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Roleplaying and chat/discussion guild for Western comic book fans. 

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Virgil Hawkins

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PostPosted: Tue Jun 06, 2006 4:24 pm


Yes, but that sadly doesn't matter. Superboy Prime is the new Hypertime. Apparently becoming Editor of Continuity cheifly entails creating an event that allows you to ignore all continuity.
PostPosted: Tue Jun 06, 2006 4:27 pm


Yes, that seems to be the new status quo. "Don't explain it; ignore it!"

Jonah Hex


Clark~Kent

PostPosted: Tue Jun 06, 2006 4:28 pm


Jonah Hex
If Matrix Supergirl doesn't exist, Linda Danvers Supergirl doesn't exist. It's sorta obvious Johns never read the Peter David Supergirl run....or even a SUMMARY of it...


Linda Danvers Supergirl? Different than Linda Lee I suppose/hope?

Whats this Supergirl's History, if you don't mind me asking... ?
PostPosted: Tue Jun 06, 2006 4:48 pm


Oh man, you opened THE can of worms....

Okay, first. Separation. There are TWO Linda Danverses. There's the Silver Age Supergirl, Linda LEE Danvers. And there's the modern age Supergirl, Linda Danvers (who wore the animated-style costume).



Modern Age Supergirl history WENT like this:

(brace yourself.)

It all started when the Crisis wiped out Superboy from continuity. Why does this matter? Because it crippled the Legion of Superheroes continuity. The REASON the Legion existed was because they were inspired by Superboy, teen hero, to become a legion of teen heroes.

To explain THIS away, they had one of the Legion's villains create a "pocket universe" where Superboy DID exist, and transport the WHOLE Legion there to keep their continuity intact. (sort of. Supergirl was still wiped out and replaced with Laurel Gand....)

In the Pocket Universe, Earth only had one hero, a Superboy who existed during 'modern' times, who had all of the Pre-Crisis abilities (time travel, etc). Alexander Luthor was a hero there, and he was married to Lana Lang. Superman (post-crisis) ended up traveling there and meeting Superboy, Luthor, et all during the Byrne run, circa 1986-ish or so. Shortly after that visit, a Supergirl appeared on earth, frozen in the antarctic, apparently for centuries.

Once she's thawed out, she grabs Superman and tells him to come to the Pocket Universe to avert some crisis or other. Turns out she's a protoplasmic being Luthor created, based on Lana and Superboy. He sent her to the regular universe and sent her back into the PAST assuming Superman had time travel abilities like Pocket Universe Superboy and may find her sooner. ( rolleyes )

SO. Supergirl is made of "Matrix Protoplasm", and so ends up adopting the name Matrix, or "Mae" for short. The Pocket Universe is either destroyed or just Luthor dies (Lana is apparently already dead)...I'm not clear on this point. Mae ends up living with the Kents (Hence the name Mae Kent on our guild's Matrix Supergirl), and has some heroic adventures in Action Comics and her own miniseries' during the time of Superman's death.

Matrix's powers are the following:

-Flight
-Telekenesis
-Invisibility
-Shape shifting (though major shape shifts tire her)
-Regeneration

She apparently generates enough interest to have her own series spun off, written by Peter David. David HATES the whole Pocket Universe origin for Supergirl, and doesn't seem too fond of her powerset either. Immediately he starts rewriting the character, starting by having her protoplasm 'merge' with a dying girl she saves from a cult, named Linda Danvers. From this point on, Linda Danvers is her secret identity, and the only mode she can shape shift into. She also apparently can't turn invisible or regenerate anymore. I should point out that she's still wearing the blue and red costume at this point. To change costume, she shape shifts into the Matrix Supergirl.

David incorporated a lot of religious theology themes into his writing, and ended up revealing that Supergirl was, in fact, one of three "Earthbound Angels" sent by heaven....the Angel of Fire. When she became righteously angry, her cape would turn into wings of flame. I'm skipping over a LOT of side plot here involving demons and Linda Danvers' soul because frankly, it bored the pants off me and came off as severely preachy...

At about issue #50 in the series, either on his own or due to pressure from editorial, Peter David SPLIT Linda Danvers from Supergirl, who became a full-fledged Angel. Linda Danvers kept SOME powers, mainly superstrength and the ability to leap long distances. To keep her Supergirl identity, she forged her own costume, the 'animated look' costume.

Some manner of plottage took place here I haven't read yet that involved Linda meeting Matrix for one last time and getting her full regiment of powers back (telekinesis, flying). Sales at this time were FLOPPING, and David was becoming annoyed with people asking him when the "REAL" Supergirl was coming back....

...so he brought back the "REAL" Supergirl. The last 5-6 issues of the Supergirl comic are dedicated to the Silver Age Supergirl, Kara Zor-El suddenly appearing in modern times, thanks to cosmic forces causing her rocket that was supposed to crash in the Silver Age appearing in modern times. Sales spiked during the storyline, which included Linda Danvers Supergirl taking Silver Age Supergirl's place in the past and living a whole life at one point (though it ends up being a hypertime reality). However, the comic was already cancelled at this point, and the plans Peter David had for his Supergirls (apparently, teaming them up with Power Girl and creating a super Birds of Prey-like team called "Blonde Justice") died.

The last issue showed Linda Danvers, disenchanted about coming back to life after living in the Silver Age and marrying Superman (and having a daughter with him) that she abandons her Supergirl name, sends all her stuff to Clark, and dissappears.

The Sales figures spoke volumes, though, and Editorial started making plans for Kara Zor-El to return.

Jonah Hex


Jonah Hex

PostPosted: Tue Jun 06, 2006 4:52 pm


SO IN CONCLUSION....


The Linda Danvers Supergirl canNOT exist without the Matrix Supergirl!
PostPosted: Tue Jun 06, 2006 5:06 pm


eek


crying

Thanks for straightening that out.

Thats okay, I never really liked or even knew those two versions. Superboy Prime could easily created a new origin for The White shirt Supergirl.

Clark~Kent


Kyle_Rayner

PostPosted: Tue Jun 06, 2006 7:57 pm


Shilo Norman
Kyle_Rayner
The hell are you talking about? Are you telling me that, in fact, Geoff Johns has not made a career out of "correcting" past editorial decisions?

Cmon.


I'm telling you to stop wasting your time on s**t and start reading the good stuff. I know what Johns does, I wrote that editorial on Rebirth after all. xd


What editorial on Rebirth? Is this one before the one I wrote for the AMC Templars on June 26, 2005?
PostPosted: Tue Jun 06, 2006 8:00 pm


Clark~Kent
eek


crying

Thanks for straightening that out.

Thats okay, I never really liked or even knew those two versions. Superboy Prime could easily created a new origin for The White shirt Supergirl.


P.S. to Geoff Johns. Continuity Waves, and being too lazy to do research makes you an ASSHAT!

Damn DC, why cant we move forward, instead of trying so hard to relive the past over and over and over?!

Kyle_Rayner


Connor Hawke

PostPosted: Wed Jun 07, 2006 2:16 pm


Lar Gand
I remember they annouced this past weekend that you were getting a mini-series in the fall. No worries, friend.

That's good news, especially if Chuck Dixon is writing it...
PostPosted: Sun Jun 11, 2006 7:34 pm


So I picked up Action Comics #839, the most recent entry in a very "meh" storyline called "Up, Up, and Away!"

The writing has left a lot of gaps that all cannot be chalked up to a big reveal at the end, especially since this should be a retelling of the Superman mythos, Post-Infinite Crisis, Post-Birthright, Post-Superboy-Prime-Punches.

However, the art was great, and I absolutely LOVED the fact that Clark was excelling at reporting, loving being "human" and was still impacting the world around him without his powers. I hoped it would last quite a while, but it didnt. It seems that Clark's powers have actually increased, which is cool and all, but nobody ever seemed to write Clark at his OWAW levels before the Infinite Crisis anyway. Takes too much talent I guess.

Anyway, here's why Im talking about this issue.

CLARK IS WEARING THE COSTUME FROM 'SUPERMAN RETURNS!'

Thats right folks. Dark dark blue, metallic shield, boy shorts, the whole ugly shebang! ARGH WHY!
gonk scream

Thank god he at least had the gold S on the cape, and his front shield wasnt teeny-tiny.

Kyle_Rayner


Kyle_Rayner

PostPosted: Sun Jun 11, 2006 7:54 pm


This from DC's message boards:

planetman

The prime focus is not the story of a superhero from another planet but a feminised icon struggling with contrived "emotional" problems of "fitting in" to a world which has "moved on". "Moved on" to what?...It's a fictional story of alternatives to reality. The story is not about cultural relevance but an exercise in the imagination posing an alternative world.

Singer makes the same mistake as all the other "modernisers" and revisionists; he trys to fit Superman into a real-world context of specific time and place with a few "respectful" (yeah, right) nods to character history when the idea of the character is to challenge the imagination to uplifting consciousness from gutter concerns. Superman as part of a sleazy soap-opera triangle doesn't fit my understanding of what the character is about and although it may attract a certain audience, WB can keep Singerman and all its pompous and pretentious posturing and stew in it. I still won't be setting foot in the cinema to see this stultifying boredom.


Wow, talk about vitriolic. But, I do have to agree.
PostPosted: Sun Jun 11, 2006 8:02 pm


I gotta ask...


Just what IS your ideal portrayal of Superman? Which storyline(s) do you consider to be the ruler to which you measure everything else against? I'm curious, because you've been so down on the Superman portrayal for the last year or so, what IS "THE SUPERMAN" to you?


Since I've asked, I'll answer, maybe we can get everyone's opinions.

To me, the IDEAL Superman is the Superman of the 70's. Just before, and just after the Superman movie. Written by Elliot S! Maggin, this is the Superman who struggled with radical shifts in his life both as Superman and as Clark Kent. Elliot wasn't afraid to take stories to WILD contexts (entire issues in a future where Superman was remembered only as a legend, and the man himself may only show up in a panel!), and who had a set plan for what exactly was going to happen in the future (Superman would marry Lois, Luthor would reform, and after Lois died Superman and Luthor would wander the galaxy until Luthor too died. After that, Superman would fly away and Earth wouldn't see him again).

Elliot S! Maggin's Superman acknowledged all of Superman's past, even the 'corny' parts like Krypto, and yet managed to move on towards the future.


What's your Ideal Superman, Kyle?

Wally_West
Captain

Familiar Phantom


Kyle_Rayner

PostPosted: Sun Jun 11, 2006 8:08 pm


Quote:
Just what IS your ideal portrayal of Superman? Which storyline(s) do you consider to be the ruler to which you measure everything else against? I'm curious, because you've been so down on the Superman portrayal for the last year or so, what IS "THE SUPERMAN" to you?


Wow, what a question. eek

I think OWAW and Death and Return best portrays my Superman. I say "my Superman" because, after all these years of reading the title, I have a nearly spiritual ideal of what the character stands for, what he embodies, what he should be like.

When I think of my Superman, I think of a certain look, obviously. This look has changed for Elseworld stories, yes, but the essential character stays the same, if well written. When I think of my Superman, I think of someone who fights to the bitter end, someone who sacrifices himself first to save even one life, and who never gives up even if it should cost his life.

I look at Singerman, and the first thing they throw at me is "has been gone for five years." The second thing is "in the spirit of Richard Donner's films."

And both of those go contrary to established canon, respectively. Superman would never give up, quit and leave, no matter what. And the new costume redesign is just plain ugly, not to mention not true to the source material. Same with Metropolis.

Wow, now that I read over this post, it sounds really dumb and nerdy. Oh well, I guess you have to believe in something.
PostPosted: Sun Jun 11, 2006 8:12 pm


Well, what I'm trying to get here is a focus on examples of what IS the Ideal Superman, rather then examples of what ISN'T. What is OWAW? What parts of it are the definative portryal of Superman? Which writer/designer has the spirit of Superman nailed for you?

Wally_West
Captain

Familiar Phantom


Kyle_Rayner

PostPosted: Sun Jun 11, 2006 8:21 pm


Wally_West
Well, what I'm trying to get here is a focus on examples of what IS the Ideal Superman, rather then examples of what ISN'T. What is OWAW? What parts of it are the definative portryal of Superman? Which writer/designer has the spirit of Superman nailed for you?


I know, and you have a very good point.

However, even someone who doesnt read comics could tell you that the costume for the movie is wrong, and that the storyline doesnt really fit what Superman Is.

Superman has worn the same colors, and the same basic look for decades now. Also (the Elseworlds story Kingdom Come notwithstanding) Superman has never quit and left. That would go against everything the character has ever stood for.

And last, trying to update the story. Thats nothing new, every Crisis, every origin retelling, the story has been updated many times. But wow, nothing like this.

Anyway, back to the original point of your post. In OWAW, Superman watched a lot of people die. Aquaman, Hippolyta, the JLA critically injured one by one. Even Doomsday, fighting by Clark's side, went down in a blaze of glory. Yet Clark still fought on, and he never despaired. He went down, got kicked while he was down, and kept getting back up again, until he overcame the obstacle. He even managed to balance his other life, encouraging Lois and the other Metropolitans to stay strong.

In Death and Return, it was much the same. Clark fought an enemy that was more than his equal. He fought until he couldnt fight anymore, and he actually stopped that enemy. Then he came back from the edge of disaster, and continued to fight against other threats, powerless or not. He didnt even think about taking a day off, he had work to do. Thats Superman to me.
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Kapow! The Gaian Superhero Guild

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