Oh, understood. So, here's another present for you, Pad. Although, I'm still blank on the anti-poison Chiyudō.
Kidō Number: 30
Kidō Class: Chiyudō
Kidō Name: Burst Recovery
Kidō Chant: "In this dark night, let the man who remains lost be brought back to the warm light. Thirty-five steps. Twenty-two hands. Ten banes. One heart."
Appearance: When this Chiyudō is conjured, a massive burst of light emanates from both arms of the conjurer. This white light will basically channel down from the caster's arms and into the chest of the patient, where the arms of the healer is advised to be at. The light then "enters" the chest of the patient and takes immediate effect.
Effects: The Chiyudō basically functions like a medical defibrillator in the Human World. The light, which comes from a condensed and concentrated amount of Reiryoku, channels from the healer and into the patient's chest. Therefore, as soon as the light manifestation enters the system of the patient, it sends a massive jolt of electricity that allows the patient's heart to essentially restart whence it stopped from doing so. While this is one of the low-level Chiyudō, it is not commonly advised to be performed by inexperienced healers for an uncontrolled amount of Reiryoku injected to the body of the patient may cause his/her internal systems to fully collapse beyond potential recovery.
Flavour Text: It was one of the most unpopular Chiyudō upon its earlier conception. Developed by Shinigami medic Mayuko Omaeda, it caused quite a scandal in its first official development. Since it was not well-developed in its early stages, it caused several patients' deaths due to improper Reiryoku control. This was due to massive amounts of energy coursed through the body of the patients thus causing their inner organs to basically "melt". Mayuko, although charged for these accidents, was not taken to prison due to the Gotei's interest of its further development. Several years later, she finished the development of the Chiyudō to what it is today. She was later on awarded for her efforts on introducing what became a very important Chiyudō.
Credited to: keichaos
