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 Posted: Tue Apr 18, 2006 1:35 pm
ambrogio lorenzetti and brother
lorenzetti
allegory of good adn bad Government.
Siena, palazzo publico (city hall) 1338-1340
lorenzetti brothers were duccio students
spatial illusions
pictoral realisim
differnt themes, like good and bad goverment in the city and country and stuff, the virtues and sins are represented :/
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Posted: Tue Apr 18, 2006 1:36 pm
Arnolfo di Cambio (cambio)
florence cathedra, Italy
Duumo (cathedral)
1296-1351 (total time to complete right).
was to be the center of civic pride in florence
gothic interior, pointed artch and ribbed vault, but it's not suporrted by outside things.
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Posted: Tue Apr 18, 2006 1:38 pm
Giovanni Pisano (son of Nicola Pisano-and his well of the saints thingy)
Annunciation and Nativity
pulpit in saint andres @ pisa
thick carving, solid presentation theme
characters are arranged loose and dynamic (with twists and bends)
the drapieres look like drapiers with twists and bends
emotionalisim
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Posted: Tue Apr 18, 2006 1:39 pm
Bonaventrue Berlinghieri
st. Francis Alterpiece
1235
tempera
Italo Byzantine "maneria greca" (golden background but in the stories of his life, it starts to get a little more, with simple backgrounds and such.
st fransis is the subject (fransian order)
it tells about francis's life. He was a night that had a vision from god, and he humanized his church, a mandicant order.
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Posted: Tue Apr 18, 2006 1:41 pm
Cimabue (Cenni di pepo)
Modonna Enthroned w/ angels and prophets
1288-1290
striation folds
gothic sculptural influence, naturalisim, represents deep space, summary of all byzantine art, as it enters into the new era.
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Posted: Tue Apr 18, 2006 1:43 pm
Nicola Pisano
pulpit of pisa
cathedral bapistry
marble relief carving
1259-1260
influence-atrustcan simle/poses
david is in contra (o) posta (o) and is muscular like a greek hero.
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Posted: Tue Apr 18, 2006 1:44 pm
Gitto di Bondone
arena chapel interior
chappella scrovengni-padua italy
1305-1306
Fresco
Lamenation nad wedding at centra
built to atone for his fathers sins (scrovengni)
38 pictures
roman influences
grief, connecting landscapes (through frames) shadow that creates volumn (not flat) prospective
Gitto's finest work.
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Posted: Tue Apr 18, 2006 1:46 pm
Gitto again
modona enthroned
1300's
Manier greca
starts to show distance/prospective.
itailian art before the ren.
time of the late gothic
great schizim-2 popes
madnicant order-beggers
humanize
importance of holy family
merchatn class
still copying from art not nature
black death
intrest in antiquity
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Posted: Tue Apr 18, 2006 1:53 pm
i only dont know what a few of those look like... but i'm sure i'll remember.
Jan Van Eych
a flemmish painter
of the Gent Alterpiece in 1432
Yodicus Vyd Commisioned
it's an oil painting (which has now started to be poupluar here)
uniformity-the figures
wide space-the landscape (detailed)
he also painted the virgin and child /w chancellor nicholas roulin in 1435-its' like the chancllor is having a vision of the other two.
we see prospective in the tile and archest
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Posted: Tue Apr 18, 2006 1:54 pm
Claus Sluter
well of moses
1395-1406
monastic order (carthusians ooooh)
naturalistic, drapery is not formulatic!
and the tomb of philip the bold ( a duke i believe) 1415
morners, naturalistic detail, gothic tracery, a big leap forward in sculpture.
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Posted: Tue Apr 18, 2006 1:55 pm
Limgourg brothers
tres riches heures of Jen, Duke of berry
they all died before this book of hours was completed.
the fire is sosrta supost to represent the halo, sorta..... tapestries.. pesants included.
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Posted: Tue Apr 18, 2006 1:58 pm
monasteires grw crops and baked stuff for money. carthusians made liquor and bread.
jan van eyck, inside the gent alterpiece
adam and eve, kain killing abe, angels, deesis-intersession, praying to mary or john to put in a good word in for you. Oil pantings, the pigment is put in the oil, is translucent with reflection. John is the hermit st, a nobel man.
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Posted: Tue Apr 18, 2006 2:00 pm
Jan Van Eych, St Barbra, unfinished, 1437, St Barbra was betrothed to a pegan and put in a tower cuz she wouldnt marry him. This just showed us the underwork of a painting. Alot of detail!
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Posted: Tue Apr 18, 2006 2:08 pm
Jan van Eyck
man with the red turban (possible self portrate) 1433 oil on wood
the emergance of the potrate
real life observation
Petrus Christus
a gold smith in his shop (st. Eligius?) 1449, oil on wood
Space, the figures space themselves, ther'es a mirror, that shows space and the tools and table and such.
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Posted: Tue Apr 18, 2006 2:10 pm
robert campin
master of flemalle (monastary name/emergancy name)
Merode Alterpiece 1425-28
annunciation
symbols, the dove, the vase, the cloth, the candel, prospective, three walls and a ceiling, proprtion, tabel and bench arnt right but the rest fits,they represetn the model christian italian family, joseph is making mouse traps/catching evil.
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