faintly of fixative and cloth.
Style: Cressida is first and foremost a hands-on teacher with energy to spare and, when put in a line-up with her older students, it would be hard to pick her out as the so-called adult. She is quick to praise a student, having no clue about how much it could embarrass them. Alternatively, she is very wary of criticism and delivers it in a very quiet manner that almost gives mixed signals - did I really mess up or what? She would like to be Cressida but has had it impressed on her that she is the Adult and so compromises with Ms. Cressida. She moves around the class a lot and believes in doing things to better learn them. She gives only the most basic of instructions and allows the student to determine the final outcome. If asked nicely, she readily jumps in and fixes things... Then promptly realizes she shouldn't have done that and undoes it, explaining that the student watched her and now they can mimic her. She is tactile and bubbly and has all of the discipline of a daisy. If a student causes a disruption, she tries very hard to reason with them and then, in a fit of sighs, sends them off to the counselor or the garden. She tolerates a heck of a lot and believes strongly in the creative abilities of her students. The only things she seems to have unreasonable issues on are color theory and accessorizing.
Homework requirements: Cressida runs her classes based on projects suited to the skill level of the class. Beginning students will have a few short projects such as washclothes, envelope-style purses, and basic pillows. The advanced students pick one major project of their own for completion and grading. Her true love is weaving so the attention and scrutiny to these projects is considerably more in-depth.
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Posted: Tue May 19, 2009 12:27 am
Name: Cecil Lavanchy Subject: History of Magic Department: Magic Classes: History of Magic (Level 3) Atmosphere: History of Magic is, despite its name, a very typical classroom-style course with desks and chairs and the teacher up front with a blackboard. The course covers several areas of magical history including famous historical figures, primitive magic and its development into modern form, myths and legends, and types of magic and its classification. No magical ability is required to take the course and it may be seen as an alternate or additional history credit. It must be noted that a good portion of the students, particularly girls, take the course because Mr. Lavanchy is a very, very pretty man, the kind teenage girls enjoy watching. This doesn't bother him one bit (he's rather vain) but he does not encourage it, and if any students get ideas, he's quick to make clear the student/teacher boundary. Occasionally there will be guest speakers, and Cecil's friend Cael Renaeth can be counted on to turn up at least once a quarter to cover some area in which he has expertise. Style: There's nothing particularly notable about the style of course, which basically consists of listening to overviews of the history of magic and completing class assignments. Listening quietly is heavily encouraged. Troublesome students may be asked to leave the classroom and if they provide continued disruption will be dropped from the course. Mr. Lavanchy does not tolerate much in the way of antics. He's very straightforward and honest. He can sometimes be criticized for not caring terribly much about his students; he's there to teach a course and isn't much interested in mentoring or offering guidance. If asked, he usually directs students elsewhere. His one soft spot is for students who fail despite trying hard and having a passion for the subject material, as he experienced such failure when he was a student. Students who work hard in his class, even if they're not particularly brilliant, can generally do just as well as the smarter students. Students who are neither smart nor hardworking or think the class will just be an easy, throwaway A tend to walk away very disappointed with a poor final grade. Homework requirements: Usually a set of short essay questions to be answered. Every quarter there is also a larger essay assignment which counts for 20% of the final grade and which students are allowed to pick a subject for, with teacher approval.
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Posted: Fri Oct 09, 2009 11:14 am
Name: Dr. Siona Hale
Subject: English
Department: English
Classes: Language Arts Level 1; Language Arts Level 2; English Level 3
Atmosphere: The walls are fairly blank. There are a few "Read" posters which feature characters such as Yoda or sports stars. Underneath the windows are bookshelves, chock-full of novels to be leant out to students who forget independent reading materials. Desks are grouped up into quads, and each student is assigned their place. These will end up being their groups for projects, and unless you have a major issue with your groupmate you cannot switch out.
For the Level 3 classes, she has the students split out into pairs with the desks in rows, and is strict about everyone being quiet when a classroom discussion is not going on. Since classroom discussion is almost never not going on, it works out well. Seats are still assigned.
Style: Level One - Dr. Hale acts almost maternal. This class focuses on building reading skills, so each week the students are assigned a new book which they are to have read by Friday. Friday, if everyone has done their homework (usually consisting of one or two spelling and grammar sheets per evening), Dr. Hale will bring in homemade cookies while they have a spelling test and classroom discussion on the book they read. They're quite good, so it normally seems to work.
Level Two - Dr. Hale is still maternal, but much more strict than with the lower classes. She helps a lot with the writing assignments, which are much more plentiful. They are assigned three or four books per term, with a paper at the end for each. Half an hour of the class per day is assigned to spelling or quiet writing time - the list of spelling words for the week is sent home on Mondays, and there are four vocabulary sheets that must be done by Fridays for each list.
Level Three - Dr. Hale becomes much more strict, expecting far more of the students; it's rather a big jump. Dr. Hale now leads classroom discussions on the, again, three or four books per term. A paper will be assigned at the end of each book. Miscellaneous homework assignments will always add up to one or two hours of work, and there is a five to ten page essay due at the end of every month. Students may pick the topics.
Homework requirements: Level One - one or two vocab and grammar sheets, basic books meant to polish reading skills once a week. About half an hour of work, total.
Level Two - Four vocab sheets per night, plus Dr. Hale begins to assign current event projects; though she doesn't teach social studies, she endeavors to teach the students how to analyze the written word. These consist of one paragraph summarizing the article, then one to react. Homework will also be reading chapters from the book. As with Level One, Dr. Hale brings in cookies if all students do their homework every night.
Level Three - One essay of decent length every two weeks; various reading assignments; three or four books and accompanying work.
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Posted: Fri Oct 09, 2009 11:17 am
Name: Wakahisa Kuon
Subject: English
Department: English
Classes: Creative Writing; Newspaper Club
Atmosphere: Taught in a small computer lab exclusively for quiet writing and drawing, Kuon's classroom is comfortable and intimate. The teacher's desk is in the middle of the far left side of the room. A projection screen takes up one whole wall; it can be rolled up to reveal a whiteboard. The computers are aligned mostly along the walls, with an island in the middle. In total there are perhaps sixteen computers, counting Kuon's laptop. Rolling chairs are the main mode of seating, and they're quite cushy. A large printer is on the floor beside the teacher's desk.
Style: Creative Writing - Kuon is mostly a hands-off teacher, assigning goals like "bring me five poems and a short piece of fiction by (date)", with one due every two weeks. Most of the time, there's a fifteen-minute segment at the start of class where you read a poem or short story and write a paragraph-long reaction to it, and then the rest of the period is yours to do your work in. He does check, but doesn't seem to do anything if you are goofing around - this will get written down, and your grade for the day reduced. The Monday after your homework is turned in, there will be a big in-class critique. Participation is required.
Newspaper - Again, mostly very hands-off. Kuon chooses the editor from the students who were members last year, and the editor is given much of the responsibilities. Kuon places himself in charge of getting the newspaper printed and on paper; he only puts down his coffee and newspaper (usually the New York Times) to mediate fights and censor the paper ("No, you may not write about how the cafeteria chili is a plot to turn you all into Zurg. I don't know why! That's just what administration said!"). If something doesn't get done? It doesn't get done.
Homework requirements: Creative Writing - A selection of six pieces once every two weeks, critique of other students.
Newspaper - None, though if you're a reporter there will be assignments to cover and such.
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