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 Posted: Sun May 28, 2006 8:24 pm
henri matiesse, the red room, 1908, french favisim, meaning shockingly bright, a wild beast, the decoration is primitive, islamic influences, the room is flat, and a genious manipulation of space, are the trees a window or a painting? The table, where is it in relation to the figure? it is hard to tell
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Posted: Sun May 28, 2006 8:26 pm
paul ceranne, the basket of apples, 1895, french post impressionalism. Here cezanne delt with volumn and solidity trying to place these 3d objects on a 2d surface, he did so by viewing them at differnt angles.
paul cezanne, mont sainte-victoire, post impressionalism, 1902, french, this image delt with color theory and hte turth of impressionisim, what the eye obsorbs through the colors, and the color patterns true to nature, intead of focusing on prospective and churoscuro.
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Posted: Sun May 28, 2006 8:28 pm
georges serat, post impressonalism, a sunday on the la grande jatte, 1884, french post impressonalism, the true study of color theory, in pointalisim, the study of placing a complimint next to the color, he did alot of practicies
vincent van gogh, the night cafe, 1888, french post impressonalism, he uses color to capture the setting of a place 'one could loose himself' in. the reds are for evil, as the bar represented a place full of bad human behavoir. The japanese influence here is in the flat colors and the cut out look of the lines.
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Posted: Sun May 28, 2006 8:31 pm
paul gaugin, the vision after the sermon, 1888, post impressionalism, french, the women are praying after the serman and the image is seperated with a tree (japanese influance) where they see the actual event the serman is about taking place. (the life of jacob).
paul gaugin, where do we... what are... where are we.. 1897, this french post impressonalism was painted before an atempted suicide, the figures reprecent the life cycle, from woman to children. The work it'self is worthy of gosphels, but the title has a rather pesimitic view.
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Posted: Sun May 28, 2006 8:32 pm
vincent van gogh, a stary night, 1889, post imressonalism, painted from his windo, he was dutch born but lived in france. terrible childhood. the brush strokes are visable and very thick. The realisticness is in not photographic quality but in capturing the vastness of the univers. the church may symbolize some reconsiliation before his death.
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Posted: Sun May 28, 2006 8:35 pm
edgar degas, ballet rehearsal, 1874, impressonalism, rejected traditoinal themes, off axis, cut off people, randomly placed, in action, a moment in time, visual brushstrokes.
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Posted: Mon May 29, 2006 4:20 am
right after we finish this ceral
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Posted: Mon May 29, 2006 4:26 am
henri mateisse, the red room, 1908, french, favisim (shocking, wild beast), primitivisim
paul cezanne, baset of apples, 1895, basket of apples, post impressonalism, the study of 3d on 2d, volumn and solidity
paul cezanne, mont sainter-victorie, post impressonalisim, 1902, french, color theory, the truth of impression
georges seurat, a sunda on the la grande jatte, 1884, french, post impressionalism
vincant vanh gohg, the night cafe, 1888, dutch born, lived in france, post impressonalisim, used colors to show the evils of the place, reds and greens and yellows, um, japansese influence.
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Posted: Mon May 29, 2006 4:29 am
paul gauguin, the vison after the sermon, 1888, post impressonalisim, women praying after the serman, tree breaks composition, japanese influence, reality and story.
paul gauguin, what do we... ect. french post impressonalisim, representing the stages of life, pessimestic title, 1897
vincent van gogh, a stary night, 1889, post impressonalisim, dutch born, french lived, realistic in capturing the vastness of the univers
edgar degas, ballet rehersal, 1874, impressonalisim, a moment in time, off axis, randomly placed, viewer standing in the same plane as the figures
claude mone, impression; sunrise, 1872, impressonalisim, a single moment, flat, textured surface, visual brushstrokes
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Posted: Mon May 29, 2006 4:33 am
Edouard Manet, Olympia, 1863, early impressionalisim, realisim, french, rendered hands feet but flat body, flowers are influenced by dutch paintings
edouard manet, a bar at the folies-berere, 1882, a bartener who's sad/angsty (as anyone would be at work) relfection is off
jacques-louis david, oath of the horatii, 1784, french, neoclassisim, strenght, revolution, politics
rubens, arrival of marie de medici, 1622, flemish baroque
wiliam hogarth, breakfast scene, 1745, english naturalisim
pietro da cortona, triumpth of the barberini, 1633, ceiling fresco, pillars extend ceiling, exact forshortinging, disoto in su, roman stories with attention to popal duities, italian baroque
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Posted: Mon May 29, 2006 4:35 am
nicolas poussin, burial of phocion, 1648, french baroque, roman city, idealized but realisitic trees (the city too) subject front and center
andrea pozzo, the glorification of st ignatious, 1691, sant ignazio, vansihging point=god, disoto in su, from below upwards, italian baroque
bernini, baldancchio, italian baroque, st peters, 1627, pop urban
jean honore frangard, the swing 1766, french roccoco
velazquez, las meninas, 1656, spanish baroque, extends space forwards and backwards.
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Posted: Mon May 29, 2006 4:38 am
henri matisse, teh red room, 1908, french favisim, shockingly bright, the wild beast, primitive (islamic) influenced patterns, flat manipulation of space
paul cezanne, the basket of apples, 1895, french post impressionalisim, oil, viewed from many prospec tives, 3d on 2d, volumn and solidity
paul cerzanne, mont sainte-victorie, 1902, french post impressonalisim, color theory, truth of impresion, color batterns, threw out prospective and churoscuro
georges seurat, sunda on the la grande jatte, 1884, french posti mpressonalisim, study of color and complements
vincent van gogh, the night cafe, 1888, french post impressonaslim, a place one can loosehim self in, japanese wood block influence, flat
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Posted: Mon May 29, 2006 4:40 am
paul gauguin, vision after the sermon, 1888, post impressonalisim, line color...
paul gauguin, what we do... ect, post impresonalisim, stages of life
vincent van gogh, a starry night, 1889, post impressonalism, captured the vastness of the universe
edgar degas, ballet rehersal, 1874, impressonalisim, a singe moment in time
claude monet, impression; sunrise, 1872, a single moment, brush strokes
edouard manet, olympia, 1863, french impressonalisim, realisim
edouard manet, a bar at the folies-bergere, 1882, impressonaslimim, woman angsty, abstract, reflection is off
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Posted: Mon May 29, 2006 4:43 am
francisco goya, the third of may 1808, 1814, spanish romantisim, light vs dark, good vs evil
eugene delacroix, liberty leading the people, 1830, french romantisim, pyramid of hope
theodore gericault, raft of the medusa, 1818, french romantisim
bernini, david, marble, 1623, st peters, italian baroque
antoine watteau, return from cythera, 1717, french roccoco, fete grante, outside ammusement and entertinemnent for upperclass
honore daumier, third class carriage, 1862, realisim, french, unrehursed details.
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Posted: Mon May 29, 2006 4:45 am
rembrant, shooting company of captin frans bannding, 1642, dutch baroque, group portrate, lively and dynamic
jean auguste dominique ingres, grand odalisque, 1814, french romantisim, orientalisim
john constable, the haywain, 1821, oil, engilsh romantisim, man vs nature
carravagio, conversion of st paul, 1601, italian baroque
vassily kandinsky, improvisation 28, 1912, russian, blue rider, abstracation, spirtiual
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