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 Posted: Wed Apr 19, 2006 9:22 am
pyrojazz oooooohhhh ook. semi stupid question: how many people are in your section? (open to all horns) I just felt like asking this sorry Four.
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Posted: Wed Apr 19, 2006 11:53 am
pyrojazz oooooohhhh ook. semi stupid question: how many people are in your section? (open to all horns) I just felt like asking this sorry I've already answered (one, me). How many are in yours?
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Posted: Wed Apr 19, 2006 9:45 pm
-.SkItTl3s.- pyrojazz oooooohhhh ook. semi stupid question: how many people are in your section? (open to all horns) I just felt like asking this sorry Four.
we got 3. the most i've ever had was 7.
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Posted: Thu Apr 20, 2006 1:59 pm
Our band only has three but one of our judges put on a comment sheet saying that we need at least 6 horns or switch a few flutes over to play our music.
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Posted: Thu Apr 20, 2006 9:27 pm
pyrojazz Our band only has three but one of our judges put on a comment sheet saying that we need at least 6 horns or switch a few flutes over to play our music. heh i played flute before... it rocked. but i don't miss it. yeah you need to kidnapp the flutes and bring them into the world of the french horns. its way cooler. rock on.
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Posted: Fri Apr 21, 2006 12:46 pm
SubHumanRemains pyrojazz Our band only has three but one of our judges put on a comment sheet saying that we need at least 6 horns or switch a few flutes over to play our music. heh i played flute before... it rocked. but i don't miss it. yeah you need to kidnapp the flutes and bring them into the world of the french horns. its way cooler. rock on. I don't have a problem with a flautist(is that right?) playing a french horn but I think he meant for a flute to play french horn music.
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Posted: Tue Apr 25, 2006 6:37 am
 This is my Band i play the French Horn Sorry i couldnt get a picture of me sad anyways that old guy u see playing the Trumpet is the Band Director i am in HighSchool
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Posted: Tue Apr 25, 2006 2:20 pm
our band teacher plays soprano sax with the trumpets when ever one of our alumni conducts.
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Posted: Wed Apr 26, 2006 5:08 am
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Posted: Wed Apr 26, 2006 3:38 pm
Five in the second band and I am section leader! the first time since HS!! I am an old guy. lol not really yall are just young! one thing yall: KEEP PLAYING!!! colleges these days are dying for horns. they are willing to pay alot! so keep it goin!!
yet another topic: Conns the best!
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Posted: Thu Apr 27, 2006 9:21 am
The string on my 3rd key is fraying and I have a concert tonight And I had to leave my horn at school so I couldn't fixit. Only noticed in band at lunchtime. I'm terrified in case it breaks half way though.
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Posted: Thu Apr 27, 2006 2:34 pm
lol ive got a Double F Horn i brought it mine nerv breaks razz
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Posted: Thu Apr 27, 2006 9:36 pm
I've got a school Horn, and it really sucks. The sound is bright, and the Bb tuning slide is stuck.
Does anybody find double tonguing to be difficult? I haven't had much time to work on it; I'm a busy student. On top of it all, we're playing the William Tell Overture in my youth symphony group. Can you even imagine trying to single tonugue the 3rd Horn part at the allegro vivace? It's not fun.
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Posted: Thu Apr 27, 2006 11:11 pm
Hithromiel I've got a school Horn, and it really sucks. The sound is bright, and the Bb tuning slide is stuck. Does anybody find double tonguing to be difficult? I haven't had much time to work on it; I'm a busy student. On top of it all, we're playing the William Tell Overture in my youth symphony group. Can you even imagine trying to single tonugue the 3rd Horn part at the allegro vivace? It's not fun. ironically, not really. I LOVE double tonguing. its the single tonguing that gets me o_O......
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Posted: Fri Apr 28, 2006 3:36 pm
It didn't break!!! *happy*
I still need to replace the strings though. I just need to get some string. Mechanical valves are much easier to look after.
Double tounging. Do either ta-ka or da-ga depending on the type of tone you want. Then just change it to ta-ka-ta/da-ga-da or ta-ka-ta-ka/da-ga-da-ga depending on what you need to do. Or even mix up the ta/da ka/ga depending on where you want emphasis. I don't know what the Willian Tell Overture is like so you just see what works best for you.
I need to work on my tonguing too, trying to do Mozart Concerto No.4 Rondo. It's hard.
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