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Mut: Mother (Greek name: Termuthis)
Wife of Amun of Uaset, Mut is depicted as a woman wearing the Double-Crown of Kemet's rulers. She was also sometimes given the head of a lioness and associated with both Sekhmet and Mertseger. At Karnak, Mut's great temple (now known as the Temple of Luxor, but in antiquity called Ipet-isut, or "the southern harem,") housed the great statues and sacred processional boat which went out once per year to make the trek up the canal to the Great Temple of Amun at Karnak, and would also receive Amun's statue and boat once per year during the Opet festival, celebrated to coincide with the Kemetic New Year. Mut's name can also mean "death" or "vulture," and so She was also given some of the attributes of Mertseger (the lion/vulture Netjer of the Valley of the Kings) and of Nekhbet (the vulture-Netjer protectress of Upper Kemet, of which Uaset was the capital). Beyond Her associations with Amen, Mut is not a very well-known Name but often is given similar attributes to Het-hert as patroness of women (especially mothers, as Her name implies), or of Sekhmet as a protectress of the innocent and a righter of wrongs.

Offerings to Mut include meats and vegeables, milk, honey and beer.

A special hymn to Mut at Karnak temple praises Her twice, in an acrostic which reads the same way either across or down in its original heiroglyphic form:

Hail, Lady of the Two Lands, living forever,
Who makes life and spits out the Inundation,
Great and perfect due to Her.
The sacred lake's blossoms are Her sweetness.

Nit: One Who Is (Greek:Neith)
A Name of unclear origin, sometimes attributed to the northwestern desert or Libya, Nit is attributed from predynastic times with a warlike nature; some Egyptologists believe She was the main Netjer of Lower Kemet before unification and subsequently the Red Crown of reeds, also named Nit, became Lower Kemet's symbol and contribution to the Double Crown. Nit's symbol of two arrows crossed over a shield is shown in Predynastic pottery as a herald and on the roof of boats and buildings; later, Nit would also be given a weaver's shuttle as a symbol for Her head. Nit is sometimes titled "She Who Saw Tem's Birth" and so is sometimes equated with Nunet (a feminine Nun) as the potential womb of creation; in very late times she would be seen as the Great Dark Mother of Greeks and Romans and also the motherless virgin warrior embodied in their Athene and Diana. At all times, Nit was understood to be mysterious and abstract; in the late story called "The Contendings of Heru and Set," the other Names defer to "Nit the Great's" wisdom in resolving the conflict. Nit's city, Saw, became a cosmopolitan center and capital of Kemet during the Late Period and during the Third Intermediate Period when Saite kings ruled, Nit's role as national Netjer flourished. In these times and into Ptolmaic-Roman times She is considered to be the wife of Khnum, a creator-Name from extreme southern Kemet, and the temple of Khnum and Nit at Esna contains many depictions of Nit along with the lates-fish sacred to Her cult.

No suggested offerings have been found yet in my searchings.

This prayer was writen by our Nisut(AUS) for the Feast of Nit, procession of Sobek:

As part of the Great Burning, Nit the Matrix, great red Lady of flames, and Sobek Who is embodied in the mighty crocodile are feasted along with Heru.

Three strong ones, three protectors, give Their blessings upon this day. Breathe in Their holy essence and feel the fire within yourself, making a warmth like never before.

I pray in the name of Nit Who Made All, and Sobek Who Protects All, for each of you.

Dua Heru! Dua Nit! Dua Sobek! Nekhtet!

Ptah: Creator
Great Name of Netjer of Mennefer, the capital of the dual Kemetic state for most of its history, Ptah is depicted as a mummified man wearing a skullcap and bearing the symbols of life, power and stability (ankh, was, djed) in his unfettered arms, standing on the plinth which is part of Ma'at's hieroglyphic name and was used as a straightedge by stonemasons and architects. Ptah is sometimes seen as an abstract form of the Self-Created One, Who effected creation through the actions of His heart (identified with Her-wer) and His tongue (identified with Djehuty), and Who "set all the Netjeru in their places and gave all things the breath of life." As a creator (and more directly involved with the physical act of creating than either Ra or Tem), Ptah is intimately connected with the plastic arts and especially with architecture and stonemasonry, and is patron of sculptors, painters, builders and carpenters, as well as anyone who creates with his or her hands. The transit which was the stock tool of masons, and the title of Ptah's High Priest, "Master Builder," would centuries later be picked up by a pseudo-Egyptian Western fraternal organization known to the world simply as Masonry.

Offerings to Ptah include anything created by one's own hands as well as tools used for such craftsmanship. Ptah is particularly fond of architecture, carpentry and sculture, and especially artistic work with the hands such as beading or work with precious metals, gems or glasswork.

A prayer to Ptah as all Gods given below uses many plays on words to equate Ptah with other Eminations of the Self-Created One. The gods represented by the puns in the hymn are given in brackets immediately following the words that are being punned:

Come in peace, Great One, Ptah-tatenen,
Father of Gods,
Eldest One of Zep Tepi,
Who created Gods and men, [Atum]
Who became [Khepera] the first God and all Who came after;
Who made the Sky [Nut] by His Heart's [Heru] wish,
raised it high like a feather [Shu];
Who made the Earth [Geb] His own,
circling it with ocean[Mehet-weret],
making it green. [Wadjet]
Who made the unseen world [Duat],
provided Ra to sail to the dead to warm them,
as King of Eternity, Lord of Forever [Wesir].
Lord of Life Who makes throats breathe [Serqet],
Who gives noses air, Whose grace lets us live,
Time, fate and fortune [Nit, nebt-het, Seshat] are His to command,
and we live by the words [Heka]
of His mouth [Djehuty].
He created all God's offerings in His Name of Nun, Primeval Waters.
Lord of Eternity, Protector of Forever, breathing life into all

Sekhmet: Lady of the Red Garment (Greek:Sachmis)
(Now we get to my favorite of all. i am going to go in great depth here, listing both research and personal experience as She is my spiritual Mother and the One I love most.)

This goddess’ name literally translated means “Mighty One,” or “Powerful One.” Her name is derived from the Egyptian word “sekhem,” which means “power” or “might.” Some of Sekhmet’s titles were “Powerful of Heart,” “The Scarlet Lady,” “Avenger of Wrongs,” “Lady of Flame,” “The One Before Whom Evil Trembles,” “Eye of Ra,” and “Lady of Slaughter.” Sekhmet is a goddess of many things: Healing, plague, power and protection. Since she is the Goddess who can cause plague, she can also cure it, much like vaccinations in thee days, where a patient is treated by injecting a small amount of the virus in question into the patient so that the patient 's immune system will build a defense to it. Although well-known for Her wrath, Her wrath was mostly directed towards what the Kemetic believed were evil spirits that caused sickness and disease, an many, if not all, of Sekhmet's priests and priestesses were doctors, and they were at the highest caliber of their trade at the time.

Sekhmet is also known as the power of the sun as you will see in the next paragraph. Sekhmet is known also as the protector of the just and deliverer of divine retribution. It is also said that She personally protected the Pharaohs Hot desert winds were believed to be this goddess’s breath, and her body was said to take on the bright glare of the midday sun. A very important goddess, it has been estimated that over seven hundred statues of Sekhmet once stood in the funerary temple of Amenhotep III, on the west bank of the Nile. Each statue was dedicated to a particular day of the year. During the Festival of Sekhmet, men and women “freed themselves of all unpleasant feelings, resentment, and repressed, angry passion” by drinking great quantities of wine. The white wine of Lower Egypt was the Wine of Bast; the more potent blood-red wine of Upper Egypt was called the Wine of Sekhmet. Similar festivals of Sekhmet were celebrated at the end of battle, in order to pacify the Goddess of War, so that there would be no more destruction. On such occasions, people danced and played music to soothe the wildness of the Goddess. The center of Her cult was in Memphis, and it is the lioness that is a sacred symbol to Her, as they are the representation of power.

One myth deals specifically with one of the major turning points in history and is the most well-known about Sekhmet. Humans had become too full of themselves, thinking themselves better than the very Gods and Goddesses that created them. This troubled Ra greatly, but He held off His anger until He could tolerate no more. He called forth His daughter, Sekhmet, and charged Her to wipe out only the rebellious sects of humans. Sekhmet did as She was told but began to develop a bloodlust and began hunting down all humans. Ra was greatly troubled by this and set a plan in motion. Near where Sekhmet was hunting, Ra poured red beer dyed with pomegranate juice to make it the color of blood. In Her crazed state, She did mistake the beer for blood and began consuming it until she became too drunk. Her rage left Her along with Her bloodlust, but She knew She had been duped. Angry, Sekhmet left the world. After She had departed, the sun began to lose it's strength. Ra went to Djehuty to ask for help, and Djehuty went under a guise to Sekhmet, wining her over with words of praise and flattery. Eventually, Sekhmet returned and became a power to protect the just and smite isfet.

I started my journey of learning of the Goddess from the Goddess Herself. She was the one who brought me into the Kemetic Orthodoxy through Her guidance. However, my learning did not stop with my personal experience with Her. I admire many things about her. She can be as compassionate as Aset, yet she will not hesitate to put you back on course (mess up and She'll give you a wake-up call you won't forget). She is very beautiful and very willing to help those who call upon Her. She is the Goddess I am closest to as She is my spiritual Mother. It is rather hard to type about her as nothing can truly do Her justice, as many might feel about a God or Goddess they are closest to She is the Daughter of Ra, the wife of Ptah and mother of Nefertem.

The “Hymn of Sekhmet” says: “Mine is a heart of carnelian, crimson as murder on a holy day. / Mine is a heart of corneal, the gnarled roots of a dogwood and the bursting of flowers. / I am the broken wax seal on my lover's letters. / I am the phoenix, the fiery sun, consuming and resuming myself. / I will what I will. / Mine is a heart of carnelian, blood red as the crest of a phoenix.”

In all of my experiences with Sekhmet, She is very protective of those of us who seek Her protection and very caring of us. She will not hesitate to discipline us, and any who seek to harm us She will turn her terrible wrath upon them. The following hymn to Sekhmet is the second part of a hymn to Her consort, Ptah, and is one I use quite often:

Unending praise to Your beautiful face,
Great Goddess of the House of Ptah,
Sekhmet the Great, Lady of Heaven,
Crown of Ra, Sacred Eye in the palace,
Crown of Ra, Sacred Eye in the temple.
His Wadjet in the palace,
His crown in the nigth-boat,
His companion in the day-boat.
She throws back the rebels He thwarts,
And goes agianst them, taking up a javalin;
Great Sekhmet, Ptah's Beloved,
Lady of Heaven, Mistress of the Two Lands!
Grant me a long, perfect life without suffering,
a body without isfet, clear vision, listening ears,
and a long, long life,
That I may be glorified as a great Akh, true of voice.

Seshat: the Female Scribe
Seshat is patroness of libraries and all forms of writing and notation including census, accounting, and other record-keeping. Consort to Djehuty Who invented the written word, Seshat is depicted assisting the ruler in the "stretching of the cord" ceremonies which marked the foundation-starting of major building projects, as well as recording the lives and deeds of men on the leaves of the sacred persea tree. She also often offers palm branches (the hieroglyph for "many years") as a gift to a ruler, as other Names offer ankhs (life). Seshat is depicted as a woman dressed in the long skirt and leopard-skin of a Sem priest, with an obscure symbol on Her head comprised of a seven-pointed star or rosette crowned by either downturned horns or a bow.

Offerings to Seshat are similar to those offered to her consort, Djehuty.

Hymn to Seshat:

We glorify Your Majesty,
We give praise before Your Face.
We exalt Your Power
Over the Gods and the Goddesses.
You are the Lady of Hymns,
The Mistress of the Library,
The Great Seshat
At the head of the Mansion of Records.

Shu: Dry
One of the two first creations of the Self-Created One, Tem, Shu is twin to Tefnut and embodies the concept of air, wind or atmosphere (Tefnut embodies the concept of airborne moisture, clouds, dew, or rain). Shu was invoked in antiquity to give a good wind to boats and metaphorically to "lift up" the spirits of the deceased in order that they might rise to the afterlife, depicted in the Pyramid Texts of the Old Kingdom as "lightland" existing above a "ladder" which Shu (or alternately, Heru and Set or Wesir and Set) held up. Shu is generally shown as a man with a single ostrich feather (the hieroglyph of His name, "shu") on His head; He is sometimes shown as a lion along with His sister/twin Tefnut. Shu's action to divide Geb and Nut allowed the creation of earthly life to occur. And so, symbolically, the ancient myths explain why there is wind/atmosphere (Shu) between the earth (Geb) and sky (Nut).

Shu accepts similar offerings as are offered to Tefnut.

Hymn to Shu:

Hail to thee Child of Ra, First-born, Flesh of his Flesh. By Him hast thou been tried since thy birth. Valorous One, Lord of the Transformations, overthrowing the impious each day. At the Breath of Thy Mouth the Ship rejoices, the vessel is made glad: for they perceive Shu, Son of Ra, triumph over His enemies and strike the impure with His spear. Be pilots the Sun to the heights of the Heavens from the dawning of each day. Tefnut rests upon His head. She darts out Her flames against His enemies and behold they are not. Formed by Ra, endowed with greatness, inherit 'Or of His father's Throne, His Powers expand and are one with the Powers of Ra.

Tauret: Great One of Birth (Greek name: Thoueris)
Thousands of smiling statues of hippopotami with pendulous breasts, long pleated hair and Hethert's horns-and-crescent headdress have been found as testament to the popularity of Taweret in ancient times as the protectress of childbearing women. She was also considered the main protectress of infants and children, along with Bes. The hippopotamus which is Her theophany was probably not venerated particularly for its mothering skills, but for brute strength and staying power - and its ability to scare just about anything that shouldn't be there away. In some texts, Taweret is also called "Opet," which is also the name given to the first festival of the Kemetic year held in honor of Amen and Mut at Karnak.

As a mother Goddess, Tauret accepts offerins similar to those of kemet's Great mother, the Goddess Hethert.

A beautiful prayer to Tauret was found on the stela of a woman buried near the temple of Hatshepsut at Deir-al-Bahri:

I give praise to Tauret,
in Her beautiful Name of 'One Who Comes in Perfection.'
I sing Her praises to heaven
and offer to Her ka everyday.
Be gracious to me, show me Your grace
Beautiful, Gracious One!
May You give me Your hand,
May You be my life's friend,
Bring me children!