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Alex Waters

PostPosted: Mon Jul 09, 2007 9:21 am


Alex arrives at the garden, looking around for someone he could know. But there is noone....as he guessed already. So he walks on and looks for someone he could talk about this place. Maybe someone could know the reason, why he came here...
PostPosted: Mon Jul 09, 2007 11:45 am


Raoden gasped, "Six o'clock! That's when she said we had to be there! Oh, no..." He moaned, his shirt forgotten. She had sounded so menacing when she'd said 'Do not be late'... "We have to get to the kitchens! What will she do to us if we're late!?" He asked the boy who'd distracted him, becoming more alarmed and flustered with every moment. He would have started hyperventilating if his ribs hadn't hurt so much...

Omirao

Devoted Friend


Aniur

PostPosted: Mon Jul 09, 2007 1:53 pm


Aeros Endeem
Aurak hears the first bell toll from above. He looks up in the direction of the toll. Wasn't i supposed to be somewhere?
"OH DRACK! IT IS 6! I NEED TO GET TO THE DINING ROOM!"
Aurak rushes down the halls to find the dining room
--2nd toll--
Aurak got into a different room with pews, kinda like a normal church would be. But he didnt stay, he rushed back out.
--3rd toll--
He rushes by the restrooms and other rooms in a long hallway, he can see the dining room ahead.
--4th toll--
He keeps running to the dining room and finally reaches the door.
--5th toll--
He walks in, panting from all that running, he walks to a nearby empty chair and pulls it out, and stands there.
--6th toll--
Whew! i made it... now do i sit down or what?


Much better and I must admit that I found it very colorful. Funny even, very good job.

Quote:
Aurak hears the first bell toll from above. He looks up in the direction of the toll. Wasn't i supposed to be somewhere?
"OH DRACK! IT IS 6! I NEED TO GET TO THE DINING ROOM!"


Good, this was good. The introduction of a bell was rather clever, good note on your surroundings and playing off the information I have given you. A note, remember to capitalize "I". Also use the force (http://thesaurus.reference.com/)! Whenever you need to use a descriptive word of some sort more than two times, look it up in the thesaurus. It will give you other options to use.

Quote:
Roget's New Millennium™ Thesaurus - Cite This Source
Main Entry: toll
Part of Speech: verb
Definition: ring out
Synonyms: announce, bell, bong, call, chime, clang, knell, peal, signal, sound, strike, summon, warn
Source: Roget's New Millennium™ Thesaurus, First Edition (v 1.3.1)
Copyright © 2007 by Lexico Publishing Group, LLC. All rights reserved.


See, very handy. You should also pay mind to something I told another student about using the same word or name as the start of a sentence several times in a row,

Quote:
There are many good sentence intros you should think about using such as

-A moment later
-Then
-Suddenly
-While
-At that moment
-Also

:3
Try some of those out for size.


The reason you should do this is otherwise your paragraph gets stale, redundant. You don't want that. The goal is to get people to enjoy reading what you have written and understand the point you are trying to get across, your character's plights.

Otherwise, good. This is significantly better than your first two. Keep it up. We'll tackle a few other things once you get these two bits down.

Oh, and never start a sentence with but.
PostPosted: Mon Jul 09, 2007 2:08 pm


Squireof the son
Liran winced as he sees the young boy slam into the wall. “That had to hurt. You okay?!”, Liran walks over to him. “Hi. I’m Liran. Nice to meet you. I’m sure the monks around here can give you a shirt. Come on. We’re almost to the dining hall ,and it’s already six.”


Your posts have really become short and sweet, its nice, but perhaps you'd like to add a few sentences on here and there. Really dig deep. Look around your own room, perhaps stand up for a moment as you're writing, notice how your legs move, your arms move. Are you hungry? Sad? Does the color of the carpet make you want a vomit a little? Are you annoyed a little? Perhaps rolling your eyes and cursing at the unusually high ceilings? Think about these things.

Quote:
Liran winced as he sees the young boy slam into the wall.


Oh my dear boy, good show, just one problem. Tenses. Here you say that you winced as you sees. What you need to do is you

Quote:
Liran winces as he sees the young boy ...(omitted)

or
Quote:
Liran winced as he saw the young boy ...(omitted)


I'm almost glad this is the only problem you have. Everything else seems in order and this was a very easy thing to miss. You have a firm grasp on little things like this now I ask you to lengthen your post a bit and perhaps do some sorting lets say. Your sentences are all jumbled. To make it easier on your readers, separate things such as your actions, thinking and spoken word all from each other in some way.

Example:


Squireof the son
Liran winced as he sees the young boy slam into the wall.

“That had to hurt. You okay?!”, Liran walks over to him. “Hi. I’m Liran. Nice to meet you. I’m sure the monks around here can give you a shirt. Come on. We’re almost to the dining hall ,and it’s already six.”


Its as simple as that and helps people to pull whats being said to them out of the paragraph right away.

Aniur


Aniur

PostPosted: Mon Jul 09, 2007 2:58 pm


Alex Waters
Alex arrives at the garden, looking around for someone he could know. But there is noone....as he guessed already. So he walks on and looks for someone he could talk about this place. Maybe someone could know the reason, why he came here...


Well first of all, welcome. Second, did you read the opening post? Either you are very vague about your writing or you totally skimmed over some important information. There is no garden, just a field of flowers. You are in an abbey. There are many people walking around all about you, so you are not alone.

As for your post


Quote:
Alex arrives at the garden, looking around for someone he could know.


What exactly do you mean by "know". In this capacity it makes little sense. Did you mean that he was looking for information? Someone he could get to know as a friend, as a lover, as something else? You also apparently just appear out of fricking nowhere. So you arrive, is that really such a big deal? You must have arrived on foot? Or was it by dragon? Perhaps you teleported through the walls.

Quote:
But there is noone....as he guessed already.


First problem with this sentence, but. The word but should never be used to start a sentence. Its bad form. Second you use ellipses (...). Ellipses are a series of three periods to show you are trailing off or omitting something from your writing. You put a second part to the sentence. Are you really leaving something out or just trying to be dramatic?
There are a few ways you could have tackled this sentence, but here are two examples:


Quote:
There was no one though...

or
without ellipses

Quote:
There was no one though, as he had guessed already.


One last issue for this post that I would like you to examine. The use of the words would and could. They are forms of the words will and can. You should keep that in mind. The word would implys that the person has a free will to do what you want and then can choose to either do it or not. Could takes another road and questions whether they have the capacity to do such a thing to begin with.

Quote:
Maybe someone could know the reason, why he came here...


Here you think there is someone that knows why you are here. The question now is not if they can tell you, if they know anything or not. The question is will they tell you or not? Would is more appropriate. Also, you didn't need a comma here. Commas are used for pause in your reading between multiple items or thoughts in a sentence. It would have better written as :

Quote:
Maybe someone would know the reason why he had come here.


Some tense problems too, but lets deal with these other things first. Questions? Problems? Don't like the cut of my gib? Voice it.
PostPosted: Tue Jul 10, 2007 1:59 pm


“If anything yell at us, and maybe make us do some work. Nothing ,like cutting our heads off.” Liran slides his hand across his neck. “ Remember we’re at an abbey. Holy grounds.” Liran points over to the church. He swings his hand and hold it out to the young boy. “ Come on, before we’re any more late.”  

Squireof the son


Alex Waters

PostPosted: Tue Jul 10, 2007 4:41 pm


Quote:
Some tense problems too, but lets deal with these other things first. Questions? Problems? Don't like the cut of my gib? Voice it.


argh, its hard to be no native english speaker though sweatdrop
PostPosted: Tue Jul 10, 2007 10:27 pm


Aniur

The reason you should do this is otherwise your paragraph gets stale, redundant. You don't want that. The goal is to get people to enjoy reading what you have written and understand the point you are trying to get across, your character's plights.

Otherwise, good. This is significantly better than your first two. Keep it up. We'll tackle a few other things once you get these two bits down.

Oh, and never start a sentence with but.


((Okays!))

Aurak looks up and down the table, it was quite long with dishes placed in their spots like it was the movies where the rich people's dining room had the same dish alinment as seen here.
Two plates stacked on top of each other, Bottom plate was a large plate, as the top one was a small one, like a saucer. and there is a variety of forks and spoons lined up on each side of the dishes. There is also small teacups by each seat.
He counts each set on the table.
There must be a huge party gathering coming or something. i count about 60 seats here, including the head-mistresses seat.
He looks towards the end of the table where the headmistress stands.
Aurak was startled by her sudden appearance.
"My mistress, i didnt realize that you were here!"

Aeros Endeem

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Aniur

PostPosted: Wed Jul 11, 2007 10:45 am


Omirao
Raoden gasped, "Six o'clock! That's when she said we had to be there! Oh, no..." He moaned, his shirt forgotten. She had sounded so menacing when she'd said 'Do not be late'... "We have to get to the kitchens! What will she do to us if we're late!?" He asked the boy who'd distracted him, becoming more alarmed and flustered with every moment. He would have started hyperventilating if his ribs hadn't hurt so much...


:3
Your posts get more and more interesting to read with every one you make. I would like you to try what I've asked Squire of Son to do. Separate your quotes and thinking from the paragraphs. Just be sure to press return so the people who are reading your posts can clearly see what you're thinking or saying away from your actions.


example:
Quote:
Raoden gasped, "Six o'clock! That's when she said we had to be there! Oh, no..."
He moaned, his shirt forgotten. She had sounded so menacing when she'd said 'Do not be late'...
"We have to get to the kitchens! What will she do to us if we're late!?"
He asked the boy who'd distracted him, becoming more alarmed and flustered with every moment. He would have started hyperventilating if his ribs hadn't hurt so much...


It also looks a little cleaner, at least in my opinion. Of course, you could add another space in between those two things, it just depends on how you want to handle it. Colored text is nice too. :3 Be creative, have it reflect your character's personality. It also helps if you're playing multiple characters. Then you can easily tell the difference between them.

Onto the fixes, there isn't much here to do though. :3 Very small things.


Quote:
'Do not be late'...

The quote mark goes after the '...' because you're basically showing she said more, but you're leaving it out. By the way, excellent use of the ellipses! You used them exactly as they were meant to be used. Very good. Small problem here

Quote:
"We have to get to the kitchens! What will she do to us if we're late!?", he asked the boy who'd distracted him, becoming more alarmed and flustered with every moment.


Though above I put it down as another sentence when I was showing you how to divide things, they're really part of the same sentence. There should be a comma after what your character is saying, then he should be lowercase.

Otherwise, good. Very good. :3 You're really getting the hang of all this. I would like to see a few more sentences out of you in your next post, push for those descriptions. :3
PostPosted: Wed Jul 11, 2007 10:53 am


Squireof the son
“If anything yell at us, and maybe make us do some work. Nothing ,like cutting our heads off.” Liran slides his hand across his neck. “ Remember we’re at an abbey. Holy grounds.” Liran points over to the church. He swings his hand and hold it out to the young boy. “ Come on, before we’re any more late.”


Quote:
“If anything yell at us, and maybe make us do some work. Nothing ,like cutting our heads off.” Liran slides his hand across his neck. “ Remember we’re at an abbey. Holy grounds."


Well, just brilliant. :3 Those words really bring forth your character's personality and just flow. One thing, too many commas. I don't think you needed a single comma in there. Commas go before the word but, not and normally.

Very nice. One other thing though, hold should be holds, you aren't holding up an object, your holding out your hand and offering it to someone. Very good though. :3 You guys are making me so happy with how well you're doing I could just cry. *sniffle*
I would like to see more description with those pieces of dialog though.

Aniur


Aniur

PostPosted: Wed Jul 11, 2007 10:55 am


Alex Waters
Quote:
Some tense problems too, but lets deal with these other things first. Questions? Problems? Don't like the cut of my gib? Voice it.


argh, its hard to be no native english speaker though sweatdrop


I understand then. We'll work on a few things by pm then. Ill learn a bit of your language so you can learn mine. :3 If its spanish, I already know enough how to help. If its german, my brother and boyfriend will help me :3. So I hope its one of those.
PostPosted: Thu Jul 12, 2007 12:51 pm


Raoden stared blankly at the the boy for a moment, then nodded and took the offered hand, "On holy grounds. Right..." Seemingly calmed, he moved slowly to start walking, then bolted, suddenly sprinting pell-mell at alarming speeds toward the kitchen areas. He never let go of the boy's hand as he did all this, and thus almost ended up dragging the poor soul...

Omirao

Devoted Friend


Aniur

PostPosted: Thu Jul 12, 2007 10:40 pm


Aeros Endeem

((Okays!))

Aurak looks up and down the table, it was quite long with dishes placed in their spots like it was the movies where the rich people's dining room had the same dish alinment as seen here.
Two plates stacked on top of each other, Bottom plate was a large plate, as the top one was a small one, like a saucer. and there is a variety of forks and spoons lined up on each side of the dishes. There is also small teacups by each seat.
He counts each set on the table.
There must be a huge party gathering coming or something. i count about 60 seats here, including the head-mistresses seat.
He looks towards the end of the table where the headmistress stands.
Aurak was startled by her sudden appearance.
"My mistress, i didnt realize that you were here!"


First of all, good sized post.
Quote:
Aurak looks up and down the table, it was quite long with dishes placed in their spots like it was the movies where the rich people's dining room had the same dish alinment as seen here.


I like this. You use some very good description here, but it feels very stretched out. Id like to see things like this perhaps in several smaller sentences till you get the hang of it. There is an art to making large sentences like that and I know very few if any that can pull it off. I know I can't. So perhaps for example, you should have tried this:

Quote:
Aurak looks up and down the table. It was quite long with dishes placed in their spots, like in the movies where rich people had elegant dinner party place settings.


I admit, I also took the liberty of changing a few words. I understood what you were getting at, but cut down on the rambling of it and made it to the point. Onto the next part.

Quote:
Two plates stacked on top of each other, Bottom plate was a large plate, as the top one was a small one, like a saucer. and there is a variety of forks and spoons lined up on each side of the dishes. There is also small teacups by each seat.


I also understand what you're talking about here as well, good visuals. Heres a little help though on the type of plates you're talking about. That large bottom plate is called a 'charger' plate. The smaller plate on top is a dinner plate and the small plate you described on top the charger is generally left off to the side. The rest is generally okay so lets see all those terms in action,

Quote:
Two plates were stacked one on top another, the bottom plate a charger, the top a dinner plate. Off to the side was a small bread dish. There are a variety of forks and spoons lined up on either side of the dishes. Also, there are small tea cups by each seat.


Again like the first sentence, I broke this one up to make it into more manageable chunks. This makes your thoughts a bit more clear. Second I changed some of your terms to the correct ones. You had the right idea, it was a good attempt. These aren't things you should know so good job, but here they are for future reference.

The rest is fine. Just remember to capitalize that I and also to put your apostrophes in your contractions. You guys all get so much better with every post, I'm so proud of you!
PostPosted: Thu Jul 12, 2007 11:38 pm


Omirao
Raoden stared blankly at the the boy for a moment, then nodded and took the offered hand, "On holy grounds. Right..." Seemingly calmed, he moved slowly to start walking, then bolted, suddenly sprinting pell-mell at alarming speeds toward the kitchen areas. He never let go of the boy's hand as he did all this, and thus almost ended up dragging the poor soul...


:3
Good, you're maintaining a good constancy with your posting so we can get to the really annoying little things now.

Quote:
Raoden stared blankly at the the boy for a moment, then nodded and took the offered hand.

That sentence can end with a period and then the speech after it can be its only little part. Very small problem, hardly anything to bother with, but something good to note.

Quote:
Seemingly calmed, he moved slowly to start walking, then bolted, suddenly sprinting pell-mell at alarming speeds toward the kitchen areas.


Good sentence, bad structure. An and will make it flow just a bit better. Commas seem fine.


Quote:
Seemingly calmed, he moved slowly to start walking and then bolted, suddenly sprinting pell-mell at alarming speeds toward the kitchen areas.


Last sentence, no comma before and. :3 You guys make me so happy. XD I don't feel I'm that good of teacher, but you are good students. :3

Aniur


-Valnea-

PostPosted: Sat Jul 14, 2007 12:24 pm


(( Wow it's been a while since I posted... I really need to get a laptop... anywho I guess I'll post here for some practice and maybe for someone else to post with since chatting with your self can get rather boring. Plus I think Valnea's hungry... weeks of travel can do that to someone. ))


Valnea's knees were sore from having weight on them for nearly half an hour and her feet had fallen asleep about half way through prayer. Using her right arm as support she stood on her wobbly legs. With a polite smile she did a respectful bow to the monks around her and set forth toward the exit. Her mental clock was telling her it was about six and she would prefer not to go to bed the first night hungry.
"Of course it doesn't matter if the food they have is uneatable..." She mumbled quietly to herself. Talking to herself was an old habit that simply refused to die no matter how many times she mentally scolded herself. It was also why some got the strange idea in their head that she wasn't mentally sound.
That's because they obviously haven't met me in a debate worth my time...The thought made her smirk with amusement as she passed through the set of large wooden doors.
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