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Posted: Fri Jun 05, 2009 11:35 pm
Furthermore, just for the record, I would like to respond to Commander Oblivious's recommendation regarding tense and the use of participles:
"She said, dropping the newspaper" is a past-tense sentence. The participle is not a tense change, regardless of how it might affect the sentence diagram. "She said. She dropped the newspaper" means something completely different. Also. It sounds. A little like William Shatner.
Sorry.
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Posted: Sat Jun 06, 2009 8:56 am
Yaaay! Thanks for the comments!
@beginning: Yeah, these are always tough. Maybe I'll tweak it if it really bugs a lot of people--thanks for bringing my attention to it in the first place.
@jump stations: I'll admit that I can't resist the opportunities to explain my work. Plus this is kind of more for me anyway, so I've got it set down and won't forget things. I dunno. If you find a better spot for it later on point it out.
@Shatner: Yeah, that's why I didn't do it. Although the Shatner comment made me giggle because in the original idea Hugh was Kirk. *lawl*
I look forward to further crits--this is great!
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Posted: Sat Jun 06, 2009 9:02 am
Hugh returned home in a sour mood. A reporter had managed to get onto IO and had wasted an hour of his time, trailing him through the outpost until Hugh lost her in one of the science wings. Maybe she would get an interesting story, but it wouldn’t be from him.
His attitude worsened when he approached his street and saw a couple of men very conspicuously camped out in the front yard, both undoubtedly carrying cameras. He wanted to shout at them to get off his property, destroy their cameras and leave him and his family alone, but contented himself with pausing on the sidewalk until they noticed him.
“This is private property, you know.”
They leapt up. “Hugh Evonovy?”
“I could have you arrested for trespassing.”
They quickly moved onto the sidewalk. “Just a word, Mr. Evonovy, just a word—”
“Like to talk to you. For the Trial. You read the Trial, don’t you?”
“Little interview for Starbitten, Mr. Evonovy, won’t take a minute.”
He shoved past them to the house; the reporter for Starbitten trailed hopefully behind him. “Come on, the readers love the shadraxi. Just tell them a little about your relationship with the ambassador, huh?”
“My life is private,” Hugh told him, unlocking and leaning against the door and barring entry in case the reporter tried to edge his way in. “Leave me and my family alone, please.”
The reporter tried to follow him inside, was rebuffed, and shouted as the door closed in his face, “Oh come on!”
Hugh leaned against the door for a moment, then made sure it was locked behind him. You could never trust reporters. Dropping his work satchel and overnight bag by the door, he called out, “I’m back! Hey, anybody home?”
Silence. He poked his head in the kitchen and study, then headed upstairs. Janet lay where she had been left, her dying twitches long since stilled, her eyes unstaring and her jaw slack. Hugh shouted upon seeing her, then ran around the house looking for his daughter, calling her name frantically, fumbling to pull his cell out of his pocket and dial the emergency number.
It didn’t take long for the emergency vehicles to show up, once he had coherently explained his problem and location. A cop took his statement while Hugh stared into space, seeing out of the corner of his eye Janet being taken away on a gurney. They’d be able to get at her harddrive, given it hadn’t been fried, and get her in a new model—she was important enough that people would want her back up and working.
She was important like he was important; only due to their proximity to Glitch.
Glitch.
He broke off in the middle of explaining how he had called emergency services, voice wavering. “What about my daughter? Can’t you figure out where she is?”
“We’re taking statements from the two reporters outside, and we’ll put out an alert, see if anyone’s seen her. We’ll let you know if anything comes up.” They were looking at him, slyly, sizing him up—he could tell. You didn’t work with the shadraxi for nine years without picking up body language.
He gave them a full description of her, her age, two pictures for identification; they warned him to stay close and answer the phone in case he got a ransom call, and they would have an officer with him at all times; someone came in and said quietly that the two reporters had been nearby all night and hadn’t seen anyone.
He stayed inside while they went out to question the neighbors and poke around the backyard for signs of entry over the fence, and a dark-haired female officer his age stayed inside and talked with him.
It became quickly obvious that even if the intruder had gotten in through the back they couldn’t have gotten back over with a young girl—no matter how light-boned the girl—without an accomplice, who the neighbors all swore they would have noticed. The reporters said again that they hadn’t seen anyone on the streets that night except for various joggers and dog-walkers, who they had watched go past.
And then someone mentioned the possibility of a telejump.
The room sprang to life as someone ordered people to get equipment and scan the entire house for traces of telejump radiation, now. Hugh turned to the woman officer.
“Is that a good thing?”
She looked grim for a moment, then smiled. “Jumping without the rings is very risky and very expensive—if we get definitive proof that our intruder did that then we might be able to trace it.”
He slumped down into a chair in the kitchen. “Oh. We—you could—”
“Maybe.”
The equipment turned out to be what were essentially Geiger counters; the investigators split up and wandered through the house, finding a hot spot down near the base of the stairs and another in Glitch’s room.
“Is that good? Can you find her?”
“Maybe,” one of the officers said. ‘No,’ his body language added.
They said they’d contact him if they found anything important or needed to ask anything else, then left.
He remembered that he should call Anasqil and tell him what happened, and slowly got to his feet, shuffling to the study. Anasqil answered quickly.
“Yes?”
“It’s Miracle,” Hugh said quietly. “Someone’s kidnapped her.”
He was immediately subjected to the full force of Anasqil’s surprise and rage; his feathers stood straight on end, quivering as if to simulate fire, and he let out a horrifying screech that made Hugh jump backwards in his seat. It took a moment for him to get control again, during which Hugh stared determinedly at a spot a foot to the left of the screen.
“Howwwww?”
Hugh looked back at Anasqil, whose feathers were still pointing up in exclamation points. “Telejump. Janet must have—must have heard them arrive—I found her at the top of the stairs when I got back—”
“Do they think they can find her?”
“They’re calling in the FBI—they do missing persons, children…I don’t know, Anasqil. They keep saying maybe but they cross their arms defensively, and I don’t think you can trace radiation back to the source. Not like this. I just—I don’t know.”
His feathers were slowly coming down.
“It’s all those bloody newspapers faults,” Hugh added miserably, murderously. “If they had just left well enough alone…”
“It is their purpose to seek out the truth.”
“No one even knew about her before they let the world know. This wouldn’t have happened if they’d just—”
“Hugh.”
He snapped out of his complaining. Anasqil had consistently called him by a whistle for eight years, and this clipped version of his name was startling and new. Anasqil’s eyes were molten gold, the fan of feathers on his head still raised in a half-threatening manner.
“Complaints will get you nowhere. I do not want to hear them.”
Hugh stared at him for a moment. “I don’t think they’re going to call with a ransom, Anasqil. I think she’s gone.” He hesitated, glanced down at his lap, then back up. “We have to go find her ourselves.”
“I will not shirk my duties.”
“Not even for Glitch?”
Anasqil turned his head to stare at Hugh with one eye. “Not even for my daughter. I am sorry, Hewww, but we take our honor system more seriously than you do. I will not and cannot leave my post.”
“You don’t care,” Hugh blurted out accusingly, immediately regretting it when Anasqil’s plumage flared up again.
“You don’t understand. I will exercise my contacts, Hewww, and I will send someone to act on my behalf if you insist on finding her yourself. I will do everything in my power that I can, and I advise you do the same. Wait for your FBI to turn up leads or results and demand them.” He turned his head and stared with the other eye. “If you must use my name as the other party in order to get results, you may, but use it wisely.”
Hugh suppressed the urge to break into hysterical giggles. “Thank you,” he whispered. “I—thank you. I’ll do that. You call me if you find anything and I’ll call you if I do.”
Anasqil looked at him head on and nodded curtly. “Good luck.”
“You too.”
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Posted: Wed Jun 10, 2009 2:59 pm
It didn’t take the press long to leap onto this new angle and scramble up it with any foothold they could find. The Trial, Starbitten, Linear Dusk; newspapers and tabloids, news radio and talk radio, television and websites. (The exception again being the National Enquirer, who was a step behind and just running their story on the newly-discovered half-shadraxi girl.)
“Bird-girl flown the coop!” Linear Dusk proclaimed. “Eight-year-old girl kidnapped,” the Trial announced in bold capitals and a modicum more modesty. Starbitten even ran a special edition dedicated to Glitch; columns guessed at how she came into being and who her shadraxi parent was, with the former amazingly missing the truth and the latter remarkably spot-on.
Every media outlet begged anyone who knew anything to go to the FBI with their information; any sightings were to be called in to a special hotline.
Hugh contacted his superiors and requested and duly received time off, and used what leverage he could with the authorities to get as much in the loop as he could. Anasqil called him every evening for three days and they exchanged any new information they had gotten along with wishes of good luck.
The intruder had entered the house using a still-experimental portable telejump lock, indicating an accomplice controlling the jump variables elsewhere. They had gone upstairs and encountered the gynoid Janet; there had been a scuffle and the unit was stabbed to break the protective skin and then tasered, once in the arm, once in the neck. The harddrive was, thankfully, recoverable if a bit damaged, and was in the process of being installed into a new unit, a long and intensive operation.
The intruder, having disabled the unit, went on into the child’s room, picked her up, and activated the telejump lock to leave the house. The good thing about a telejump lock, the authorities added, was that it took an immense amount of power and there were only a few public places that had that much power.
The telejump lock itself had not, the creators said, been stolen, and neither had the plans. They didn’t know where the intruders had gotten it, but it wasn’t theirs.
The place it had been plugged into was found three days after the kidnapping, a public telejump station that had experienced a slight power malfunction three days prior around midnight. Apparently, the two kidnappers had come in, paid their fare, and hijacked a booth, plugging the telejump lock into the system and temporarily rerouting all power to make the jump into the house. The power had been rerouted again to bring the first kidnapper and the child back to the station, where the equipment was quickly dismantled and put away, coordinates for a station across the country put in, and the kidnappers and their prize whisked away.
The police hit a dead end here. The operators for the station across the country said that no one had come through at midnight and yes they were absolutely positive.
Most of the media lost interest at this point and after the trail went cold returned to mainstream news and celebrity news, although Starbitten stubbornly continued to run columns wondering what had happened to the poor girl.
The fourth evening Anasqil called him, Hugh had made up his mind. “I’m going after her,” he said.
Anasqil didn’t even blink. “Of course you are. I will arrange transport for you and my go-between and I will allow you to charge any large,” he ruffled his feathers, “mandatory charges to my account. I will take over your position with your FBI as much as I can without being there and will try to keep you updated while you are gone.”
Hugh allowed himself a moment of shock. Of course Anasqil would have a plan of action.
“When do you intend to leave?”
He ran a hand through his hair. “I’m not sure. Tonight if at all possible, or early morning. As soon as possible.”
“Then you had better pack, and try to pack light,” Anasqil said shortly. “I will arrange as much as I can and call you at,” he turned his head to focus on a clock behind Hugh, “your one-o-clock. You have two hours, Hewwww.”
“I’ll be ready. Thanks.”
Anasqil disconnected with a curt nod, as usual, and Hugh started racing off to pack; a small suitcase was lugged out of the garage and crammed with changes of clothes and various books, while his overnight duffel bag was hastily emptied and repacked with a few more clothes, a couple of books he thought he might need at a moment’s notice, and a few personal effects. His laptop was already in the satchel he used for work, and he emptied the bag of papers and started putting in various things like empty notebooks, a flashlight, and a few shoelaces he pulled out of a drawer.
Halfway through this he stopped and stared at the thick white laces he held, wondering why he was doing this, and something absently floated to the top of his mind: a bit of string never hurt. And after that, a towel. Hugh shook his head and stuck the shoelaces in, running off to get a spare toothbrush, paste, and a razor to pack into his duffel, and as an afterthought a towel as well.
An hour passed while he packed, and the second hour oozed by as he fretfully double-checked everything to see nothing was missing. It was a relief to hear the chimes sounding him to the study.
“You are packed?”
“Yeah, yeah. Just checking over everything.”
“I have sent my agent to your location—make sure that you are ready when she arrives.”
“She?” Hugh sat down to catch his breath.
“Midhawra. She’s a freelancer and a private detective. And Hewww, make sure that you tell your employers you are leaving. It would not look good for you to vanish into thin air.”
“Oh sh—how soon will she—your girl—how long will she get here? I still have to call them—and speaking of calls, you’ve got my cell, right, in case I can’t get to my laptop?”
Anasqil nodded. “Yes. And you have ten minutes at least, so make the most of them. I will talk to you later.”
“Thanks.”
“Good luck.”
Hugh stared at the suddenly-black screen for a moment, then called IO to leave a message detailing that he was going to be gone for who knows how long—it was a family emergency—and could they just cover for him so the press didn’t leap all over this? Confident that he had told them everything he needed to, he turned off the netcam and computer, double-checked everything once again, and sat down to wait.
1:14 heralded a sharp rap on the door, which turned out to be a dun-colored shadraxi dressed in practical clothing altered to not cover the feathers on her arms and shoulders. Bizarre sandals were on her bird feet and the pants she wore designed particularly for the backwards knees of the alien race.
“Midhawra?” he asked. She nodded, an odd bob of the head.
“You’re Hugh, then? Right, come on, let’s go.” She grabbed the suitcase that Hugh had put by the door, letting him take the duffel and satchel. “Don’t forget to lock the door, we don’t know how long you’re going to be gone.”
A taxi was waiting outside for them. Midhawra took the suitcase down and put it in the boot, then came back for the duffel bag as Hugh fumbled with the door key. He paused after he locked the front door, staring at the townhouse that loomed up out of the early morning darkness, then turned and joined Midhawra in the taxi.
She was sitting like a bird, her legs folded beneath her on the seat of the cab. Watching him with keen black eyes, she said quietly, almost a croon, “I’m sorry to hear about this. Anasqil filled me in on the details and what I’m going to be doing, and I’d like to get a start on the investigating aspect but first we’re going to go to my boat and put your stuff away. And,” she bobbed her head like a pigeon, “I hope you’re not too offended if I ask you to stay there while I go take a look.”
He raised his eyebrows. “I’m not offended, but I’m not gonna stay there either.”
She bobbed her head in an almost shrugging manner, although it may have simply been the cab lurching to a stop at a red light. “Never hurts to ask.”
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Posted: Thu Jun 11, 2009 10:24 am
This is a good story so far. You do a good job introducing miracle's personal life...and I can see a lot of growth from the time you wrote 'return of the draken'. I'm a little confused as to what the talking bird thing is, but I'm sure that will be explained later. Already I have question's in my head. Why is Janet bald? How did miracle become half-bird?
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Posted: Thu Jun 11, 2009 11:20 am
Yay comment!
@previous writing: I still haven't finished that, you know. And what I'm posting is at least a year behind what I have written. (also wrong title but whatever.)
@talking birds: Those are the shadraxi. They're birdlike aliens. I've got notes if you want to see them.
@Janet: She's a robot--the proper term for a female android is gynoid, and she's bald because that's how she was manufactured.
@Miracle: Ahh, the million-dollar question. I doubt I'm ever going to bring this up in the story, so I will gleefully ramble about it here. Even if it is a long story. Hm. Let's see. Maybe I should PM you it instead. I don't think I can make it short. *frowns*
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Psychotic Maniacal Sanity Captain
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Posted: Thu Jun 11, 2009 1:42 pm
Jasper: Oh, don't PM it! I'd love to find out about Miracle, too. =O
And I just finished catching up with my reading. As for feedback, I'll try and do this as best I can. But, since I'm really tired due to exams, you'll have to excuse if I come across as rambly, or, annoying... Or whatever. =P
---· What do you think of the plot so far? The characters? The setting? So far I've been pretty drawn in by the entirety of the plot. I don't usually read much science fiction, or anything that I can parallel with your work, so you're doing a swell job of keeping my focus so far (even if exams have gotten in the way). The only problem I noticed has already been mentioned before (by Zyx I think), that you do jump into a fair bit of description of the telejump thingies a bit too quickly. Also, I lost focus a little when Hugh was packing, because some of the detail at this point seems superfluous, and unless you plan on bringing in a significance for these items later there's no point - if you are bringing them in later, I look forward to it. (There was a similar problem with some of the description of Janet getting ready for bed). I can't really explain why; I think it's just a personal preference, really.
As for your characters, I'm intrigued by Glitch, want to experience more of Jant (as I love robots, and she seems to be particularly interesting... Or maybe she just appeals to me...) I'm also intrigued by all of the shadraxi, and want to learn a little bit more about them, I think. Hugh isn't my kind of character, but that's a personal preference, and not based on anything nearly literary enough to warrent criticism. xd
:3 Other than that, though, I'm really enjoying it so far and I look forward to reading more.
---· What do you think could use some work? Is there anything that needs clarification? What do you think is good? Blergh, I think I covered this in the above section. I hope you don't mind... XP
---· Does the beginning draw you in? The beginning does indeed draw me in, and aside from a little loss of my focus part way through the fourth piece you put up, the rest of it is gripping. : D
---· Did you see any typos? Spelling? Grammar? Erm, I'm sure there was something I noticed when reading, but I have to apologise - I'm far too tired now to search through and find it. Needless to say it was nothing major, so I wouldn't worry about it at this stage.
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Posted: Thu Jun 11, 2009 2:57 pm
4laugh I'll put it up, then. Lessee. Anasqil and Hugh had been working together for a year (give or take a month or so) and were sightseeing on Earth a little bit before a conference--they had been assigned the gynoid Janet to keep track of time and make sure they got where they needed to be, and were in a bit of a hurry when they 'jumped to the conference. There was a minor bug in the system, or a power surge, or something--there was some unexplained variable during the jump, and bits of genetic material got mixed up and put in the most logical place--which was the fully-functional Janet. (Hey, it's soft SF, I can do what I want.) She developed fairly normally and was born on Earth, and lives with Hugh and Janet. That's why she's called Miracle (because to unmarried Hugh she is) and nicknamed Glitch (because, well, she is). You can see it in her surname--Shalad is Anasqil's surname and Evonovy is Hugh's.
Yep.
@infodump: Okay, I'll try trimming it if it really is that bad (which I suppose it is). And let's face it--for some of the description I was just padding in hopes of reaching my 1k daily goal. *sheepish shrug*
@shadraxi: You want my notes, PMS?
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Psychotic Maniacal Sanity Captain
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Posted: Thu Jun 11, 2009 4:17 pm
It's really not that bad, the infodump. I just thought I'd reiterate it so you know it's not just one person's opinion. :3
And, I really would like to see the notes. =O
I love the idea of how Glitch came into being. <3
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Posted: Mon Jun 15, 2009 1:17 pm
It didn’t take them long to get to the telejump station, and she got everything out of the boot while Hugh paid the cabbie. They went in, paid fare, got a cubicle, and went through the always-unnerving process of jumping. He heard Midhawra let out a crooning squawk once they landed, and he tentatively opened his eyes and was surprised to find himself looking at the telejump room walls of IO.
“IO?”
“Closest place to dock,” she replied, picking up his suitcase and leaving, walking along the corridors in the peculiar bird-like gait that all shadraxi shared. Hugh hurried to grab his other bags and follow her. “Tried to be as efficient as possible. Do you like coffee?”
“What?”
She paused, waiting for him to catch up, and looked at him with one eye. “You look like you could use some. How long have you been awake?”
“Uh.” He thought back through the day. “17 hours. It’s not that bad, really.”
“Hope you don’t mind if I have some when we get to my boat.”
“Um, okay.”
Her “boat” turned out to be a Sparrow-class starship, named for its small size. It was snug but clean, all the minor components and objects that might float loose during flight secured away in little cabinets; Hugh stored his luggage away in one such cabinet.
“His name’s Malakaminrana,” she said, pulling a packet of cocoa beans from under a console and popping a few in her parrot-like beak. “Flies smooth and quiet, registration and weapons licenses are in order, and clean as—you say—a whistle. Best I’ve ever had.”
Hugh made some appreciative noises. It was a nice little ship, he could see that. Midhawra crunched a few more beans, then put the little packet away again and left; Hugh chased after her.
“I’ve already figured out where we need to go,” she said, leading the way through the brightly-lit corridors of IO. “The station they went to first was 32, then—supposedly—five, and that’s where the trail goes cold. But these people are smart. Wouldn’t leave a trail like that. They probably input one or two fake destinations before actually leaving, although how many they did depends on how much of a hurry they were in—probably only one. So we’re gonna go to station 32 and get a look at the records, follow up on that lead, and see where it takes us.”
They passed by someone; Hugh vaguely recognized them and nodded as they passed, the other person smiling in return. They were, thankfully, the only other person Hugh and Midhawra saw until they made the jump back to Earth.
The operators at station 32 were reluctant to give records out, but relented when Hugh pointed out that his daughter was the missing girl and yes, Midhawra really was a private detective.
Two jumps had been made after the one logged to station 5. One jump was to station 15, the other to station 30; Midhawra made clicking noises as she thought.
“Split up, obviously,” she finally said. “One of them slipped into another booth and they did this to muck up the trail. Your FBI is pretty stupid, Hugh, and it would have been a lot nicer if they’d been able to track this down before we did because now we’re going to have to trace their trail all over the place and waste time.” Her gaze went from the records to Hugh. “And they’re most likely in space by now, too.”
“What?” He blinked and she blinked in return, then thanked the operators for their cooperation, slipped them a couple of bills, and headed back to the nearest cubicle; Hugh chased after her.
“It’s the vaguest endpoint,” she explained carefully. “Even if they jump all over the country—the world, even—they leave a trail. They can be traced that way. But if they jump up to an outpost where they’ve got their ship docked, well—there are a lot of ships to pick from. Or,” she let Hugh swipe his card and they both fell silent for the telejump, Hugh squeezing his eyes shut and gritting his teeth; two jumps in one day, one hour even, were more than he was used to. Midhawra, unfazed, picked up her train of thought effortlessly.
“Or they left the telejump system. Jump a few stations, meet back up, leave—just walk away into the city streets. But that’s not the real problem,” she added abruptly. “The real problem is how did they hide her? They can’t just say that she’s their daughter or niece or little sister or anything, because she looks like a human but she also doesn’t and someone would notice, right?”
“Um,” Hugh walked alongside her in IO’s corridors, pausing briefly to sort out what she was saying.
“Transportation, that’s the thing. Probably a box or something—a whole bunch of boxes. So my money’s on a jump up to an outpost— maybe even this one—with a load of crates—bringing maybe even a third person into the equation, or preplanned where the boxes were going to be, in which case this was remarkably premeditated, then onto a transport,” she paused to let Hugh into Malakaminrana first. “I’m guessing private, large enough for three people comfortably and a bunch of boxes, gonna have to run that against various types…” she finally trailed off and looked at him straight on.
“This is the sort of thing that we should tell Anasqil, isn’t it?”
“And the FBI,” he agreed.
She nodded. “Right. I think it’s probably best that you stay out of sight—I’ll call Anasqil first, then your FBI, or maybe even let him do it if he can remember everything. You have a laptop?”
“Oh, yes!” He crossed the small room to stare at the metal cabinets. “In my workbag, wherever that is.”
“Get it out and start cross-referencing my ideas to a list of ships—remember, large enough for three people at least, transport or cargo ship, then run those against a log of boats docked here, and don’t forget to add that it’s private.”
Hugh started opening cabinets to find his workbag, saying, “How do you figure all this stuff out?”
“I could explain but that would just waste more time,” she replied, ducking into the cockpit.
*
Glitch liked songs. Loved music. She wasn’t used to this sort of reverberation, though.
The man in the staring wooden owl mask glanced over at her. She stared back and wiggled her fingers tentatively. Her wrists were bound together with something the color of aerogel and the consistency of glue, and this substance was smeared all the way up to her elbows down to her fingertips. The man wiggled his fingers in return, then turned back to the console and turned the music up a little more.
The national anthem of the long-dead Soviet Union assaulted Glitch’s ears and made her bones vibrate, and she made a small whimper in the back of her throat inaudible to her captors. The other man, in a wooden raven mask, was sitting in the other chair and making motions as if he were conducting, and for all she knew he very well could have been. He certainly looked like he knew what he was doing.
With a roaring crescendo the voices and music ended, and the man in the owl mask reached over and turned off the volume. He turned in his chair to face Glitch, and when he spoke his voice was a low monotone.
“Now, wasn’t that nice. Nothing like a good bit of music to lift up the soul.”
The other man spoke as well, although not in a monotone; either he wasn’t as good at it as his companion was or he simply loved the rise and fall of his own voice. She got the impression he would have sung along to the various anthems they played if he knew any of the words. “What would you like to hear next? Perhaps some rock and roll?”
She shook her head. They had listened to ear-shattering drums and electric guitar yesterday, and Glitch had come to the conclusion that she didn’t much like rock and roll.
“We can keep listening to national anthems, if you like. Here, I’m sure there’s a Radshadraxi one on here somewhere. Are you Radshadraxi?”
She blinked. Her father Anasqil had spoken Radshadraxi to her before—it was full of clicks and hoots and she had never quite gotten the hang of it. Wietzl was her preferred language, consisting mainly of whistling. She liked to pretend, on Earth, that the birds were speaking Wietzl and she would always try and figure out what they were saying, but Anasqil had told her, when she asked, that they spoke a different dialect.
After a moment she shook her head.
“Not Radshadraxi, huh?”
Ravenface made a little note on a pad he carried around. It was one of his distinguishing features, as Glitch had noticed they liked to trade masks to confuse her. The man currently wearing the raven mask was thinner than his companion, who was more muscularly built—a fact they masked by wearing dark colors like black and dark brown. They also wore gloves and hoods; she had never seen any glimpses of skin or hair.
She shifted slightly, her legs stiff from sitting, and leaned her head against the wall. It was a large enough cockpit, with both men in chairs and she on the floor just behind them. There were two other people, a man and a woman, wearing black and bizarre parrot masks, but they tended to stay in the cargo hold with the crates. Both had tasers.
Owlmask probably had a taser too but Glitch had never seen it, not in four days.
Ravenface got to his feet and stretched luxuriously, leaving the cockpit with a cheery whistle. “Time for dinner, then. What would you like?”
Owlmask didn’t respond. Glitch whimpered again and he looked at her, the same way he had looked at her when he had first appeared, wearing the raven mask and a horrendous hooded jacket covered in black feathers, a terrifying mockery of the shadraxi. She remembered it mostly as a blur, except for his eyes, completely shadowed until he had moved close with a rag to put over her mouth and nose.
Color had been indistinguishable in the darkness, iris and pupil blending together in a mass of black; his eyes had been wide, showing a ring of white all around the black, and they were a bold white as if they were glowing.
Ravenface returned, tossing a packet to Owlmask who caught it deftly. Without another word Ravenface vanished again, and Owlmask gave the packet a brief glance over before setting it down and looking at Glitch.
“Now,” he said, “if you decide you want to be good, I’ll take that stuff off your arms.”
She hesitated, then nodded. The past few days they had fed her themselves, and after she scratched up a spoon on the second day—she had refused to eat the first, until they assured her that the packets were unharmed and they would even open them in front of her—they had handfed her, and then she nipped Ravenface on the finger yesterday and hadn’t gotten breakfast. It would be a relief to be able to eat by herself again.
He moved forward and crouched in front of her. “Hold out your hands.” She did and he started up at her elbows, taking the utmost care to dig his fingers under the putty and roll it forward. There was a bit of trouble around her wrists, where the putty was stuck together, but he finally tugged it off her and watched as she stretched her arms. Then he got up and gave her the packet.
Sausage and baked beans. She would have been glad of toast to put it on but contented herself with eating with her fingers. She held the packet out when she was done and licked her fingers, wiping them carefully on the shirt they had given her.
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Posted: Tue Jun 16, 2009 10:06 pm
Comments regarding story posts 3 and 4:
Section 3 (LOL moment: biting the reporter's finger is a great image.)
1. Request: Can we hear a little more specifically about the wigs, or about Janet's room? It seemed a bit abrupt to suddenly be in a wig closet, and if Janet is spending that long on the wigs, I'd kind of like to have the description mirror the elapsed time. Have her, say, work on a red curly wig, then a straight black one, etc. Also, I can't quite tell if she considers this a chore, or finds it pleasant and therapeutic. Even though she's about to die, I think it would be nice to get to know her a little. If nothing else, it will help us sympathize more deeply with Hugh's grief.
2. Minor quibble: "mace dispenser"? Mace typically comes in cans, so why is this a dispenser? I might not have read closely enough, but I was sort of confused as to whether or not this was the usual aerosol can, as the use of the verb "to spray" suggests later. Also, I think "Mace" may be a brand name, though it seems to have gone common-noun like "Kleenex" and "Band-Aid."
3. Not a critique, just something I find interesting and rather disturbing: I like that the intruder is using a taser, because it evokes brutality and pain very effectively. But I can't help but think that it must be a product of our time/generation that makes those conceptual associations possible. Of course, science fiction has always had electrical weapons: "nerve disruptors" and the like, but we no longer need to use that kind of made-up terminology. We've caught up to the imaginary threat: "Don't tase me, bro."
Section 4: 1. Brief "LOL" moment: The fact that one of the newspapers is called the Trial cracks me up, because I keep thinking of the Kafka story by that name.
2. This section could be a good place to stick in your explanation of telejumping. If it were me, I might start in right after the sentence, "And then someone mentioned a telejump." Just a brief definition that builds on the stuff we saw when Hugh went off to work (I mean, we do have to see the station, but I stand by my assertion that the mechanics slow things down), Then a little history, but I wouldn't get too technical until after the comment about how it's dangerous without the rings. After that, make sure that by the time the Geiger counters are introduced (or just after) the reader gets why they want to pick up radiation. Basically what I'm saying is that it's just as well to wait until the information is necessary (which is here) before putting it in. (Besides, the reader might have forgotten by this time if you put it in too early). It's natural enough to put in information that the characters might be discussing without describing every line of dialog. Since dialog alone wouldn't sufficiently enlighten the reader (characters never mention what's obvious to them) it will be good rather than weird that you're slipping in extra information for the audience's benefit. If you don't put more than a paragraph of exposition in between lines of dialog or description of character action, that will also lengthen what is otherwise a rather abrreviated conversation without actually interrupting it. (Personally, I tend to like the use of description as a form of pacing in what I read, but of course there's nothing wrong with abbreviation if you think the discussion shouldn't feel very long.)
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Posted: Tue Jun 16, 2009 11:42 pm
Gratuitous dorky addendum . . .
About those Geiger counters. . . why, exactly, is radiation part of the telejump process? What's it doing, and what are they trying to pick up? It's okay if you don't have this part down, since people will take it on faith that cool, futuristic technology might involve radiation, but if you want to make it more nitty-gritty, here's some stuff to consider (much of which you may already know):
Geiger counters are about the same thing as "Geiger-Muller tubes," or "GM tubes" for short. They are a member of the general class "radiation detector" or "radiation meter," or, more specifically, "contamination detector/meter." (I'll explain the "contamination" part in a minute, bear with me.) Not all of which are entirely interchangeable, but close enough for your purposes. Most of your readers don't know that any of these terms are current, rather than cool and futuristic, so you can slip any of them in instead of "basically Geiger counters," and gain not only cool points from the uninitiated, but geek-love points from those of us who do know the terms.
However, this all hinges on whether telejump radiation is anything like regular radiation. Radioactive materials give off one of three different types of radiation: alpha, beta, or gamma. Alpha particles (yes, particles, not waves) are basically helium nuclei: relatively large with two units of positive charge, since they've got no electrons. They are given off by heavy radioactive elements like plutonium or uranium, Alphas are relatively harmless, as long as you don't eat them snort them, or inhale them. Because they interact with matter really easily: a piece of paper or the layer of dead skin on your hands will stop them, but if you get them on your mucus membranes or into your blood stream. . . ow.
Beta particles are basically flying electrons. They're not too hard to stop, and often aren't very high energy, but shielding them is kind of funny. Usually, people think of lead as a radiation shield, but that's actually one of the worst things you can use to stop betas. Betas interact with the lead in such a way that while the betas may go away, they generate a whole bunch of gammas. You stop betas with a layer of wood, plastic, or paraffin. Basically, lightweight, low-density kinds of things. Many GM tubes have a little plastic shield in case you only want to detect gammas, not betas.
Gamma rays are pretty much electromagnetic radiation. They're not necessarily more harmful than the other kinds, but they are very penetrating. It takes a fairly dense material to very effectively shield gammas. They're given off by a lot of things. (Find an online copy of the "Chart of the Nuclides" to get more information about the emitted radiation of all kinds of radio-isotopes than you ever wanted.)
The most important question, though, is whether or not you're looking for contamination. Contamination just means "radioactive material where it doesn't belong." So, when you're looking for contamination, you want to pick up any radiation, no matter how low-energy and harmless. GM tubes are great for that. Whenever any radiation interacts with the fill gas in the detector, the whole chamber ionizes, which sends an electrical pulse through the circuitry. (Also, just to clarify, when I say "detector" and "chamber," I'm talking about a little bubble inside the casing, not the big rectangular box.) The needle jumps, and you get that iconic "CHNK" noise, or, on some models, "GLEEP" or "BLIP." What you're measuring is "activity," in CPM (counts per minute), which is related to "decays per minute," but has nothing to do with the energy of the radiation.
So if what you're thinking about is a scattering of radioactive dust that isn't too dangerous, but is identifiable as resulting from a telejump, GM tubes are what you want. (Basically, "Aha! The distinctive droppings of the telejump! . . . I had better not walk through here or I will track this stuff everywhere.") This may be especially cool because you can stick a sample of the dust into a special detector (we usually used a gamma spec) and find out based on the specific energy of radiation emitted exactly what isotopes are in the dust.
However, if what you're looking for really is "levels" of radiation, in the sense of "I don't want to walk into this area because I will get cooked," then GM tubes are a Really Bad Idea. You're probably still talking about radioactive dust, unless you want to suggest that there's a device planted in the house that is generating a field, but the detection requirements are quite different.
When I say "field," what I mean is an area in which there is radiation. Picture it as sort of like heat: as you enter a sauna, there is a certain amount of heat, and if you stay there for a given amount of time, you will absorb heat to a predictable degree. Radiation fields are measured in "dose rate" or "exposure rate," (units of Rem per hour or Rad per hour, respectively, at least in this country, abbreviated Rem/hr, R/hr). If you stand in a field of 10 R/hr for one hour, you have received 10 REM, which will make the government unhappy, but will not do any noticeable damage, and quite likely none at all. (I think the highest field I ever entered while at the reactor was about 9 mRem-as in, 9/1000 Rem-and I was only there for a few minutes at a time, and not all at once.) And the strength of the field diminishes considerably as you move away from the source.
Just for reference as far as dose severity: you get about 1 mRem every day just being alive. 100 Rem (within a 24 hr period) is just high enough that you might be noticeably affected-maybe your blood composition will be a little different, but you'll probably still feel normal. 300-600 Rem will definitely give you some kind of radiation sickness. Anything above 600 Rem is bad news, because I think that's about the LD-50, though you're better off if you get immediate medical care. Don't get 1000 Rem within 24 hours. Just--don't. But a 300 Rem/hr field might still be okay to enter, as long as you're in and out really quickly. It all depends.
Okay, sidetracked there. Detection requirements. On TV and in the movies people almost always use Geiger counters to detect radiation, no matter what, because they make that static-y sound. However, at a certain point, the detector is emitting so many individual clicks (which correspond to ionization events) that it "swamps." There's just too much radiation, so it basically gets stuck in mid-click. That's not safe.
Here's why: You've got the thing turned on, you start walking in the direction of a radiation source, and it clicks faster and faster until it's clicking almost continuously. . . then it stops. You are standing with the thing basically dead in your hand, totally silent. You can walk around all you like, but you won't know whether the field is getting weaker or stronger unless you manage to wander out of it for long enough for your detector to recover. Even worse, you have no idea how dangerous the radiation is: it's impossible to translate cpm into Rem unless you not only exactly what isotope(s) are there, but have specifically calibrated that particular detector to read out dose rate for that exact isotope/combination of isotopes. And you haven't. Just trust me on this one. There are almost zero scenarios in which that's practical or likely.
If you have a field, what you want is a "dose rate meter." Those are a bit more expensive, but the design isn't all that different. They still have a fill gas inside the detector that ionizes in response to radiation, but the ionization is relative to the energy of the radiation coming in. There are a number of different ways to measure dose rate. The most common hand-held variety is the "ion chamber" (yes, that's its real name). "Compensated GM tubes" are also good for dose rate (I've never seen a detector that can switch from GM to compensated GM, since it has to do with shielding that envelops the entire detector portion-inside the casing,)
Field and contamination are not mutually exclusive. If you have a lot of contamination, and it's giving out high-energy radiation, then it could generate a pretty significant field. But fields can also be put out by "sources"-little chunks of very radioactive stuff. (Radioactivity is measured in curies. It's not the same as radiation, but this thing is already too long, so we'll just gloss over that.)
Anyways. . . way too much info. In case it amuses you, and/or helps with your story mechanics.
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Posted: Wed Jun 17, 2009 10:31 am
Woah, that is a majorly nerdtastic post there.
@description: Yeah, I really should elaborate a bit more on Janet's habits--I just wanted to get to the fight scene. sweatdrop
@mace: It's a design feature. She's got something like a regular little thing of mace installed in her arm to help her ward off attackers.
@taser: I hadn't thought of that, but maybe I did subconsciously. I was just thinking "what would knock out a robot?" (hence why they used the knife, to break the protective skin and get to the tender interior.) But I'm glad that the taser made the attack brutal--it was supposed to be.
@telejumping: Ah, thanks. I will try rearranging stuff when I can. You're right--that does seem a better place.
@geiger counters: AH, my lack of knowledge shows. I dunno, I just had to find a way for them to confirm a theory and it seemed that anything using a crapton of energy to teleport people hither and yon would leave some sort of trace. Am I right in that thought? I suppose you can (help me) iron out how a telejump would work but as this is fairly soft SF I thought I'd just sort of leave it alone. sweatdrop That was a pretty interesting bit of info, though, even if it did leave me feeling like I was doing something wrong. @.@
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Posted: Wed Jun 17, 2009 1:16 pm
What do you think of the plot so far? The characters? The setting?
The plot overall is good, and I like the characters. The setting is fine...not too outlandish, which makes it easier to comprehend. What do you think could use some work? Is there anything that needs clarification? What do you think is good?
I have been reading through the posts, and it's been holding my attention very well. The only thing that confused me was [the female bird agent...forget the name] chewing cocoa beans after asking Hugh if he wanted coffee...it just seemed random. Do cocoa beans serve the same purpose as coffee? Is it a personal vice?
I don't know that it really needs clarification, but I am interestedin the gynoid, Janet...just how human-like is she? How did she come into existance? Are there more like her? Maybe not relevant to the story, but I'm curious.
Does the beginning draw you in? Yes, it hooked me and I kept reading. Well done.
Did you see any typos? Spelling? Grammar? No, but I rarely do when I am reading at my usual speed...plus, you probably know by now spell-checking is not my forte xd
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Posted: Wed Jun 17, 2009 4:34 pm
Jasper Riddle The media discovered Glitch when she was eight. Descriptions of the poor girl flooded the newspapers and radiowaves. “Covered in a fine layer of feathers, like a bird;” “her expression is one of perpetual curiosity, her large eyes taking everything in as if trying to discover how she is different from everyone else—and why;” “she hobbles across the yard to fetch a book that someone had left there, her bobbing, staggering walk almost painful to watch.” Three pictures circulated through the newspapers, each of a small girl dressed in a shoulderless haltertop dress, the tufts of feathers on her shoulders flared up. The few long feathers on the back of her head were pointed upwards like a proliferation of question marks. In one picture she was wide-eyed and staring like a bird of prey, head cocked slightly to one side; in another she smiled to reveal the miniature beak, a fusion of her two upper front teeth. The pictures were in startling color and splashed across the front page, revealing in peculiar detail the odd blackish-red tint to her feathers, her light brown skin and hair, her large feet in their lumpy boots. Hugh swore. Janet glanced up from her book, eyebrows raised; her bald head glimmered slightly in the morning sun, specks of silver among the Caucasian white, and Hugh carefully folded the paper in half and slid it across the table to her, relevant story on top. She looked at it and inhaled sharply. Dropping the book she snagged the newspaper, reading the accompanying article far faster than Hugh ever could. There was a moment of silence after she finished, then Hugh tapped his fingers impatiently on the table. “So what do they say about my daughter?” Janet gently closed and folded the newspaper again. “Apparently someone had gotten curious as to Anasqil’s frequent visits and decided one day to track him, revealing the—“ she scanned the front page briefly for a quote, then decided against it “—relationship between he and us.” Hugh grunted, running a hand through his brown hair. “You make sure Glitch doesn’t see this. Burn it or whatever.” He grabbed the paper as she reached for it. “Only the relevant pages. She’ll get suspicious if there’s no newspaper.” Janet plucked it from his fingers and got to her feet. “Understood. Oh, and it’s your turn to make breakfast—I’ll go wake her up when I’m done with this.” Waving the newspaper absently, she left the room. Hugh grunted, staying seated for a moment. It didn’t matter if he didn’t read it here; someone would almost certainly mention it at work, and some idiot might even shove the paper in his face and pester him with questions. And—oh hell—the reporters, he’d have to deal with them, too. He’d get Janet to deal with them. She could compartmentalize and resist the urge to hit them. Getting up and heading towards the kitchen, Hugh worried about what he’d have to do to make sure Glitch wasn’t scared or overwhelmed by all the new attention she would be getting. Bacon was sizzling in the pan by the time Janet returned and tossed the newspaper on the table. “Switched out that cover page for yesterdays—I don’t think she’ll notice. The other one’s been burned,” she added dryly, rinsing her hands. “Just don’t worry so much, Hugh—I’ll call up Anasqil and his wife and let them know what’s going on, although they may have already heard.” “Someone’s probably bothering him right now,” he muttered, scraping up the bacon and putting it on a paper towel to cool. Getting a few eggs out of the fridge, he cracked them open a little more harshly than normal, getting fragments of eggshell mixed in with the yolk and grease; he swore again under his breath and tried to pick them all out, getting the larger pieces with quick grabs, but the grease was hot and he missed the smaller pieces. Glancing over his shoulder, he saw that Janet had already gone upstairs. Continuing to mutter, he started scrambling the eggs and mixing them in with the leftover bacon fat, adding salt and dashes of pepper. He could vaguely hear voices and people walking around on the floor above, marking that his daughter was up and about now and would soon come down demanding food and the daily comics. She came hobbling down the stairs soon, barefoot, her scaly, bony feet quiet on the carpet. “Morning,” she chirped at her father, grinning to reveal the frontbeak. “Good morning,” he replied, smiling back. “Bacon’s ready, and the eggs’ll be done soon—no toast, sorry.” She stuck her tongue out at him. “Are we out of bread?” “No, I just haven’t made it yet.” He flicked off the burner on the stove and moved over to get a plate out of a cabinet, handing it to her and then grabbing one for himself. Two pieces of bread went in the toaster and Hugh and Glitch contented themselves with eating bacon off the paper towel until the toast was done. “How’d you sleep?” She shrugged, folding up a piece of bacon and sticking it whole in her mouth. “Any headaches?” She shook her head, watching him put toast and eggs on her plate. “Finish your reading?” He handed the plate to her and she wandered over to the small kitchen table, taking the sunny spot where Janet had been sitting before. “Almost. It’s kinda boring.” He watched her pile the eggs onto her toast with her fingers, then turned back and put the remaining eggs and piece of toast on his own plate, grabbing the jar of blueberry jam out of the fridge as he passed it and closing the fridge door with his foot. Glitch didn’t like cutlery and it didn’t like her. The frontbeak made it difficult to use forks without scratching them, so she would often rearrange things to eat them with her hands. He watched her out of the corner of his eye as he spread jam on his toast. “Want juice?” She nodded. “Apple?” “Okay.” Janet returned from upstairs at this point. She was wearing a blonde wig today, long and straight and pulled away from her face with a pair of barrettes. “Hugh, don’t forget to call Anasqil.” “I’ll do it before I leave for work, okay?” He glanced at her warningly and she nodded, eyebrows raised. “You’ve got egg on your moustache.” “Not yet,” he protested. “Haven’t even touched my eggs.” After breakfast Janet and Glitch—more properly known as Miracle—went outside in the backyard to do some homework, and Hugh finished cleaning up and went to his study. The image on the netcam was blurry but there, bouncing from satellite to satellite across space to get from one star to the other. Anasqil was clearly annoyed and squawked in irritation when he saw Hugh, his black-red feathers fluffed up. “You woke me up,” he said accusingly, golden raptor eyes glaring. “It’s about Miracle,” Hugh replied. The feathers on Anasqil’s shoulders and head flared up threatening for an instant before settling down again. “Some photographer—some reporter found her. She’s on the damned front page of the Trial and I’ll bet that’s not the only newspaper that’s suddenly discovered our daughter.” The only newspaper, in fact, that might not be interested was the National Enquirer, who had been building up to a story on Elvis being a shadraxi for a week and weren’t about to cancel that story for a real half-shadraxi. Hugh watched Anasqil’s feathers flare up again, black at the roots segueing into violent red; all the long feathers on his arms, head, and shoulders stood straight up like a peacock’s tail, presenting a fairly intimidating image. But as soon as it came it went, and everything smoothed down again. “Just try to avoid them,” he said. “Keep a low profile, as they say, and don’t make a big deal. I will see what I can do and you must see what you can do.” Hugh sighed. “Okay. Thanks—and just watch out, they might be after you, too.” He refrained from telling Anasqil it might have been his fault they found her. “You watch out too. You are more easily accessible.” Hugh snorted. “Yeah, good point. But you’re married.” Anasqil ruffled his feathers. “We will both watch out, and I will warn my family. How is Mir-a-cle?” He had turned her name into a series of notes, starting high and sliding down. “She’s fine. Doesn’t even know yet. I don’t know how to tell her.” He turned his head slightly and stared at Hugh with one eye, putting his curved beak into profile. “You must warn her.” “I know.” Hugh ran a hand through his hair again. “I will.” “ Hewwwww…” He had also turned Hugh’s name into a whistle; it had taken three years for Hugh to get used to it. “I will, don’t worry.” He sighed. “Would you like to go back to sleep?” “Yes.” “Sleep well, then.” Anasqil nodded once, curtly, and disconnected. Hugh stared at the black screen for a moment, then turned it off and left the study. I'm going to review this one post at a time, that way it won't be a long jumble reviews. Ok first thing that's a pet peeve of mine is the words got and get, in all their forms, especially in third person. In forst person (past or present) i can accept it better because I know its the character's voice that's saying got or get. But in third person you, the author, are the one to blame. You can come up with so many different words. Lets take this sentance for example. "He’d get Janet to deal with them. She could compartmentalize and resist the urge to hit them. Getting up and heading towards the kitchen, Hugh worried about what he’d have to do to make sure Glitch wasn’t scared or overwhelmed by all the new attention she would be getting."He'd have Janet deal with them.... Standing up and heading towards the kitchen (by the way you could just say "Walking to the kitchen" we really don't need to know every move she makes) Hugh worried about what he'd have to do to make sure Glitch wasn't scared or overwhelmed by all the new attention she would be objected to. Then there were a few things that didn't seem to fit. Like when Glitch stuck her tongue out at her father. I could see her sticking it out laszily and rolling her eyes, but not in the defiant (sp?) manner that it usually means. Also, some of the diolgue seems stilted to me. Maybe if made the characters asume things like " Want some juice," he asked, "wait of course you do." "Actually, no. Think I'll skip it." "Really? Well what about toast?" "Okay." See that kinda raises the question of why she didn't want it plus it makes the back and forth thing more interesting. As for the beginning it didn't really draw me in as much as I think it could have. I wonder, do they have paperboys? Or something like that? If so you could start with the bang the paper would make when it hit the door, or you could have Hugh or Janet contemplating something (its always fun to open up with your characters ranting in their heads about their political/social views...or at least I like reading those types of openings) and then the paper hitting the door knocks them back to reality. Just some sort of simple action gets the reader curious, or hey maybe you could throw an asumtion in there and it be more intriquing, like Janet thinking the bang on the door was her mother in law. lol Lastly, and this is something I do to, you dont have to describe everything your character does. I'm a very visual person, and so when I write in 3rd person I tend to descibe every movement my character makes. However, this is unessacary. I had to admit, when I first read this I skipped over some of the more detailed parts about the eggs and the cooking and what not. Why? Because I felt it didn't lead anywhere and didn't keep me guessing. Now showing the setting is one thing, showing what your character is doing all the time is another. I suggest you cut back a few of those types of sentances and allow the reader to guess a little. Sure, you can desribe the kitchen, but dont describe everything Hugh is doing in the kitchen. Let the reader guess what they are having for breakfast or just reveal it in the dialogue. ok that's my 2 cents, if you want a full on critique (dealing mostly with the content ie characters, plot, ect) visit my shop. And if you want a 2nd opinion try Forsaken_Blessing's shop. I highly recommend her.
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